Sixteenth century paintings Black & White Stock Photos
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Sixteenth century paintings Black & White Stock Photos
RMPA9441–The Rest on the Flight into Egypt. Artist: Follower of Quentin Metsys (Netherlandish, mid-16th century); and Master of the Liège Disciples at Emmaus (Netherlandish, active mid-16th century). Dimensions: 37 1/2 x 30 1/4 in. (95.3 x 76.8 cm). Date: ca. 1540. The Virgin and Child, painted by a follower of Massys, reflect the influence of Italian painting, particularly the classical figure types favored by Leonardo da Vinci. The landscape, however, ascribed to the Master of the Liège Disciples at Emmaus, sets the stage for the expansive views in Netherlandish paintings of the later sixteenth cent
!["The Coronation of the Virgin" by a German artist of the sixteenth century, 1854. Painting newly acquired by the National Gallery in London. One of several paintings in '...a large collection, [which] lately belonged to Herr Kruger, of Minden, from whom they have been purchased for this country, on the recommendation of Mr. Dyce. The style of this picture...is eminently Byzantine, with an admixture of Gothic naturalism. The artist has endeavoured to give a grace, which might be almost described as coquettish, to the Virgin; and the features of the first two persons of the Trinity, th Stock Photo](https://c8.alamy.com/comp/2K0419W/quotthe-coronation-of-the-virginquot-by-a-german-artist-of-the-sixteenth-century-1854-painting-newly-acquired-by-the-national-gallery-in-london-one-of-several-paintings-in-a-large-collection-which-lately-belonged-to-herr-kruger-of-minden-from-whom-they-have-been-purchased-for-this-country-on-the-recommendation-of-mr-dyce-the-style-of-this-pictureis-eminently-byzantine-with-an-admixture-of-gothic-naturalism-the-artist-has-endeavoured-to-give-a-grace-which-might-be-almost-described-as-coquettish-to-the-virgin-and-the-features-of-the-first-two-persons-of-the-trinity-th-2K0419W.jpg ""The Coronation of the Virgin" by a German artist of the sixteenth century, 1854. Painting newly acquired by the National Gallery in London. One of several paintings in '...a large collection, [which] lately belonged to Herr Kruger, of Minden, from whom they have been purchased for this country, on the recommendation of Mr. Dyce. The style of this picture...is eminently Byzantine, with an admixture of Gothic naturalism. The artist has endeavoured to give a grace, which might be almost described as coquettish, to the Virgin; and the features of the first two persons of the Trinity, th Stock Photo")
RM2K0419W–"The Coronation of the Virgin" by a German artist of the sixteenth century, 1854. Painting newly acquired by the National Gallery in London. One of several paintings in '...a large collection, [which] lately belonged to Herr Kruger, of Minden, from whom they have been purchased for this country, on the recommendation of Mr. Dyce. The style of this picture...is eminently Byzantine, with an admixture of Gothic naturalism. The artist has endeavoured to give a grace, which might be almost described as coquettish, to the Virgin; and the features of the first two persons of the Trinity, th
RM2GNB0T0–'The Irish Brigade' consisting of the Twenty-eighth Massachusetts, Sixty-third, Sixty-ninth and Eighty-eighth New York and the One Hundred and Sixteenth Pennsylvania) was com manded by General Thomas F. Meagher from the book ' The Civil war through the camera ' hundreds of vivid photographs actually taken in Civil war times, sixteen reproductions in color of famous war paintings. The new text history by Henry W. Elson. A. complete illustrated history of the Civil war
RM2M924D4–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMWHB8NC–Rainbird Art - (Raphael (Raffaello Sanzio), School of Athens, 1509, Stanza della Segnatura, Pontifical Palace, Rome) (lower left part of larger painting).. The School of Athens or Scuola di Atene in Italian is one of the most famous paintings by the Italian Renaissance artist Raphael. It was painted between 1509 and 1510 as a part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens the second painting to
RMERGERK–'Instruments of Mathematical Precision for executing Portraits' - from reproduction of wood engraving by Albert Dürer in
RMBYCNYW–Portrait painting of English author + statesman Sir Thomas More (1478 - 1535) by Hans Holbein the Younger (c1497 - 1543).
