Quick filters:
Page 1 of 6
Paper suggesting Stock Photos and Images
RM2DM9CFD–Design no. 1866 for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Bunches of flowers and of leaves rise from the framing which is formed by a chain of lozenges. Over its central part at left is pasted a piece of paper suggesting a frame formed by a leaf bough and a garland. A line along the hem., France, ca. 1785, Drawing
RM2BF2R8R–Design no 1866 for the Embroidery of the Lower Front Part of an Overskirt of the Fabrique de St Ruf. Bunches of flowers and of leaves rise from the framing which is formed by a chain of lozenges. Over its central part at left is pasted a piece of paper suggesting a frame formed by a leaf bough and a garland. A line along the hem.
RF2R69JD9–A modern cell phone lies on a desk next to a notepad and several sheets of paper, suggesting that someone is taking important notes
RM2GKH9HE–Army researchers publish a paper suggesting how future Soldiers will communicate in complex and autonomous environments.
RF2GBT5BB–A chewed pencil lies in front of out of focus screwed up paper suggesting writer's block. Horizontal format, neutral background.
RMPANNBM–Working drawing for 'Fruit' shade. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: 15 5/8 x 12 5/8 in. (39.7 x 32.1 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32). Date: 1900-1915. This drawing is the only work in this installation with a linen rather than paper support, suggesting that it was actively used in the lampshade production process as a template for assembling the 'Fruit' shade. Like the drawing of the 'Snowball' shade (67.654.468), it is a watercolor study fo
RFEFD4E2–An unusual background image consisting of colored squares on a patterned background suggesting wrapping paper etc.
RF2HW4GJR–Art inspired by American Barque 'Jane Tudor,' Conway Bay, ca. 1855, Salted paper print from glass negative, 21.9 x 26.7 cm (8 5/8 x 10 1/2 in.), Photographs, David Johnson (British), Little is known about Johnson, and no other picture by him has been identified. He was listed as a ', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW38B9–Art inspired by Equestrian Portrait of a Noble, ca. 1775, India (Rajasthan, Devgarh), Ink and opaque watercolor on paper., 8 11/16 x 12 in. (22 x 30.5 cm), Paintings, Attributed to Bakhta, Rajput paintings are often jewel-like in their minute details and labored finish. A drawing such, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP21N41–. English: Sidewall - Fragment (England), ca. 1900 . English: Full width giving less than one repeat of vertically developed symmetrical design of foliate and floral forms suggesting damask of the early 18th century. Printed in light brown flock on neutral brown ground on embossed paper. . circa 1900 291 Sidewall - Fragment (England), ca. 1900 (CH 18562377)
RF2HTWXCK–Art inspired by La Frayeur, 1861–67, Salted paper print from glass negative with applied color, 12.7 x 15.1 cm (5 x 5 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), A study for a large painted version, this photograph was summarily retouched by the countess with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP2BPGG–. English: Sidewall - Fragment (England), ca. 1900 . English: Full width giving less than one repeat of vertically developed symmetrical design of foliate and floral forms suggesting damask of the early 18th century. Printed in light brown flock on neutral brown ground on embossed paper. . circa 1900 291 Sidewall - Fragment (England), ca. 1900 (CH 18562377-2)
RF2HW3910–Art inspired by 元/明 倣錢選 鮮于樞 歸去來辭 卷, Ode on Returning Home, 14th–15th century, China, Handscroll; ink, color, and gold on paper, Image: 42 x 10 1/4 in. (106.7 x 26 cm), Paintings, After Qian Xuan (Chinese, ca. 1235–before 1307), Qian Xuan was a celebrated Song loyalist who, following, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2PRDC02–Writing displaying text How It Works. Word for Used to asked about on What Way or manner By What Means Important Information Written Underneath Ripped Piece Of Paper.
RF2PR9R61–Text sign showing How It Works. Business idea Used to asked about on What Way or manner By What Means Piece Of Paper With Important Message Surrounded By Paper Wraps.
