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Two Designs for Festoons, Pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper, Horizontal rectangle showing designs for two festoons. At left, a crown; at right, a helmet and shield. Verso: part of an accounting, ending with 14:8. Sketches with black crayon., Italy, 1775–1785, ornament, Drawing Image details File size:
32.5 MB (1.4 MB Compressed download)
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Dimensions:
5111 x 2221 px | 43.3 x 18.8 cm | 17 x 7.4 inches | 300dpi
Date taken:
2 October 2020
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This image could have imperfections as it’s either historical or reportage.
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Similar stock images Drawing, Two Designs for Festoons; Attributed to Giuseppe Bernardino Bison (Italian, 1762 - 1844); Italy; pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/drawing-two-designs-for-festoons-attributed-to-giuseppe-bernardino-bison-italian-1762-1844-italy-pen-and-brown-ink-brush-and-grey-wash-graphite-framing-lines-on-cream-laid-paper-image546085435.html RM 2PMC9F7 – Drawing, Two Designs for Festoons; Attributed to Giuseppe Bernardino Bison (Italian, 1762 - 1844); Italy; pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper Designs for Two Ewers and a Swing-Handle Bowl, Pen and brown ink, black chalk on cream laid paper, At left: design for bowl with swing handle. The handle, decorated with applied female forms, is formed by double arches that are connected in the middle by a ring and are hooked to each side of the bowl's rim between the horns of goats' heads. The bowl's body is ornamented with draped festoons, acanthus leaves and a central female mask with fan diadem. 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The leg is a round post of increasing diameter springing from a calyx, entwined by a garland, with a fluted capital. Frame and top form an entablature, with drapery festoons in the frieze. The left side of a table. The leg is a gaine with a satyr's head and a drapery, with a tortoise as a foot. The legs are connected below with a central motif Two Designs for Console Tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two left sides. At left: the support is a siren with a tail forming a circle below the center of the frame, with the representation of three figures in the inside. One scroll downards. The frame is supported by the shoulder, the top by the head. At right chimerae with the busts of women with butterfly wings and raised arms are the supports. Below they are connected by a wreath. 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At left: the support is a siren with a tail forming a circle below the center of the frame, with the representation of three figures in the inside. One scroll downards. The frame is supported by the shoulder, the top by the head. At right chimerae with the busts of women with butterfly wings and raised arms are the supports. Below they are connected by a wreath. Below the frame is a calyx or a shell Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left halves are shown. Left row: an entablature is supported by a column with a frieze and representations around it; it is without a capital. Below: the entablature is supported by two caryatids standing upon bases. Center: the opening is framed by stripes. The upper part is decorated with drapery festoons. In front, at left, a trophy of carpenter tools, in the center an Egyptian head, behind which are a carpenter's square, an oar and trident Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/designs-for-a-mantelpiece-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-the-left-halves-are-shown-left-row-an-entablature-is-supported-by-a-column-with-a-frieze-and-representations-around-it-it-is-without-a-capital-below-the-entablature-is-supported-by-two-caryatids-standing-upon-bases-center-the-opening-is-framed-by-stripes-the-upper-part-is-decorated-with-drapery-festoons-in-front-at-left-a-trophy-of-carpenter-tools-in-the-center-an-egyptian-head-behind-which-are-a-carpenters-square-an-oar-and-trident-image391100728.html RM 2DM84Y4 – Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left halves are shown. Left row: an entablature is supported by a column with a frieze and representations around it; it is without a capital. Below: the entablature is supported by two caryatids standing upon bases. Center: the opening is framed by stripes. The upper part is decorated with drapery festoons. In front, at left, a trophy of carpenter tools, in the center an Egyptian head, behind which are a carpenter's square, an oar and