RM2DMG3D0–Head of a Man, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown-grey paper, Man with a mustache, looking up to the left., USA, ca. 1895, figures, Drawing
RM2DMTA0X–Mount Desert, Near Schooner Head, Daniel Huntington, American, 1816–1906, Graphite and chalk on brown-grey paper, Rocky shore in foreground and ridge beyond. Sea lies toward the left., USA, August 23, 1856, landscapes, Drawing
RM2DN6175–Eagle Lake, Mt. Desert, Daniel Huntington, American, 1816–1906, Graphite and chalk on brown-grey paper, The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water., USA, August 23, 1856, landscapes, Drawing
RM2DMAYFT–Sketch of a French Peasant, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Man shown obliquely from the front, walking, wearing wooden shoes and a large hat. Red-brown coat with yellow sleeves, blue waistcoat, and brown trousers., USA, France, 1874, figures, Drawing
RM2DM9NT8–Project: A Hand Bell, Pen, sepia, red-brown watercolor on brown-grey paper, Vertical rectangle. The handle consists of birds with woman heads, with scrolls below, rows of blossoms, and leaves above. The main field of the body is decorated with two kneeling angels supporting an oval representation of the Virgin with the Child, above it is a cherub. Below the representation is a tablet with 'S.D.G.' Below is a band with 'DOMINI M D L X X I I.', Europe, 1800–1850, tableware designs, Drawing
RM2DMBAPC–Hand bell, Pen, sepia and red-brown watercolor on brown-grey paper, Vertical rectangle. The handle consists of birds with woman heads, with scrolls below, rows of columns, and leaves above. The main field of the body is decorated with two kneeling angels supporting an oval representation of the Virgin with the Child, above it is a cherub. Rinceaux are at the sides. The framing moulding is curved above the cherub. Below the representation is a tablet with 'S.D.G.' Below is a band with 'DOMINI M D L X X I I.', Italy, 1572, tableware designs, Drawing
RM2DMC86F–Study of a Horse, Quimper, Brittany, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Upper forepart of a white, harnessed horse, shown in profile turned toward left, to a manger., Quimper, Brittany, France, 1873–74, animals, Drawing
RM2DMCJTF–Head of a Cow, Étretat, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Head and neck of a standing cow or ox. The head turned toward the viewer. Verso: Three details of a head of a cow, in graphite., Étretat, Normandy, France, 1874, animals, Drawing
RM2DMG0EK–Study of Three Horses with a Plow, France, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, A plow with three horses, which stand at right and are shown staggered. Verso: At top, a standing cow shown in profile, turned toward left., France, 1873–74, animals, Drawing
RM2DMXAGN–Sidewall, Machine-printed paper, ungrounded, Speckled all-over with pink, green brown, and light grey blue dots and patches. Ungrounded., USA, 1905–1915, Wallcoverings, Sidewall
RM2DDJ1P0–Study of Grasses, Wild Arum and a Tree Stump, 1858 Artist: Frederick Sandys Black Chalk Touched With White On Grey-brown Paper, 19th Century, Sketch, Pre-Raphaelite
RM2DMKX00–Sketch of Lisieux, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, A street with half-timbered houses and figures., USA, 1883, architecture, Drawing
RM2B0BX0N–Belisario Corenzio, Figures Around an Obelisk, 1580-1640, brush and grey/blue wash on brown paper, 9 1/2 in. x 6 in. (24.2 cm. x 15.2 cm.)
RM2B0BWR6–Unknown Artist, Landscape (verso), 1600-1700, pen and brown ink, grey wash, black chalk on paper, 9 in. x 16 1/4 in. (22.86 cm. x 41.2 cm.)
RM2DMRN51–Drapery Study for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite, brown chalk, white crayon on grey wove paper, Study of the drapery for the upper section of a toga., USA, USA, 1852, figures, Drawing
RM2B0BYMA–Girolamo Brusaferro, Allegory of America, 1679-1745, pen and brown ink and grey wash on blue paper, 6 1/2 in. x 5 1/8 in. (16.51 cm. x 13.02 cm.)
