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Landscape with Houses' . Watercolour and brown ink. Gillis Neyts (1623-1687) Flemish draughtsman, painter and etcher. Building Half-timbered Brick Pond Stock Photo
RMD98X9D–Landscape with Houses' . Watercolour and brown ink. Gillis Neyts (1623-1687) Flemish draughtsman, painter and etcher. Building Half-timbered Brick Pond
Brown Ink Inscription (from Sketchbook), John William Casilear Stock Photo
RMKC5033–Brown Ink Inscription (from Sketchbook), John William Casilear
Virgin and Child'. Pen and brown ink, blue wash. Bortolomeo Montagna (c1450-1523) Italian painter and architect. Infant Jesus on Virgin's knee, hand raised in blessing. Stock Photo
RMD98XCA–Virgin and Child'. Pen and brown ink, blue wash. Bortolomeo Montagna (c1450-1523) Italian painter and architect. Infant Jesus on Virgin's knee, hand raised in blessing.
after Francesco Salviati, Saint Peter, pen and brown ink with brown wash Stock Photo
RMEDYMED–after Francesco Salviati, Saint Peter, pen and brown ink with brown wash
Dutch Peasant Family' Pen, brown ink, grey and brown wash. Adrien van Ostade (1610-1685) Dutch painter and draughtsman. Domestic Interior M other Father Parent Child Fire Cooking Pot Food Preparation Stock Photo
RMD98MNJ–Dutch Peasant Family' Pen, brown ink, grey and brown wash. Adrien van Ostade (1610-1685) Dutch painter and draughtsman. Domestic Interior M other Father Parent Child Fire Cooking Pot Food Preparation
after Francesco Salviati, Saint Peter, pen and brown ink with brown wash Stock Photo
RMH4KTR0–after Francesco Salviati, Saint Peter, pen and brown ink with brown wash
Temple Bar: Watercolour, brown ink, graphite, and gouache, 1853, by Thomas Hosmer Shepherd, 1792-1864. Stock Photo
RM2K0E5RM–Temple Bar: Watercolour, brown ink, graphite, and gouache, 1853, by Thomas Hosmer Shepherd, 1792-1864.
Italian 17th Century, Ganymede, pen and brown ink over black crayon Stock Photo
RMEDYN1R–Italian 17th Century, Ganymede, pen and brown ink over black crayon
Italian 17th Century, Ganymede, pen and brown ink over black crayon Stock Photo
RMH4KTYX–Italian 17th Century, Ganymede, pen and brown ink over black crayon
Apotheosis of the Virgin, 1600s. Austria, 17th century. Pen and brown ink and gray wash Stock Photo
RMRY3P7F–Apotheosis of the Virgin, 1600s. Austria, 17th century. Pen and brown ink and gray wash
Sketches: Figures and Animals. Thomas Gainsborough (British, 1727-1788). Brush and brown ink Stock Photo
RMRY431K–Sketches: Figures and Animals. Thomas Gainsborough (British, 1727-1788). Brush and brown ink
Spanish 17th Century, Egyptian Sibyl, pen and brown ink on laid paper Stock Photo
RMH4KTX7–Spanish 17th Century, Egyptian Sibyl, pen and brown ink on laid paper
Spanish 17th Century, Eritrean Sibyl, pen and brown ink on laid paper Stock Photo
RMEDYN08–Spanish 17th Century, Eritrean Sibyl, pen and brown ink on laid paper
Spanish 17th Century, Eritrean Sibyl, pen and brown ink on laid paper Stock Photo
RMH4KTX8–Spanish 17th Century, Eritrean Sibyl, pen and brown ink on laid paper
Spanish 17th Century, Egyptian Sibyl, pen and brown ink on laid paper Stock Photo
RMEDYN06–Spanish 17th Century, Egyptian Sibyl, pen and brown ink on laid paper
Lady Preparing for Evening at a Ball, unknown artist, 1776, Engraving in brown ink Stock Photo
RM2DHX22Y–Lady Preparing for Evening at a Ball, unknown artist, 1776, Engraving in brown ink
after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper Stock Photo
RMH4KTR2–after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper
after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper Stock Photo
RMEDYMEE–after Raphael, The Deluge, from the Loggia of the Vatican, pen and brown ink on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4KT94–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4KT97–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYK82–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYK84–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4KT96–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYK85–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYK83–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4KT95–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
Alphonse Legros, (artist), French, 1837 - 1911, Summer (L'ete), etching and drypoint? in dark brown ink Stock Photo
RM2DCGBJT–Alphonse Legros, (artist), French, 1837 - 1911, Summer (L'ete), etching and drypoint? in dark brown ink
Benjamin Robert Haydon, English, 1786-1846, Death of Eudes, between 1786 and 1846, pen and brown ink Stock Photo
RM2A2RA1B–Benjamin Robert Haydon, English, 1786-1846, Death of Eudes, between 1786 and 1846, pen and brown ink
