John mallord william turner Stock Photos and Images
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John mallord william turner Stock Photos and Images
JOHN MALLORD WILLIAM TURNER (1775 - 1851), artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-mallord-william-turner-1775-1851-artist-image560862245.htmlRM2RGDDED–JOHN MALLORD WILLIAM TURNER (1775 - 1851), artist.
The Fighting Temeraire by JMW Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fighting-temeraire-by-jmw-turner-image448308276.htmlRM2H1A5NT–The Fighting Temeraire by JMW Turner
Joseph Mallord William Turner at work Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-at-work-56799207.htmlRMD8BBY3–Joseph Mallord William Turner at work
Calais Pier by JMW Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calais-pier-by-jmw-turner-image448308279.htmlRM2H1A5NY–Calais Pier by JMW Turner
Babylon, John Cousen, 1804–1880, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylon-john-cousen-18041880-british-after-joseph-mallord-william-turner-17751851-british-1836-engraving-image389784456.htmlRM2DJ461C–Babylon, John Cousen, 1804–1880, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Engraving
Rain Steam and Speed by JMW Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rain-steam-and-speed-by-jmw-turner-image448308281.htmlRM2H1A5P1–Rain Steam and Speed by JMW Turner
Joseph Mallord William Turner (1775-1851). English Romantic landscape painter. Portrait by John Linnell (1792-1882). Oil on canvas (46 x 38,4 cm), 1838. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-1775-1851-english-romantic-landscape-painter-portrait-by-john-linnell-1792-1882-oil-on-canvas-46-x-384-cm-1838-national-portrait-gallery-london-england-united-kingdom-image384800980.htmlRM2DA15G4–Joseph Mallord William Turner (1775-1851). English Romantic landscape painter. Portrait by John Linnell (1792-1882). Oil on canvas (46 x 38,4 cm), 1838. National Portrait Gallery. London, England, United Kingdom.
JOHN MALLORD WILLIAM TURNER (1775 - 1851), artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-mallord-william-turner-1775-1851-artist-image557101889.htmlRM2RAA541–JOHN MALLORD WILLIAM TURNER (1775 - 1851), artist.
Stone carved memorial to John Mallord William Turner on a house in London England Famous landscape artist 1775 1851 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-carved-memorial-to-john-mallord-william-turner-on-a-house-in-image5158713.htmlRMAPHY3A–Stone carved memorial to John Mallord William Turner on a house in London England Famous landscape artist 1775 1851
A 19th Century view of Kirkstall Abbey, a ruined Cistercian monastery in Kirkstall, in West Yorkshire, England. It was founded around 1150, and disestablished during the Dissolution of the Monasteries under Henry VIII. The picturesque ruins have been drawn and painted by J.M.W. Turner, Thomas Girtin and John Sell Cotman. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-19th-century-view-of-kirkstall-abbey-a-ruined-cistercian-monastery-in-kirkstall-in-west-yorkshire-england-it-was-founded-around-1150-and-disestablished-during-the-dissolution-of-the-monasteries-under-henry-viii-the-picturesque-ruins-have-been-drawn-and-painted-by-jmw-turner-thomas-girtin-and-john-sell-cotman-image387856961.htmlRM2DF0BE9–A 19th Century view of Kirkstall Abbey, a ruined Cistercian monastery in Kirkstall, in West Yorkshire, England. It was founded around 1150, and disestablished during the Dissolution of the Monasteries under Henry VIII. The picturesque ruins have been drawn and painted by J.M.W. Turner, Thomas Girtin and John Sell Cotman.
Christie’s, London, UK. 14 October 2022. Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen include masterpieces by Paul Cézanne, Georges Seurat, J.M.W. Turner, Edouard Manet, Francis Bacon, Lucian Freud, David Hockney, Wassily Kandinsky and Gerhard Richter will be sold at auction in N.Y. on 9-10 November in $1 Billion sale to benefit philanthropic causes. Image: Joseph Mallord William Turner, Depositing of John Bellini’s Three Pictures in La Chiesa Redentore, Venice, estimate in excess of $30,000,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christies-london-uk-14-october-2022-works-from-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-include-masterpieces-by-paul-czanne-georges-seurat-jmw-turner-edouard-manet-francis-bacon-lucian-freud-david-hockney-wassily-kandinsky-and-gerhard-richter-will-be-sold-at-auction-in-ny-on-9-10-november-in-1-billion-sale-to-benefit-philanthropic-causes-image-joseph-mallord-william-turner-depositing-of-john-bellinis-three-pictures-in-la-chiesa-redentore-venice-estimate-in-excess-of-30000000-credit-malcolm-parkalamy-live-news-image485927269.htmlRM2K6FW59–Christie’s, London, UK. 14 October 2022. Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen include masterpieces by Paul Cézanne, Georges Seurat, J.M.W. Turner, Edouard Manet, Francis Bacon, Lucian Freud, David Hockney, Wassily Kandinsky and Gerhard Richter will be sold at auction in N.Y. on 9-10 November in $1 Billion sale to benefit philanthropic causes. Image: Joseph Mallord William Turner, Depositing of John Bellini’s Three Pictures in La Chiesa Redentore, Venice, estimate in excess of $30,000,000. Credit: Malcolm Park/Alamy Live News.
Ehrenbreitstein. Dated: 1845. Dimensions: image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: engraving on chine coll. Museum: National Gallery of Art, Washington DC. Author: John Pye after Joseph Mallord William Turner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ehrenbreitstein-dated-1845-dimensions-image-281-x-387-cm-11-116-x-15-14-in-plate-352-x-44-cm-13-78-x-17-516-in-sheet-427-x-524-cm-16-1316-x-20-58-in-mat-559-x-711-cm-22-x-28-in-medium-engraving-on-chine-coll-museum-national-gallery-of-art-washington-dc-author-john-pye-after-joseph-mallord-william-turner-image218610335.htmlRMPKJFKY–Ehrenbreitstein. Dated: 1845. Dimensions: image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: engraving on chine coll. Museum: National Gallery of Art, Washington DC. Author: John Pye after Joseph Mallord William Turner.
View of the residence of Joseph Mallord William Turner, Cheyne Walk, Chelsea, London, 1882. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-residence-of-joseph-mallord-william-turner-cheyne-walk-image60096851.htmlRMDDNJ43–View of the residence of Joseph Mallord William Turner, Cheyne Walk, Chelsea, London, 1882. Artist: Unknown
Queen Mab's Cave, by JMW Turner, 1846, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-mabs-cave-by-jmw-turner-1846-image358937929.htmlRM2BRY0YN–Queen Mab's Cave, by JMW Turner, 1846,
Portrait of Joseeph Mallord William Turner by John Linnell dated 1838 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-joseeph-mallord-william-turner-by-john-linnell-dated-1838-image209095660.htmlRMP453J4–Portrait of Joseeph Mallord William Turner by John Linnell dated 1838
Joseph Mallord William Turner - east cowes castle john nash regatta windward 1828 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-east-cowes-castle-john-nash-regatta-windward-1828-image247001344.htmlRMT9RTMG–Joseph Mallord William Turner - east cowes castle john nash regatta windward 1828
London, Britain. 20th Feb, 2020. Bank of England Chief Cashier Sarah John poses for photographs with the new 20 pound note at Tate Britain in London, Britain, on Feb. 20, 2020. Deemed as 'the most secure ever' note issued by the Bank of England, the latest 20 pound note has gone into circulation Thursday. The new polymer note features the famous English watercolor artist Joseph Mallord William Turner. Credit: Ray Tang/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-britain-20th-feb-2020-bank-of-england-chief-cashier-sarah-john-poses-for-photographs-with-the-new-20-pound-note-at-tate-britain-in-london-britain-on-feb-20-2020-deemed-as-the-most-secure-ever-note-issued-by-the-bank-of-england-the-latest-20-pound-note-has-gone-into-circulation-thursday-the-new-polymer-note-features-the-famous-english-watercolor-artist-joseph-mallord-william-turner-credit-ray-tangxinhuaalamy-live-news-image344616587.htmlRM2B0JHY7–London, Britain. 20th Feb, 2020. Bank of England Chief Cashier Sarah John poses for photographs with the new 20 pound note at Tate Britain in London, Britain, on Feb. 20, 2020. Deemed as 'the most secure ever' note issued by the Bank of England, the latest 20 pound note has gone into circulation Thursday. The new polymer note features the famous English watercolor artist Joseph Mallord William Turner. Credit: Ray Tang/Xinhua/Alamy Live News
19th century engraved picture of Nantes, France. Drawn by drawn by Joseph Mallord William Turner, engraved by William Miller, published by John McCormick in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-engraved-picture-of-nantes-france-drawn-by-drawn-by-joseph-mallord-william-turner-engraved-by-william-miller-published-by-john-mccormick-in-london-image539272970.htmlRM2P9A04X–19th century engraved picture of Nantes, France. Drawn by drawn by Joseph Mallord William Turner, engraved by William Miller, published by John McCormick in London.
