Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to

Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to Stock Photo

RMID:2E42RAW

Image details

Contributor:

Gallery Of Art / Alamy Stock Photo

Image ID:

2E42RAW

File size:

7.6 MB (448.7 KB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

1920 x 1383 px | 32.5 x 23.4 cm | 12.8 x 9.2 inches | 150dpi

Date taken:

12 June 2012

More information:

This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to 30-36 AD/CE)

Similar stock images

RM2DJ2EK4–Bonneville, Savoy, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Henry Dawe, 1790–1848, British, after Joseph Mallord William Turner, 1775–1851, British, 1816, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm) and Mount: 10 5/8 × 15 1/4 inches (27 × 38.7 cm

RMRFBJ78–Watercress Gatherers. Dated: published 1819. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Goff Lupton. TURNER, JOSEPH MALLORD WILLIAM. Designed and etched by Joseph Mallord William Turner.

RF2HW6D4H–Art inspired by Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816, Etching and mezzotint; fifth state of five (Finberg), Plate: 8 3/16 × 11 5/16 in. (20.8 × 28.8 cm), Prints, Drawn and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Turner, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2E449NC–Etched by Joseph Mallord William Turner, 1775â€“1851, British, Solitude, 1814. Etching on medium, slightly textured, cream wove paper.

RF2HW5N76–Art inspired by Rivaux Abbey, Yorkshire (Liber Studiorum, part X, plate 51), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Drawn and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Turner, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2E438KR–Etched by Joseph Mallord William Turner, 1775â€“1851, British, London from Greenwich, 1811. Etching on medium, slightly textured, cream wove paper.

RMKP3KR0–Fifth Plague of Egypt (Liber Studiorum, part III, plate 16) MET DP821380 382981 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), 1808, Etching only; before first state of three, plate: 7 x 10 in. (17.8 x 25.4 cm) sheet: 8 1/8 x 25 in. (20.6 x 63.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 (54.539.7)

RM2E446J5–Etched by Joseph Mallord William Turner, 1775â€“1851, British, The Stork and Aqueduct, between 1813 and 1823. Etching on medium, slightly textured, cream wove paper.

RM2E437YB–Etched by Joseph Mallord William Turner, 1775â€“1851, British, London from Greenwich, 1811. Etching on medium, slightly textured, cream wove paper. London

RM2E42RBE–Etched by Joseph Mallord William Turner, 1775â€“1851, British, Isis, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

RM2E44A82–Etched by Joseph Mallord William Turner, 1775â€“1851, British, Winchelsea, Sussex, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

RM2E449KT–Etched by Joseph Mallord William Turner, 1775â€“1851, British, Sheep-Washing, Windsor, between 1813 and 1823. Etching Early (touched) on medium, slightly textured, cream wove paper.

RM2E42RBK–Etched by Joseph Mallord William Turner, 1775â€“1851, British, Bonneville, Savoy, 1816. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.