Imaginary Landscape, Pen and dark brown ink on paper, USA, ca. 1870–73, landscapes, Drawing Stock Photo
RM2DMAHNH–Imaginary Landscape, Pen and dark brown ink on paper, USA, ca. 1870–73, landscapes, Drawing
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4MG5Y–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4MG61–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4MG5J–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYE35–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYE33–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4MG5G–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYE31–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYE34–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4MG5K–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYE32–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMH4MG5N–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper Stock Photo
RMEDYE2Y–German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper
Italian 18th Century, Stage Design, pen and brown ink over graphite on laid paper Stock Photo
RMEDYDC7–Italian 18th Century, Stage Design, pen and brown ink over graphite on laid paper
French 19th Century, Circe and Ulysses, pen and brown ink with gray wash on laid paper Stock Photo
RMH4MG3B–French 19th Century, Circe and Ulysses, pen and brown ink with gray wash on laid paper
Italian 18th Century, Stage Design, pen and brown ink over graphite on laid paper Stock Photo
RMH4KK8B–Italian 18th Century, Stage Design, pen and brown ink over graphite on laid paper
French 19th Century, Circe and Ulysses, pen and brown ink with gray wash on laid paper Stock Photo
RMEDYE80–French 19th Century, Circe and Ulysses, pen and brown ink with gray wash on laid paper
Titian, Italian (c. 1490-1576), An Eagle, c. 1515, pen and brown ink on laid paper Stock Photo
RMEDYMEC–Titian, Italian (c. 1490-1576), An Eagle, c. 1515, pen and brown ink on laid paper
Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper Stock Photo
RMEDYM26–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper Stock Photo
RMH4KTMK–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
Titian, Italian (c. 1490-1576), An Eagle, c. 1515, pen and brown ink on laid paper Stock Photo
RMH4KTPW–Titian, Italian (c. 1490-1576), An Eagle, c. 1515, pen and brown ink on laid paper
Alphonse Legros, (artist), French, 1837 - 1911, Head of a Man (Tete d'homme), drypoint in brown ink Stock Photo
RM2DCFFGM–Alphonse Legros, (artist), French, 1837 - 1911, Head of a Man (Tete d'homme), drypoint in brown ink
Laburnums and Battersea, 1889-1898. Theodore Roussel (French, 1847-1926). Etching and drypoint printed in brown ink Stock Photo
RMRY78M8–Laburnums and Battersea, 1889-1898. Theodore Roussel (French, 1847-1926). Etching and drypoint printed in brown ink
Bataille de Tannenberg, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink heightened with white Stock Photo
RMRY71CP–Bataille de Tannenberg, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink heightened with white
Benjamin Robert Haydon, English, 1786-1846, Sketch for Alexander Killing the Lion, ca. 1842, pen and brown ink Stock Photo
RM2A2RA19–Benjamin Robert Haydon, English, 1786-1846, Sketch for Alexander Killing the Lion, ca. 1842, pen and brown ink
Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper Stock Photo
RMEDYDA1–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper Stock Photo
RMH4KKAA–Italian 17th Century, An Angel, c. 1600, brush and brown ink, heightened with white, on laid paper
after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper Stock Photo
RMH4KTNH–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper Stock Photo
RMEDYM2R–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
Alphonse Legros, (artist), French, 1837 - 1911, Woodcutters, 3rd plate (Les bucherons), etching in dark brown ink Stock Photo
RM2DCFW9K–Alphonse Legros, (artist), French, 1837 - 1911, Woodcutters, 3rd plate (Les bucherons), etching in dark brown ink
Alphonse Legros, (artist), French, 1837 - 1911, C.J. Knowles, 2nd plate, etching in dark brown ink Stock Photo
RM2DCETR5–Alphonse Legros, (artist), French, 1837 - 1911, C.J. Knowles, 2nd plate, etching in dark brown ink
Christ Holding a Chalice and Cross, 1666. Alonso Cano (Spanish, 1601-1667). Pen and brown ink and brown wash Stock Photo
RMRY5R6K–Christ Holding a Chalice and Cross, 1666. Alonso Cano (Spanish, 1601-1667). Pen and brown ink and brown wash
Christ Holding a Chalice and Cross, 1666. Alonso Cano (Spanish, 1601-1667). Pen and brown ink and brown wash Stock Photo
RMRY5R6J–Christ Holding a Chalice and Cross, 1666. Alonso Cano (Spanish, 1601-1667). Pen and brown ink and brown wash