John Pye after Joseph Mallord William Turner, Ehrenbreitstein, 1845 Ehrenbreitstein; 1845date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pye-after-joseph-mallord-william-turner-ehrenbreitstein-1845-ehrenbreitstein-1845date-image335967951.htmlRM2AEGJFB–John Pye after Joseph Mallord William Turner, Ehrenbreitstein, 1845 Ehrenbreitstein; 1845date
A plant with details of foliage and flower from a Herbal book. A new Herball, wherein are conteyned the names of Herbes in Greke, Latin, Englysh, Duch, Frenche, and in the Potecaries and Herbaries Latin, with the properties, degrees and naturall places of the same, gathered and made by Wylliam Turner, etc. B.L. London : Imprinted by Steven Mierdman, and they are to be solde ... by John Gybken, 1551. Source: 447.i.5 page 16v. Language: English. Author: TURNER, JOSEPH MALLORD WILLIAM. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-plant-with-details-of-foliage-and-flower-from-a-herbal-book-a-new-herball-wherein-are-conteyned-the-names-of-herbes-in-greke-latin-englysh-duch-frenche-and-in-the-potecaries-and-herbaries-latin-with-the-properties-degrees-and-naturall-places-of-the-same-gathered-and-made-by-wylliam-turner-etc-bl-london-imprinted-by-steven-mierdman-and-they-are-to-be-solde-by-john-gybken-1551-source-447i5-page-16v-language-english-author-turner-joseph-mallord-william-image227085263.htmlRMR5CHFY–A plant with details of foliage and flower from a Herbal book. A new Herball, wherein are conteyned the names of Herbes in Greke, Latin, Englysh, Duch, Frenche, and in the Potecaries and Herbaries Latin, with the properties, degrees and naturall places of the same, gathered and made by Wylliam Turner, etc. B.L. London : Imprinted by Steven Mierdman, and they are to be solde ... by John Gybken, 1551. Source: 447.i.5 page 16v. Language: English. Author: TURNER, JOSEPH MALLORD WILLIAM.
Joseph Mallord William Turner by John Linnell Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-by-john-linnell-image569990756.htmlRM2T3990M–Joseph Mallord William Turner by John Linnell
Turner Profile Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-turner-profile-56799209.htmlRMD8BBY5–Turner Profile
Gallery staff looking at Joseph Mallord William Turner's Caligula's Palace and Bridge (left), 1831, and John Constable's Salisbury Cathedral from the Meadows, 1831, during a photo call for Tate Britain's new exhibition, Fire and Water, a display of Constable and Turner, in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-staff-looking-at-joseph-mallord-william-turners-caligulas-palace-and-bridge-left-1831-and-john-constables-salisbury-cathedral-from-the-meadows-1831-during-a-photo-call-for-tate-britains-new-exhibition-fire-and-water-a-display-of-constable-and-turner-in-london-image372154970.htmlRM2CHD3CX–Gallery staff looking at Joseph Mallord William Turner's Caligula's Palace and Bridge (left), 1831, and John Constable's Salisbury Cathedral from the Meadows, 1831, during a photo call for Tate Britain's new exhibition, Fire and Water, a display of Constable and Turner, in London.
Honfleur, John Cousen, 1804–1880, British, after Joseph Mallord William Turner, 1775–1851, British, 1833, Line engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/honfleur-john-cousen-18041880-british-after-joseph-mallord-william-turner-17751851-british-1833-line-engraving-image389649811.htmlRM2DHX28K–Honfleur, John Cousen, 1804–1880, British, after Joseph Mallord William Turner, 1775–1851, British, 1833, Line engraving
The Burning of the House of Commons by JMW Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-burning-of-the-house-of-commons-by-jmw-turner-image448308217.htmlRM2H1A5KN–The Burning of the House of Commons by JMW Turner
TURNER STATUE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-turner-statue-105365974.htmlRMG3BRAE–TURNER STATUE
London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13th-oct-2022-joseph-mallord-william-turner-depositing-of-john-bellinis-three-pictures-in-la-chiesa-redentore-venice-estimate-on-request-in-excess-of-30000000-works-from-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-at-christies-london-a-free-public-exhibition-runs-from-14-17-october-all-of-the-proceeds-from-the-sale-new-york-9-10-november-will-benefit-philanthropic-causes-credit-guy-bellalamy-live-news-image485925268.htmlRM2K6FPHT–London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News
Inverary Pier, Loch Fyne, morning., 1811, England, by Joseph Mallord William Turner. Gift of Sir John Ilott, 1969. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inverary-pier-loch-fyne-morning-1811-england-by-joseph-mallord-william-turner-gift-of-sir-john-ilott-1969-image479265893.htmlRM2JRMCF1–Inverary Pier, Loch Fyne, morning., 1811, England, by Joseph Mallord William Turner. Gift of Sir John Ilott, 1969.
200220 -- LONDON, Feb. 20, 2020 Xinhua -- Bank of England Chief Cashier Sarah John poses for photographs with the new 20 pound note at Tate Britain in London, Britain, on Feb. 20, 2020. Deemed as the most secure ever note issued by the Bank of England, the latest 20 pound note has gone into circulation Thursday. The new polymer note features the famous English watercolor artist Joseph Mallord William Turner. Photo by Ray Tang/Xinhua BRITAIN-LONDON-LAUNCH-NEW 20 POUND NOTE PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/200220-london-feb-20-2020-xinhua-bank-of-england-chief-cashier-sarah-john-poses-for-photographs-with-the-new-20-pound-note-at-tate-britain-in-london-britain-on-feb-20-2020-deemed-as-the-most-secure-ever-note-issued-by-the-bank-of-england-the-latest-20-pound-note-has-gone-into-circulation-thursday-the-new-polymer-note-features-the-famous-english-watercolor-artist-joseph-mallord-william-turner-photo-by-ray-tangxinhua-britain-london-launch-new-20-pound-note-publicationxnotxinxchn-image564717424.htmlRM2RPN2RC–200220 -- LONDON, Feb. 20, 2020 Xinhua -- Bank of England Chief Cashier Sarah John poses for photographs with the new 20 pound note at Tate Britain in London, Britain, on Feb. 20, 2020. Deemed as the most secure ever note issued by the Bank of England, the latest 20 pound note has gone into circulation Thursday. The new polymer note features the famous English watercolor artist Joseph Mallord William Turner. Photo by Ray Tang/Xinhua BRITAIN-LONDON-LAUNCH-NEW 20 POUND NOTE PUBLICATIONxNOTxINxCHN
'John Pye after Joseph Mallord William Turner, Ehrenbreitstein, 1845, engraving on chine collé, image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.), Gift of Ruth B. Benedict, 1994.60.51' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pye-after-joseph-mallord-william-turner-ehrenbreitstein-1845-engraving-on-chine-coll-image-281-x-387-cm-11-116-x-15-14-in-plate-352-x-44-cm-13-78-x-17-516-in-sheet-427-x-524-cm-16-1316-x-20-58-in-mat-559-x-711-cm-22-x-28-in-gift-of-ruth-b-benedict-19946051-image559837866.htmlRM2REPPWE–'John Pye after Joseph Mallord William Turner, Ehrenbreitstein, 1845, engraving on chine collé, image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.), Gift of Ruth B. Benedict, 1994.60.51'
Giudecca. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 13 1/16 x 20 15/16 in. (33.2 x 53.2 cm). Date: 1913 (?). To the south of Venice, a wide canal separates Giudecca, eight small islands, from the rest of the city. A picturesque charm has long been associated with Giudecca, attracting artists for many centuries--both Francesco Guardi (1712-1793) and Joseph Mallord William Turner (1775-1851) painted views of it. However, their images almost always include recognizable landmarks. In his rendering, Sargent avoids identifiable Venetian monuments in recording th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giudecca-artist-john-singer-sargent-american-florence-1856-1925-london-dimensions-13-116-x-20-1516-in-332-x-532-cm-date-1913-to-the-south-of-venice-a-wide-canal-separates-giudecca-eight-small-islands-from-the-rest-of-the-city-a-picturesque-charm-has-long-been-associated-with-giudecca-attracting-artists-for-many-centuries-both-francesco-guardi-1712-1793-and-joseph-mallord-william-turner-1775-1851-painted-views-of-it-however-their-images-almost-always-include-recognizable-landmarks-in-his-rendering-sargent-avoids-identifiable-venetian-monuments-in-recording-th-image221422656.htmlRMPT6JT0–Giudecca. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 13 1/16 x 20 15/16 in. (33.2 x 53.2 cm). Date: 1913 (?). To the south of Venice, a wide canal separates Giudecca, eight small islands, from the rest of the city. A picturesque charm has long been associated with Giudecca, attracting artists for many centuries--both Francesco Guardi (1712-1793) and Joseph Mallord William Turner (1775-1851) painted views of it. However, their images almost always include recognizable landmarks. In his rendering, Sargent avoids identifiable Venetian monuments in recording th
!['Boston, Lincolnshire', 1838, (1943). View of St Botolph's Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner. From "English Cities and Small Towns", by John Betjeman. [Collins, London, 1943] Stock Photo](https://c8.alamy.com/comp/2AG0GXX/boston-lincolnshire-1838-1943-view-of-st-botolphs-church-and-ships-on-the-river-witham-in-the-town-of-boston-after-an-engaving-by-jmw-turner-from-quotenglish-cities-and-small-townsquot-by-john-betjeman-collins-london-1943-2AG0GXX.jpg "'Boston, Lincolnshire', 1838, (1943). View of St Botolph's Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner. From "English Cities and Small Towns", by John Betjeman. [Collins, London, 1943] Stock Photo")
