RMD98X9D–Landscape with Houses' . Watercolour and brown ink. Gillis Neyts (1623-1687) Flemish draughtsman, painter and etcher. Building Half-timbered Brick Pond
RMKC5033–Brown Ink Inscription (from Sketchbook), John William Casilear
RMD98XCA–Virgin and Child'. Pen and brown ink, blue wash. Bortolomeo Montagna (c1450-1523) Italian painter and architect. Infant Jesus on Virgin's knee, hand raised in blessing.
RMEDYMED–after Francesco Salviati, Saint Peter, pen and brown ink with brown wash
RMD98MNJ–Dutch Peasant Family' Pen, brown ink, grey and brown wash. Adrien van Ostade (1610-1685) Dutch painter and draughtsman. Domestic Interior M other Father Parent Child Fire Cooking Pot Food Preparation
RMH4KTR0–after Francesco Salviati, Saint Peter, pen and brown ink with brown wash
RM2K0E5RM–Temple Bar: Watercolour, brown ink, graphite, and gouache, 1853, by Thomas Hosmer Shepherd, 1792-1864.
RMEDYN1R–Italian 17th Century, Ganymede, pen and brown ink over black crayon
RMH4KTYX–Italian 17th Century, Ganymede, pen and brown ink over black crayon
RMRY3P7F–Apotheosis of the Virgin, 1600s. Austria, 17th century. Pen and brown ink and gray wash
RMRY431K–Sketches: Figures and Animals. Thomas Gainsborough (British, 1727-1788). Brush and brown ink
RMH4KTX7–Spanish 17th Century, Egyptian Sibyl, pen and brown ink on laid paper
RMEDYN08–Spanish 17th Century, Eritrean Sibyl, pen and brown ink on laid paper
RMH4KTX8–Spanish 17th Century, Eritrean Sibyl, pen and brown ink on laid paper
RMEDYN06–Spanish 17th Century, Egyptian Sibyl, pen and brown ink on laid paper
RM2DHX22Y–Lady Preparing for Evening at a Ball, unknown artist, 1776, Engraving in brown ink
RMH4KTR2–after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper
RMEDYMEE–after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper
RMH4KT94–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4KT97–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYK82–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYK84–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4KT96–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYK85–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYK83–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4KT95–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RM2DCGBJT–Alphonse Legros, (artist), French, 1837 - 1911, Summer (L'ete), etching and drypoint? in dark brown ink
RM2A2RA1B–Benjamin Robert Haydon, English, 1786-1846, Death of Eudes, between 1786 and 1846, pen and brown ink
RM2DMAHNH–Imaginary Landscape, Pen and dark brown ink on paper, USA, ca. 1870–73, landscapes, Drawing
RMH4MG5Y–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4MG61–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4MG5J–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYE35–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYE33–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4MG5G–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYE31–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYE34–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4MG5K–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYE32–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMH4MG5N–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYE2Y–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
RMEDYDC7–Italian 18th Century, Stage Design, pen and brown ink over graphite on laid paper
RMH4MG3B–French 19th Century, Circe and Ulysses, pen and brown ink with gray wash on laid paper
RMH4KK8B–Italian 18th Century, Stage Design, pen and brown ink over graphite on laid paper
RMEDYE80–French 19th Century, Circe and Ulysses, pen and brown ink with gray wash on laid paper
RMEDYMEC–Titian, Italian (c. 1490-1576), An Eagle, c. 1515, pen and brown ink on laid paper
RMEDYM26–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
RMH4KTMK–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
RMH4KTPW–Titian, Italian (c. 1490-1576), An Eagle, c. 1515, pen and brown ink on laid paper
RM2DCFFGM–Alphonse Legros, (artist), French, 1837 - 1911, Head of a Man (Tete d'homme), drypoint in brown ink
RMRY78M8–Laburnums and Battersea, 1889-1898. Theodore Roussel (French, 1847-1926). Etching and drypoint printed in brown ink
RMRY71CP–Bataille de Tannenberg, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink heightened with white
RM2A2RA19–Benjamin Robert Haydon, English, 1786-1846, Sketch for Alexander Killing the Lion, ca. 1842, pen and brown ink
RMEDYDA1–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
RMH4KKAA–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
RMH4KTNH–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
RMEDYM2R–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
RM2DCFW9K–Alphonse Legros, (artist), French, 1837 - 1911, Woodcutters, 3rd plate (Les bucherons), etching in dark brown ink
RM2DCETR5–Alphonse Legros, (artist), French, 1837 - 1911, C.J. Knowles, 2nd plate, etching in dark brown ink