Landscape with a Castle, Pen and brown ink, white chalk on paper, England, Europe, ca. 1810-1830, Drawing Stock Photo
RM2DM9XDE–Landscape with a Castle, Pen and brown ink, white chalk on paper, England, Europe, ca. 1810-1830, Drawing
Young Lady (Jeune Fille), 1892. Charles Marie Dulac (French, 1865-1898). Lithograph, printed in brown ink Stock Photo
RMRY6PXE–Young Lady (Jeune Fille), 1892. Charles Marie Dulac (French, 1865-1898). Lithograph, printed in brown ink
Louvain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink with touches of black ink with white corrections Stock Photo
RMRY71DK–Louvain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink with touches of black ink with white corrections
William Makepeace Thackeray, English, 1811-1863, Illustration for Bluebeard, between 1811 and 1863, pen and brown ink wash and watercolor Stock Photo
RM2A2PPEY–William Makepeace Thackeray, English, 1811-1863, Illustration for Bluebeard, between 1811 and 1863, pen and brown ink wash and watercolor
Design for a Ceiling, Pen and brown ink, brown wash, black chalk, Italy, Italy, 1550–75, interiors, Drawing Stock Photo
RM2DMPDG1–Design for a Ceiling, Pen and brown ink, brown wash, black chalk, Italy, Italy, 1550–75, interiors, Drawing
Doctor, late 1800s or early 1900s. Imitator of Thomas Rowlandson (British, 1756-1827). Pen and brown ink with watercolor wash Stock Photo
RMRY4MBW–Doctor, late 1800s or early 1900s. Imitator of Thomas Rowlandson (British, 1756-1827). Pen and brown ink with watercolor wash
TWO CHAIRS, Unknown, pen and brown ink with brown wash and traces of graphite, Italy, Italy, ca. 1580, furniture, Drawing Stock Photo
RM2DMPCDP–TWO CHAIRS, Unknown, pen and brown ink with brown wash and traces of graphite, Italy, Italy, ca. 1580, furniture, Drawing
after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper Stock Photo
RMEDYD8W–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper Stock Photo
RMH4KKBD–after Pietro Testa, The Prodigal Son, 18th century, pen and brown ink with gray wash on laid paper
after Polidoro da Caravaggio, Figure of a Man, pen and brown ink with brown wash over black chalk Stock Photo
RMEDYD6G–after Polidoro da Caravaggio, Figure of a Man, pen and brown ink with brown wash over black chalk
after Polidoro da Caravaggio, Figure of a Man, pen and brown ink with brown wash over black chalk Stock Photo
RMH4KKE8–after Polidoro da Caravaggio, Figure of a Man, pen and brown ink with brown wash over black chalk
Style of Rembrandt van Rijn, An Oriental, pen and brown ink with brush and brown-black ink on laid paper Stock Photo
RMH4KK5B–Style of Rembrandt van Rijn, An Oriental, pen and brown ink with brush and brown-black ink on laid paper
Style of Rembrandt van Rijn, An Oriental, pen and brown ink with brush and brown-black ink on laid paper Stock Photo
RMEDYDP1–Style of Rembrandt van Rijn, An Oriental, pen and brown ink with brush and brown-black ink on laid paper
Censer, Pen and brown ink, brown wash over, black chalk Support: to be checked, Italy, Italy, 1730–60, metalwork, Drawing Stock Photo
RM2DMG88J–Censer, Pen and brown ink, brown wash over, black chalk Support: to be checked, Italy, Italy, 1730–60, metalwork, Drawing
Altar, Pen and brown ink, red, black chalk, brown wash on white laid paper, 1650–75, architecture, Drawing Stock Photo
RM2DMG9DE–Altar, Pen and brown ink, red, black chalk, brown wash on white laid paper, 1650–75, architecture, Drawing
Trophy, Pen and brown ink, brown wash Support: white laid paper, Florence, Italy, Italy, ca. 1650, ornament, Drawing Stock Photo
RM2DMB4XR–Trophy, Pen and brown ink, brown wash Support: white laid paper, Florence, Italy, Italy, ca. 1650, ornament, Drawing
after Maarten de Vos, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper Stock Photo
RMH4KTEP–after Maarten de Vos, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper
after Maarten de Vos, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper Stock Photo
RMEDYKJW–after Maarten de Vos, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper
The Last Supper, ca. 1608, Pen and brown ink, brush and brown wash, highlighted with white gouache, some black chalk or graphite Stock Photo
RMKCABRP–The Last Supper, ca. 1608, Pen and brown ink, brush and brown wash, highlighted with white gouache, some black chalk or graphite
Study for the Crucifixion, 1788, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light Stock Photo
RMKC7RTP–Study for the Crucifixion, 1788, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light
James Gillray, English, 1756-1815, Charon's Boat, between 1756 and 1815, brush and brown ink over brown chalk and graphite pencil Stock Photo