'Boston, Lincolnshire', 1838, (1943). View of St Botolph's Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner. From "English Cities and Small Towns", by John Betjeman. [Collins, London, 1943] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boston-lincolnshire-1838-1943-view-of-st-botolphs-church-and-ships-on-the-river-witham-in-the-town-of-boston-after-an-engaving-by-jmw-turner-from-quotenglish-cities-and-small-townsquot-by-john-betjeman-collins-london-1943-image336844786.htmlRM2AG0GXX–'Boston, Lincolnshire', 1838, (1943). View of St Botolph's Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner. From "English Cities and Small Towns", by John Betjeman. [Collins, London, 1943]
Caligula's Palace and Bridge, by JMW Turner, 1831, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caligulas-palace-and-bridge-by-jmw-turner-1831-image358935976.htmlRM2BRXXE0–Caligula's Palace and Bridge, by JMW Turner, 1831,
Portrait of Joseeph Mallord William Turner by John Linnell dated 1838 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-joseeph-mallord-william-turner-by-john-linnell-dated-1838-image209095667.htmlRMP453JB–Portrait of Joseeph Mallord William Turner by John Linnell dated 1838
John Pye after Joseph Mallord William Turner (British, 1782 - 1874), Ehrenbreitstein, 1845, engraving on chine collé reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pye-after-joseph-mallord-william-turner-british-1782-1874-ehrenbreitstein-1845-engraving-on-chine-coll-reimagined-image230448987.htmlRFRAWT0Y–John Pye after Joseph Mallord William Turner (British, 1782 - 1874), Ehrenbreitstein, 1845, engraving on chine collé reimagined
Basin of San Marco, 1897. Moran's watercolour of Venice captures both the splendor of the city and the pathos of its fading glory. His interest in the subject was no doubt influenced by John Ruskin's famous book The Stones of Venice (1851-53), as well as by the paintings and watercolours of the British artist Joseph Mallord William Turner (1775-1851), whom Ruskin greatly admired. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basin-of-san-marco-1897-morans-watercolour-of-venice-captures-both-the-splendor-of-the-city-and-the-pathos-of-its-fading-glory-his-interest-in-the-subject-was-no-doubt-influenced-by-john-ruskins-famous-book-the-stones-of-venice-1851-53-as-well-as-by-the-paintings-and-watercolours-of-the-british-artist-joseph-mallord-william-turner-1775-1851-whom-ruskin-greatly-admired-image330076932.htmlRM2A508DT–Basin of San Marco, 1897. Moran's watercolour of Venice captures both the splendor of the city and the pathos of its fading glory. His interest in the subject was no doubt influenced by John Ruskin's famous book The Stones of Venice (1851-53), as well as by the paintings and watercolours of the British artist Joseph Mallord William Turner (1775-1851), whom Ruskin greatly admired.
Joseph Mallord William Turner, R.A. (1775-1851) Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice oil on canvas 29 x 45½ in. (73.7 x 115.6 cm.) Painted in 1841 Estimate: $28,000,000-35,000,000 hanging on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 y Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-ra-1775-1851-depositing-of-john-bellinis-three-pictures-in-la-chiesa-redentore-venice-oil-on-canvas-29-x-45-in-737-x-1156-cm-painted-in-1841-estimate-28000000-35000000-hanging-on-the-wall-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-y-image490427400.htmlRM2KDTW48–Joseph Mallord William Turner, R.A. (1775-1851) Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice oil on canvas 29 x 45½ in. (73.7 x 115.6 cm.) Painted in 1841 Estimate: $28,000,000-35,000,000 hanging on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 y
NEW BOND STREET LONDON,UK. 3 December 2021. JOHN CONSTABLE , R.A ,The Glebe Farm. Estimate: 3,000,000 - 5,000,000 GBP, Background JOSEPH MALLORD WILLIAM TURNER R.A. Cilgerran Castle, Wales . Estimate: 300,000 - 500,000 GBP 2021. Jto be offered at Sotheby's Old Masters Sale. The sale takes place on 10 December. Credit: amer ghazzal/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-bond-street-londonuk-3-december-2021-john-constable-ra-the-glebe-farm-estimate-3000000-5000000-gbp-background-joseph-mallord-william-turner-ra-cilgerran-castle-wales-estimate-300000-500000-gbp-2021-jto-be-offered-at-sothebys-old-masters-sale-the-sale-takes-place-on-10-december-credit-amer-ghazzalalamy-live-news-image453042317.htmlRM2H91T2N–NEW BOND STREET LONDON,UK. 3 December 2021. JOHN CONSTABLE , R.A ,The Glebe Farm. Estimate: 3,000,000 - 5,000,000 GBP, Background JOSEPH MALLORD WILLIAM TURNER R.A. Cilgerran Castle, Wales . Estimate: 300,000 - 500,000 GBP 2021. Jto be offered at Sotheby's Old Masters Sale. The sale takes place on 10 December. Credit: amer ghazzal/Alamy Live News
Tate, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tate-margate-175548865.htmlRFM5GXA9–Tate, Margate
Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-installation-dutchlight-for-agneta-block-by-jyll-bradley-at-the-turner-contemporary-margate-image227839277.htmlRMR6JY91–Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate
Entrance to the port of Havre, France, early 1800s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entrance-to-the-port-of-havre-france-early-1800s-image542271657.htmlRM2PE6H0W–Entrance to the port of Havre, France, early 1800s.
Gallery staff looking at Joseph Mallord William Turner's Caligula's Palace and Bridge (left), 1831, and John Constable's Salisbury Cathedral from the Meadows, 1831, during a photo call for Tate Britain's new exhibition, Fire and Water, a display of Constable and Turner, in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-staff-looking-at-joseph-mallord-william-turners-caligulas-palace-and-bridge-left-1831-and-john-constables-salisbury-cathedral-from-the-meadows-1831-during-a-photo-call-for-tate-britains-new-exhibition-fire-and-water-a-display-of-constable-and-turner-in-london-image372154972.htmlRM2CHD3D0–Gallery staff looking at Joseph Mallord William Turner's Caligula's Palace and Bridge (left), 1831, and John Constable's Salisbury Cathedral from the Meadows, 1831, during a photo call for Tate Britain's new exhibition, Fire and Water, a display of Constable and Turner, in London.
Dunfermline, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Etching and engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dunfermline-john-horsburgh-17911869-british-after-joseph-mallord-william-turner-17751851-british-1836-etching-and-engraving-image389758123.htmlRM2DJ30CY–Dunfermline, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Etching and engraving
NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-christies-and-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-are-honored-to-unveil-highlights-from-visionary-the-paul-g-allen-collection-featuring-500-years-of-groundbreaking-art-the-highlights-will-be-part-of-an-unprecedented-1-billion-sale-across-two-live-auctions-at-christies-rockefeller-center-beginning-november-9th-the-auctions-will-offer-a-comprehensive-study-of-the-art-historical-canon-in-more-than-150-masterworks-all-of-the-estates-proceeds-from-this-historic-sale-will-be-dedicated-to-philanthropy-pursuant-to-mr-allens-wishes-image485984783.htmlRM2K6JEFB–NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes.
London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000, with Edouard Manet, Le Grand Canal à Venise, Painted in fall 1874, Estimate on request: in excess of $50,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13th-oct-2022-joseph-mallord-william-turner-depositing-of-john-bellinis-three-pictures-in-la-chiesa-redentore-venice-estimate-on-request-in-excess-of-30000000-with-edouard-manet-le-grand-canal-venise-painted-in-fall-1874-estimate-on-request-in-excess-of-50000000-works-from-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-at-christies-london-a-free-public-exhibition-runs-from-14-17-october-all-of-the-proceeds-from-the-sale-new-york-9-10-november-will-benefit-philanthropic-causes-credit-guy-bellalamy-live-news-image485925254.htmlRM2K6FPHA–London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000, with Edouard Manet, Le Grand Canal à Venise, Painted in fall 1874, Estimate on request: in excess of $50,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News
Napoleon's Logement, Quai Conti, 1835. John Horsburgh (British, 1791-1869), after Joseph Mallord William Turner (British, 1775-1851). Engraving; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napoleons-logement-quai-conti-1835-john-horsburgh-british-1791-1869-after-joseph-mallord-william-turner-british-1775-1851-engraving-image448130476.htmlRM2H122YT–Napoleon's Logement, Quai Conti, 1835. John Horsburgh (British, 1791-1869), after Joseph Mallord William Turner (British, 1775-1851). Engraving;
Joseph Mallord William Turner (1775-1851). Pintor romántico inglés especializado en paisajes. Retrato realizado por John Linnell (1792-1882). Oleo obre lienzo, 1838. National Portrait Gallery. Londres, Inglaterra. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-1775-1851-pintor-romntico-ingls-especializado-en-paisajes-retrato-realizado-por-john-linnell-1792-1882-oleo-obre-lienzo-1838-national-portrait-gallery-londres-inglaterra-image335778156.htmlRM2AE80D0–Joseph Mallord William Turner (1775-1851). Pintor romántico inglés especializado en paisajes. Retrato realizado por John Linnell (1792-1882). Oleo obre lienzo, 1838. National Portrait Gallery. Londres, Inglaterra.
