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Chinoiserie birds Stock Photos and Images
RM2DN8AR2–Textile, Medium: silk Technique: painted on satin weave, Cream-colored satin ground painted with Chinoiserie design of birds, pagodas, flowers and insects., France, 18th–19th century, printed, dyed & painted textiles, Textile
RMG2FH5E–Detail of mural painting by John Gabriel Beckman, Catalina Casino movie theater w/ three birds in Art Deco / Chinoiserie style
RMMPW2N1–Chinoiserie wallpaper, Marble Hill House, Twickenham, Richmond-upon-Thames, London, c2007. Artist: Unknown.
RMF7CKH6–Platter from Rouen, France, with fantasy Oriental landscape of pagoda, mountains, birds and flowers in imitation chinoiserie. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RM2BF24GW–Textile. Pattern of chinoiserie type; with pagodas, male figures, and birds amid foliage. At top piece is gathered into band and fitted with tapes, possibly for a valance.
RMP7F2YG–Platter with handles from Rouen, France. Decorated with a fantastical Oriental scene with king, throne, parasol, birds, flowers. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RM2BF54NP–Posset Pot. Cylindrical body with straight sides; 2 loop handles opposite sides; spout rises along side body, projects horizontally from squared shoulder; domed lid with wide lip and flattened knop finial; painted in underglaze blue on white with chinoiserie birds, flower
RF2HK3XY7–Inspired by Chinoiserie, three birds, James Ensor, circa 1880-1890, drawing, Belgian Art, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2WP7Y9W–Vase; Belvedere (faience manufacture; 1770-1780); 1770-1780 (1770-00-00-1770-00-00);Belvedere (faience manufacture- 1770-1780), chinoiserie, Far Eastern motifs, birds, dragons
RM2TDXW3K–Bird Basin, the young Porian Soleoft, C. 1680 - c. 1685 Waterbank for birds from Faience with a chinoiserie decoration Delft . Waterbank for birds from Faience with a chinoiserie decoration Delft .
RMJJJ774–The Potichomanie Quadrille. Cover to Victorian score, featuring Chinese aristocrats, servants, musicians playing Ruan, fisherman and merchants. Also featured are ornamental butterlies, birds, insects, flowers, and a central dragon.
RF2GMDJ2G–Seamless pattern in chinoiserie style with birds and flowers. Bloom. Chinoiserie inspired. Vintage floral illustration
RM2E2285N–Mother and child feeding the birds by the Chinese Bridge, Godmanchester, Huntingdonshire, Cambridgeshire, England, UK
RM2DN07MF–Posset Pot, De Paauw (Peacock) Factory, Dutch, active 1651 - 1774, Tin-glazed earthenware, Cylindrical body with straight sides; 2 loop handles opposite sides; spout rises along side body, projects horizontally from squared shoulder; domed lid with wide lip and flattened knop finial; painted in underglaze blue on white with chinoiserie birds, flowers, scroll bands., Delft, Netherlands, 1705–40, ceramics, Decorative Arts, posset pot, posset pot
RMMPW2X1–Chinoiserie wallpaper, Marble Hill House, Twickenham, Richmond-upon-Thames, London, c2007. Artist: Unknown.
RMF7CKJ3–Plate from Sinceny, France, 18th century, Oriental landscape with birds and flowers. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RMPNE4E4–Birds and Beasts in a Flowery Landscape. Date/Period: Late 15th century ca.E. Manuscript Illumination. Ink on paper Ink on paper. Height: 165.10 mm (6.50 in); Width: 247.65 mm (9.75 in). Author: Master Muhammad Siyah Qalam.
RM2BF5NTC–Textile. Cream-colored satin ground painted with Chinoiserie design of birds, pagodas, flowers and insects.
RF2HKJ9RB–Art inspired by Chinoiserie, three birds, James Ensor, circa 1880-1890, drawing, Belgian Art, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B02A3C–Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them. The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Som
RM2TE15JC–Saucer, multi -colored painted with chinoiserie, anonymous, c. 1715 - c. 1740 Dish of Faïence, multicolored painted with chinoiserie: on the flat a flower with birds. Rand of lambrequins. Delft . Dish of Faïence, multicolored painted with chinoiserie: on the flat a flower with birds. Rand of lambrequins. Delft .
