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Girtin Stock Photos and Images
RMC06PTN–The Watercolour exhibition opens at the Tate Britain and will run from 16 February to 21 August 2011. It includes over 200 works
RMT4NTJM–View of the Pont de la Tournelle & Notre Dame Taken from the Arsenal, circa 1802. Thomas Girtin
RM2HBCY6W–Portrait of Francis Decker, 17th century Dutch landscape painter, flourished 1660. Tinted etching within a decorative border by John Girtin from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
RM2CWBF23–La Porte St Denis, Paris', 1800. Artist: Thomas Girtin. Thomas Girtin (1775-1802) was an English watercolourist and etcher. A friend and rival of J. M. W. Turner.
RMWHB08C–Guisborough Priory - 1801. by Thomas Girtin. National Gallery of Scotland. Guisborough priory was founded by Robert de Brus in 1119 and was home to Augustinian monks. The large church was demolished after the reformation, but one huge gable wall still stands. This photo shows all that remains of the Priory. The end of the great church was kept as a folly by the following generations. There is evidence of earlier use of this site. In the excavation of 1985, the remains of Saxon buildings were found under what is left of the Priory.. Thomas Girtin (18 February 1775 - 9 November 1802), was an
RMGF7E9N–Kirkstall Abbey in the Evening, after the watercolour by Thomas Girtin an English painter and etcher. Girtin played a key role in establishing watercolour as a reputable art form.
RF2HK89KB–Inspired by Kelso, Scotland, Thomas Girtin, 1801, Scotland, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RFM0G5B2–Llanberis, watercolour sketch by Thomas Girtin colour illustration from 1888 The Art of Sketching from nature by Philip H Delamotte
RMEGFK65–London, England, UK. Royal Institute of Painters in Water Colour (192-196 Piccadilly) Bust of Thomas Girtin (1775 – 1802) Englis
RFM9R9WM–BUST OF THOMAS GIRTIN (1775-1802) : On the outside of the Royal Institute of Painters in Water Colour Building in Piccadilly, London
RMMNXTBF–. Landscape Thomas Girtin (1775–1802) Alternative names Thomas Girton; Girtin; Girt; Girton Description British painter, etcher and graphic artist Date of birth/death 18 February 1775 9 November 1802 Location of birth/death Southwark (London) London Work location London, Wales, Schottland Authority control : Q714243 VIAF: 39651268 ISNI: 0000 0000 8343 0751 ULAN: 500009169 LCCN: n85306897 GND: 102481997 WorldCat 1188 Thomas Girtin - Landscape
RM2BWPKCT–View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame by Thomas Girtin, 1802
RM2HBCY74–Portrait of Allaert van Everdingen, 1621-1675, Dutch Golden Age painter and printmaker. Aldret van Everdingen, landscape artist. Tinted etching within a decorative border by John Girtin from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
RMED6M2C–Thomas Girtin, Durham Cathedral and Castle. Circa 1800. Watercolor. J. Paul Getty Museum, Los Angeles, USA.
RM2CWBF1D–The Faubourg and the Porte Saint-Denis', 1801. Artist: Thomas Girtin. Thomas Girtin (1775-1802) was an English watercolourist and etcher. A friend and rival of J. M. W. Turner.
RMWH922K–Kirkstall Abbey Yorkshire - 1801. by Thomas Girtin. V & A. As young men, the friends J.M.W. Turner and Thomas Girtin were employed by Dr Thomas Monro, the physician who tended Cozens after he lost his sanity, to copy drawings by Cozens and other artists. One of Girtin's most spectacular conceptions is Kirkstall Abbey, Yorkshire - Evening, a watercolour of around 1801, based upon sketches of the ruined Cistercian abbey of Kirkstall, near Leeds. Its dramatic lighting, solemn palette and panoramic scale recall earlier Dutch landscapes, while the motif of a church tower at sunset had become a
RMRFDEWG–Dover. Painting. Watercolor. Height: 235 mm (9.25 in); Width: 314 mm (12.36 in). Author: Thomas Girtin.