!["A Snowstorm on Mont Cenis", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing, dated 1820, described by John Ruskin: 'The scene is on the summit of the pass, close to the hospice...This building, about 400 or 500 yards off, is seen in a dim, ashy grey, against the light, which, by help of a violent blast of mountain wind, has broken through the depth of clouds which hang upon the crags. There is no sky...nothing but this roof of drifting cloud; but neither is there any weight of darkness; the high air is too thin for it Stock Photo](https://c8.alamy.com/comp/2X21X95/quota-snowstorm-on-mont-cenisquot-from-the-farnley-hall-collection-of-drawings-by-jmw-turner-ra-1865-engraving-of-a-photograph-of-a-drawing-dated-1820-described-by-john-ruskin-the-scene-is-on-the-summit-of-the-pass-close-to-the-hospicethis-building-about-400-or-500-yards-off-is-seen-in-a-dim-ashy-grey-against-the-light-which-by-help-of-a-violent-blast-of-mountain-wind-has-broken-through-the-depth-of-clouds-which-hang-upon-the-crags-there-is-no-skynothing-but-this-roof-of-drifting-cloud-but-neither-is-there-any-weight-of-darkness-the-high-air-is-too-thin-for-it-2X21X95.jpg ""A Snowstorm on Mont Cenis", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing, dated 1820, described by John Ruskin: 'The scene is on the summit of the pass, close to the hospice...This building, about 400 or 500 yards off, is seen in a dim, ashy grey, against the light, which, by help of a violent blast of mountain wind, has broken through the depth of clouds which hang upon the crags. There is no sky...nothing but this roof of drifting cloud; but neither is there any weight of darkness; the high air is too thin for it Stock Photo")
"A Snowstorm on Mont Cenis", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing, dated 1820, described by John Ruskin: 'The scene is on the summit of the pass, close to the hospice...This building, about 400 or 500 yards off, is seen in a dim, ashy grey, against the light, which, by help of a violent blast of mountain wind, has broken through the depth of clouds which hang upon the crags. There is no sky...nothing but this roof of drifting cloud; but neither is there any weight of darkness; the high air is too thin for it Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quota-snowstorm-on-mont-cenisquot-from-the-farnley-hall-collection-of-drawings-by-jmw-turner-ra-1865-engraving-of-a-photograph-of-a-drawing-dated-1820-described-by-john-ruskin-the-scene-is-on-the-summit-of-the-pass-close-to-the-hospicethis-building-about-400-or-500-yards-off-is-seen-in-a-dim-ashy-grey-against-the-light-which-by-help-of-a-violent-blast-of-mountain-wind-has-broken-through-the-depth-of-clouds-which-hang-upon-the-crags-there-is-no-skynothing-but-this-roof-of-drifting-cloud-but-neither-is-there-any-weight-of-darkness-the-high-air-is-too-thin-for-it-image603634785.htmlRM2X21X95–"A Snowstorm on Mont Cenis", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing, dated 1820, described by John Ruskin: 'The scene is on the summit of the pass, close to the hospice...This building, about 400 or 500 yards off, is seen in a dim, ashy grey, against the light, which, by help of a violent blast of mountain wind, has broken through the depth of clouds which hang upon the crags. There is no sky...nothing but this roof of drifting cloud; but neither is there any weight of darkness; the high air is too thin for it
Caligula's Palace and Bridge, JMW Turner, 1831, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caligulas-palace-and-bridge-jmw-turner-1831-image553288120.htmlRF2R44CJ0–Caligula's Palace and Bridge, JMW Turner, 1831,
Forum Romanum', 1818, (1938). Artist: JMW Turner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forum-romanum-1818-1938-artist-jmw-turner-image262788183.htmlRMW7F107–Forum Romanum', 1818, (1938). Artist: JMW Turner.
John Pye after Joseph Mallord William Turner (British, 1782 - 1874), Ehrenbreitstein, 1845, engraving on chine collé reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pye-after-joseph-mallord-william-turner-british-1782-1874-ehrenbreitstein-1845-engraving-on-chine-coll-reimagined-image230059798.htmlRFRA83HA–John Pye after Joseph Mallord William Turner (British, 1782 - 1874), Ehrenbreitstein, 1845, engraving on chine collé reimagined
The Old Oak, 1845-1850. After starting his career as a decorator at his father's porcelain factory, Dupré began to paint landscapes. He emerged at the Paris Salon of 1839 as one of the foremost French artists specializing in landscapes. He befriended the artists Constant Troyon and Théodore Rousseau and, in 1832, visited England, where he became acquainted with the British masters John Constable, Joseph Mallord William Turner, and Richard Parkes Bonnington. Although Dupré is associated with the Barbizon school of landscape painting, he preferred to work alone in the village of l Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-old-oak-1845-1850-after-starting-his-career-as-a-decorator-at-his-fathers-porcelain-factory-duprxe9-began-to-paint-landscapes-he-emerged-at-the-paris-salon-of-1839-as-one-of-the-foremost-french-artists-specializing-in-landscapes-he-befriended-the-artists-constant-troyon-and-thxe9odore-rousseau-and-in-1832-visited-england-where-he-became-acquainted-with-the-british-masters-john-constable-joseph-mallord-william-turner-and-richard-parkes-bonnington-although-duprxe9-is-associated-with-the-barbizon-school-of-landscape-painting-he-preferred-to-work-alone-in-the-village-of-l-image575142070.htmlRM2TBKYG6–The Old Oak, 1845-1850. After starting his career as a decorator at his father's porcelain factory, Dupré began to paint landscapes. He emerged at the Paris Salon of 1839 as one of the foremost French artists specializing in landscapes. He befriended the artists Constant Troyon and Théodore Rousseau and, in 1832, visited England, where he became acquainted with the British masters John Constable, Joseph Mallord William Turner, and Richard Parkes Bonnington. Although Dupré is associated with the Barbizon school of landscape painting, he preferred to work alone in the village of l
Brinkburn Priory, Northumberland', c1830, (1938). Artist: JMW Turner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brinkburn-priory-northumberland-c1830-1938-artist-jmw-turner-image262788240.htmlRMW7F128–Brinkburn Priory, Northumberland', c1830, (1938). Artist: JMW Turner.
Forum Romanum', 1818, (1938). Artist: JMW Turner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-forum-romanum-1818-1938-artist-jmw-turner-135279412.htmlRMHT2E7G–Forum Romanum', 1818, (1938). Artist: JMW Turner.
Brinkburn Priory, Northumberland', c1830, (1938). Artist: JMW Turner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brinkburn-priory-northumberland-c1830-1938-artist-jmw-turner-135279488.htmlRMHT2EA8–Brinkburn Priory, Northumberland', c1830, (1938). Artist: JMW Turner.
Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-installation-dutchlight-for-agneta-block-by-jyll-bradley-at-the-turner-contemporary-margate-image227839247.htmlRMR6JY7Y–Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate
Gallery staff looking at Joseph Mallord William Turner's Caligula's Palace and Bridge (left), 1831, and John Constable's Salisbury Cathedral from the Meadows, 1831, during a photo call for Tate Britain's new exhibition, Fire and Water, a display of Constable and Turner, in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-staff-looking-at-joseph-mallord-william-turners-caligulas-palace-and-bridge-left-1831-and-john-constables-salisbury-cathedral-from-the-meadows-1831-during-a-photo-call-for-tate-britains-new-exhibition-fire-and-water-a-display-of-constable-and-turner-in-london-image372154964.htmlRM2CHD3CM–Gallery staff looking at Joseph Mallord William Turner's Caligula's Palace and Bridge (left), 1831, and John Constable's Salisbury Cathedral from the Meadows, 1831, during a photo call for Tate Britain's new exhibition, Fire and Water, a display of Constable and Turner, in London.
Milan, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1835, Line engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milan-john-horsburgh-17911869-british-after-joseph-mallord-william-turner-17751851-british-1835-line-engraving-image389757870.htmlRM2DJ303X–Milan, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1835, Line engraving
![Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in Stock Photo](https://c8.alamy.com/comp/2TBKYE5/raby-castle-the-seat-of-the-earl-of-darlington-1817-before-he-painted-romantic-subjects-drawn-from-classical-biblical-literary-and-contemporary-sources-turner-specialized-in-topographical-views-this-work-commissioned-by-the-third-earl-of-darlington-is-one-of-turners-most-successful-quothouse-portraitsquot-it-is-also-one-of-the-first-works-in-which-he-fully-exploits-the-dramatic-potential-of-the-sky-the-earl-an-avid-sportsman-who-reportedly-hunted-six-days-a-week-may-have-influenced-turners-rendering-of-the-scene-when-the-painting-was-first-exhibited-at-the-royal-academy-in-2TBKYE5.jpg "Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in Stock Photo")
Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raby-castle-the-seat-of-the-earl-of-darlington-1817-before-he-painted-romantic-subjects-drawn-from-classical-biblical-literary-and-contemporary-sources-turner-specialized-in-topographical-views-this-work-commissioned-by-the-third-earl-of-darlington-is-one-of-turners-most-successful-quothouse-portraitsquot-it-is-also-one-of-the-first-works-in-which-he-fully-exploits-the-dramatic-potential-of-the-sky-the-earl-an-avid-sportsman-who-reportedly-hunted-six-days-a-week-may-have-influenced-turners-rendering-of-the-scene-when-the-painting-was-first-exhibited-at-the-royal-academy-in-image575142013.htmlRM2TBKYE5–Raby Castle, the Seat of the Earl of Darlington, 1817. Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in
NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-christies-and-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-are-honored-to-unveil-highlights-from-visionary-the-paul-g-allen-collection-featuring-500-years-of-groundbreaking-art-the-highlights-will-be-part-of-an-unprecedented-1-billion-sale-across-two-live-auctions-at-christies-rockefeller-center-beginning-november-9th-the-auctions-will-offer-a-comprehensive-study-of-the-art-historical-canon-in-more-than-150-masterworks-all-of-the-estates-proceeds-from-this-historic-sale-will-be-dedicated-to-philanthropy-pursuant-to-mr-allens-wishes-image485984765.htmlRM2K6JEEN–NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes.
