Michelangelo crucifixion drawings Stock Photos and Images
(11)See michelangelo crucifixion drawings stock video clipsPage 1 of 1
Michelangelo crucifixion drawings Stock Photos and Images
Art inspired by The Crucifixion of Christ, before 1577, Pen and brown and ink, brush and brown ink, heightened with white gouache; on blue paper, 16-1/4 x 10-3/8 in. (41.3 x 26.4 cm), Drawings, Hans Speckaert (Netherlandish, Brussels ca. 1540–1577 Rome), Hans Speckaert was one of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-crucifixion-of-christ-before-1577-pen-and-brown-and-ink-brush-and-brown-ink-heightened-with-white-gouache-on-blue-paper-16-14-x-10-38-in-413-x-264-cm-drawings-hans-speckaert-netherlandish-brussels-ca-15401577-rome-hans-speckaert-was-one-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949749.htmlRF2HW553H–Art inspired by The Crucifixion of Christ, before 1577, Pen and brown and ink, brush and brown ink, heightened with white gouache; on blue paper, 16-1/4 x 10-3/8 in. (41.3 x 26.4 cm), Drawings, Hans Speckaert (Netherlandish, Brussels ca. 1540–1577 Rome), Hans Speckaert was one of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Crucifixion with Two Angels. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 12 1/16 x 7 11/16 in. (30.6 x 19.6 cm). Date: ca. 1540. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-with-two-angels-artist-after-michelangelo-buonarroti-italian-caprese-1475-1564-rome-giulio-bonasone-italian-active-rome-and-bologna-1531-after-1576-dimensions-sheet-12-116-x-7-1116-in-306-x-196-cm-date-ca-1540-museum-metropolitan-museum-of-art-new-york-usa-image213207433.htmlRMPATC75–Crucifixion with Two Angels. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 12 1/16 x 7 11/16 in. (30.6 x 19.6 cm). Date: ca. 1540. Museum: Metropolitan Museum of Art, New York, USA.
The Crucifixion of Christ, Hans Speckaert, before 1577 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-crucifixion-of-christ-hans-speckaert-before-1577-162447480.htmlRMKC83BM–The Crucifixion of Christ, Hans Speckaert, before 1577
The Crucifixion of Christ before 1577 Hans Speckaert Netherlandish Hans Speckaert was one of several Northern Mannerist painters working in Rome in the sixteenth century. His close study of the art of Michelangelo, Raphael, and other Italian Renaissance masters informs the muscular, monumental figures in this Crucifixion. Two other drawings of this subject made by Speckaert, perhaps in preparation for a painting, are more sedate. Speckaert's art strongly influenced his Northern contemporaries, as can be seen, in particular, in the drawings of Bartholomeus Spranger, Hans von Aachen, and Karel v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-of-christ-before-1577-hans-speckaert-netherlandish-hans-speckaert-was-one-of-several-northern-mannerist-painters-working-in-rome-in-the-sixteenth-century-his-close-study-of-the-art-of-michelangelo-raphael-and-other-italian-renaissance-masters-informs-the-muscular-monumental-figures-in-this-crucifixion-two-other-drawings-of-this-subject-made-by-speckaert-perhaps-in-preparation-for-a-painting-are-more-sedate-speckaerts-art-strongly-influenced-his-northern-contemporaries-as-can-be-seen-in-particular-in-the-drawings-of-bartholomeus-spranger-hans-von-aachen-and-karel-v-image458172562.htmlRM2HHBFNP–The Crucifixion of Christ before 1577 Hans Speckaert Netherlandish Hans Speckaert was one of several Northern Mannerist painters working in Rome in the sixteenth century. His close study of the art of Michelangelo, Raphael, and other Italian Renaissance masters informs the muscular, monumental figures in this Crucifixion. Two other drawings of this subject made by Speckaert, perhaps in preparation for a painting, are more sedate. Speckaert's art strongly influenced his Northern contemporaries, as can be seen, in particular, in the drawings of Bartholomeus Spranger, Hans von Aachen, and Karel v
(171113) -- NEW YORK, Nov. 13, 2017 -- A visitor views the artwork of Michelangelo Roman soldiers , a cartoon fragment for the lower left part of the Crucifixion of Saint Peter during the exhibition Michelangelo: Devine Draftsman and Designer held in the Metropolitan Museum of Art in New York, the United States, on Nov. 13, 2017. The exhibition, which lasts from Nov. 13, 2017 to Feb. 12, 2018, presents a stunning range and number of works by Michelangelo Buonarroti: 133 of his drawings, three of his marble sculptures, his earliest painting, his wood architectural model for a chapel vault, as w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/171113-new-york-nov-13-2017-a-visitor-views-the-artwork-of-michelangelo-roman-soldiers-a-cartoon-fragment-for-the-lower-left-part-of-the-crucifixion-of-saint-peter-during-the-exhibition-michelangelo-devine-draftsman-and-designer-held-in-the-metropolitan-museum-of-art-in-new-york-the-united-states-on-nov-13-2017-the-exhibition-which-lasts-from-nov-13-2017-to-feb-12-2018-presents-a-stunning-range-and-number-of-works-by-michelangelo-buonarroti-133-of-his-drawings-three-of-his-marble-sculptures-his-earliest-painting-his-wood-architectural-model-for-a-chapel-vault-as-w-image564183371.htmlRM2RNTNJ3–(171113) -- NEW YORK, Nov. 13, 2017 -- A visitor views the artwork of Michelangelo Roman soldiers , a cartoon fragment for the lower left part of the Crucifixion of Saint Peter during the exhibition Michelangelo: Devine Draftsman and Designer held in the Metropolitan Museum of Art in New York, the United States, on Nov. 13, 2017. The exhibition, which lasts from Nov. 13, 2017 to Feb. 12, 2018, presents a stunning range and number of works by Michelangelo Buonarroti: 133 of his drawings, three of his marble sculptures, his earliest painting, his wood architectural model for a chapel vault, as w
Deposition of Christ, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deposition-of-christ-nd-image491543324.htmlRM2KFKMEM–Deposition of Christ, n.d.
Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm) Plate (lunette shape): 7 11/16 × 16 7/8 in. (19.5 × 42.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-from-the-last-judgment-angels-carrying-the-column-of-the-flagellation-and-the-sponge-and-ladder-of-the-crucifixion-artist-after-michelangelo-buonarroti-italian-caprese-1475-1564-rome-domenico-del-barbiere-italian-florence-1506-1565-paris-dimensions-sheet-9-516-16-78-in-237-428-cm-plate-lunette-shape-7-1116-16-78-in-195-428-cm-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213397081.htmlRMPB5249–Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm) Plate (lunette shape): 7 11/16 × 16 7/8 in. (19.5 × 42.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
The Entombment of Christ, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-entombment-of-christ-1817-image474667351.htmlRM2JG6Y1B–The Entombment of Christ, 1817.
The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace). Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm) sheet: 18 7/16 x 14 1/4 in. (46.8 x 36.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1550-60. See: B. Barnes, 'Michelangelo in Print: Reproductions as Response in the Sixteenth Century', 2010, no.66. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-of-st-peter-after-michelangelos-frescoes-in-the-pauline-chapel-vatican-palace-artist-after-michelangelo-buonarroti-italian-caprese-1475-1564-rome-michele-lucchese-italian-active-rome-1534-64-dimensions-plate-16-716-x-12-34-in-418-x-324-cm-sheet-18-716-x-14-14-in-468-x-362-cm-publisher-antonio-lafreri-french-orgelet-franche-comte-ca-1512-1577-rome-date-1550-60-see-b-barnes-michelangelo-in-print-reproductions-as-response-in-the-sixteenth-century-2010-no66-museum-metropolitan-museum-of-art-new-york-usa-image225420284.htmlRMR2MNTC–The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace). Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm) sheet: 18 7/16 x 14 1/4 in. (46.8 x 36.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1550-60. See: B. Barnes, 'Michelangelo in Print: Reproductions as Response in the Sixteenth Century', 2010, no.66. Museum: Metropolitan Museum of Art, New York, USA.
Pietà, set against an arched ruin, 1556-72. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietxe0-set-against-an-arched-ruin-1556-72-image482098951.htmlRM2K09E3K–Pietà, set against an arched ruin, 1556-72.
Joseph of Arimathea, after Michelangelo's Crucifixion fresco in the Cappella Paolina, Vatican. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome (?)). Dimensions: Sheet (trimmed): 13 9/16 × 7 1/16 in. (34.4 × 18 cm). Date: 1540-66. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-of-arimathea-after-michelangelos-crucifixion-fresco-in-the-cappella-paolina-vatican-artist-after-michelangelo-buonarroti-italian-caprese-1475-1564-rome-nicolas-beatrizet-french-lunville-1515-ca-1566-rome-dimensions-sheet-trimmed-13-916-7-116-in-344-18-cm-date-1540-66-museum-metropolitan-museum-of-art-new-york-usa-image225414497.htmlRMR2MEDN–Joseph of Arimathea, after Michelangelo's Crucifixion fresco in the Cappella Paolina, Vatican. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome (?)). Dimensions: Sheet (trimmed): 13 9/16 × 7 1/16 in. (34.4 × 18 cm). Date: 1540-66. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for Michelangelo crucifixion drawings Stock Photos and Images (11)
Page 1 of 1