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Jewel hispano Stock Photos and Images

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Jewel hispano Stock Photos and Images

1930 c. , ITALY : The hispano-italian movie actress MARIA MERCADER ( 1918 - 2011 ) , mother of actor Christian De Sica and the music composer Manuel De Sica , wife of most celebrated italian movie director and actor VITTORIO DE SICA - attrice - MOVIE - CINEMA - Telefoni Bianchi - portrait - ritratto - collana - necklace - perle - pearls - perla - pearl - bijoux - bigiotteria - jewel - jewels - jewellery - gioiello - gioielli - bionda - capelli biondi - blonde hair ---- Archivio GBB Stock Photo
RM2DA5JB1–1930 c. , ITALY : The hispano-italian movie actress MARIA MERCADER ( 1918 - 2011 ) , mother of actor Christian De Sica and the music composer Manuel De Sica , wife of most celebrated italian movie director and actor VITTORIO DE SICA - attrice - MOVIE - CINEMA - Telefoni Bianchi - portrait - ritratto - collana - necklace - perle - pearls - perla - pearl - bijoux - bigiotteria - jewel - jewels - jewellery - gioiello - gioielli - bionda - capelli biondi - blonde hair ---- Archivio GBB
Pendant in the form of a centaur. Culture: possibly Spanish. Dimensions: Height: 3 1/2 in. (8.9 cm). Date: late 16th-early 17th century. Baroque pearls provided a special challenge to the imagination of the Renaissance goldsmith. The rather difficult shape of this irregular pearl has been used in an ingenious way to suggest the hybrid form of the centaur, the half-human, half-equine creature of classical myth. The base of the jewel incorporates an earlier piece of gold filigree work in a lobed pattern associated with Hispano-Moresque design. In addition, although reenameled, it displays trace Stock Photo
RMPAM28J–Pendant in the form of a centaur. Culture: possibly Spanish. Dimensions: Height: 3 1/2 in. (8.9 cm). Date: late 16th-early 17th century. Baroque pearls provided a special challenge to the imagination of the Renaissance goldsmith. The rather difficult shape of this irregular pearl has been used in an ingenious way to suggest the hybrid form of the centaur, the half-human, half-equine creature of classical myth. The base of the jewel incorporates an earlier piece of gold filigree work in a lobed pattern associated with Hispano-Moresque design. In addition, although reenameled, it displays trace
Pendant in the form of a centaur late 16th–early 17th century possibly Spanish Baroque pearls provided a special challenge to the imagination of the Renaissance goldsmith. The rather difficult shape of this irregular pearl has been used in an ingenious way to suggest the hybrid form of the centaur, the half-human, half-equine creature of classical myth. The base of the jewel incorporates an earlier piece of gold filigree work in a lobed pattern associated with Hispano-Moresque design. In addition, although reenameled, it displays traces of the dull enameled colors used by Hispano-Moresque gold Stock Photo
RM2HH7NDG–Pendant in the form of a centaur late 16th–early 17th century possibly Spanish Baroque pearls provided a special challenge to the imagination of the Renaissance goldsmith. The rather difficult shape of this irregular pearl has been used in an ingenious way to suggest the hybrid form of the centaur, the half-human, half-equine creature of classical myth. The base of the jewel incorporates an earlier piece of gold filigree work in a lobed pattern associated with Hispano-Moresque design. In addition, although reenameled, it displays traces of the dull enameled colors used by Hispano-Moresque gold
Lampas with foliate roundels, 1300s. This textile shows the development of the Hispano-Moresque style in the 1300s. The bright green, blue, white, and gold design against a rich red ground produces a jewel-like quality that was not seen again after the end of the century. Stock Photo
RM2A51BKC–Lampas with foliate roundels, 1300s. This textile shows the development of the Hispano-Moresque style in the 1300s. The bright green, blue, white, and gold design against a rich red ground produces a jewel-like quality that was not seen again after the end of the century.
Cathedral of Burgos jewel of the spanish gothic architecture Stock Photo
RMC0996X–Cathedral of Burgos jewel of the spanish gothic architecture
RETRATO DE DOÑA ISABEL DE BORBON (ESPOSA FELIPE IV) - SIGLO XVII - OLEO/LIENZO - 95 x 70 cm. Author: ANONIMO MADRILEÑO SIGLO XVII. Location: FUNDACION SANTANDER CENTRAL HISPANO, MADRID, SPAIN. Stock Photo
RMP4B0NF–RETRATO DE DOÑA ISABEL DE BORBON (ESPOSA FELIPE IV) - SIGLO XVII - OLEO/LIENZO - 95 x 70 cm. Author: ANONIMO MADRILEÑO SIGLO XVII. Location: FUNDACION SANTANDER CENTRAL HISPANO, MADRID, SPAIN.
ALHAJAS DE ORO DE EPOCA CALIFAL -TESORILLO DE GARRUCHA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION, MADRID, SPAIN. Stock Photo
RMP46J3C–ALHAJAS DE ORO DE EPOCA CALIFAL -TESORILLO DE GARRUCHA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION, MADRID, SPAIN.