RM2A2R0YC–James Gillray, English, 1756-1815, Charon's Boat, between 1756 and 1815, brush and brown ink over brown chalk and graphite pencil
Alphonse Legros, (artist), French, 1837 - 1911, Squaring Logs (Homme que fend des buches), etching and drypoint in brown ink Stock Photo
RM2DCE9AG–Alphonse Legros, (artist), French, 1837 - 1911, Squaring Logs (Homme que fend des buches), etching and drypoint in brown ink
Design for a Cruet Frame, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing Stock Photo
RMKC8RBG–Design for a Cruet Frame, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing
Elevation of a Sepulchral Monument, Pen and brown ink, graphite on off-white laid paper, Italy, 1820–1835, architecture, Drawing Stock Photo
RM2DMBA9X–Elevation of a Sepulchral Monument, Pen and brown ink, graphite on off-white laid paper, Italy, 1820–1835, architecture, Drawing
Avions reposant sur le terrain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink and wash over pencil Stock Photo
RMRY71F4–Avions reposant sur le terrain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink and wash over pencil
Avions reposant sur le terrain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink and wash over pencil Stock Photo
RMRY71ET–Avions reposant sur le terrain, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink and wash over pencil
The Village Church, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on ivory wove paper Stock Photo
RM2A2JFH5–The Village Church, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on ivory wove paper
Architectural Ornaments:, Watercolor, over pen and brown ink Support: coarse white laid paper, Italy, Italy, 1675–1700, architecture, Drawing Stock Photo
RM2DN6BN6–Architectural Ornaments:, Watercolor, over pen and brown ink Support: coarse white laid paper, Italy, Italy, 1675–1700, architecture, Drawing
Altar with Cr che, Pen and brown ink, gray wash on white laid paper, Rome, Italy, 1650–1700, architecture, Drawing Stock Photo
RM2DMHK3X–Altar with Cr che, Pen and brown ink, gray wash on white laid paper, Rome, Italy, 1650–1700, architecture, Drawing
Project for Painted Medallions, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, 1810–20, Drawing Stock Photo
RM2DMHETE–Project for Painted Medallions, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, 1810–20, Drawing
Hercules and Iole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing Stock Photo
RM2DMDYGT–Hercules and Iole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing
Hercules and Tole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing Stock Photo
RM2DMCPRE–Hercules and Tole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing
Doorway, Pen and brown ink, gray wash, black chalk Support: white laid paper, Italy, Italy, ca. 1765, architecture, Drawing Stock Photo
RM2DMPMPE–Doorway, Pen and brown ink, gray wash, black chalk Support: white laid paper, Italy, Italy, ca. 1765, architecture, Drawing
Chased Silver Medallion, Pen and brown ink, brown wash Support: white laid paper, England, Germany, 1532–43, ornament, Drawing Stock Photo
RM2DN7JP2–Chased Silver Medallion, Pen and brown ink, brown wash Support: white laid paper, England, Germany, 1532–43, ornament, Drawing
Floral Ornament, Pen and brown ink, brown wash Support: white paper laid down, Italy, Italy, 1650–75, architecture, Drawing Stock Photo
RM2DMRDCA–Floral Ornament, Pen and brown ink, brown wash Support: white paper laid down, Italy, Italy, 1650–75, architecture, Drawing
Ship, Pen and brown ink, brown wash Support: white laid paper, laid down, Genoa, Italy, Italy, ca. 1600, Drawing Stock Photo
RM2DN9TJW–Ship, Pen and brown ink, brown wash Support: white laid paper, laid down, Genoa, Italy, Italy, ca. 1600, Drawing
Base and Overdoor, Pen and gray-brown ink, gray wash Support: White laid paper, Italy, Italy, ca. 1675, architecture, Drawing Stock Photo
RM2DMD31M–Base and Overdoor, Pen and gray-brown ink, gray wash Support: White laid paper, Italy, Italy, ca. 1675, architecture, Drawing
Fountain with Two Eagles, Pen and brown ink, brown wash Support: white laid paper, Italy, Italy, 1750–1800, architecture, Drawing Stock Photo
RM2DMCEEG–Fountain with Two Eagles, Pen and brown ink, brown wash Support: white laid paper, Italy, Italy, 1750–1800, architecture, Drawing
French early 16th century, 'Do Not Give Your Right Hand to All and Sundry' [fol. 13 recto], c. 1512-1515, pen and brown ink Stock Photo
RMH4KRY0–French early 16th century, 'Do Not Give Your Right Hand to All and Sundry' [fol. 13 recto], c. 1512-1515, pen and brown ink
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