RMAD472N–Grotesque ceiling fresco, Chinese room, Benedictine convent Altenburg near Horn, Lower Austria
![Jug, Grieksche A [de] (the Greek A Factory), Delft, Netherlands, founded 1658, Pieter Adriaensz Kocks, Tin- glazed earthenware, pewter, Ovoid body on short foot rim, long neck slightly flared, small everted spout; looped handle; low domed pewter cover, tall thumbpiece with female fish figure attached at handle with trailing cutwork strap; painted in deep blue underglaze on white with chinoiserie birds, flowers, lambrequins., Delft, Netherlands, 1702–22, ceramics, Decorative Arts, Jug Stock Photo](https://c8.alamy.com/comp/2DN33EA/jug-grieksche-a-de-the-greek-a-factory-delft-netherlands-founded-1658-pieter-adriaensz-kocks-tin-glazed-earthenware-pewter-ovoid-body-on-short-foot-rim-long-neck-slightly-flared-small-everted-spout-looped-handle-low-domed-pewter-cover-tall-thumbpiece-with-female-fish-figure-attached-at-handle-with-trailing-cutwork-strap-painted-in-deep-blue-underglaze-on-white-with-chinoiserie-birds-flowers-lambrequins-delft-netherlands-170222-ceramics-decorative-arts-jug-2DN33EA.jpg "Jug, Grieksche A [de] (the Greek A Factory), Delft, Netherlands, founded 1658, Pieter Adriaensz Kocks, Tin- glazed earthenware, pewter, Ovoid body on short foot rim, long neck slightly flared, small everted spout; looped handle; low domed pewter cover, tall thumbpiece with female fish figure attached at handle with trailing cutwork strap; painted in deep blue underglaze on white with chinoiserie birds, flowers, lambrequins., Delft, Netherlands, 1702–22, ceramics, Decorative Arts, Jug Stock Photo")
RM2DN33EA–Jug, Grieksche A [de] (the Greek A Factory), Delft, Netherlands, founded 1658, Pieter Adriaensz Kocks, Tin- glazed earthenware, pewter, Ovoid body on short foot rim, long neck slightly flared, small everted spout; looped handle; low domed pewter cover, tall thumbpiece with female fish figure attached at handle with trailing cutwork strap; painted in deep blue underglaze on white with chinoiserie birds, flowers, lambrequins., Delft, Netherlands, 1702–22, ceramics, Decorative Arts, Jug
RMW56B8Y–Plaque, Plate, Plate with chinoiserie decoration, faience plate with a chinoiserie decoration, birds, anonymous, Delft, c. 1725 - c. 1750, h 18.5 cm × w 24 cm
RMF7CMPE–Plates from Savona, Italy, 18th century, with Oriental landscapes, flowers and birds. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RMPMBDW7–Cover. Peruvian, Colonial period, late 17th to early 18th century. Date/Period: Late 17th century - early 18th century. Textiles. Wool, silk, cotton, and linen interlocked and dovetailed tapestry. Height: 2,383 mm (93.81 in); Width: 2,073 mm (81.61 in). Author: UNKNOWN.
RM2BF4R7C–Beaker with Hausmaler Decor. Bell shaped with ring foot. Engraved gilt chinoiserie decoration of figure, trees, birds and scrolls.
RF2B9AMM4–Plaque, Plate, Plate with chinoiserie decoration, faience plate with a chinoiserie decoration, birds, anonymous, Delft, c. 1725 - c. 1750, h 18.5 cm × w 24 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2BF1PFC–Chinoiserie Fantasy. A tree with two birds upon a pole is shown at left. A Chinese with a bow is running at its base toward some decayed planks leading to rock.
RM2B02A41–Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them. The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Som
RM2BF5Y7R–Tea Bowl and Saucer with Hausmaler Decor. Bell-shaped cup, flat saucer with curved sides and ring foot. Engraved gilt chinoiserie decoration of figures, birds, trees and scrolls.
RM2BF407G–Plate 4 from A New Book of Chinese Ornaments. Chinoiserie eschutcheon with a figure with hands folded standing balanced on one foot. A monkey and two birds in the border.
