RM2CC1DCB–EXT-MANSION DE ESTILO NEOCLASICO CONSTRUIDA EN 1840 PARA J.SMITH PRESTON. Location: PLANTACION HOUMAS HOUSE. BATON ROUGE-LUISIANA.
RM2JB9RDF–EXT-MANSION DE ESTILO NEOCLASICO CONSTRUIDA EN 1840 PARA J.SMITH PRESTON. Location: PLANTACION HOUMAS HOUSE. BATON ROUGE-LUISIANA.
RMPPFN5B–Krisjanis Smith (1847-1885). Latvian lawyer. Portrait by J. S. Roze, 1878. Museum of History and Navigation. Riga. Latvia.
RMPB24AN–John Neagle. Artist: Daniel Dickinson (1795-1877). Dimensions: 3 x 2 3/8 in. (7.6 x 6 cm). Date: 1830. The subject is the Philadelphia portraitist John Neagle (1796-1865). Dickinson exhibited this miniature at the Pennsylvania Academy of the Fine Arts in 1830. The attribution to J. R. Smith is erroneous; Garrett C. Neagle was the subject's son. Museum: Metropolitan Museum of Art, New York, USA.
RMPNEB8N–[Group of 71 Stereograph Views of African-Americans and Early Black American Culture, including Colloquial Black Humor]. Artist: Unknown; George Barker (American, born Canada, 1844-1894); Strohmeyer & Wyman (American); William H. Rau (American, 1855-1920); Kilburn Brothers (American, active ca. 1865-1890); C. H. Graves (American); Griffith & Griffith, American; J. Mullen (American); E. F. Smith (American); Wilson & Havens (American); H. C. White Company (American); Alfred S. Campbell (American); James M. Davis; Truman Ward Ingersoll (American, 1862-1922). Dimensions: Mounts approximately: 8.5
RMP55XTT–Enkianthus campanulatus, native of Japan. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5DB56–Dracaena marmorata native to Singapore. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP557KX–Iris meda, native of Persia. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55T9R–Delphinium zalil, native of Khorasan, Afghanistan. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5579K–Sarcochilus luniferus, yellow orchid native to Burma. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55R6N–Rosa incarnata, carnation rose, native to France. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55XTJ–Spathoglottis ixioides, yellow orchid of the eastern Himalayas. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5DYYA–Lilium nepalense, yellow lily native to the Himalayas. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55W7D–Iris barnumae, purple iris native of Armenia. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5DC1E–Eremostachys laciniata, native to western Asia. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP556R6–Styrax obassia, native of Japan and Korea. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55YGA–Opuntia polyacantha, yellow cactus native to the USA. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP555RB–Macodes javanica, native of Java, Indonesia. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP557BX–Olearia insignia, plant native to New Zealand. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5E415–Sobralia leucoxantha, white orchid native to Costa Rica. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5DC6N–Aristolochia hians, birthwort or Dutchman's pipe native to Venezuela. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55P14–Stuartia pseudo-camellia, white flower native to Japan. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5E6NB–Brownea macrophylla, small tree native to New Grenada. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55WM4–Berberis angulosa, yellow flowered shrub native to the Himalayas. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55YJT–Dendrobium gracilicaule, pale yellow orchid native of eastern Australia. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55737–Chironia peduncularis, purple flower native to South Africa. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5579W–Streptocarpus parviflora, native of the Cape of Good Hope, South Africa. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP55P29–Anoiganthus breviflorus, yellow lily native to the Cape and Natal, South Africa. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP558BM–Grevillea aspleniifolia, pink evergreen plant native to New South Wales, Australia. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5E0BE–Stapelia gigantea, giant carrion flower from Zululand and Namaqua Land, South Africa. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP5DYX6–Strelitzia nicolai, blue bird-of-paradise flower, native of South Africa. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMP54HBX–Opuntia rafinesquii, cactus with large yellow flowers, native of the United States of America. Hand-coloured botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch from Joseph Dalton Hooker's 'Curtis's Botanical Magazine,' 1889, L. Reeve & Co. A second-cousin and pupil of Sir Joseph Dalton Hooker, Matilda Smith (1854-1926) was the main artist for the Botanical Magazine from 1887 until 1920 and contributed 2,300 illustrations.
