Quick filters:
Francesco trevisani Stock Photos and Images
RMG3EGBY–Prince James Francis Edward Stuart (1688-1766), nicknamed the Old Pretender, was the son of the deposed James II of England and Ireland, VII of Scotland. As such, he claimed the English, Scottish and Irish thrones (as James III of England and Ireland and James VIII of Scotland) from the death of his father in 1701. Portrait by Francesco Trevisani, oil on canvas, 1720.
RM2BMFMXG–Francesco Trevisani (1656-1746). Italian painter. Holy Family with the Infant Saint John the Baptist. National Museum of Fine Arts. Valletta. Malta.
RM2PJPD0K–Francesco Trevisani painting; The Massacre of the Innocents, 1700-1710; Italian rococo or late baroque painter; 17th - 18th century Italy
RF2AAMB68–'Dead Christ Supported by Angels' (about 1720) by Francesco Trevisani (1656-1746). Kunsthistorisches Museum (Art History Museum) in Vienna, Austria.
RMW53MFY–After Francesco Trevisani, The Flagellation of Christ, Christening, Oil on canvas, Height, 93 cm (36.6 inches), Width, 71 cm (27.9 inches)
RF2HW8KDW–Art inspired by Dead Christ Supported by Angels, ca. 1710, Oil on canvas, 51 1/2 x 38 1/4 in. (130.8 x 97.2 cm), Paintings, Francesco Trevisani (Italian, Capodistria 1656–1746 Rome), Trevisani, of Venetian origins, spent most of his life in Rome, working for the papal court. He, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2R2M1BT–Francesco Trevisani, Italian painter, active in the early Rococo or late Baroque, 1656-1746. In fur hat with paintbrush and palette. Francesco Trevisani, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RMH6EWXR–Postage stamp from Poland depicting King John Ill Sobieski on horseback. by Francesco Trevisani.
RMDCJBXD–18th century - Dead Christ Supported by the Angels, 1710 - Francesco Trevisani Philippe Sauvan-Magnet / Active Museum
RM2HTJ4HD–The Martyrdom of the Seven Sons (1709) by Italian painter Francesco Trevisani (1656-1746),active in the period called either early Rococo or late Baroque (barochetto).
RMMNXBF1–. English: Sir Edward Gascoigne, 6th Baronet . 1724. Francesco Trevisani 1126 SirEdwardGascoigne6thBt
RMMPXJEC–'The Virgin and Child with St Carlo Borromeo', 17th or 18th century. Artists: Francesco Trevisani, Virgin Mary.
RMDYEAHN–The Martyrdom of the Seven Sons of Saint Felicity by Francesco Trevisani (1656-1746) oil on canvas, 1709. The most prominent cardinal in Rome ordered this painting as a gift for a French minister and his wife, whose name, Catherine Felicite, inspired the choice of subject. The Christian martyr Saint Felicity - here in a yellow gown - was forced to witness the martyrdom of her seven sons before herself being beheaded. Trevisani included two self-portraits; as the standing man at the left, and as the man looking out at us from behind the statue at right.
RM2CCAMGC–The Eucharistic miracle of Bolsena. Museum: PRIVATE COLLECTION. Author: FRANCESCO TREVISANI.
RMREPJHD–The Sleep of the Infant Jesus 1709 by Francesco TREVISANI (Capodistria, 1656 – Rome, 1746), Italy, Italian,
RM2GGAB21–The Martyrdom of the Seven Brothers, Sons of Saint Felicitas, 1709 by Francesco Trevisani, 1656-1746 Italy, Italian, (The Christian martyr Felicitas – here in yellow robes – had to witness the martyrdom of her seven sons before she herself was beheaded) .