London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000, with Edouard Manet, Le Grand Canal à Venise, Painted in fall 1874, Estimate on request: in excess of $50,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13th-oct-2022-joseph-mallord-william-turner-depositing-of-john-bellinis-three-pictures-in-la-chiesa-redentore-venice-estimate-on-request-in-excess-of-30000000-with-edouard-manet-le-grand-canal-venise-painted-in-fall-1874-estimate-on-request-in-excess-of-50000000-works-from-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-at-christies-london-a-free-public-exhibition-runs-from-14-17-october-all-of-the-proceeds-from-the-sale-new-york-9-10-november-will-benefit-philanthropic-causes-credit-guy-bellalamy-live-news-image485925261.htmlRM2K6FPHH–London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000, with Edouard Manet, Le Grand Canal à Venise, Painted in fall 1874, Estimate on request: in excess of $50,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News
Napoleon's Logement, Quai Conti, 1836. John Horsburgh (British, 1791-1869), after Joseph Mallord William Turner (British, 1775-1851). Engraving; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napoleons-logement-quai-conti-1836-john-horsburgh-british-1791-1869-after-joseph-mallord-william-turner-british-1775-1851-engraving-image448131057.htmlRM2H123MH–Napoleon's Logement, Quai Conti, 1836. John Horsburgh (British, 1791-1869), after Joseph Mallord William Turner (British, 1775-1851). Engraving;
Etched by Joseph Mallord William Turner, 1775–1851, British, Picture in the Possession of Sir John Mildmay, Bart, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-picture-in-the-possession-of-sir-john-mildmay-bart-1812-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-wove-paper-image398359363.htmlRM2E42RC3–Etched by Joseph Mallord William Turner, 1775–1851, British, Picture in the Possession of Sir John Mildmay, Bart, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.
The History and Description of Cassiobury Park. Author: Written and designed by John Britton (British, Kington St. Michael, 1771-1857 London (?)). Dedicatee: The Right Honorable Earl of Essex (British, 19th century). Designer: Augustus Welby Northmore Pugin (British, London 1812-1852 Ramsgate); Designed and etched by Robert William Billings (British, 1813-1874); Joseph Mallord William Turner (British, London 1775-1851 London); Henry Edridge (British, Paddington, Middlesex 1769-1821 London); William Alexander (British, Maidstone, Kent 1767-1816 Maidstone, Kent); H. Villiers (British, active 19t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-and-description-of-cassiobury-park-author-written-and-designed-by-john-britton-british-kington-st-michael-1771-1857-london-dedicatee-the-right-honorable-earl-of-essex-british-19th-century-designer-augustus-welby-northmore-pugin-british-london-1812-1852-ramsgate-designed-and-etched-by-robert-william-billings-british-1813-1874-joseph-mallord-william-turner-british-london-1775-1851-london-henry-edridge-british-paddington-middlesex-1769-1821-london-william-alexander-british-maidstone-kent-1767-1816-maidstone-kent-h-villiers-british-active-19t-image212895498.htmlRMPAA6AJ–The History and Description of Cassiobury Park. Author: Written and designed by John Britton (British, Kington St. Michael, 1771-1857 London (?)). Dedicatee: The Right Honorable Earl of Essex (British, 19th century). Designer: Augustus Welby Northmore Pugin (British, London 1812-1852 Ramsgate); Designed and etched by Robert William Billings (British, 1813-1874); Joseph Mallord William Turner (British, London 1775-1851 London); Henry Edridge (British, Paddington, Middlesex 1769-1821 London); William Alexander (British, Maidstone, Kent 1767-1816 Maidstone, Kent); H. Villiers (British, active 19t
Etched by Joseph Mallord William Turner, 1775–1851, British, Picture in the Possession of Sir John Mildmay, Bart, 1812. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-picture-in-the-possession-of-sir-john-mildmay-bart-1812-etching-and-mezzotint-printed-in-brown-ink-first-published-state-on-medium-slightly-textured-cream-wove-paper-image398389934.htmlRM2E446BX–Etched by Joseph Mallord William Turner, 1775–1851, British, Picture in the Possession of Sir John Mildmay, Bart, 1812. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.
Portrait of artist Joseph Mallord William Turner, Louis Haghe, after John Thomas Smith, 1823 - 1852 print Portrait of artist Joseph Mallord William Turner who looks at a print in the print cabinet of the British Museum. paper print, e.g.: engraving, etching, lithograph. portrait, self-portrait of artist British Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-artist-joseph-mallord-william-turner-louis-haghe-after-john-thomas-smith-1823-1852-print-portrait-of-artist-joseph-mallord-william-turner-who-looks-at-a-print-in-the-print-cabinet-of-the-british-museum-paper-print-eg-engraving-etching-lithograph-portrait-self-portrait-of-artist-british-museum-image594240253.htmlRM2WENYE5–Portrait of artist Joseph Mallord William Turner, Louis Haghe, after John Thomas Smith, 1823 - 1852 print Portrait of artist Joseph Mallord William Turner who looks at a print in the print cabinet of the British Museum. paper print, e.g.: engraving, etching, lithograph. portrait, self-portrait of artist British Museum
South Gate of Sargans, Joseph Mallord William Turner (English, 1775-1851), Thomas Girtin (British, 1775-1802), After John Robert Cozens (British, 1752-1797), 1794-1797, gray ink washes over pencil on white paper, 9-1/2 x 14-3/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-gate-of-sargans-joseph-mallord-william-turner-english-1775-1851-thomas-girtin-british-1775-1802-after-john-robert-cozens-british-1752-1797-1794-1797-gray-ink-washes-over-pencil-on-white-paper-9-12-x-14-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349858199.htmlRF2B95BKK–South Gate of Sargans, Joseph Mallord William Turner (English, 1775-1851), Thomas Girtin (British, 1775-1802), After John Robert Cozens (British, 1752-1797), 1794-1797, gray ink washes over pencil on white paper, 9-1/2 x 14-3/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Lake of Zug 1843 Joseph Mallord William Turner British Returning from an extended sojourn in the Swiss Alps, Turner solicited patrons for large watercolors to be based on sketches from the trip. This view was commissioned by Hugh Andrew Johnstone Munro of Novar in 1843, and was later owned by John Ruskin. Its accomplished rendering of light and atmospheric effects is characteristic of Turner's finest work. The drawing exhibits the technical prowess that made Turner both controversial and celebrated. The lake and mountains display successive applications of color—in dilute washes, drier wat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lake-of-zug-1843-joseph-mallord-william-turner-british-returning-from-an-extended-sojourn-in-the-swiss-alps-turner-solicited-patrons-for-large-watercolors-to-be-based-on-sketches-from-the-trip-this-view-was-commissioned-by-hugh-andrew-johnstone-munro-of-novar-in-1843-and-was-later-owned-by-john-ruskin-its-accomplished-rendering-of-light-and-atmospheric-effects-is-characteristic-of-turners-finest-work-the-drawing-exhibits-the-technical-prowess-that-made-turner-both-controversial-and-celebrated-the-lake-and-mountains-display-successive-applications-of-colorin-dilute-washes-drier-wat-image458474682.htmlRM2HHW93P–The Lake of Zug 1843 Joseph Mallord William Turner British Returning from an extended sojourn in the Swiss Alps, Turner solicited patrons for large watercolors to be based on sketches from the trip. This view was commissioned by Hugh Andrew Johnstone Munro of Novar in 1843, and was later owned by John Ruskin. Its accomplished rendering of light and atmospheric effects is characteristic of Turner's finest work. The drawing exhibits the technical prowess that made Turner both controversial and celebrated. The lake and mountains display successive applications of color—in dilute washes, drier wat
!["The Fall of the Reichenbach", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing. The subject '...has no adventitious or extrinsic interest: we select it only as a representation of a well-known and remarkable scene, and as one of the most powerfully-painted and impressive drawings of the series...Here we have the great fall and also several of the series of cascades by which the torrent gains the valley, far beneath, of Grindelwald. From the natural division of the scene, in the point of view chosen, into two nearly equ Stock Photo](https://c8.alamy.com/comp/2X21XAB/quotthe-fall-of-the-reichenbachquot-from-the-farnley-hall-collection-of-drawings-by-jmw-turner-ra-1865-engraving-of-a-photograph-of-a-drawing-the-subject-has-no-adventitious-or-extrinsic-interest-we-select-it-only-as-a-representation-of-a-well-known-and-remarkable-scene-and-as-one-of-the-most-powerfully-painted-and-impressive-drawings-of-the-serieshere-we-have-the-great-fall-and-also-several-of-the-series-of-cascades-by-which-the-torrent-gains-the-valley-far-beneath-of-grindelwald-from-the-natural-division-of-the-scene-in-the-point-of-view-chosen-into-two-nearly-equ-2X21XAB.jpg ""The Fall of the Reichenbach", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing. The subject '...has no adventitious or extrinsic interest: we select it only as a representation of a well-known and remarkable scene, and as one of the most powerfully-painted and impressive drawings of the series...Here we have the great fall and also several of the series of cascades by which the torrent gains the valley, far beneath, of Grindelwald. From the natural division of the scene, in the point of view chosen, into two nearly equ Stock Photo")