RM2TE1MXA–Saucer, multi -colored painted with chinoiserie, anonymous, c. 1715 - c. 1740 Dish of Faïence, multicolored painted with chinoiserie: on the flat a flower with birds. Rand of lambrequins. Delft . Dish of Faïence, multicolored painted with chinoiserie: on the flat a flower with birds. Rand of lambrequins. Delft .
RM2BF5KFR–Fragment. Printed fragment with a wide border of Chinoiserie motifs and in an allover pattern of pagodas, birds on a tree and vase with flowers. Printed in red on a yellow ground.
RM2HHWCKC–Dress 1725–40 Italian Remarkable for its highly original ornamentation, which combines chinoiserie imagery and allegorical figures of the Four Continents, this casaquin (jacket-bodice) and petticoat is a singular example of eighteenth century woman's dress. The execution of the embroidery in wool rather than in silk is also rare. Fantastic birds, pagodas, and exotic flowers are familiar elements of the chinoiseries style of the late seventeenth and early eighteenth centuries, but the interpretation of the Four Continents as jesterlike figures is atypical and shows the influence of the grotesqu
RM2BD0D89–Border. Research in ProgressStrapwork in gray between gray-bordered cartouches with Chinoiserie vignette: Chinaman with stringed instrument, on curved bridge amidst flowers, trees, birds, parasol, on gray background. Border
RM2BF54N1–Dish. Heart-shaped dish on short foot rim with slightly flaring sides; painted inunderglaze blue on white with birds and flowers in center, on sides with alternating panels of flowers and pseudo-Chinoiserie characters.
RMW56365–Saucer, multicolored painted with Chinoiserie, Faience saucer, multicolored painted with Chinoiserie: on the shelf a flower with birds. Edge of lambrequins., anonymous, Delft, c. 1715 - c. 1740, d 34.7 cm × h 4.8 cm
RM2BF269E–Bris fan. Fan with observe painted with a design of dancers and musicians against a landscape background. Reverse has a landscape scene with trees against a hilly backdrop. In margins are birds and figures in a chinoiserie style.
RM2BF3XA9–Plate. Circular cavetto, scalloped rim irregularly ten-sided. Chinoiserie decoration: seated man and boy holding parasol under double-roofed shelter supporting a bell and a bird, the whole surrounded by foliage. Border of alternating birds and green latticed panels.
RMP7F10T–Platter from Rouen, France, with fantasy Oriental landscape of pagoda, mountains, birds and flowers in imitation chinoiserie. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RM2BF4JB8–Bottle. Twelve-faceted body with short square-sided neck on a 4-sided domed foot with knop; painted in underglaze blue on white with chinoiserie designs of flowers and birds, leaves, pseudo-Chinese characters in reserve on base.
RMF7CKP6–Vase from Aprey, Haute-Marne, France, decorated with exotic birds and foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RM2BF3X94–Plate. Circular cavetto, scalloped rim irregularly ten-sided. Chinoiserie decoration showing a manFacing left, holding a birds. At right, rocks and a shelter in brown and yellow. Border has three birds and two flying insects alternating with green scalloped panels.
RF2B9AEH5–Saucer, multicolored painted with Chinoiserie, Faience saucer, multicolored painted with Chinoiserie: on the shelf a flower with birds. Edge of lambrequins., anonymous, Delft, c. 1715 - c. 1740, d 34.4 cm × h 4.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2BF4T71–Textile. Chinoiserie design printed in red on a white ground. A pagoda, and boys in Chinese dress on a rock, with birds, with jars, fishing. Another pavillion is formed with rocaille scrolls. The design is a copy of the Bromley Hall design 'Pagoda.'