RMER94K0–Too many Shylocks. Illustration shows the emperors of Russia, Japan, and Germany, and the king of Great Britain, each holding a balance scale and all but Japan holding a paper that states their country's claim for indemnity and confronting a kneeling, sho
RM2DM7EN9–Sidewall, Machine-printed on paper, Drop-repeating pattern suggestive of stenciled decoration. Conventionalized rose-tree with three flowers; ground sown with staggered rows of clustered green strokes suggesting fleurs-de-lys. Printed in green, pink and brown on white ground., USA, ca. 1840, Wallcoverings, Sidewall
RM2T8F5X6–Interior in Christiansborg Palace suggesting mounting of Thorvaldsen's Alexander frieze, C.F. Hansen, 1756-1845, 1832, Drawing, Paper, Color, Ink, Color, Graphite, Drawn, Height 429 mm, Width 490 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914
RM2DN7HA7–Tree Tops, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Treetops are carved out, suggesting that the pattern works in both inversely as well. Silk threads are added to support the structure of the threads., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami
RF2GBT5KR–A chewed pencil lies in front of out of focus screwed up paper suggesting writer's block. Vertical format, neutral background, space for copy.
RM2DM8PND–Design for a Chair, Brush and watercolor, grey wash, pen and black ink on white laid paper, Side chair, elongated seat upholstered in purple, bordered with leaf motifs on pink and white stripe. Sloped back, suggesting a reclining chair, upholstered to match the seat., France, 1790, furniture, Drawing
RF2GBT7KM–A chewed pencil lies snapped in two in front of some screwed up paper, suggesting writers block. Vertical format, neutral background, space for text
RM2DMERJ7–Part of a triptych: 'The Fox Forfeit Game', Kikugana Eizan, Woodblock print in colored ink on paper, Modesty decorated this woman kneels before us. Just in front of her feet lay a booklet suggesting that she is about to read to us a set of poems. A lively casted shadow of a group of people from the other room appears on the dimly lit shoji screen., Japan, 1814, theater, Print
RFB58NRX–abstract background in blue and gray with subtle gradations suggesting hills or mountains in the distance
RM2DMWE8N–Unfinished Elevation of an Altar, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink on laid paper, Pairs of Ionic columns or pilasters support laterally entablatures which are connected by the segment of an arch. A tripartite structure of two stories stands between the columns; two alternative suggestions for a molded horizontally oblong frame over the altar. Bottom: a plan suggesting single columns standing before corners of the wall., Italy, ca. 1750, architecture, Drawing
RM2R754D7–File photo dated 29-06-2022 of Issy Wong, who has shown over the last 12 months she is a big-game player. Has already lit the touch paper for the series by suggesting it might be a 'pretty good time' to face the Ashes holders and double world champions. Issue date: Tuesday June 13, 2023.
RM2DM93XJ–River Highway, Ando Hiroshige, Japanese, 1797–1858, Woodblock print in colored ink on paper, Water was the main highway of transportation during this time. Three boats filled with people are traveling back and forth from shore to shore. Two bigger ships are shown in the background sailing downstream. A village is tucked at the edge of a forest with Mt. Fuji looming beyond in the distance. The foreground is neutral, with abstract lines suggesting a swamp with tall grasses., Japan, 1797-1858, landscapes, Print
RMMMRM31–. An early paper-covered binding. Italian (Bologna?), c. 1491(?). Paper wrappers decorated with a woodcut image in red of the Virgin Mary within a mandorla. Although this cover lacks the book it was made for, the woodcut is another impression of one on the unique copy of the Miracoli della Madonna (Bologna, 1491), suggesting the wrapper indicated the subject-matter of the book. Assumption of the Virgin. between 1490 and 1492. Bodleian Libraries, Assumption of the Virgin
RM2DMPE51–Sidewall - fragment, Block-printed on handmade paper, a) Vertical motif of stem with small black and blue leaves alternating with large blue leaves with black petals on a terra cotta ground, and enclosed by tear-shaped white lines. On sides of vertical element are diagonal white lines suggesting draped curtains; b) Same as 'a' except with remains of red-orange, black and white border; c) Part of the draped curtain design, red on white., possibly France, 1814–24, Wallcoverings, Sidewall - fragment
RMMW468P–. English: A European Object: Painting Date: ca. 1610-1615 (made) Artist/Maker: Unknown (production) Materials and Techniques: Opaque watercolour on paper Museum number: IM.9-1913 Gallery location: In Storage Download image Summary More information Download PDF version This Mughal painting of an unknown European was probably painted in the first half of the reign of the emperor Jahangir (1605-1627). The Western elements of the man's clothes, and the style of his European sword, are broadly dateable to the 1590s, suggesting that the anonymous Mughal artist based his paint
RM2D307KF–Britains first ever marriage in a shopping mall took place in Redhill, Surrey with the wedding of Deborah Lane and Damian Clapp.The couple were married at the Belfry shopping centre which obtained a special licence to stage weddings. * 22/01/02: A government White Paper was expected to unveil plans for the biggest shake-up of civil weddings in nearly two centuries, suggesting that it is no longer the venue which is licensed for marriage, but the person conducting the ceremony.