"The Fall of the Reichenbach", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing. The subject '...has no adventitious or extrinsic interest: we select it only as a representation of a well-known and remarkable scene, and as one of the most powerfully-painted and impressive drawings of the series...Here we have the great fall and also several of the series of cascades by which the torrent gains the valley, far beneath, of Grindelwald. From the natural division of the scene, in the point of view chosen, into two nearly equ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quotthe-fall-of-the-reichenbachquot-from-the-farnley-hall-collection-of-drawings-by-jmw-turner-ra-1865-engraving-of-a-photograph-of-a-drawing-the-subject-has-no-adventitious-or-extrinsic-interest-we-select-it-only-as-a-representation-of-a-well-known-and-remarkable-scene-and-as-one-of-the-most-powerfully-painted-and-impressive-drawings-of-the-serieshere-we-have-the-great-fall-and-also-several-of-the-series-of-cascades-by-which-the-torrent-gains-the-valley-far-beneath-of-grindelwald-from-the-natural-division-of-the-scene-in-the-point-of-view-chosen-into-two-nearly-equ-image603634819.htmlRM2X21XAB–"The Fall of the Reichenbach", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing. The subject '...has no adventitious or extrinsic interest: we select it only as a representation of a well-known and remarkable scene, and as one of the most powerfully-painted and impressive drawings of the series...Here we have the great fall and also several of the series of cascades by which the torrent gains the valley, far beneath, of Grindelwald. From the natural division of the scene, in the point of view chosen, into two nearly equ
The Lake of Zug 1888 Etched by John Ruskin British When John Ruskin owned Turner's watercolor of the Lake of Zug (now at the Metropolitan Museum), he etched the subject in outline around 1856, with mezzotint then added by Lupton. The resulting print was used to illustrate Ruskin's Modern Painters, 1888, vol. V, pl. 87 (and Works, vol. VII, p. 439, pl. 87).. The Lake of Zug. After Joseph Mallord William Turner (British, London 1775–1851 London). 1888. Etching and mezzotint; proof. Mezzotint by Thomas Goff Lupton (British, London 1791–1873 London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lake-of-zug-1888-etched-by-john-ruskin-british-when-john-ruskin-owned-turners-watercolor-of-the-lake-of-zug-now-at-the-metropolitan-museum-he-etched-the-subject-in-outline-around-1856-with-mezzotint-then-added-by-lupton-the-resulting-print-was-used-to-illustrate-ruskins-modern-painters-1888-vol-v-pl-87-and-works-vol-vii-p-439-pl-87-the-lake-of-zug-after-joseph-mallord-william-turner-british-london-17751851-london-1888-etching-and-mezzotint-proof-mezzotint-by-thomas-goff-lupton-british-london-17911873-london-prints-image457935707.htmlRM2HH0NJK–The Lake of Zug 1888 Etched by John Ruskin British When John Ruskin owned Turner's watercolor of the Lake of Zug (now at the Metropolitan Museum), he etched the subject in outline around 1856, with mezzotint then added by Lupton. The resulting print was used to illustrate Ruskin's Modern Painters, 1888, vol. V, pl. 87 (and Works, vol. VII, p. 439, pl. 87).. The Lake of Zug. After Joseph Mallord William Turner (British, London 1775–1851 London). 1888. Etching and mezzotint; proof. Mezzotint by Thomas Goff Lupton (British, London 1791–1873 London). Prints
John R. Wildman, active 1823–1839, British, J.M.W. Turner and Walter Fawkes at Farnley Hall, 1820 to 1824. Oil on canvas. art collector , artist , costume , country house , dogs (animals) , genre subject , greyhounds (breed) , house , landscape , men , painter , park (grounds) , politician , portrait , sporting art , writer. England , Europe , Farnley , North Yorkshire , United Kingdom , Yorkshire. Fawkes, Walter Ramsden Hawkesworth (1769–1825), politician and art collector Turner, Joseph Mallord William (1775–1851), landscape and history painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-r-wildman-active-18231839-british-jmw-turner-and-walter-fawkes-at-farnley-hall-1820-to-1824-oil-on-canvas-art-collector-artist-costume-country-house-dogs-animals-genre-subject-greyhounds-breed-house-landscape-men-painter-park-grounds-politician-portrait-sporting-art-writer-england-europe-farnley-north-yorkshire-united-kingdom-yorkshire-fawkes-walter-ramsden-hawkesworth-17691825-politician-and-art-collector-turner-joseph-mallord-william-17751851-landscape-and-history-painter-image398339151.htmlRM2E41WJ7–John R. Wildman, active 1823–1839, British, J.M.W. Turner and Walter Fawkes at Farnley Hall, 1820 to 1824. Oil on canvas. art collector , artist , costume , country house , dogs (animals) , genre subject , greyhounds (breed) , house , landscape , men , painter , park (grounds) , politician , portrait , sporting art , writer. England , Europe , Farnley , North Yorkshire , United Kingdom , Yorkshire. Fawkes, Walter Ramsden Hawkesworth (1769–1825), politician and art collector Turner, Joseph Mallord William (1775–1851), landscape and history painter
Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-installation-dutchlight-for-agneta-block-by-jyll-bradley-at-the-turner-contemporary-margate-image227839233.htmlRMR6JY7D–Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate
Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) January 1, 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction and Reynolds here added mezzotint to describe a scene from the Gospel of John 4:4-26, where Jesus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-woman-of-samaria-liber-studiorum-part-xiv-plate-71-january-1-1819-designed-and-etched-by-joseph-mallord-william-turner-british-turner-distilled-his-ideas-about-landscape-in-liber-studiorum-latin-for-book-of-studies-a-series-of-seventy-prints-plus-a-frontispiece-published-between-1807-and-1819-to-establish-the-compositions-he-made-brown-watercolor-drawings-then-etched-outlines-onto-copper-plates-professional-engravers-usually-developed-the-tone-under-turners-direction-and-reynolds-here-added-mezzotint-to-describe-a-scene-from-the-gospel-of-john-44-26-where-jesus-image458155344.htmlRM2HHANPT–Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) January 1, 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction and Reynolds here added mezzotint to describe a scene from the Gospel of John 4:4-26, where Jesus
Calais (Vignette), John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Line engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calais-vignette-john-horsburgh-17911869-british-after-joseph-mallord-william-turner-17751851-british-1836-line-engraving-image389758387.htmlRM2DJ30PB–Calais (Vignette), John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Line engraving
Saltash with the Water Ferry, Cornwall 1811 Joseph Mallord William Turner British This picture is a product of Turner's journey to the west of England in summer 1811. Saltash is an old market town in Cornwall, across the Tamar River from Devonport and Plymouth, and is the site of a centuries-old ferry service. Turner evoked the commerce at Saltash through the boats, packhorses, and people assembled along the muddy shore. The leading British art critic John Ruskin described the painting in a letter of 1852 as 'what the mind sees when it looks for poetry in humble actual life.' Although the sky Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saltash-with-the-water-ferry-cornwall-1811-joseph-mallord-william-turner-british-this-picture-is-a-product-of-turners-journey-to-the-west-of-england-in-summer-1811-saltash-is-an-old-market-town-in-cornwall-across-the-tamar-river-from-devonport-and-plymouth-and-is-the-site-of-a-centuries-old-ferry-service-turner-evoked-the-commerce-at-saltash-through-the-boats-packhorses-and-people-assembled-along-the-muddy-shore-the-leading-british-art-critic-john-ruskin-described-the-painting-in-a-letter-of-1852-as-what-the-mind-sees-when-it-looks-for-poetry-in-humble-actual-life-although-the-sky-image458124328.htmlRM2HH9A74–Saltash with the Water Ferry, Cornwall 1811 Joseph Mallord William Turner British This picture is a product of Turner's journey to the west of England in summer 1811. Saltash is an old market town in Cornwall, across the Tamar River from Devonport and Plymouth, and is the site of a centuries-old ferry service. Turner evoked the commerce at Saltash through the boats, packhorses, and people assembled along the muddy shore. The leading British art critic John Ruskin described the painting in a letter of 1852 as 'what the mind sees when it looks for poetry in humble actual life.' Although the sky
Napoleon's Logement, Quai Conti, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napoleons-logement-quai-conti-1836-image330107947.htmlRM2A51M1F–Napoleon's Logement, Quai Conti, 1836.