RMW53K4E–Francesco Trevisani, A Nun, Nunna, painting, 17th century, oil on canvas, Height, 110 cm (43.3 inches), Width, 87 cm (34.2 inches)
RM2PMH02J–Drawing, Design for a Ceiling with the Ascension of the Virgin; Designed by Francesco Trevisani (Italian, 1656 - 1746); Italy; pen and ink, brush and bistre, white heightening on paper
RF2HW5D6Y–Art inspired by Studies for the Figure of a Centaur and a Nymph, 1708–17, Black chalk, highlighted with white chalk, on blue-gray washed paper, 14-15/16 x 12-5/16 in. (38.0 x 31.2 cm), Drawings, Francesco Trevisani (Italian, Capodistria 1656–1746 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2T3RD52–Portrait of Pietro Ottoboni, Jean Audran, after Francesco Trevisani, 1677 - 1756, vintage engraved.
RMMWNBCX–. Français : portrait gravé . Unknown date. Girolamo Rossi d'après Francesco Trevisani 484 Pietro Priuli
RM2AHT504–Francesco Trevisani. Holy Family with the Infant St. John. 1695–1705. Italy. Oil on canvas
RMH9BGC2–Director General of the Dresden State Art Collections, Marion Ackermann (L), the representative of the donors, Darcy Bradbury (2.f.L.), and additional representatives of the donors of the painting study 'Massacre of the Innocents' by Francesco Trevisani (ca. 1714, 75 x 136cm) speak about the painting, which stands on an easel in the Old Masters Gallery in Dresden, Germany, 21 November 2016. The Dresden State Art Collections is receiving the painting as a gift from private owners in New York. The oil study is the only known scenic study that shows the original painting (250 x 464cm) in its enti
RM2JM1N08–Christ and the Samaritan Woman. Museum: Musei Vaticani in Viale Vaticano, Rome. Author: FRANCESCO TREVISANI.
RM2K7F53K– ©Active Museu/MAXPPP - ActiveMuseum 0000680.jpg / Le Christ Mort Soutenu par les Anges, 1710 - Francesco Trevisani 1710 - / Franscesco Trevisani / Peinture Active Museum / Le Pictorium Angel ,Body ,Christianity ,Death ,Religion ,Religious ,Rococo style ,Vertical ,Jesus Christ ,18th century ,Franscesco Trevisani ,Painting ,
RMM4CXA4–Painting: Baptism of desire by Francesco Trevisani in the Basilica santa maria degli angeli e dei martiri Rome, Italy.
RM2GGAB2C–The Martyrdom of the Seven Brothers, Sons of Saint Felicitas, 1709 by Francesco Trevisani, 1656-1746 Italy, Italian, (The Christian martyr Felicitas – here in yellow robes – had to witness the martyrdom of her seven sons before she herself was beheaded) .
RM2H0N649–Francesco Trevisani (1656-1746). Italian painter. Holy Family with the Infant Saint John the Baptist. National Museum of Fine Arts. Valletta. Malta.
RMW53JHE–Workshop of Francesco Trevisani, (1656–1746), Pietro Ottoboni, Cardinal Pietro Ottoboni, oil on canvas, Height: 76 cm (29.9), Width: 63 cm (24.8)
RM2DMRHKY–Design for a Ceiling with the Ascension of the Virgin, Francesco Trevisani, Italian, 1656 - 1746, Pen and ink, brush and bistre, white heightening on paper, Seated on clouds and attended by angels, the Virgin is raised to heaven., Italy, 1700–1730, interiors, Drawing
RM2DMC87R–Two Studies of the Virgin with Child, Francesco Trevisani, Italian, 1656 – 1746, Black crayon, white heightening on paper, Two three-quarter views of the seated Virgin holding the sleeping Child in her lap., Italy, 1700–1740, figures, Drawing
RM2J01MGR–Pietà. Francesco Trevisani (Slovenia, Koper, 1656-1746, active Italy). circa 1720. Paintings. Oil on copper
RM2DT7DJ7–Artist: Francesco Trevisani, Italian, Rome, 1656–1746, The Crucifixion, ca. 1715–20, Oil on canvas, unframed: 99 × 60.3 cm (39 × 23 3/4 in.), On view, Italian, Rome, 17th century, Paintings
RMMYP8YK–. Français : portrait gravé . Unknown date. Girolamo Rossi d'après Francesco Trevisani 423 Pietro Priuli
RM2DMPJ3W–Africa, Design for a Pendentive in the Baptismal Vestibule of St. Peter’s, Rome, Francesco Trevisani, Italian, 1656 - 1746, Pen and brown ink, brush and brown wash, white gouache, traces of black chalk on white laid paper, A seated figure with an elephant headdress holds a scorpion. A lion at the right., Italy, Italy, 1713–26, interiors, Drawing
RF2T3RKAE–Portrait of Cardinal Pietro Priuli, Girolamo Rossi (II), after Francesco Trevisani, 1706 - 1762, vintage engraved.