RMRGDDYT–American Barque 'Jane Tudor,' Conway Bay. Artist: David Johnson (British). Dimensions: 21.9 x 26.7 cm (8 5/8 x 10 1/2 in.). Date: ca. 1855. Little is known about Johnson, and no other picture by him has been identified. He was listed as a 'Photographic Artist' in the directory of the industrial city of Blackburn, Lancashire, during the mid-1850s, suggesting that he ran a professional studio. Whether or not this photograph was made for a commercial purpose, it is clearly an application of the still-new medium to a traditional subject of art, and Johnson showed it as such at the 1856 exhibiti
RM2AHNTG7–Christian Wilhelm Ernst Dietrich. The Cornfield (Rembrandt Manner). 1764. Germany. Mezzotint on paper Dietrich’s landscapes and paintings in the style of Rembrandt (Dutch, 1606-1669) were particularly admired. This impression, executed with very few lines, combines Rembrandt’s sensitivity to the peasants in the field with his use of plate tone, suggesting the details of atmospheric conditions.
RFGDYAMJ–Family divorce concept with human paper shapes and scissors suggesting relationship problems
RMD7NKFM–Dilapidated newsagent sign advertising home delivery. Conceptual image suggesting changing media to non-paper alternatives
RFFTTNNJ–Photograph of bride and groom figurines dancing on top of stacks of U.S. paper currency, suggesting the idea of an expensive wed
RFPAK61M–Blue christmas globe and white paper with text space pinned to a board suggesting a business office holiday christmas greeting card
RM2A52HNJ–The Heroine Who Waits Anxiously for Her Absent Lover (Utka Nayika), c. 1800. Inspired by devotional poetry that likens the waiting for divine favor to that of a woman alone in the forest waiting for her lover, Pahari painters mastered portrayals of this subject. Darkness has fallen, but the moon and stars and jasmine flowers brighten the night. However, monsoon clouds approach in the distance, suggesting impending danger and misery. Her gesture and expression suggest a mixture of hope and heightened uncertainty about how much longer she should continue to wait.
RF2GBT79X–A chewed pencil lies snapped in two in front of out of focus screwed up paper, suggesting writers block. Horizontal format, neutral background.
RFPAK5W0–Question mark ? written on a yellow orange piece of paper in a business work ofiice look suggesting posibility or wondering
RM2HHC327–Capriccio with Roman Ruins 18th century Francesco Guardi Italian While the idyllic, imaginary subject matter of this large composition is typical of Venetian paintings, drawings, and prints of the mid- to late eighteenth century, it is Guardi's realization of such drawings that ranks them as great feats of artistic virtuosity. Here, the landscape is articulated with a stunning immediacy and economy of mark, suggesting a light-filled space that gradually and magically dissolves into the far distance of the white paper. The ruin of an ancient Roman triumphal arch at the center more or less frame
RFPAK61A–Merry Christmas written on a paper note with a blue Christmas globe pinned to a board suggesting a holiday business greeting card
RF2WBJH9P–White paper silhouette of a male head in profile isolated on blue with a chain, lock, and key, suggesting the pursuit of unlocking one's potential.
RMK86YNE–A cartoon from the BOYS OWN ANNUAL 1932/1933 suggesting how to liven up the annual Oxford - Cambridge boat race
RM2DN7B3A–Fifteen Sketches for a Throne, Pen and brown ink, graphite on off-white laid paper, Top row: two angle views and two plans of platforms with thrones. Center row: three elevation, a plan of platforms with thrones; the right part of an elevation suggests a parapet, another suggests a parapet and a niche behind the throne. Bottom: five side and front views suggesting pedestals with panopiles at the bottom of the steps; a plan; front view of the seat alone. Dark brown strip along the bottom edge., Italy, ca. 1810, architecture, Drawing
RMMY5BB9–. English: A European Object: Painting Date: ca. 1610-1615 (made) Artist/Maker: Unknown (production) Materials and Techniques: Opaque watercolour on paper Museum number: IM.9-1913 Gallery location: In Storage Download image Summary More information Download PDF version This Mughal painting of an unknown European was probably painted in the first half of the reign of the emperor Jahangir (1605-1627). The Western elements of the man's clothes, and the style of his European sword, are broadly dateable to the 1590s, suggesting that the anonymous Mughal artist based his painti
RF2HPKAN2–Man suggesting freshly prepared hotdog with cheese in a paper box. Food delivery or take awat food concept. Yellow background.