London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000, with Edouard Manet, Le Grand Canal à Venise, Painted in fall 1874, Estimate on request: in excess of $50,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13th-oct-2022-joseph-mallord-william-turner-depositing-of-john-bellinis-three-pictures-in-la-chiesa-redentore-venice-estimate-on-request-in-excess-of-30000000-with-edouard-manet-le-grand-canal-venise-painted-in-fall-1874-estimate-on-request-in-excess-of-50000000-works-from-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-at-christies-london-a-free-public-exhibition-runs-from-14-17-october-all-of-the-proceeds-from-the-sale-new-york-9-10-november-will-benefit-philanthropic-causes-credit-guy-bellalamy-live-news-image485925244.htmlRM2K6FPH0–London, UK. 13th Oct, 2022. Joseph Mallord William Turner, Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, Estimate on request: in excess of $30,000,000, with Edouard Manet, Le Grand Canal à Venise, Painted in fall 1874, Estimate on request: in excess of $50,000,000 - Works from the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen at Christies London. A free public exhibition runs from 14-17 October. All of the proceeds from the sale (New York - 9 & 10 November), will benefit philanthropic causes Credit: Guy Bell/Alamy Live News
Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-christ-and-the-woman-of-samaria-1819-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-laid-paper-arch-bible-building-bush-christ-explaining-his-doctrine-to-women-and-children-city-gate-landscape-man-new-testament-pointing-preaching-public-life-of-christ-from-his-baptism-until-the-passion-religious-and-mythological-subject-road-ruins-stone-talking-the-woman-of-samaria-john-44-42-tree-water-well-woman-asia-israel-samaria-jesus-christ-7-2-bcbce-to-image398359329.htmlRM2E42RAW–Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to
NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-christies-and-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-are-honored-to-unveil-highlights-from-visionary-the-paul-g-allen-collection-featuring-500-years-of-groundbreaking-art-the-highlights-will-be-part-of-an-unprecedented-1-billion-sale-across-two-live-auctions-at-christies-rockefeller-center-beginning-november-9th-the-auctions-will-offer-a-comprehensive-study-of-the-art-historical-canon-in-more-than-150-masterworks-all-of-the-estates-proceeds-from-this-historic-sale-will-be-dedicated-to-philanthropy-pursuant-to-mr-allens-wishes-image485984756.htmlRM2K6JEEC–NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes.
J.M.W. Turner and Walter Fawkes at Farnley Hall. Date/Period: 1820 to 1824. Painting. Oil on canvas. Height: 686 mm (27 in); Width: 889 mm (35 in). Author: John R. Wildman. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-and-walter-fawkes-at-farnley-hall-dateperiod-1820-to-1824-painting-oil-on-canvas-height-686-mm-27-in-width-889-mm-35-in-author-john-r-wildman-image219749136.htmlRMPNEC7C–J.M.W. Turner and Walter Fawkes at Farnley Hall. Date/Period: 1820 to 1824. Painting. Oil on canvas. Height: 686 mm (27 in); Width: 889 mm (35 in). Author: John R. Wildman.
St. Michael's Mount, Shipwreck of Lycidas, Joseph Mallord William Turner (English, 1775-1851), William Miller, Engraver (English, 1796-1882), 1835, engraving on plain paper, series, as bound in Vol. VI of The Poetical Works of John Milton, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-michaels-mount-shipwreck-of-lycidas-joseph-mallord-william-turner-english-1775-1851-william-miller-engraver-english-1796-1882-1835-engraving-on-plain-paper-series-as-bound-in-vol-vi-of-the-poetical-works-of-john-milton-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349865054.htmlRF2B95MCE–St. Michael's Mount, Shipwreck of Lycidas, Joseph Mallord William Turner (English, 1775-1851), William Miller, Engraver (English, 1796-1882), 1835, engraving on plain paper, series, as bound in Vol. VI of The Poetical Works of John Milton, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
!['West Staircase, Leading to the Ceramic Gallery', c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moody's ceramic tile mosaic pavement, with majolica panels on the walls. Five panels on the right bear the inscriptions 'PHIDIAS', 'RAPHAEL', 'TITIAN', 'REMBRANDT' and 'TURNER'. The Della Robbia ware, a modern version of a Renaissance technique, was produced by the English ceramic company Minton, Hollins & Co. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Vic Stock Photo](https://c8.alamy.com/comp/WX0Y6T/west-staircase-leading-to-the-ceramic-gallery-c1876-1881-the-west-staircase-in-the-south-kensington-museum-decorated-with-frank-moodys-ceramic-tile-mosaic-pavement-with-majolica-panels-on-the-walls-five-panels-on-the-right-bear-the-inscriptions-phidias-raphael-titian-rembrandt-and-turner-the-della-robbia-ware-a-modern-version-of-a-renaissance-technique-was-produced-by-the-english-ceramic-company-minton-hollins-amp-co-from-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-vic-WX0Y6T.jpg "'West Staircase, Leading to the Ceramic Gallery', c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moody's ceramic tile mosaic pavement, with majolica panels on the walls. Five panels on the right bear the inscriptions 'PHIDIAS', 'RAPHAEL', 'TITIAN', 'REMBRANDT' and 'TURNER'. The Della Robbia ware, a modern version of a Renaissance technique, was produced by the English ceramic company Minton, Hollins & Co. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Vic Stock Photo")
'West Staircase, Leading to the Ceramic Gallery', c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moody's ceramic tile mosaic pavement, with majolica panels on the walls. Five panels on the right bear the inscriptions 'PHIDIAS', 'RAPHAEL', 'TITIAN', 'REMBRANDT' and 'TURNER'. The Della Robbia ware, a modern version of a Renaissance technique, was produced by the English ceramic company Minton, Hollins & Co. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Vic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/west-staircase-leading-to-the-ceramic-gallery-c1876-1881-the-west-staircase-in-the-south-kensington-museum-decorated-with-frank-moodys-ceramic-tile-mosaic-pavement-with-majolica-panels-on-the-walls-five-panels-on-the-right-bear-the-inscriptions-phidias-raphael-titian-rembrandt-and-turner-the-della-robbia-ware-a-modern-version-of-a-renaissance-technique-was-produced-by-the-english-ceramic-company-minton-hollins-amp-co-from-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-vic-image274157936.htmlRMWX0Y6T–'West Staircase, Leading to the Ceramic Gallery', c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moody's ceramic tile mosaic pavement, with majolica panels on the walls. Five panels on the right bear the inscriptions 'PHIDIAS', 'RAPHAEL', 'TITIAN', 'REMBRANDT' and 'TURNER'. The Della Robbia ware, a modern version of a Renaissance technique, was produced by the English ceramic company Minton, Hollins & Co. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Vic
Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-installation-dutchlight-for-agneta-block-by-jyll-bradley-at-the-turner-contemporary-margate-image227839257.htmlRMR6JY89–Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate
Dryden's Monument, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, Line engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drydens-monument-john-horsburgh-17911869-british-after-joseph-mallord-william-turner-17751851-british-1834-line-engraving-image389784451.htmlRM2DJ4617–Dryden's Monument, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, Line engraving
Napoleon's Logement, Quai Conti, 1835. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napoleons-logement-quai-conti-1835-image330107918.htmlRM2A51M0E–Napoleon's Logement, Quai Conti, 1835.
NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-christies-and-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-are-honored-to-unveil-highlights-from-visionary-the-paul-g-allen-collection-featuring-500-years-of-groundbreaking-art-the-highlights-will-be-part-of-an-unprecedented-1-billion-sale-across-two-live-auctions-at-christies-rockefeller-center-beginning-november-9th-the-auctions-will-offer-a-comprehensive-study-of-the-art-historical-canon-in-more-than-150-masterworks-all-of-the-estates-proceeds-from-this-historic-sale-will-be-dedicated-to-philanthropy-pursuant-to-mr-allens-wishes-image485984158.htmlRM2K6JDN2–NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes.
Jetzt für den Maler, Passagiere gehen an Bord. Date/Period: 1827. Painting. Oil on canvas. 170.2 × 235.5 cm (67 × 92.7 in). Author: J. M. W. Turner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jetzt-fr-den-maler-passagiere-gehen-an-bord-dateperiod-1827-painting-oil-on-canvas-1702-2355-cm-67-927-in-author-j-m-w-turner-image219707382.htmlRMPNCF06–Jetzt für den Maler, Passagiere gehen an Bord. Date/Period: 1827. Painting. Oil on canvas. 170.2 × 235.5 cm (67 × 92.7 in). Author: J. M. W. Turner.
