Francesco trevisani madonna Stock Photos and Images
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Francesco trevisani madonna Stock Photos and Images
RM2B0C4RK–Francesco Trevisani, Madonna of the Rosary (La Madone du Rosaire), 1714-1715, oil on canvas, 29x 21 in. (73.66x 53.34 cm), This beautifully composed and vividly colored Roman painting from the early years of the eighteenth century is either a fully executed modello made during the preparation of the altarpiece or a ricordo, a smaller version created after the altarpiece was finished. Cardinal Sacripanti commissioned the altar in the cathedral of his hometown, Narni, in central Italy. Located in a chapel dedicated to the Blessed Lucy, the altarpiece demonstrates Trevisani's masterful talent at
RMRCKDE0–Madonna and Child with Saints. Museum: Regional Art Gallery, Tambov. Author: TREVISANI, FRANCESCO.
RMMPXJEC–'The Virgin and Child with St Carlo Borromeo', 17th or 18th century. Artists: Francesco Trevisani, Virgin Mary.
RMR7DT9F–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RF2NJNR3M–MOSCOW, RUSSIA - FEBRUARY 15, 2023: Postage stamp printed in Malta shows 'Madonna and Child' by Francesco Trevisani, Christmas serie, circa 2008
RM2CNJGAH–The Virgin holding a cloth above the sleeping Christ child, with musical angels and the infant Saint John the Baptist, ca. 1729.
RMR7DT97–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT95–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8W–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT9C–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT92–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT9G–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8T–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT93–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8P–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT98–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT9E–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8X–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8D–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8J–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8F–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8K–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT9J–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT9B–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8Y–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT8H–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
RMR7DT96–Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of
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