RMPB0RFA–La Frayeur. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 12.7 x 15.1 cm (5 x 5 15/16 in.). Date: 1861-67. A study for a large painted version, this photograph was summarily retouched by the countess with instructions (on the back) suggesting that the composition was intended to set off her elegant attitude and majestic gown: 'The remains of a ball where fire has broken out. A chandelier on the floor, everyone in flight. Shining white satin gown, black and red grapes with dark green and red leaves. Museum: Metropolitan Museum of Art, New York, USA.
RM2AHP5C0–Francisco José de Goya y Lucientes. This is Worse, plate 37 from The Disasters of War. 1812–1815. Spain. Etching, lavis and drypoint on ivory wove paper with gilt edges Ever-increasing violence is on display in this horrific scene. A trial proof of this print bears the inscription, “The one at Chinchón,” suggesting that the artist witnessed this scene of human barbarity.
RF2R18JC6–handmade Easter decorations, including paper boho-style Easter eggs, a chicken, and a sheep, suggesting the concept of unique and creative holiday
RFGDYAM1–Family divorce concept with human paper shapes and scissors suggesting relationship problems
RMD7NKFY–Dilapidated newsagent sign advertising home delivery. Conceptual image suggesting changing media to non-paper alternatives
RFFTTNK7–Photograph of large amount of crisp U.S. paper currency stuffed into a wrinkled brown envelope, suggesting an illicit transactio
RF2HTX5MW–Art inspired by Serpent Stamp, 1st–7th century, Costa Rica, Atlantic Watershed, Ceramic, H. 2 1/16 x W. 2 1/8 in. (5.3 x 5.4 cm), Ceramics-Implements, Ceramic stamps are found in Costa Rican burials, suggesting that their importance extended beyond utilitarian. Much speculation has, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A525BF–Shiva Under Trees, c. 1780. Cut from a larger composition, this fragment shows the god Shiva who has come down to earth. He seems alluringly approachable despite his white body, the snake around his neck, his third eye, trident weapon, animal-skin garment, and the crescent moon at his brow. Set off against a flat red background, he stands under two shade trees that make his manifestation on earth believable. One tree is entwined around the other, metaphorically suggesting the physical love Shiva seems to wistfully desire.
RF2HW1HYP–Art inspired by Two Flat Stamps, 1st–7th century, Costa Rica, Atlantic Watershed, Ceramic, H. 1 15/32 x W. 2 3/32 in. (3.7 x 5.3 cm), Ceramics-Implements, Ceramic stamps are found in Costa Rican burials, suggesting that their importance extended beyond utilitarian. Much speculation has, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B73G50–Cheerful Asian businessman suggesting business plan document to client at the meeting in the office
RM2HHFA9C–Serpent Stamp 1st–7th century Atlantic Watershed Ceramic stamps are found in Costa Rican burials, suggesting that their importance extended beyond utilitarian. Much speculation has been made with regard to the material that these stamps were intended to imprint, including paper, textiles, and the human body. The curved shape of the printing surface supports the function of body painting most strongly. This theory is reinforced by the presence of stamp motifs on Costa Rican ceramic figure sculpture. The designs of the stamps can be divided into two categories, those that mimic the geometricity
RFPAK61F–Thumbs down with a pinned red paper note with NO written and a business man hand showng refusal and denial with a contrast strong light suggesting a
RF2HTYD69–Art inspired by Saint Paul, ca. 1510, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown., 10 3/8 x 4 1/2 in. (26.4 x 11.4 cm), Drawings, Michele da Verona (Italian, Verona ca. 1470–Verona 1536/1544), The figure of Saint Paul is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKN7A8C–Hand painted stone house sitting on twenty pound notes British currency suggesting savings on stamp duty