RM2B0BWP1–Unknown Artist, figure sketches (verso), 1600-1700, pen and brown ink, grey wash on paper, 3 1/4 in. x 9 5/8 in. (8.3 cm. x 24.4 cm.)
RM2B0BXN5–Jacques Stella, Adam and Eve, n.d., pen and black ink, grey and brown wash on paper, 10 1/2 in. x 7 11/16 in. (26.7 cm. x 19.5 cm.)
RM2B0BWR7–Unknown Artist, Landscape with Buildings (Recto), 1600-1700, pen and brown ink, grey wash, black chalk on paper, 9 in. x 16 1/4 in. (22.86 cm. x 41.2 cm.)
RM2B0BWP0–Unknown Artist, Nymphs and Satyrs (recto), 1600-1700, pen and brown ink, grey wash on paper, 3 1/4 in. x 9 5/8 in. (8.3 cm. x 24.4 cm.)
RM2B0BX38–Unknown Artist, Standing Man with Turban, 1600-1700, pen and brown ink, grey wash, over red chalk on paper, 7 in. x 4 3/16 in. (17.78 cm. x 10.64 cm.)
RM2B0BWN3–Claes Cornelisz. Moeyaert, Joseph Sold by His Brothers, 1590-1655, pen and brown ink, grey and brown wash over graphite on paper, 8 1/4 in. x 12 in. (21 cm. x 30.5 cm.)
RM2B0C134–François Verdier, Hercules and Atlas, 1670-1730, brush and grey wash over black chalk on brown paper, 8 1/2 in. x 15 1/4 in. (21.59 cm. x 38.74 cm.)
RM2B0C0Y8–Giovanni Benedetto Castiglione, Oriental Head, ca. 1610-1665, pen and brown ink, grey wash on paper, 8 1/2 in. x 7 5/16 in. (21.6 cm. x 18.5 cm.)
RM2B0BYKY–Unknown Artist, Woman and Child, ca. 1600-1700, pen and black ink, brown and grey washes on paper, 3 5/8 in. x 5 1/8 in. (9.21 cm. x 13.02 cm.)
RM2B0BYM9–Charles Brooking, Ships at Anchor, n.d., pen and brown and black ink, grey wash on blue paper, 7 1/16 in. x 9 1/2 in. (17.94 cm. x 24.13 cm.)
RM2B0BWW6–Lodovico Gimignani, The Israelites Gathering Manna, 1667-1669, black chalk and grey wash on brown laid paper, 10 13/16 in. x 8 13/16 in. (27.5 cm. x 22.4 cm.)
RM2A2PBY1–Jean Antoine Constantin, French, 1756-1844, Landscape, Pen and brown ink with brush and grey wash on cream laid paper, Sheet: 15 1/4 x 20 5/8 in. (38.8 x 52.4 cm
RM2DMKXP5–Study of Neck for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite, brown chalk, white crayon on grey wove paper, Study of the neck of a male figure, shown from the left shoulder., USA, 1852, figures, Drawing
RM2DMKDTC–Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Details from Caen, Bayeux and Mont. St.Michel. Sketches of mouldings, turrets, and door corner., USA, 1883, architecture, Drawing
RM2DMPKAE–Project for a Herm, Pen and ink, brush and grey-brown watercolor on laid paper., Vertical rectangle. Half-figure of a bearded man with an Ionic capital turned toward right. Base is a volute., Italy, 1725-50, architecture, Drawing
RM2DMN1HG–The Artist's Wife Sophie, Daniel Huntington, American, 1816–1906, Black crayon on grey-brown wove paper, Portrait of a woman, probably Sophie Huntington, with her lowered head shown in right profile., USA, ca. 1853, portraits, Drawing
RM2B0BWN5–Sir James Thornhill, Stained Glass Window Designs, 1675-1734, pen and brown ink and grey wash on paper, 8 1/16 in. x 11 1/4 in. (20.48 cm. x 28.58 cm.)
RM2B0BXM0–Lambert François Therese Cammas, The Falls at Tivoli, 1777, pen and grey ink, grey, brown, and black wash on paper, 8 7/16 in. x 10 9/16 in. (21.4 cm. x 26.8 cm.)