trident Six Designs for Alcove Elevations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Each with a central main entrance and two lateral lower ones. The lower part of the ceiling is vaulted. Left row, above: beside the central opening are two Ionic columns; laterally are door openings in somewhat projecting walls; above is an entablature with, on top, figures. Figures standing above the columns and sitting putti at the ends, connected by festoons. Below: the central opening has the shape of that in a circular tent Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/six-designs-for-alcove-elevations-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-each-with-a-central-main-entrance-and-two-lateral-lower-ones-the-lower-part-of-the-ceiling-is-vaulted-left-row-above-beside-the-central-opening-are-two-ionic-columns-laterally-are-door-openings-in-somewhat-projecting-walls-above-is-an-entablature-with-on-top-figures-figures-standing-above-the-columns-and-sitting-putti-at-the-ends-connected-by-festoons-below-the-central-opening-has-the-shape-of-that-in-a-circular-tent-image391104752.html RM 2DM8A2T – Six Designs for Alcove Elevations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Each with a central main entrance and two lateral lower ones. The lower part of the ceiling is vaulted. Left row, above: beside the central opening are two Ionic columns; laterally are door openings in somewhat projecting walls; above is an entablature with, on top, figures. Figures standing above the columns and sitting putti at the ends, connected by festoons. Below: the central opening has the shape of that in a circular tent Designs for Bedroom Alcoves: Three Elevations and One Plan, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row: at left, a variation of -1641, below, at right. At right: another variation, with an onion roof, supported by two columns, the supports being connected by two scrolls, forming an arch. Lower row: at left a part of the bedroom with the oval alcove. At right: a variation of -1641, the niche being not higher than the beginning of the framing feathers. Festoons are hanging above it., Rome, Italy, ca. 1790, interiors Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/designs-for-bedroom-alcoves-three-elevations-and-one-plan-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-upper-row-at-left-a-variation-of-1641-below-at-right-at-right-another-variation-with-an-onion-roof-supported-by-two-columns-the-supports-being-connected-by-two-scrolls-forming-an-arch-lower-row-at-left-a-part-of-the-bedroom-with-the-oval-alcove-at-right-a-variation-of-1641-the-niche-being-not-higher-than-the-beginning-of-the-framing-feathers-festoons-are-hanging-above-it-rome-italy-ca-1790-interiors-image391114482.html RM 2DM8PEA – Designs for Bedroom Alcoves: Three Elevations and One Plan, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row: at left, a variation of -1641, below, at right. At right: another variation, with an onion roof, supported by two columns, the supports being connected by two scrolls, forming an arch. Lower row: at left a part of the bedroom with the oval alcove. At right: a variation of -1641, the niche being not higher than the beginning of the framing feathers. Festoons are hanging above it., Rome, Italy, ca. 1790, interiors Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Upper row: the Ionic columns support an entablature and a dome in front of a niche of the wall. At right: a variation of the same motif, with the entire wall forming a niche which is decorated with a drapery. Lower row: at right a variation of the last motif, the niche being decorated with stems forming arches and being outside framed by panels. At left, two gaines support the entablature of the canopy. The wall is straight below the entablature Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/designs-for-bedroom-alcoves-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-upper-row-the-ionic-columns-support-an-entablature-and-a-dome-in-front-of-a-niche-of-the-wall-at-right-a-variation-of-the-same-motif-with-the-entire-wall-forming-a-niche-which-is-decorated-with-a-drapery-lower-row-at-right-a-variation-of-the-last-motif-the-niche-being-decorated-with-stems-forming-arches-and-being-outside-framed-by-panels-at-left-two-gaines-support-the-entablature-of-the-canopy-the-wall-is-straight-below-the-entablature-image391115341.html RM 2DM8RH1 – Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Upper row: the Ionic columns support an entablature and a dome in front of a niche of the wall. At right: a variation of the same motif, with the entire wall forming a niche which is decorated with a