RM2HHTTPP–Sarasa with Figures, Birds, and Fantastic Animals late 17th–early 18th century India (Coromandel Coast), for the Japanese market This extremely rare sarasa—Indian painted cotton produced for the Japanese market—offers an Indian version of an Oriental fantasy. The unparalleled design includes whimsical figures and fanciful creatures in a lush forest. In each repeat, figures carry palanquins (covered litters) and hold umbrella canopies. The dark ground evokes late seventeenth-century Chinese lacquer screens. Its overtly Oriental flavor represents an Indian interpretation of chinoiserie, which it
RMG2P1R1–The Balcony Bedroom (The Chinese Bedroom) with a modern reproduction of hand-painted Chinese wallpaper, Kilkenny Castle, Ireland
![Exotic chinoiserie landscape. Pillement, Jean (French, 1728-1808) (designed after) [painter] Landrièsve, François (French, act. 1740-1770) (workshop) [weaver] c. 1780-1800 Tapestry Dimensions: H 9'8' x W 16'6' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Miss Kathleen Channing, received 11/6/1964; sold to Ricon de Arts 2/18/1965. Inscriptions: Woven signature on lower guard, center-left: DE LANDRIE[?]VE D'AUBUSSON (Cavallo). Scene divided by 3 leafy, flowering trees with fruits; a heron & other birds in foregroun Stock Photo](https://c8.alamy.com/comp/2WTG2NF/exotic-chinoiserie-landscape-pillement-jean-french-1728-1808-designed-after-painter-landrisve-franois-french-act-1740-1770-workshop-weaver-c-1780-1800-tapestry-dimensions-h-98-x-w-166-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-miss-kathleen-channing-received-1161964-sold-to-ricon-de-arts-2181965-inscriptions-woven-signature-on-lower-guard-center-left-de-landrie-ve-daubusson-cavallo-scene-divided-by-3-leafy-flowering-trees-with-fruits-a-heron-other-birds-in-foregroun-2WTG2NF.jpg "Exotic chinoiserie landscape. Pillement, Jean (French, 1728-1808) (designed after) [painter] Landrièsve, François (French, act. 1740-1770) (workshop) [weaver] c. 1780-1800 Tapestry Dimensions: H 9'8' x W 16'6' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Miss Kathleen Channing, received 11/6/1964; sold to Ricon de Arts 2/18/1965. Inscriptions: Woven signature on lower guard, center-left: DE LANDRIE[?]VE D'AUBUSSON (Cavallo). Scene divided by 3 leafy, flowering trees with fruits; a heron & other birds in foregroun Stock Photo")
RM2WTG2NF–Exotic chinoiserie landscape. Pillement, Jean (French, 1728-1808) (designed after) [painter] Landrièsve, François (French, act. 1740-1770) (workshop) [weaver] c. 1780-1800 Tapestry Dimensions: H 9'8' x W 16'6' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Miss Kathleen Channing, received 11/6/1964; sold to Ricon de Arts 2/18/1965. Inscriptions: Woven signature on lower guard, center-left: DE LANDRIE[?]VE D'AUBUSSON (Cavallo). Scene divided by 3 leafy, flowering trees with fruits; a heron & other birds in foregroun
RMW56367–Saucer, multicolored painted with Chinoiserie, Faience saucer, multicolored painted with Chinoiserie: on the shelf a flower with birds. Edge of lambrequins., anonymous, Delft, c. 1715 - c. 1740, d 34.4 cm × h 4.7 cm
RM2DN60X1–Textile, Medium: cotton Technique: roller printed on plain weave, Pattern of chinoiserie type; with pagodas, male figures, and birds amid foliage. At top piece is gathered into band and fitted with tapes, possibly for a valance., England, mid-19th century, printed, dyed & painted textiles, Textile
RM2DMKAA2–Chinoiserie Fantasy, Jean-Baptiste Pillement, French, 1728–1808, Pencil on paper., A tree with two birds upon a pole is shown at left. A Chinese with a bow is running at its base toward some decayed planks leading to rock. Motifs of Chinoiserie landscapes are distributed in the middle distance, in the center of which a Mandarin gets his tea on top of a tree. The zigzag boardwalk leads on from there toward a tent with worshippers before an altar., France, ca. 1780, landscapes, Drawing
RMP7F279–Vase from Aprey, Haute-Marne, France, decorated with exotic birds and foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RM2DN2BC1–Plate 4, from 'A New Book of Chinese Ornaments', Jean-Baptiste Pillement, French, 1728–1808, Etching on paper, Chinoiserie eschutcheon with a figure with hands folded standing balanced on one foot. A monkey and two birds in the border., France, ca. 1750, Print