RF2HK8A74–Inspired by The docks, Plymouth, Thomas Girtin, 1801, England, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMC06PTW–The Watercolour exhibition opens at the Tate Britain and will run from 16 February to 21 August 2011. It includes over 200 works
RMMNXTBH–. View of Rome with a rider on a track near the Colosseum . by 1802. Thomas Girtin (1775–1802) Alternative names Thomas Girton; Girtin; Girt; Girton Description British painter, etcher and graphic artist Date of birth/death 18 February 1775 9 November 1802 Location of birth/death Southwark (London) London Work location London, Wales, Schottland Authority control : Q714243 VIAF: 39651268 ISNI: 0000 0000 8343 0751 ULAN: 500009169 LCCN: n85306897 GND: 102481997 WorldCat 1188 Thomas Girtin View of Rome with a rider on a track near the Colosseum
RMT4NTJK–View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations - Thomas Girtin, circa 1802
RM2HBCY64–Portrait of Hans Bol, 1534-1593, Flemish painter, draughtsman and printmaker. John Bol. Tinted etching within a decorative border by John Girtin after a portrait by Hendrik Goltzius from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
RM2J9F3RX–Engraving portrait of Hans (John) Bol. By James Girtin. 1817 Hans Bol or Jan Bol (1534 – 1593), was a Flemish painter, print artist, miniaturist paint
RMWHB07F–Kinloss. by Thomas Girtin. in the J B Priestley Collection. Thomas Girtin (18 February 1775 - 9 November 1802), was an English painter and etcher, who played a key role in establishing watercolour as a reputable art form.. Kinloss is a village in Moray, Scotland. It is located near the shore of Findhorn Bay, around 3 miles (5km) from Findhorn and 2.5 miles (4km) from Forres. RAF Kinloss is located northeast of the village and employs 5,000 of the local population.. Kinloss was the site of a Cistercian monastery, created in 1150 by King David. Under abbot Robert Reid, Kinloss Abbey became a
RMRFDEB0–A Border Tower. Painting. Watercolor. Height: 222 mm (8.74 in); Width: 313 mm (12.32 in). Author: Thomas Girtin.
RF2HK89KP–Inspired by Salerno, Thomas Girtin, attributed, 1794-1800, United Kingdom, wash technique, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMC06PW0–The Watercolour exhibition opens at the Tate Britain and will run from 16 February to 21 August 2011. It includes over 200 works
RMMP3ER1–Thomas Girtin (1775-1802) . English: Thomas Girtin (1775-1802) 7.2 by 6.2 cm.; with short curled brown hair, wearing a brown coat with a black collar and a buff waistcoat, cloud and sky background later inscribed on a label (verso): Thomas Girtin / by / Henry Edridge ARA / inherited by Dr T C Girtin / given by him to his daughter / Mary (Barnard) / Left by her to her daughter / Ethel (Sutton). / Bought in 1935 by Sabina / wife of Thomas Girtin - / with lock of hair watercolour with touches of gum arabic on ivory . 18/19th century. Henry Edridge (–1821) Alternative names Edridge De
RMT4NTJJ–View of Pont de la Tournelle and Notre Dame taken from the Arsenal - Thomas Girtin, circa 1802
RM2HBCY5Y–Portrait of Michelangelo (1475-1564), Italian sculptor, painter, architect and poet of the High Renaissance. Tinted etching within a decorative border by John Girtin after an etching by Giulio Antonio Bonasone from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
![Deptford. Author Crotch, William 18.18.n. Place of publication: London Publisher: Pub.d Sept.r 1. 1810, by J. Girtin, Engraver, Printer, , Publisher, Charles Street, Soho Square., Date of publication: [1810] Item type: 1 print Medium: softground etching Dimensions: sheet 27.9 x 38.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H8TK/deptford-author-crotch-william-1818n-place-of-publication-london-publisher-pubd-septr-1-1810-by-j-girtin-engraver-printer-publisher-charles-street-soho-square-date-of-publication-1810-item-type-1-print-medium-softground-etching-dimensions-sheet-279-x-380-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H8TK.jpg "Deptford. Author Crotch, William 18.18.n. Place of publication: London Publisher: Pub.d Sept.r 1. 1810, by J. Girtin, Engraver, Printer, , Publisher, Charles Street, Soho Square., Date of publication: [1810] Item type: 1 print Medium: softground etching Dimensions: sheet 27.9 x 38.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9H8TK–Deptford. Author Crotch, William 18.18.n. Place of publication: London Publisher: Pub.d Sept.r 1. 1810, by J. Girtin, Engraver, Printer, , Publisher, Charles Street, Soho Square., Date of publication: [1810] Item type: 1 print Medium: softground etching Dimensions: sheet 27.9 x 38.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
RM2B99WR4–SEINE VIEW FROM THE DOCK STRIKE Thomas Girtin (1775-1802). 'La Seine vue depuis le quai de grève'. Aquatinte. Paris, musée Carnavalet.
RMR54FME–Finchale Priory. View of Finchale Priory, by Girtin, engraved by Hi. 1800. Finchale Priory near Durham. Image taken from View of Finchale Priory, by Girtin, engraved by Hill. Originally published/produced in 1800. . Source: Maps.K.Top.12.46.c,. Language: English.