RMPAPH3H–Troy from Mount Ida (No. 11 of The Hudson River Portfolio). Artist: after William Guy Wall (Irish, Dublin 1792-after 1864 Ireland (active America)). Dimensions: Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm) Sheet: 19 x 24 1/2 in. (48.3 x 62.2 cm). Etcher: Begun by John Rubens Smith (American, London 1775-1849 New York); Finished by John Hill (American (born England), London 1770-1850 Clarksville, New York). Printer: William and Charles Rollinson (American, active ca. 1808-33). Publisher: Henry J. Megarey (American, 1818-1845 New York); W. B. Gilley (New York, NY); John Mill (Charleston, South
RMRFG8MY–John Smith Barry's Private Drag and Grey Team. Date/Period: 1824. Painting. Oil on canvas. Height: 813 mm (32 in); Width: 1,219 mm (47.99 in). Author: James Pollard.
RM2T68D5J–Blacksmith hammering metal on an anvil in a smithy. Tools including mallet and tongs in front of the brick forge, and wrought iron products and railings on the floor. Woodblock engraving from The Book of English Trades, or Library of Useful Arts, F.C.& J. Rivington, London, 1821.
RMPNEAWE–London from Greenwich Park. Date/Period: 1809. Painting. Oil on canvas. Height: 902 cm (29.5 ft); Width: 120 cm (47.2 in). Author: J. M. W. Turner. William Turner. TURNER, JOSEPH MALLORD WILLIAM.
RMP52MCC–French Revolution (1789-1799). Assault on the Tuileries. In 1792 the Parisian people invaded the Tuileries, demanding that King Louis XVI approved the decrees decided in the Legislature. Engraving by J. Smith. Colored.
RMRFFWA6–Epsom Races: The Betting Post. Date/Period: 1834 to 1835. Painting. Oil on canvas. Height: 308 mm (12.12 in); Width: 473 mm (18.62 in). Author: James Pollard.
RMP9FRH4–Cycnoches chlorochilon orchid. Woodcut by E.W. Smith after an illustration by J. Weathers from Jean Linden's l'Illustration Horticole, Brussels, 1888.
RMP9H8XF–Officinal mandrake, Mandragora officinarum. Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9H8RT–Mangles' rhodanthe, Rhodanthe manglesii. Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP6H8BA–Bobak marmot, Marmota bobak (Bobac, Arctomys bobac). Handcoloured copperplate engraving by J. Scott after an illustration by Charles Hamilton Smith from Edward Griffith's The Animal Kingdom by the Baron Cuvier, London, Whittaker, 1825.
RMP9H8P3–Rhodophiala advena (Red habranth, Habranthus miniatus). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9G7RB–Bellflower, Campanula lusitanica (Lorey's bellflower, Campanula loreyi). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9G8FA–Late-flowering blue iris, Iris spuria. Handcoloured copperplate engraving by Frederick W. Smith after J.T. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9FRDB–Rosy tree rhododendron, Rhododendron arboreum var. roseum. Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP6H670–Buru babirusa, Babyrousa babyrussa. Vulnerable. (Babiroussa, Sus babirussa) Drawn by Charles Hamilton Smith, engraved by J. Scott. Handcoloured copperplate engraving from Edward Griffith's The Animal Kingdom by the Baron Cuvier, London, Whittaker, 1826.
RMP9H7C8–Magellan everlasting pea or Lord Anson's pea, Lathyrus magellanicus. Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP6H4HC–Malayan tapir, Tapirus indicus. Endangered. (Malay tapir, Tapirus malayanus). Illustration by Charles Hamilton Smith, engraved by J. Scott. Handcoloured copperplate engraving from Edward Griffith's The Animal Kingdom by the Baron Cuvier, London, Whittaker, 1825.