Crypt, in Kirkstall Abbey, Yorkshire, Kirkstall Abbey in Lees, Yorkshire, signed: Engraved by John Scott, from a Drawing by J.M.W. Turner, Published by Longman & Co, Fig. 46, p. 145, Turner, Joseph Mallord William (drawing), Scott, John (engraving), Longman & Co. (published), 1814, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 4. London: J. Taylor, 1807-1826, Reimagined by Gibon, design of warm cheer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crypt-in-kirkstall-abbey-yorkshire-kirkstall-abbey-in-lees-yorkshire-signed-engraved-by-john-scott-from-a-drawing-by-jmw-turner-published-by-longman-co-fig-46-p-145-turner-joseph-mallord-william-drawing-scott-john-engraving-longman-co-published-1814-john-britton-the-architectural-antiquities-of-great-britain-represented-and-illustrated-in-a-series-of-views-elevations-plans-sections-and-details-of-various-ancient-english-edifices-with-historical-and-descriptive-accounts-of-each-bd-4-london-j-taylor-1807-1826-reimagined-by-gibon-design-of-warm-cheer-image349828477.htmlRF2B941P5–Crypt, in Kirkstall Abbey, Yorkshire, Kirkstall Abbey in Lees, Yorkshire, signed: Engraved by John Scott, from a Drawing by J.M.W. Turner, Published by Longman & Co, Fig. 46, p. 145, Turner, Joseph Mallord William (drawing), Scott, John (engraving), Longman & Co. (published), 1814, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 4. London: J. Taylor, 1807-1826, Reimagined by Gibon, design of warm cheer
!["A First-Rate Taking in Stores", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. One of '...the admirable photographs, by Messrs. Caldesi and Co...from the collection of Turner drawings in the possession of Mr. F. H. Fawkes - the finest series of water-colour drawings by our great English landscape-painter belonging to any private gallery..."The First-Rate Taking in Stores," is...instanced by Mr. Ruskin as illustrating Turner's marvellous rapidity of execution as well as memory...It represents a section of the hull of a three-decker from stem to s Stock Photo](https://c8.alamy.com/comp/2X21X8P/quota-first-rate-taking-in-storesquot-from-the-farnley-hall-collection-of-drawings-by-jmw-turner-ra-1865-one-of-the-admirable-photographs-by-messrs-caldesi-and-cofrom-the-collection-of-turner-drawings-in-the-possession-of-mr-f-h-fawkes-the-finest-series-of-water-colour-drawings-by-our-great-english-landscape-painter-belonging-to-any-private-galleryquotthe-first-rate-taking-in-storesquot-isinstanced-by-mr-ruskin-as-illustrating-turners-marvellous-rapidity-of-execution-as-well-as-memoryit-represents-a-section-of-the-hull-of-a-three-decker-from-stem-to-s-2X21X8P.jpg ""A First-Rate Taking in Stores", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. One of '...the admirable photographs, by Messrs. Caldesi and Co...from the collection of Turner drawings in the possession of Mr. F. H. Fawkes - the finest series of water-colour drawings by our great English landscape-painter belonging to any private gallery..."The First-Rate Taking in Stores," is...instanced by Mr. Ruskin as illustrating Turner's marvellous rapidity of execution as well as memory...It represents a section of the hull of a three-decker from stem to s Stock Photo")
"A First-Rate Taking in Stores", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. One of '...the admirable photographs, by Messrs. Caldesi and Co...from the collection of Turner drawings in the possession of Mr. F. H. Fawkes - the finest series of water-colour drawings by our great English landscape-painter belonging to any private gallery..."The First-Rate Taking in Stores," is...instanced by Mr. Ruskin as illustrating Turner's marvellous rapidity of execution as well as memory...It represents a section of the hull of a three-decker from stem to s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quota-first-rate-taking-in-storesquot-from-the-farnley-hall-collection-of-drawings-by-jmw-turner-ra-1865-one-of-the-admirable-photographs-by-messrs-caldesi-and-cofrom-the-collection-of-turner-drawings-in-the-possession-of-mr-f-h-fawkes-the-finest-series-of-water-colour-drawings-by-our-great-english-landscape-painter-belonging-to-any-private-galleryquotthe-first-rate-taking-in-storesquot-isinstanced-by-mr-ruskin-as-illustrating-turners-marvellous-rapidity-of-execution-as-well-as-memoryit-represents-a-section-of-the-hull-of-a-three-decker-from-stem-to-s-image603634774.htmlRM2X21X8P–"A First-Rate Taking in Stores", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. One of '...the admirable photographs, by Messrs. Caldesi and Co...from the collection of Turner drawings in the possession of Mr. F. H. Fawkes - the finest series of water-colour drawings by our great English landscape-painter belonging to any private gallery..."The First-Rate Taking in Stores," is...instanced by Mr. Ruskin as illustrating Turner's marvellous rapidity of execution as well as memory...It represents a section of the hull of a three-decker from stem to s
Turner's house, Cheyne Walk, Chelsea, London, 1912. Artist: Frederick Adcock Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turners-house-cheyne-walk-chelsea-london-1912-artist-frederick-adcock-image262752684.htmlRMW7DBMC–Turner's house, Cheyne Walk, Chelsea, London, 1912. Artist: Frederick Adcock
Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-installation-dutchlight-for-agneta-block-by-jyll-bradley-at-the-turner-contemporary-margate-image227839255.htmlRMR6JY87–Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate
Bridge of Meulan, John Cousen, 1804–1880, British, after Joseph Mallord William Turner, 1775–1851, British, 1835, Etching and engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bridge-of-meulan-john-cousen-18041880-british-after-joseph-mallord-william-turner-17751851-british-1835-etching-and-engraving-image389649819.htmlRM2DHX28Y–Bridge of Meulan, John Cousen, 1804–1880, British, after Joseph Mallord William Turner, 1775–1851, British, 1835, Etching and engraving
Denbigh Castle from Segroyt Dingle, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denbigh-castle-from-segroyt-dingle-1816-image506112564.htmlRM2MBBBMM–Denbigh Castle from Segroyt Dingle, 1816.
NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-christies-and-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-are-honored-to-unveil-highlights-from-visionary-the-paul-g-allen-collection-featuring-500-years-of-groundbreaking-art-the-highlights-will-be-part-of-an-unprecedented-1-billion-sale-across-two-live-auctions-at-christies-rockefeller-center-beginning-november-9th-the-auctions-will-offer-a-comprehensive-study-of-the-art-historical-canon-in-more-than-150-masterworks-all-of-the-estates-proceeds-from-this-historic-sale-will-be-dedicated-to-philanthropy-pursuant-to-mr-allens-wishes-image485984962.htmlRM2K6JENP–NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes.
Florence from Fiesole, A picturesque tour of Italy, from drawings made in 1816-1817, Hakewill, James, 1778-1843, Smith, William Raymond, Turner, J. M. W. (Joseph Mallord William), 1775-1851, Engraving, 1819, Caption: Publish'd as the act directs Oct. 1. 1819 by John Murray, Albemarle St. London, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florence-from-fiesole-a-picturesque-tour-of-italy-from-drawings-made-in-1816-1817-hakewill-james-1778-1843-smith-william-raymond-turner-j-m-w-joseph-mallord-william-1775-1851-engraving-1819-caption-publishd-as-the-act-directs-oct-1-1819-by-john-murray-albemarle-st-london-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350079476.htmlRF2B9FDXC–Florence from Fiesole, A picturesque tour of Italy, from drawings made in 1816-1817, Hakewill, James, 1778-1843, Smith, William Raymond, Turner, J. M. W. (Joseph Mallord William), 1775-1851, Engraving, 1819, Caption: Publish'd as the act directs Oct. 1. 1819 by John Murray, Albemarle St. London, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-installation-dutchlight-for-agneta-block-by-jyll-bradley-at-the-turner-contemporary-margate-image227839226.htmlRMR6JY76–Art Installation Dutch/Light (for Agneta Block) by Jyll Bradley at the Turner Contemporary, Margate
Abbeville, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Etching and line engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abbeville-john-horsburgh-17911869-british-after-joseph-mallord-william-turner-17751851-british-1836-etching-and-line-engraving-image389758390.htmlRM2DJ30PE–Abbeville, John Horsburgh, 1791–1869, British, after Joseph Mallord William Turner, 1775–1851, British, 1836, Etching and line engraving
The Lake of Zug, 1888. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lake-of-zug-1888-image474669009.htmlRM2JG714H–The Lake of Zug, 1888.
NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-christies-and-the-estate-of-the-philanthropist-and-co-founder-of-microsoft-paul-g-allen-are-honored-to-unveil-highlights-from-visionary-the-paul-g-allen-collection-featuring-500-years-of-groundbreaking-art-the-highlights-will-be-part-of-an-unprecedented-1-billion-sale-across-two-live-auctions-at-christies-rockefeller-center-beginning-november-9th-the-auctions-will-offer-a-comprehensive-study-of-the-art-historical-canon-in-more-than-150-masterworks-all-of-the-estates-proceeds-from-this-historic-sale-will-be-dedicated-to-philanthropy-pursuant-to-mr-allens-wishes-image485985032.htmlRM2K6JET8–NEW YORK – Christie’s and the estate of the philanthropist and co-founder of Microsoft, Paul G. Allen, are honored to unveil highlights from Visionary: The Paul G. Allen Collection, featuring 500 years of groundbreaking art. The highlights will be part of an unprecedented $1 billion sale across two live auctions at Christie’s Rockefeller Center beginning November 9th. The auctions will offer a comprehensive study of the art historical canon in more than 150 masterworks. All of the estate’s proceeds from this historic sale will be dedicated to philanthropy, pursuant to Mr. Allen’s wishes.
Florence from Fiesole, A picturesque tour of Italy, from drawings made in 1816-1817, Hakewill, James, 1778-1843 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florence-from-fiesole-a-picturesque-tour-of-italy-from-drawings-made-in-1816-1817-hakewill-james-1778-1843-reimagined-image230262368.htmlRFRAHA00–Florence from Fiesole, A picturesque tour of Italy, from drawings made in 1816-1817, Hakewill, James, 1778-1843 reimagined
Search Results for John mallord william turner Stock Photos and Images (425)
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