RMRFDCBM–View of Rochester. Date/Period: 1791. Painting. Watercolor. Height: 133 mm (5.23 in); Width: 189 mm (7.44 in). Author: Thomas Girtin.
RF2HKRTJM–Art inspired by Kelso, Scotland, Thomas Girtin, 1801, Scotland, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DF0BE9–A 19th Century view of Kirkstall Abbey, a ruined Cistercian monastery in Kirkstall, in West Yorkshire, England. It was founded around 1150, and disestablished during the Dissolution of the Monasteries under Henry VIII. The picturesque ruins have been drawn and painted by J.M.W. Turner, Thomas Girtin and John Sell Cotman.
RM2X1A8MN–Battle of Leipzig, field marshal Charles Philipp prince of Schwarzenberg notify the allies sovereign the victory in the battle of Leipzig (19.10.1813), engraving by John Scott based on a painting by Johann Peter Krafft. crest thrusting from (James / Jack) Girtin. print: Dixon, London. person key page Pk 3003, 413a, 1820 - 18200101 PD0321 - Rechteinfo: Rights Managed (RM)
RM2BNP7RW–View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf by Thomas Girtin and J.B. Harraden, 1802
RM2HBCY7F–Portrait of Hendrik Hondius, 1573-1650, Flemish-born engraver, printmaker, draughtsman and publisher who settled in the Dutch Republic. Henry Hondius. Tinted etching within a decorative border by John Girtin from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
![HASTINGS from EAST CLIFF. Author Crotch, William 42.21.b. Place of publication: London Publisher: Pub.d Sept.r 1. 1810, by J. Girtin, Engraver, Printer, , Publisher. 11, Charles Street, Soho Square., Date of publication: [1810] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 14.8 x 24.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HT3X/hastings-from-east-cliff-author-crotch-william-4221b-place-of-publication-london-publisher-pubd-septr-1-1810-by-j-girtin-engraver-printer-publisher-11-charles-street-soho-square-date-of-publication-1810-item-type-1-print-medium-soft-ground-etching-dimensions-sheet-148-x-245-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HT3X.jpg "HASTINGS from EAST CLIFF. Author Crotch, William 42.21.b. Place of publication: London Publisher: Pub.d Sept.r 1. 1810, by J. Girtin, Engraver, Printer, , Publisher. 11, Charles Street, Soho Square., Date of publication: [1810] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 14.8 x 24.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HT3X–HASTINGS from EAST CLIFF. Author Crotch, William 42.21.b. Place of publication: London Publisher: Pub.d Sept.r 1. 1810, by J. Girtin, Engraver, Printer, , Publisher. 11, Charles Street, Soho Square., Date of publication: [1810] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 14.8 x 24.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
RM2B9FK79–The Faubourg and the Porte Saint-Denis, 1801-1802. 10 th and 12 th districts Thomas Girtin (1775-1802). Le Faubourg et la porte Saint-Denis. Plume et lavis sépia réhaussés d'aquarelle sur papier épais. Paris (Xème arr.), 1801-1802. Paris, musée Carnavalet.
RMR52K9P–St. Paul's Cathedral. View of St. Paul's from St. Martin's le Grand, the. 1815. View of St. Paul's from St. Martin's le Grand, the scite for the New Post Office. Image taken from View of St. Paul's from St. Martin's le Grand, the scite for the New Post Office, by T. Girtin; engraved by J. Baily. Originally published/produced in 1815. . Source: Maps.K.Top.23.35.u,. Language: English.
RMRFDDDY–A View of the Pont Neuf, the Mint, etc.: pl.8. Dated: published 1802. Medium: retouched etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Girtin.
RM2DJ0XPP–Woolwich, James Walker, 1748–1808, British, after Thomas Girtin, 1775–1802, British, 1793, Engraving
RF2HKRXJX–Art inspired by The docks, Plymouth, Thomas Girtin, 1801, England, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2WE50CC–Peter Paul Rubens 1577 n 1640 flämischer Maler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
RM2AM35K5–A system of surgery . rrence of this dislocation in those with lax ligaments. Re-markable difficulty has sometimes been experienced in the reductionof the rotatory vertical dislocation. This is usually declared by authorsto be due to the wedging of the bone into the inter-condyloid notch.Considering the size of the latter as compared with the edge of thepatella, this explanation seems to me hardly satisfactory. It is farmore likely that the bone lacerates the capsule, and is tightly girtin its new position by the tough ligamentous fibres of this structure.In the cases I have seen, no difficult
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