RMERGHR6–Juan Luis Vives - from painting by a unknown master. Valencian Spanish scholar and humanist, 6 March 1493 – 6 May 1540.
RMBGN8K3–Portrait print circa 1866 of Mary I of Scotland, also known as Mary Queen of Scots (1542 - 1587).
RMERGERM–'Instruments of Mathematical Precision for designing Objects in Perspective' - from reproduction of wood engraving by Albert
RMPAAT96–The Protection of the Mother of God. Artist: Russian Painter (16th century). Dimensions: 12 3/8 x 10 1/2 in. (31.4 x 26.7 cm). Museum: Metropolitan Museum of Art, New York, USA.
RM2M924BW–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMBFRRCW–Portrait engraving c1849 of legendary English poet and playwright William Shakespeare (1564 - 1616).
RMPANY4K–Panel from a Saints' Calendar (painted on both sides). Artist: Russian Painter (possibly 16th century). Dimensions: 7 1/8 x 6 1/8 in. (18.1 x 15.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
RM2M924CP–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMWHB8NA–Painting based on The money lender and his wife (1514) Le Preteur et sa Femme. by Quentin Matsys - his first name also recorded as Quinten or Kwinten and his last name as Massys, Metsys, or Matsijs (1466 - 1530), a painter in the Flemish tradition and a founder of the Antwerp school.. Painting in the Louvre, Paris, France..
RMBGN8YD–Portrait engraving print c1902 of English soldier, explorer and poet Sir Walter Raleigh (c1552 - 1618).
RMPAN1DG–Harpsichord. Culture: Italian. Dimensions: Inner instrument: L. 168.0 cm, W. 73.2 cm, D. 13.5 cm; 3-octave span 49.6 cm, Sounding length (longer choir, far plucking point) C/E132.8 (14.0) c225.5 (8.5) c312.4 (5.5). Date: 16th or 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2M939DB–Finch, Poppies, Dragonfly, and Bee Indian. Finch, Poppies, Dragonfly, and Bee, 1650-1670. Opaque watercolor and gold on paper, sheet: 11 1/2 x 7 3/4 in. (29.2 x 19.7 cm). The Mughal emperors introduced botanical and ornithological paintings to northern India in the sixteenth century. This painting represents a variation on that tradition because all of the natural elements have been rendered in a fanciful palette of intense colors. While the fantastic rock form and the representation of more than one species recall paintings by the Persian artist Riza ‘Abbasi, the use of jewel tones suggests
RMWH8EXN–Vasco da Gama (1469-1524). Portuguese navigator who commanded an expedition in 1497 to discover the route to India around the Cape of Good Hope in modern South Africa. The Opening of the World by David Divine, page 165.. . .
RMBJD3JT–Black and white engraving print circa 1866 entitled 'The first reading of the Emancipation Proclamation before the Cabinet'.
RMPA93MN–The Last Supper. Artist: Related to a 1523 print of the Last Supper by Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Related to an engraving of the Last Supper by Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); Related to paintings by Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels) and his pupil, Willem Key; Related to an embroidered orphrey by Barthélemy van den Kerckhove (Judas, Christ, vessel on floor). Culture: Flemish, Brussels. Designer: Michiel Coxie (I) (Netherlandish, Mechelen ca. 1499-1592 Mechelen) , probably. Dimensions: H. 1
RM2M924GN–Christ Child with Passion Symbols Unknown. Christ Child with Passion Symbols, late 17th century. Oil on canvas, 39 1/8 x 31 3/4in. (99.4 x 80.6cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblema
RMBKEYAE–Vintage portrait c1860s of President Abraham Lincoln (1809 - 1865) - the 16th US President and the first to be assassinated.