RMF7CKP3–Plate from Sinceny, France, with Chinese family on horseback with pennant, surrounded by birds, mountains and flowers. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
RM2DM9GDT–Border, Block-printed, flocked, stencilled, handmade paper, Strapwork in gray between gray-bordered cartouches with Chinoiserie vignette: Chinaman with stringed instrument, on curved bridge amidst flowers, trees, birds, parasol, on gray background. Gray ground, largely covered by maroon flocking with foliate motifs, and outlinings of cartouche and of strapwork in black flocked thin lines., France, 1835, Wallcoverings, Border
RM2B6EMBA–Tree with birds Chinoiserie. A landscape with a flowering tree and vogels. Manufacturer : artist: anonymous Date: 1600 - 1800 Physical features: brush color material: paper watercolor technique: Brush size: sheet: H 154 mm × W 120 mm Subject: tree bird
RM2DMXBM4–Textile, Medium: cotton Technique: printed by engraved copper plate on plain weave, Chinoiserie design printed in red on a white ground. A pagoda, and boys in Chinese dress on a rock, with birds, with jars, fishing. Another pavillion is formed with rocaille scrolls. The design is a copy of the Bromley Hall design 'Pagoda.', England, late 18th century, printed, dyed & painted textiles, Textile
RF2B9AEH4–Saucer, multicolored painted with Chinoiserie, Faience saucer, multicolored painted with Chinoiserie: on the shelf a flower with birds. Edge of lambrequins., anonymous, Delft, c. 1715 - c. 1740, d 34.7 cm × h 4.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![Exotic chinoiserie landscape. Pillement, Jean (French, 1728-1808) (designed after) [painter] c. 1770-1800 Tapestry Dimensions: H 15'7' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, received 4/2/1920; sold to P. [Preston] P. [Pope] Satterwhite 4/26/1920 [SS 22371]. French & Co. purchased from P.P. Satterwhite 2/10/1921; sold to B. N. Duke 6/28/1921 [SS 23244]. Scene divided by 3 leafy, flowering trees with fruits; a heron with other birds in foreground; long staircase leading to pagoda on out Stock Photo](https://c8.alamy.com/comp/2WTGENH/exotic-chinoiserie-landscape-pillement-jean-french-1728-1808-designed-after-painter-c-1770-1800-tapestry-dimensions-h-157-x-w-88-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-henry-symons-received-421920-sold-to-p-preston-p-pope-satterwhite-4261920-ss-22371-french-co-purchased-from-pp-satterwhite-2101921-sold-to-b-n-duke-6281921-ss-23244-scene-divided-by-3-leafy-flowering-trees-with-fruits-a-heron-with-other-birds-in-foreground-long-staircase-leading-to-pagoda-on-out-2WTGENH.jpg "Exotic chinoiserie landscape. Pillement, Jean (French, 1728-1808) (designed after) [painter] c. 1770-1800 Tapestry Dimensions: H 15'7' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, received 4/2/1920; sold to P. [Preston] P. [Pope] Satterwhite 4/26/1920 [SS 22371]. French & Co. purchased from P.P. Satterwhite 2/10/1921; sold to B. N. Duke 6/28/1921 [SS 23244]. Scene divided by 3 leafy, flowering trees with fruits; a heron with other birds in foreground; long staircase leading to pagoda on out Stock Photo")
RM2WTGENH–Exotic chinoiserie landscape. Pillement, Jean (French, 1728-1808) (designed after) [painter] c. 1770-1800 Tapestry Dimensions: H 15'7' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, received 4/2/1920; sold to P. [Preston] P. [Pope] Satterwhite 4/26/1920 [SS 22371]. French & Co. purchased from P.P. Satterwhite 2/10/1921; sold to B. N. Duke 6/28/1921 [SS 23244]. Scene divided by 3 leafy, flowering trees with fruits; a heron with other birds in foreground; long staircase leading to pagoda on out
RM2H6AW3J–Panel (Furnishing Fabric), Nantes, c. 1786. Chinese-inspired pattern with teahouses, pagodas, exotic birds and nobles being carried in litters. Designed by Jean Baptiste Huët after Jean Baptiste Pillement.
Search Results for Chinoiserie birds Stock Photos and Images (192)
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