RF2HW3ACW–Art inspired by Lovers Walking in the Snow (Crow and Heron), Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, with embossing (karazuri), H. 11 1/4 in. (28.6 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), Of all, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DN5J4W–Design for a Clock, Pen and gray ink, brush and yellow, green and brown washes on off-white laid paper, Design for a gilt table clock: a child reaches towards a seated allegorical female figure (Hope?) atop a clock face (its encasing suggesting a rock). The broken, shipwrecked hull of a sailing vessel flanks the bottom of the clock which, in turn, rests on a base decorated with bas relief of Neptune (holding a trident) riding the sea accompanied by a Triton. Flanking the frieze are decorations featuring anchors entwined with rope., 1800–1825, timepieces & measuring devices, Drawing
RMMX0TJ7–. English: A European Object: Painting Date: ca. 1610-1615 (made) Artist/Maker: Unknown (production) Materials and Techniques: Opaque watercolour on paper Museum number: IM.9-1913 Gallery location: In Storage Download image Summary More information Download PDF version This Mughal painting of an unknown European was probably painted in the first half of the reign of the emperor Jahangir (1605-1627). The Western elements of the man's clothes, and the style of his European sword, are broadly dateable to the 1590s, suggesting that the anonymous Mughal artist based his painti
RM2T8F5WY–Interior in Christiansborg Palace suggesting mounting of Thorvaldsen's Alexander frieze, C.F. Hansen, 1756-1845, 1832, Drawing, Watercolor, Paper, Color, Ink, Color, Watercolor, Color, Graphite, Painted, Drawn, Height 322 mm, Width 454 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914
RMPB20JJ–Ode on Returning Home. Artist: After Qian Xuan (Chinese, ca. 1235-before 1307). Culture: China. Dimensions: Image: 42 x 10 1/4 in. (106.7 x 26 cm) Overall with mounting: 12 1/4 in. x 13 ft. 6 in. (31.1 x 411.5 cm). Date: 14th-15th century. Qian Xuan was a celebrated Song loyalist who, following the Mongol conquest, supported himself through painting. Toward the end of his life, however, he complained that his works were being forged. Here, both the calligraphy and painting are modeled closely on Qian's style, suggesting that the work is a faithful copy. Qian's composition was inspired by Ta
RM2T90C6H–Frog and Mouse, late 18th - early 19th century, Getsuju, Japanese, active late 18th - early 19th century, 65 × 35 in. (165.1 × 88.9 cm) (image), Ink on paper, Japan, 18th-19th century, The small white mouse contrasts starkly with the large frog, while a moral relating the two fills the empty background. The signature reads, 'Dairyūsai Getsuju while drinking,' suggesting the painting may have been created during a drinking party. Little else is known about the artist
RM2AHPKA0–Kesa. 1775–1800. Japan. Silk, gilt-paper-strip-wrapped silk, and peacock-feather-wrapped silk; tapestry weave During the Edo period, artists took liberties with some of the long-established traditions related to kesa. For example, the patchwork process was sometimes ignored in favor of a single uncut fabric with seams implied by inwoven lines or added cording. The preferred technique for these uncut pictorial panels was tapestry weave. In this example, which is particularly Chinese in style and subject, no such lines have been added, suggesting it was used as a hanging for meditation purposes
RF2HTX5MR–Art inspired by Figure Stamp, 1st–7th century, Costa Rica, Atlantic Watershed, Ceramic, H. 1 7/16 x W. 2 1/8 x D. 1 1/2 in. (3.7 x 5.4 x 3.8 cm), Ceramics-Implements, Ceramic stamps are found in Costa Rican burials, suggesting that their importance extended beyond utilitarian. Much, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RFGDYARJ–Family divorce concept with human paper shapes and scissors suggesting relationship problems
RMD7NKG5–Dilapidated newsagent sign advertising home delivery. Conceptual image suggesting changing media to non-paper alternatives
RFFTTNKD–Photograph of large amount of crisp U.S. paper currency stuffed into a wrinkled brown envelope, suggesting an illicit transactio
RF2HW9J01–Art inspired by Working drawing for 'Fruit' shade, 1900–1915, Made in New York, United States, American, Watercolor and graphite on linen cloth mounted on off-white wove paper, 15 5/8 x 12 5/8 in. (39.7 x 32.1 cm), Drawings, Possibly Tiffany Glass and Decorating Company (American, 1892, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A530MT–Phoenixes and Paulownia, late 1500s. The immense heraldic birds on display in these byøbu reflect the Momoyama era's spirit of newly gained self-confidence and an affinity for grand expressive statements in painting, architecture, the textile and ceramic arts, as well as garden design. The setting is composed of highly stylized lozenges of mineral green paint, suggesting the earth from which clumps of grass, flowering plants, and towering bamboo and paulownia trees emerge. Clusters of lumpy, blue-green rocks dotted with lichen provide stabilizing three-dimensional foils for these islands