RM2JC0HT6–Roman soldiers, draughtsman: anonymous, draughtsman: Francesco Trevisani, (rejected attribution), 1600 - 1699, paper, pen, brush, h 90 mm × w 212 mm
RMT09TJP–'Apollo and Daphne'. Italy, First third of the 18th century. Dimensions: 73x59,5 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCESCO TREVISANI.
RM2AHTYRA–Francesco Trevisani. Judgement of Paris. 1676–1746. Italy. Pen and brush and brown ink, with black chalk, on ivory laid paper, laid down on ivory laid paper
RMRY7189–Presentation Sketch for 'The Holy Family with Saints Anne, Joachim, and John the Baptist' (for Santa Maria in Via Lata, Roma), c. 1729. Francesco Trevisani (Italian, 1656-1746). Oil on canvas; framed: 179 x 127.5 x 6.5 cm (70 1/2 x 50 3/16 x 2 9/16 in.); unframed: 158 x 106.7 cm (62 3/16 x 42 in
RM2B0C4RK–Francesco Trevisani, Madonna of the Rosary (La Madone du Rosaire), 1714-1715, oil on canvas, 29x 21 in. (73.66x 53.34 cm), This beautifully composed and vividly colored Roman painting from the early years of the eighteenth century is either a fully executed modello made during the preparation of the altarpiece or a ricordo, a smaller version created after the altarpiece was finished. Cardinal Sacripanti commissioned the altar in the cathedral of his hometown, Narni, in central Italy. Located in a chapel dedicated to the Blessed Lucy, the altarpiece demonstrates Trevisani's masterful talent at
RF2GF386F–Francesco Trevisani (1656-1746). Italian painter. Holy Family with the Infant Saint John the Baptist. National Museum of Fine Arts. Valletta. Malta.
RMH9BGBX–The representatives of the donor of the painting study 'Massacre of the Innocents' by Francesco Trevisani (ca. 1714, 75 x 136cm) talk about the painting after it was hung in the Old Masters Gallery in Dresden, Germany, 21 November 2016. The Dresden State Art Collections is receiving the painting as a gift from private owners in New York. The oil study is the only known scenic study that shows the original painting (250 x 464cm) in its entirety. The original was displayed in Dresden for over 200 years, but was destroyed in the Second World War. Photo: ARNO BURGI/dpa (ATTENTION EDITORS: Edit
RM2T7J6RE–Francesco Trevisani Merkur brings the Bacchus boys to the Nyseids, the nymphs from the mountain of Nysa. Chalk; Curried with deck white; gray paper
RMMW0DM6–. Français : portrait gravé . Unknown date. Girolamo Rossi d'après Francesco Trevisani 484 Pietro Priuli
RM2PMG6Y4–Drawing, Africa, Design for a Pendentive in the Baptismal Vestibule of St. Peter’s, Rome; Francesco Trevisani (Italian, 1656 - 1746); Italy; pen and brown ink, brush and brown wash, white gouache, traces of black chalk on white laid paper; 26.1 x 33.2 cm (10 1/4 x 13 1/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)
RF2JAFDNH–S. Andrea condotto al martirio - olio su tela - Francesco Bertosi su disegno di Francesco Trevisani - prima metà del XVIII secolo - Bolsena (Vt), Ba
RMRFDA28–The Prophet Baruch. Date/Period: 1718. Red chalk. Rötel. Height: 265 mm (10.43 in); Width: 205 mm (8.07 in). Author: FRANCESCO TREVISANI.