RM2B0BYP8–Jean-Pierre Saint-Ours, Classical Award Ceremony, 1754-1837, pen and black ink, red, grey, and brown washes on paper, 9 in. x 19 7/8 in. (22.86 cm. x 50.48 cm.)
RM2B0BX16–Unknown Artist, Classical Scene, 1700-1800, black chalk, grey-brown wash, traces of red chalk on paper, 8 3/4 in. x 10 3/4 in. (22.2 cm. x 27.3 cm.)
RM2B0BXT7–Mattheus Terwesten, Scene from 'The Odyssey', n.d., pen and brown ink, brown and grey wash, over graphite on paper, 13 1/8 in. x 17 5/8 in. (33.3 cm. x 44.7 cm.)
RM2DN7B3K–A Waterfall, Daniel Huntington, American, 1816–1906, Black and white crayon on grey-brown paper, Water falling from high rocks at right. Pool below, with outlined rocks in foreground and trees beyond., USA, 1855–65, landscapes, Drawing
RM2B0BXX0–Abraham Rademaker, Landscape with Classical Ruins, 1675-1735, pen and brown ink, grey wash over black chalk on paper, 8 1/16 in. x 9 15/16 in. (20.5 cm. x 25.2 cm.)
RM2B0BX25–Abraham Jansz. van Diepenbeeck, Crucifixion, 1630-1640, pen and brown ink, brown and grey wash, over graphite on paper, 9 1/2 in. x 6 1/4 in. (24.13 cm. x 15.88 cm.)
RM2DMCKDK–Carved Decoration for a Wall Panel, Graphite, pen and ink, brush and grey-brown wash on paper, The right half is shown. Rocaille framing, with a standing swan. Water springs from swan's beak and pours at right., ca. 1740, interiors, Drawing
RM2B0BWXX–Leonard Bramer, Dead Christ with Angels (a&b), 1614-1627, brush and black ink and grey wash on brown laid paper, 6 1/2 in. x 8 1/4 in. (16.5 cm. x 20.9 cm.)
RM2B0BWXW–Leonard Bramer, Dead Christ with Angels (a&b), 1614-1627, brush and black ink and grey wash on brown laid paper, 6 1/2 in. x 8 1/4 in. (16.5 cm. x 20.9 cm.)
RM2DMPK3N–Landscape Sketch, Mount Desert, Maine, Daniel Huntington, American, 1816–1906, Black and white crayon, graphite on grey-brown paper, Pond in foreground and shore, right. Mountain beyond. Notation below with date., August 19, 1856, landscapes, Drawing
RM2B0BWTJ–Gaspar van Wittel, Landscape with Buildings (recto), 1600-1700, pen and brown ink and grey wash over black chalk on paper, 11 15/16 in. x 16 3/4 in. (30.3 cm. x 42.5 cm.)
RM2B0BWTN–Gaspar van Wittel, pen sketches (verso), 1600-1700, pen and brown ink and grey wash over black chalk on paper, 11 15/16 in. x 16 3/4 in. (30.3 cm. x 42.5 cm.)