RFF0RJ6X–Shot of the front of a brown mail envelope suggesting communication. The image has copy space and a natural halo created by ligh
RFA246WX–Dice flying past 100 dollar bills currency and binary code suggesting chance taking on the Internet
RM2HHFWGG–Two Flat Stamps 1st–7th century Atlantic Watershed Ceramic stamps are found in Costa Rican burials, suggesting that their importance extended beyond utilitarian. Much speculation has been made with regard to the material that these stamps were intended to imprint, including paper, textiles, and the human body. The curved shape of the printing surface supports the function of body painting most strongly. This theory is reinforced by the presence of stamp motifs on Costa Rican ceramic figure sculpture. The designs of the stamps can be divided into two categories, those that mimic the geometricit
RF2TCK6D0–Thoughtful european millennial woman in glasses looks upward, holding open book, paper project
RM2HH8JD1–Figure Stamp 1st–7th century Atlantic Watershed Ceramic stamps are found in Costa Rican burials, suggesting that their importance extended beyond utilitarian. Much speculation has been made with regard to the material that these stamps were intended to imprint, including paper, textiles, and the human body. The curved shape of the printing surface supports the function of body painting most strongly. This theory is reinforced by the presence of stamp motifs on Costa Rican ceramic figure sculpture. The designs of the stamps can be divided into two categories, those that mimic the geometricity o
RF2PBY6TJ–Unrecognizable entrepreneur in formal wear suggesting to sign contract while stretching paper and pen towards camera in selective focus
![[Portrait of a Man] ca. 1857 Mathew B. Brady American The identity of this soberly dressed man is unknown, but Brady's careful artistry suggests a man of intellect and faith. In the darkly lit space of the studio it is the young man's visage--and by extension, his mind--that is the focus of the picture, not stylish clothing or studio decor. Apart from a simple but tastefully elegant chair and two vertical lines vaguely suggesting some spare architectural element, the space he occupies is immaterial. This salted paper print was meticulously retouched with india ink to sharpen and darken the sha Stock Photo](https://c8.alamy.com/comp/2HHXGWP/portrait-of-a-man-ca-1857-mathew-b-brady-american-the-identity-of-this-soberly-dressed-man-is-unknown-but-bradys-careful-artistry-suggests-a-man-of-intellect-and-faith-in-the-darkly-lit-space-of-the-studio-it-is-the-young-mans-visage-and-by-extension-his-mind-that-is-the-focus-of-the-picture-not-stylish-clothing-or-studio-decor-apart-from-a-simple-but-tastefully-elegant-chair-and-two-vertical-lines-vaguely-suggesting-some-spare-architectural-element-the-space-he-occupies-is-immaterial-this-salted-paper-print-was-meticulously-retouched-with-india-ink-to-sharpen-and-darken-the-sha-2HHXGWP.jpg "[Portrait of a Man] ca. 1857 Mathew B. Brady American The identity of this soberly dressed man is unknown, but Brady's careful artistry suggests a man of intellect and faith. In the darkly lit space of the studio it is the young man's visage--and by extension, his mind--that is the focus of the picture, not stylish clothing or studio decor. Apart from a simple but tastefully elegant chair and two vertical lines vaguely suggesting some spare architectural element, the space he occupies is immaterial. This salted paper print was meticulously retouched with india ink to sharpen and darken the sha Stock Photo")
RM2HHXGWP–[Portrait of a Man] ca. 1857 Mathew B. Brady American The identity of this soberly dressed man is unknown, but Brady's careful artistry suggests a man of intellect and faith. In the darkly lit space of the studio it is the young man's visage--and by extension, his mind--that is the focus of the picture, not stylish clothing or studio decor. Apart from a simple but tastefully elegant chair and two vertical lines vaguely suggesting some spare architectural element, the space he occupies is immaterial. This salted paper print was meticulously retouched with india ink to sharpen and darken the sha