drapery. Lower row: at right a variation of the last motif, the niche being decorated with stems forming arches and being outside framed by panels. At left, two gaines support the entablature of the canopy. The wall is straight below the entablature Cartoon for Silk Damask: Cornucopias with Rams' Heads, Pen and black ink, brown wash, traces of red chalk, graphite on white laid paper, Rows of cornucopiae, having ram heads at their points; these support festoons crossing the cornucopiae, two of these are shown, one is decorated with a figure of Ceres, the other of Neptune. Ruled border., France, 1800–1815, textile designs, Drawing Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/cartoon-for-silk-damask-cornucopias-with-rams-heads-pen-and-black-ink-brown-wash-traces-of-red-chalk-graphite-on-white-laid-paper-rows-of-cornucopiae-having-ram-heads-at-their-points-these-support-festoons-crossing-the-cornucopiae-two-of-these-are-shown-one-is-decorated-with-a-figure-of-ceres-the-other-of-neptune-ruled-border-france-18001815-textile-designs-drawing-image391499313.html RM 2DMX9A9 – Cartoon for Silk Damask: Cornucopias with Rams' Heads, Pen and black ink, brown wash, traces of red chalk, graphite on white laid paper, Rows of cornucopiae, having ram heads at their points; these support festoons crossing the cornucopiae, two of these are shown, one is decorated with a figure of Ceres, the other of Neptune. Ruled border., France, 1800–1815, textile designs, Drawing Design for a Ewer, Auguste Bergeret, French, Pen and brown ink, brush and gray wash, graphite on paper, Shown in profile; the handle is at right. It consists of baluster forms and masks. A satyr with fishtail legs is below the spout. The body divided in three sections. Drapery festoons are in the upper one, the tails in the central one. The bottom shows three panels, two of them with medallions. Elaborated foot., Rome, Italy, ca. 1715, tableware designs, Drawing Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/design-for-a-ewer-auguste-bergeret-french-pen-and-brown-ink-brush-and-gray-wash-graphite-on-paper-shown-in-profile-the-handle-is-at-right-it-consists-of-baluster-forms-and-masks-a-satyr-with-fishtail-legs-is-below-the-spout-the-body-divided-in-three-sections-drapery-festoons-are-in-the-upper-one-the-tails-in-the-central-one-the-bottom-shows-three-panels-two-of-them-with-medallions-elaborated-foot-rome-italy-ca-1715-tableware-designs-drawing-image391694177.html RM 2DN75WN – Design for a Ewer, Auguste Bergeret, French, Pen and brown ink, brush and gray wash, graphite on paper, Shown in profile; the handle is at right. It consists of baluster forms and masks. A satyr with fishtail legs is below the spout. The body divided in three sections. Drapery festoons are in the upper one, the tails in the central one. The bottom shows three panels, two of them with medallions. Elaborated foot., Rome, Italy, ca. 1715, tableware designs, Drawing Inkstand for the Viceroy Eugène de Beauharnais of Italy, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, on off-white laid paper, Intended to be executed in marble and gilt bronze. Below, an oblong pedestal, upon three steps supported by calices. Alternative designs are suggested for the protruding corners of the pedestal. Above these are standing women with cornucopias. The front of the pedestal is decorated like an entablature; in the frieze hang festoons with circular portrait medallions above them. In the center is an oblong pedestal Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/inkstand-for-the-viceroy-eugne-de-beauharnais-of-italy-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-graphite-on-off-white-laid-paper-intended-to-be-executed-in-marble-and-gilt-bronze-below-an-oblong-pedestal-upon-three-steps-supported-by-calices-alternative-designs-are-suggested-for-the-protruding-corners-of-the-pedestal-above-these-are-standing-women-with-cornucopias-the-front-of-the-pedestal-is-decorated-like-an-entablature-in-the-frieze-hang-festoons-with-circular-portrait-medallions-above-them-in-the-center-is-an-oblong-pedestal-image391653373.html RM 2DN59TD – Inkstand for the Viceroy Eugène de Beauharnais of Italy, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, on off-white laid paper, Intended to be executed in marble and gilt bronze. Below, an oblong pedestal, upon three steps supported by calices. Alternative designs are suggested for the protruding corners of the pedestal. Above these are standing women with cornucopias. The front of the pedestal is decorated like an entablature; in the frieze hang festoons with circular portrait medallions above them. In the center is an oblong pedestal