RMP9H8R2–Zephyr lily, Zephyranthes drummondii (Pedunculated cooperia, Cooperia pedunculata). Handcoloured copperplate engraving by Frederick W. Smith after J. McNab from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9H791–Phacelia menziesii or Phacelia linearis (Menzies' eutoca, Eutoca menziesii). Handcoloured copperplate engraving by Frederick W. Smith after J. T. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9HKDC–Single-flowered tulip, Tulipa uniflora (Single-flowered orithyia, Orithyia uniflora). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9H6X8–Orange Peruvian lily, Alstroemeria aurea (Orange-flowered alstroemeria, Alstroemeria aurantiaca). Handcoloured copperplate engraving by Frederick W. Smith after J.T. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9HKCJ–Tree peony, Paeonia officinalis (Party coloured moutan, Moutan officinalis var. variegata). Handcoloured copperplate engraving by Frederick W. Smith after J. Allwort from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP6HA70–Black giant squirrel or Malayan giant squirrel, Ratufa bicolor. (Leschenault's squirrel, Sciurus albiceps). Handcoloured copperplate engraving by J. Scott after an illustration by Charles Hamilton Smith from Edward Griffith's The Animal Kingdom by the Baron Cuvier, London, Whittaker, 1825.
RMP9H9W5–Turk's cap Siberian lily, Lilium pumilum (Fine-leaved lily, Lilium tenuifolium). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RM2T686TG–Winchester House in Winchester Street, London Wall. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T699B7–Kitchen of Leathersellers Hall, London. Demolished in 1799. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RMP9H9B8–Red-and-green kangaroo paw, Mr. Mangles kangaroo paw, Anigozanthos manglesii (Anigosanthos manglesii). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RM2T6947T–Cardinals guard, Pachystachys coccinea. Scarlet justitia, Justicia coccinea. Named for 18th century Scottish botanist J. Justice. Handcoloured engraving from Joseph Paxtons Magazine of Botany, and Register of Flowering Plants, Volume 1, Orr and Smith, London, 1834.
RMP9E8T4–Hoop-petticoat daffodil, Narcissus bulbocodium subsp. quintanilhae (Showy hoop-petticoat, Corbularia conspicua). Handcoloured copperplate engraving by Frederick W. Smith after J. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RMP9G8M7–Tree peony, Paeonia officinalis (Carmine-flowered moutan, Moutan officinalis var. punicea). Handcoloured copperplate engraving by Frederick W. Smith after J.T. Hart from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
RM2T687D7–The Old Manor House, Hackney, formerly the residence of the Tyssen family. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T68DM1–South view of the Bloody Tower within the Tower of London. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1798.
RM2T6D37R–Ancient monument in the chancel of St. Mary le Savoy (now the Savoy Chapel). Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T69RWC–Tomb of royal engraver William Woollett, died 1735, in the churchyard of St. Pancras, Middlesex. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1795.
RM2T68TM1–Front of the Old Theatre, Drury Lane, 1794. Facade built by the actor and manager David Garrick. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1794.
RM2T686JD–Remains of the crypt part of the ancient priory of Black-Nuns, adjoining St. Helens Church, Bishopsgate Street. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T6CPM7–The ruins of the South Gates of Dukes Place, built by Sir Thomas Audley (1488-1544) near Aldgate. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1793.
RM2T68R1D–Underground vaults in Gerards Hall Inn in Basing Lane, Bread Street, Cheapside, 1795. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1795.
RM2T6A1KP–Monument of Thomas Bancroft, Lord Mayors Officer, in the church of St. Helen, Bishopsgate Street. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1794.
RM2T69AJ8–A curious gate in variegated brickwork called St. John Gate, the oldest house in Stepney. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T698RT–King James I of England taken from a bronze bust over the entrance of the Banquetting Room at Whitehall. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1793.
RM2T69AXM–South remains of Winchester House, Southwark. The Winchester Palace was built in the 12th century and burnt down in 1814. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T68DE7–Oval portraits of naturalists and collectors John Tradescant the Elder and Younger, and their grave monument in the churchyard of St. Mary Lambeth. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1793.
RM2T68E97–Edmund Plowdens monument on the north wall in the Temple Church. Plowden was a Tudor lawyer and legal scholar, 1518-1585. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1794.
RM2T696M1–William Smith as Archer in George Farquhars The Beauxs Strategem. Smith first played the role in 1756 at the Covent Garden Theatre. Copperplate engraving by J. Edwards (but John Reading sculpt. in the image) after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1780.
RM2T68NHD–British King Lud and his sons Angrogeus and Theomantius (Temantius), repairer of the walls of Trinovantum, later Caer Lud or Luds Town, 66AD. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1795.