ALHAJAS DE ORO DE EPOCA CALIFAL - TESORILLO DE GARRUCHA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION, MADRID, SPAIN. Stock Photo
RMP46J31–ALHAJAS DE ORO DE EPOCA CALIFAL - TESORILLO DE GARRUCHA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION, MADRID, SPAIN.
PENDIENTES Y CUENTA DE COLLAR DE ORO EN FILIGRANA - SIGLO XII. Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN. Stock Photo
RMRC460N–PENDIENTES Y CUENTA DE COLLAR DE ORO EN FILIGRANA - SIGLO XII. Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN.
PULSERA DE PLATA DE EPOCA CALIFAL PERTENECIENTE AL TESORILLO DE GARRUCHA FECHADO ENTRE FINALES DEL SIGLO X Y PRINCIPIOS DEL SIGLO XI. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4H1H–PULSERA DE PLATA DE EPOCA CALIFAL PERTENECIENTE AL TESORILLO DE GARRUCHA FECHADO ENTRE FINALES DEL SIGLO X Y PRINCIPIOS DEL SIGLO XI. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.
JOYAS DE ORO DE EPOCA CALIFAL FECHADAS ENTRE FINALES DEL SIGLO X Y PRINCIPIOS DEL SIGLO XI - TESORO DE GARRUCHA O LOJA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN. Stock Photo
RMRC44PK–JOYAS DE ORO DE EPOCA CALIFAL FECHADAS ENTRE FINALES DEL SIGLO X Y PRINCIPIOS DEL SIGLO XI - TESORO DE GARRUCHA O LOJA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.
JOYAS DE ORO - ORFEBRERIA HISPANOMUSULMANA -BENTARIQUE - ALMERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4HYY–JOYAS DE ORO - ORFEBRERIA HISPANOMUSULMANA -BENTARIQUE - ALMERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
COLLAR DE FILIGRANA EN ORO PERTENECIENTE AL TESORO DE BENTARIQUE (ALMERIA) - SIGLO XV - HISPANOMUSULMAN. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4FY7–COLLAR DE FILIGRANA EN ORO PERTENECIENTE AL TESORO DE BENTARIQUE (ALMERIA) - SIGLO XV - HISPANOMUSULMAN. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
COLLAR DE ORO HISPANOMUSULMAN - TESORO DE BENTARIQUE- COLLAR DE FILIGRANA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4JHW–COLLAR DE ORO HISPANOMUSULMAN - TESORO DE BENTARIQUE- COLLAR DE FILIGRANA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
COLGANTES DE ORO HISPANOMUSULMAN - TESORO DE BENTARIQUE - ALMERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC3265–COLGANTES DE ORO HISPANOMUSULMAN - TESORO DE BENTARIQUE - ALMERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
COLLARES DE ORO HISPANOMUSULMANES -TESORO DE BENTARIQUE -ALMERIA-. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4FK4–COLLARES DE ORO HISPANOMUSULMANES -TESORO DE BENTARIQUE -ALMERIA-. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
COLGANTE DEL TESORO DE BENTARIQUE-(ALMERIA) FILIGRANA EN ORO-HISPANOMUSULMAN. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4F4F–COLGANTE DEL TESORO DE BENTARIQUE-(ALMERIA) FILIGRANA EN ORO-HISPANOMUSULMAN. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
COLLAR DE ORO HISPANOMUSULMAN -TESORO DE BENTARIQUE -ALMERIA -. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC33WB–COLLAR DE ORO HISPANOMUSULMAN -TESORO DE BENTARIQUE -ALMERIA -. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
PULSERAS O ARRACAS DEL TESORO DE BENTARIQUE - SIGLO XV - FILIGRANA - ALMERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. Stock Photo
RMRC4FH0–PULSERAS O ARRACAS DEL TESORO DE BENTARIQUE - SIGLO XV - FILIGRANA - ALMERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
'The Virgin of the Catholic Kings' (detail), 1491-1493, Panel, P01260. Author: Maestro de la Virgen de los Reyes Católicos (15th cent.). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photo
RMP2HTN9–'The Virgin of the Catholic Kings' (detail), 1491-1493, Panel, P01260. Author: Maestro de la Virgen de los Reyes Católicos (15th cent.). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
SANTA BARBARA Y SANTA CATALINA - RETABLO DE LA CAPILLA DE LOS EVANGELISTAS - 1555 - OLEO/TABLA - RENACIMIENTO. Author: STURMIO, HERNANDO DE. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN. Stock Photo
RMPNKMP2–SANTA BARBARA Y SANTA CATALINA - RETABLO DE LA CAPILLA DE LOS EVANGELISTAS - 1555 - OLEO/TABLA - RENACIMIENTO. Author: STURMIO, HERNANDO DE. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.
Joan the Mad (1479-1555). Queen of Castille from 1504 to 1555. Second daughter of the Catholic Kings. Seville. Author: MAESTRO MICHEL. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN. Stock Photo
RMR4D7H7–Joan the Mad (1479-1555). Queen of Castille from 1504 to 1555. Second daughter of the Catholic Kings. Seville. Author: MAESTRO MICHEL. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.
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