RMMMJ24T–. English: A European Object: Painting Date: ca. 1610-1615 (made) Artist/Maker: Unknown (production) Materials and Techniques: Opaque watercolour on paper Museum number: IM.9-1913 Gallery location: In Storage Download image Summary More information Download PDF version This Mughal painting of an unknown European was probably painted in the first half of the reign of the emperor Jahangir (1605-1627). The Western elements of the man's clothes, and the style of his European sword, are broadly dateable to the 1590s, suggesting that the anonymous Mughal artist based his paint
RM2HH7TX6–Winter landscape with fisherman late 15th–early 16th century Shi Zhong Chinese A professional painter from Nanjing, Shi Zhong was noted for his eccentric manner and unrestrained style of painting. Employing a dazzling combination of pale ink washes, dark outlines, and texture strokes, Shi's spontaneous execution led him to favor winter scenery in which his scratchy trees and jagged rocks would stand forth against the unpainted white of the paper background.On this work, the artist, who signs himself 'Old Fool,' has added an enigmatic poem suggesting that his spontaneous style represents an eff
RMP0CJ27–. English: A small merchant vessel, probably Mediterranean This rapid but accurate drawing, apparently made from close quarters, depicts a small three-masted vessel viewed from the starboard quarter. If the craft is indeed a Mediterranean one it is possible that it was drawn by van de Velde when he visited the Mediterranean in 1694 possibly suggesting an earlier dating. There are in the NMM’s collection a number of drawings by van de Velde in black chalk on grey paper. Some of these are similar to others in the collection made by the English marine painter Samuel Scott in the 1720s and 1730s.
RM2T9078F–Fukurokuju, c. 1700, Ogata Kōrin, Japanese, 1658 - 1716, 8 3/8 x 10 1/8 in. (21.27 x 25.72 cm), Ink on paper, Japan, 17th-18th century, Fukurokuju is one of the Seven Gods of Good Fortune (Shichi fukujin), a group of deities adopted into Japanese mythology from China as early as the 15th century. Fukurokuju's distinguishing feature is an elongated cranium, probably suggesting the vast wisdom he accumulated over his long life. Because Fukurokuju was emblematic of longevity, this charming painting of him would have been appropriate to display at tea gatherings
RMPAXBT9–Stag Hunt. Artist: Attributed to Huang Zongdao (Chinese, active ca. 1120); Formerly Attributed to Li Zanhua (Chinese, 899-936). Culture: China. Dimensions: Image: 9 11/16 × 31 1/16 in. (24.6 × 78.9 cm) Overall with mounting: 10 1/8 in. × 22 ft. 7 1/4 in. (25.7 × 689 cm). As he hits his prey, the hunter on his pony is ready with a second arrow in his left hand. The powerful horse is shown in an animated 'flying gallop,' with bulging muscles suggesting the frenzied excitement of the chase, while the delicately rendered deer presents a moving portrait of a gentle victim and death. Hunting was
RM2AHPJ4D–A. J. Defehrt. Drawing Expressions of Emotion (Laughter, Weeping, Compassion, Sadness), from Encyclopédie. 1762–1777. France. Etching with engraving on cream laid paper Le Brun’s most active expressions appear at the top of this sheet. His lecture linked the states of laughter and weeping, suggesting that with the exception of laughter’s exposed teeth, they should be drawn in nearly the same way. Sadness, a purer expression than the first two, appears at the bottom right as a “disagreeable languor of the soul.” The compassionate youth at left appears equally subdued by his contemplation of thi
RFGDYAR4–Family divorce concept with human paper shapes and scissors suggesting relationship problems
RM2HGTW34–Study for Geometry in “The Sorbonne' 1886–87 Pierre Puvis de Chavannes French The youthful, pensive figure in this drawing stands as part of an allegory of geometry in one of Puvis’s great mural masterpieces: 'The Sorbonne' (1887–89), which he painted in the newly rebuilt lecture hall of the University of Paris. The unfinished lower body indicates that Puvis had likely already decided on his placement behind a rock in the mural before he made the drawing of the model. Yet the pose appears reversed in the finished painting, suggesting that the artist may have flipped the tracing paper over as h
Search Results for Paper suggesting Stock Photos and Images (595)
Page 1 of 6