RM2T6D26K–Lincolns Inn Gate, Chancery Lane, London. One of the four Inns of Court in London built in the 15th century. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T699GE–Amaryllis hybrid, Beauty of Reigate. Hybrid raised by Mr Brown, gardener to A. J. Waterlow of Reigate. Handcolored botanical illustration drawn and lithographed by Worthington George Smith from Henry Honywood Dombrain's Floral Magazine, New Series, Volume 2, L. Reeve, London, 1873. Lithograph printed by Vincent Brooks, Day & Son.
RM2T6942J–Monmouth House, Soho Square, demolished 1773. Built by the unfortunate James Duke of Monmouth beheaded on Tower Hill, July 15 1685. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T6CMBP–Mr. William Smith in the character of Piercy in John Banks Ann Bullen, Covent Garden Theatre, 1758. Smith was an English actor and theatre manager, 1730-1819. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1776.
RM2T697D3–Mr. William Smith in the character of Publius in William Whiteheads Roman Father, Covent Garden Theatre, 1767. Smith was an English actor and theatre manager, 1730-1819. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1778.
RM2T68XKM–Guy, Earl of Warwick, from a basso-relievio in Warwick Lane. Crusader hero killed the Danish champion, the giant Colbrand, for Athelstan of England. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T6959X–Mr. William Smith in the character of Alexander in Nathaniel Lees Alexander the Great or The Rival Queens, Covent Garden Theatre, 1767. Smith was an English actor and theatre manager, 1730-1819. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1776.
RM2T68TT5–John Stowe, Historian and Antiquarian, 1525-1605, from his monument in the Church of St. Andrew Undershaft. Depicted in an Elizabethan ruff holding a quill pen. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.
RM2T6CPW2–View of Lambeth Palace, London. Fishermen on shore and in a boat hauling a net in the lake. From a painting by William Marlow. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.
RM2T68CWY–Newgate, rebuilt in 1672 after the Fire of London, with three figures Justice, Fortitude and Prudence from the former gate built by Mayor of London Richard Wittington. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T6CMB0–Monument of Lady Frances Kniveton, Duchess of Dudley, wife of Sir Gilbert Kniveton, in the church of St. Giles in the Fields. Depicted in a shroud. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1798.
RM2T68RJW–Monument of Sir Edward Wynter, died 1685, on the south wall of St Marys Church Battersea. With bust, cherubs, drapes and depictions of him fighting a tiger and Moors. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1794.
RM2T6CHH4–Building at the entrance of Little St. Helens, lately a Dissenting Meeting House, demolished in 1799. Old timber frame Tudor house on cobbled street. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T68EYW–Statue of King James II of England in costume as a Roman emperor, Jacobus Seundus, designed by Grinlin Gibbons, in the Privy Gardens. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T6D2KY–The Queens Nursery, Golden Lane, Barbican. Tudor building that housed the children of King Henry VIII and was the nursery of Queen Elizabeth I. Royal coat of arms over entrance. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800.
RM2T68WF6–Muslim altar-style grave monument to Coya Shawsware, or Khwaja Shahsuwar (1582-1626), a merchant and secretary to Nogdi beg the Persian embassador, formerly in St Botolphs, Bishopsgate. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.
RM2T6A1DJ–An old Tudor house standing on Little Tower Hill, London. Built in the time of Henry VIII with heads of Roman Emperors in plaster or stucco on the front. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.
RM2T69CBP–Entrance to Mr. Holdens Family Vault in St. Brides churchyard, one of the few relics after the Fire of London 1666. Built in 1657 with coat of arms above the door. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1795.
RM2T69WE1–John Speeds monument in the chancel of St. Giles, Cripplegate. Speed was an Elizabethan cartographer and historian 1551-1629, depicted in lace ruff and doublet, holding a book and skull. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T6CR25–John Stowe, Historian and Antiquarian, 1525-1605, from his monument in the Church of St. Andrew, Undershaft. Depicted in an Elizabethen ruff holding a quill pen seated at a desk. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T6CP5T–Lollards Prison, in the tower of Lambeth Palace. A room with oak ceiling and graffitied panels, small windows, and rings to secure prisoners. Built by Archbishop Chichley in 1435. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2T69CAM–Mrs Ann Barry in the character of Phaedra in Edmund Smith s Phaedra and Hippolitus, Drury Lane Theatre, 1774. Ann Street, 1734-1801, was a leading actress of the 18th century appearing as Mrs Dancer, Mrs. Barry and Mrs. Crawford. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.
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