RMRY5R6K–Christ Holding a Chalice and Cross, 1666. Alonso Cano (Spanish, 1601-1667). Pen and brown ink and brown wash
RMRY5R6J–Christ Holding a Chalice and Cross, 1666. Alonso Cano (Spanish, 1601-1667). Pen and brown ink and brown wash
RM2DM9XDE–Landscape with a Castle, Pen and brown ink, white chalk on paper, England, Europe, ca. 1810-1830, Drawing
RMRY6PXE–Young Lady (Jeune Fille), 1892. Charles Marie Dulac (French, 1865-1898). Lithograph, printed in brown ink
RMRY71DK–Louvain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink with touches of black ink with white corrections
RM2A2PPEY–William Makepeace Thackeray, English, 1811-1863, Illustration for Bluebeard, between 1811 and 1863, pen and brown ink wash and watercolor
RM2DMPDG1–Design for a Ceiling, Pen and brown ink, brown wash, black chalk, Italy, Italy, 1550–75, interiors, Drawing
RMRY4MBW–Doctor, late 1800s or early 1900s. Imitator of Thomas Rowlandson (British, 1756-1827). Pen and brown ink with watercolor wash
RM2DMPCDP–TWO CHAIRS, Unknown, pen and brown ink with brown wash and traces of graphite, Italy, Italy, ca. 1580, furniture, Drawing
RMEDYD8W–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
RMH4KKBD–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
RMEDYD6G–after Polidoro da Caravaggio, Figure of a Man, pen and brown ink with brown wash over black chalk
RMH4KKE8–after Polidoro da Caravaggio, Figure of a Man, pen and brown ink with brown wash over black chalk
RMH4KK5B–Style of Rembrandt van Rijn, An Oriental, pen and brown ink with brush and brown-black ink on laid paper
RMEDYDP1–Style of Rembrandt van Rijn, An Oriental, pen and brown ink with brush and brown-black ink on laid paper
RM2DMG88J–Censer, Pen and brown ink, brown wash over, black chalk Support: to be checked, Italy, Italy, 1730–60, metalwork, Drawing
RM2DMG9DE–Altar, Pen and brown ink, red, black chalk, brown wash on white laid paper, 1650–75, architecture, Drawing
RM2DMB4XR–Trophy, Pen and brown ink, brown wash Support: white laid paper, Florence, Italy, Italy, ca. 1650, ornament, Drawing
RMH4KTEP–after Maarten de Vos, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper
RMEDYKJW–after Maarten de Vos, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper
RMKCABRP–The Last Supper, ca. 1608, Pen and brown ink, brush and brown wash, highlighted with white gouache, some black chalk or graphite
RMKC7RTP–Study for the Crucifixion, 1788, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light
RM2A2R0YC–James Gillray, English, 1756-1815, Charon's Boat, between 1756 and 1815, brush and brown ink over brown chalk and graphite pencil
RM2DCE9AG–Alphonse Legros, (artist), French, 1837 - 1911, Squaring Logs (Homme que fend des buches), etching and drypoint in brown ink
RMKC8RBG–Design for a Cruet Frame, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing
RM2DMBA9X–Elevation of a Sepulchral Monument, Pen and brown ink, graphite on off-white laid paper, Italy, 1820–1835, architecture, Drawing
RMRY71F4–Avions reposant sur le terrain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink and wash over pencil
RMRY71ET–Avions reposant sur le terrain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink and wash over pencil
RM2A2JFH5–The Village Church, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on ivory wove paper
RM2DN6BN6–Architectural Ornaments:, Watercolor, over pen and brown ink Support: coarse white laid paper, Italy, Italy, 1675–1700, architecture, Drawing
RM2DMHK3X–Altar with Cr che, Pen and brown ink, gray wash on white laid paper, Rome, Italy, 1650–1700, architecture, Drawing
RM2DMHETE–Project for Painted Medallions, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, 1810–20, Drawing
RM2DMDYGT–Hercules and Iole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing
RM2DMCPRE–Hercules and Tole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing
RM2DMPMPE–Doorway, Pen and brown ink, gray wash, black chalk Support: white laid paper, Italy, Italy, ca. 1765, architecture, Drawing
RM2DN7JP2–Chased Silver Medallion, Pen and brown ink, brown wash Support: white laid paper, England, Germany, 1532–43, ornament, Drawing
RM2DMRDCA–Floral Ornament, Pen and brown ink, brown wash Support: white paper laid down, Italy, Italy, 1650–75, architecture, Drawing
RM2DN9TJW–Ship, Pen and brown ink, brown wash Support: white laid paper, laid down, Genoa, Italy, Italy, ca. 1600, Drawing
RM2DMD31M–Base and Overdoor, Pen and gray-brown ink, gray wash Support: White laid paper, Italy, Italy, ca. 1675, architecture, Drawing
RM2DMCEEG–Fountain with Two Eagles, Pen and brown ink, brown wash Support: white laid paper, Italy, Italy, 1750–1800, architecture, Drawing
RMH4KRY0–French early 16th century, 'Do Not Give Your Right Hand to All and Sundry' [fol. 13 recto], c. 1512-1515, pen and brown ink
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