RMPNMH28–H ESPAÑA-ENTREVISTA DE CLEMENTE VII Y FRANCISCO I-FRAN. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
RM2M924CB–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMBGP902–Print c1905 of US President Abraham Lincoln giving the famous Gettysburg Address on November 19 1863.
RMPNW881–DETALLE DE LA CABEZA DEL PROFETA ISAIAS - BOVEDA DE LA CAPILLA SIXTINA. Author: Michelangelo. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
RM2M924FW–Christ Child with Passion Symbols Unknown. Christ Child with Passion Symbols, late 17th century. Oil on canvas, 39 1/8 x 31 3/4in. (99.4 x 80.6cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblema
RMBGG9RX–Portrait print of Queen Elizabeth I of England consenting to the execution of Marie Stuart (Mary I Queen of Scots) in 1587.
RMPNW92P–FRANCISCO DE LOS COBOS Y MOLINA- ILUSTRACION DE LA ICONOGRAFIA ESPAÑOLA DE CARDERERA - PINTURA 1530-32. Author: ANONYMOUS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
RM2M924H3–Christ Child with Passion Symbols Unknown. Christ Child with Passion Symbols, late 17th century. Oil on canvas, 39 1/8 x 31 3/4in. (99.4 x 80.6cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblema
RMBKKJ4T–Vintage print depicting Mary I of Scotland, also known as Mary Queen of Scots, preparing to be executed for treason in 1587.
RMPNW840–LA SIBILA DELPHICA - SIGLO XVI - RENACIMIENTO ITALIANO. Author: Michelangelo. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
RM2M924D0–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMBFA0Y8–Print circa 1865 showing US President Abraham Lincoln on his deathbed surrounded by members of his Cabinet, Generals and family.
RMRFAJF6–'Aged Gentleman' (detail), 1587-1600, Oil on canvas, P806. Author: GRECO, EL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.
RM2M924BM–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMBKKJRJ–Vintage print depicting Sir Walter Raleigh bidding farewell to his wife on the morning of his execution for treason in 1618.
RMR0JMB0–JUAN DE AUSTRIA (1545-1578) FOTO DEL CUADRO QUE EN EL ESPASA SE ATRIBUYE A SANCHEZ COELLO. Author: Sanchez Coello, Alonso. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
RM2M924EP–Christ Child with Passion Symbols Unknown. Christ Child with Passion Symbols, late 17th century. Oil on canvas, 39 1/8 x 31 3/4in. (99.4 x 80.6cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblema
RMBJD9EN–Black and white engraving print c1860s of US President Abraham Lincoln at home with his wife Mary and sons Thomas and Robert.
RMPNW8C6–CABEZA DE ZACARIAS DE LA BOVEDA DE LA CAPILLA SIXTINA - 1508-1512 - RENACIMIENTO ITALIANO. Author: Michelangelo. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
RM2M924D7–The Carpenter's Shop in Nazareth Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic
RMPARTYM–A Tang Palace. Artist: Attributed to Qiu Ying (Chinese, ca. 1495-1552). Culture: China. Dimensions: Image: 33 in. × 30 3/4 in. (83.8 × 78.1 cm) Overall with mounting: 73 3/4 × 35 5/8 in. (187.3 × 90.5 cm) Overall with knobs: 73 3/4 × 39 in. (187.3 × 99.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMPB4N04–Henry II (1519-1559), King of France. Artist: Workshop of François Clouet (French, Tours (?), active by 1536-died 1572 Paris). Dimensions: 61 1/2 x 53 in. (156.2 x 134.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMPAA5J4–Portrait of a Man with Gloves. Artist: Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533-died 1575 Lyons). Dimensions: 6 7/8 x 6 1/2 in. (17.5 x 16.5 cm). Date: 1540-45. The striking formality of the pose of this sitter holding gloves, and his direct address of the viewer, may indicate his prominent position in society. Museum: Metropolitan Museum of Art, New York, USA.
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