Pendant in the form of a centaur. Culture: possibly Spanish. Dimensions: Height: 3 1/2 in. (8.9 cm). Date: late 16th-early 17th century. Baroque pearls provided a special challenge to the imagination of the Renaissance goldsmith. The rather difficult shape of this irregular pearl has been used in an ingenious way to suggest the hybrid form of the centaur, the half-human, half-equine creature of classical myth. The base of the jewel incorporates an earlier piece of gold filigree work in a lobed pattern associated with Hispano-Moresque design. In addition, although reenameled, it displays trace
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Album / Alamy Stock PhotoImage ID:
PAM28JFile size:
38.8 MB (1.3 MB Compressed download)Releases:
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3225 x 4200 px | 27.3 x 35.6 cm | 10.8 x 14 inches | 300dpiPhotographer:
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This image could have imperfections as it’s either historical or reportage.
Pendant in the form of a centaur. Culture: possibly Spanish. Dimensions: Height: 3 1/2 in. (8.9 cm). Date: late 16th-early 17th century. Baroque pearls provided a special challenge to the imagination of the Renaissance goldsmith. The rather difficult shape of this irregular pearl has been used in an ingenious way to suggest the hybrid form of the centaur, the half-human, half-equine creature of classical myth. The base of the jewel incorporates an earlier piece of gold filigree work in a lobed pattern associated with Hispano-Moresque design. In addition, although reenameled, it displays traces of the dull enameled colors used by Hispano-Moresque goldsmiths. The jewel-decorated band on the side of the base, the chains, and the canopy from which the chains are suspended are later additions. Museum: Metropolitan Museum of Art, New York, USA.