RMM168KK–Painting: Baptism of Blood by Francesco Trevisani, in the Basilica di Santa Maria degli Angeli e dei Martiri Church, Rome, Italy.
RM2B71KD7–Landschap met twee boeren die een slang doden Landschappen (serietitel) Varia Marci Ricci Pictoris prestantissimi Experiment () (serietitel) Hill landscape with the foreground two peasants a snake trying to kill. A woman flees to the hose. Command ondermarge. Manufacturer : printmaker: Marco Ricci (listed building) in its design: Marco Ricci (listed building) commanded by Carlo Orsolini (listed building) dedicated to Francesco Trevisani (listed property) Place manufacture: Italy Date: 1730 Physical features: etching printed on one sheet of two sheets of material: paper Technique: etching dimen
RF2B98RMR–After Francesco Trevisani, The Flagellation of Christ, Christening, Oil on canvas, Height, 93 cm (36.6 inches), Width, 71 cm (27.9 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2WRBA5T–H. Magdalena, Sainte Magdeleine (title on object), Etchings after paintings from the Brühl collection (series title), Recueil d'estampes gravées d'après les tableaux de la Galerie de S.E.M. le Comte de Brühl (series title), print maker: Pierre Etienne Moitte, after painting by: Francesco Trevisani, publisher: Pierre Etienne Moitte, Paris, 1754, paper, engraving, etching, height 334 mm × width 226 mm, print
RM2R8Y1NF–The Martyrdom of the Seven Sons of Saint Felicity, 1709. The most prominent cardinal in Rome ordered this painting as a gift for a French minister and his wife, whose name, Catherine Félicité, inspired the choice of subject. The Christian martyr Saint Felicity , here in a yellow gown, was forced to witness the martyrdom of her seven sons before herself being beheaded. Trevisani included two self-portraits: as the standing man at left, and as the man looking out at us from behind the statue at right.
RMR7DT9F–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMH9BGC0–The painting study 'Massacre of the Innocents' by Francesco Trevisani (ca. 1714, 75 x 136cm) stands on an easel in the Old Masters Gallery in Dresden, Germany, 21 November 2016. The Dresden State Art Collections is receiving the painting as a gift from private owners in New York. The oil study is the only known scenic study that shows the original painting (250 x 464cm) in its entirety. The original was displayed in Dresden for over 200 years, but was destroyed in the Second World War. Photo: ARNO BURGI/dpa (ATTENTION EDITORS: Editorial use only in connection with current reporting)
RFGHCDW5–ROME, ITALY - MARCH 9, 2016: The Ascent to Calvary in church Chiesa di San Silvestro in Capite by Francesco Trevisiani
RMT8MTY2–Postage stamp from Poland in the King's Portraits King John III Sobieski series issued in 1983
RM2WD6E5P–Porto portrepurt, Jean Audranà, after Francesco Trevisani, 1677 - 1756 print France paper engraving / etching historical persons. cardinal
RMMP90YG–English: Latona and the Frogs 17th century. Francesco Trevisani (1656–1746) Description Italian painter Date of birth/death 9 April 1656 30 July 1746 Location of birth/death Capodistria Rome Work period Baroque Work location Venice (1668 - 1678); Rome (1678 - 1746) Authority control : Q963875 VIAF: 9903574 ISNI: 0000 0000 7777 7820 ULAN: 500005125 LCCN: nr89014876 WGA: TREVISANI, Francesco WorldCat 793 Latona And The Frogs by Francesco Trevisani
Search Results for Francesco trevisani Stock Photos and Images (205)
Page 1 of 3