RM2DN0TYK–Three Studies of a Left Hand, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on grey-brown paper, Hand with palm up, shown from center. To the right, two studies of the hand in almost the same position., USA, ca. 1895, figures, Drawing
RM2DMPBW9–Silhouettes on the Bridge, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Various figures, top men overlooking a wall. Bottom, women on the way to market, silhouettes on a bridge, right., USA, 1883, figures, Drawing
RM2DMCBRG–Standing Sibyl, Pen and black ink, brush and grey and brown wash on cream paper, A turbaned and heavily draped elderly female figure stands in contrapposto. A sleeping dog lies at her feet. Black framing lines surround the picture, and the top corners are chamfered., Italy, 1800–20, figures, Drawing
RM2DN3MHN–Ceiling paper, Standard Wall-Paper Company, Standard Wall-Paper Company, Pittsburgh, Pennsylvania, Machine-printed paper, Overall interlacing scrolling acanthus-like motif. Gold, brown, grey, and white on a pale yellow ground. Pattern number 628., Pittsburgh, Pennsylvania, USA, 1905–1915, Wallcoverings, Ceiling paper
RM2DN0TDC–The Androscoggin River at Gorham, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, black and white crayon on grey-brown paper, River foreground and center. Rocks right foreground and at right. Trees on the banks with rock ridge beyond, right., Gorham, New Hampshire, USA, July 29, 1862, landscapes, Drawing
RM2DN14DP–Palace Façade Elevation, Pen and brown ink, brush and grey wash on cream laid paper, Elevation of a three-storied palace, with a triple-bay recessed central section with galleries. The windows are pedimented and the roof is supported on paired brackets, between which are small attic windows., Rome, Italy, 1680–1720, architecture, Drawing
RM2DM78K5–Design for a Silk Brocade, Pastel, pen and brown ink squaring on bluish grey laid paper, Horizontal composition illustrating glower sprays that spring from vertically rising and waved lace bands, to which flower boughs are fastened. One entire repeat is shown with the majority of another at right., France, ca. 1750, textile designs, Drawing
RM2DMPK41–Sketches for Portrait of Marguerite Burrows, Daniel Huntington, American, 1816–1906, Graphite on grey-brown paper, Sketch of the doll 'Sarah' held in a right hand. Verso: Two right hands, upper left. One left hand, lower left. Girls legs crossed, right., USA, November 18, 1884, figures, Drawing
RM2DMNX07–Figure Sketches at Blois, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Various figures, male figure sitting, leaning, looking over low brick wall. Lower left, man with hat, cane and bag standing. Center, two women walking., USA, 1883, figures, Drawing
RM2DMD315–Architectural and Figure Sketches, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Left, railing at Tours. Center, three sketches of woman with bonnet, two profiles one front. Lower right, 4 male figures leaning over a low stone wall., USA, 1883, architecture, Drawing
RM2DMA3CF–Two Designs for Festoons, Pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper, Horizontal rectangle showing designs for two festoons. At left, a crown; at right, a helmet and shield. Verso: part of an accounting, ending with 14:8. Sketches with black crayon., Italy, 1775–1785, ornament, Drawing
RM2DMACTJ–Figures Mourning Over the Dead Christ, Fortunato Duranti, Italian, 1787 - 1863, Pen and grey ink, brush and pale brown wash on paper, A group of figures mourns over the dead Christ. In framing line. Verso: Two heads of satyrs, one seen in right profile, and the other frontally., Rome, Italy, 1820-1850, Drawing
RM2DN6X32–Design for a Church Façade, Pen and brown ink, brush and grey and yellow wash on cream paper, Architectural elevation of a large domed church, with smaller flanking domes and a heavily sculptured façade composed of a portico, with engaged and free-stranding columns, and surmounted by statuary. Three portals are approached by steps., Bologna, Italy, late 18th century, architecture, Drawing
RM2DMY451–Study of a Woman's Head, Daniel Huntington, American, 1816–1906, Graphite, brown crayon on grey wove paper, Study of a woman's head in three-quarter right profile with ringlets around her face. Lower right, sketches for the upper part of the body of a seated woman. Verso: Unfinished sketch of a woman's head., USA, 1840–50, figures, Drawing
RM2DMCWA4–Pink Spotted Lilies and Maple Seeds, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on grey-brown paper, Two studies of pink spotted lilies, one facing right, the other from the front. Left, two decorative borders of maple seeds. Verso: two maple leaves, in graphite., USA, 1875–85, nature studies, Drawing
RM2DMCFEA–A town gate in Mexico., Howard Russell Butler, American, 1856 - 1934, Black. brown, white crayons. Grey paper., Verticle rectangle. Oblique view of a gate in a wall of a sidewalk in a street with a church. A man carrying a burden walks out. Written in the lower right corner: HRB / Mexico / 1888., USA, 1888, landscapes, Drawing
RM2DM9AA0–Design for Silk Brocade, Pastel, pen and brown ink squaring on bluish grey laid paper, Horizontal composition illustrating flowers executed in colored pastel at left, and a small Chinese landscape with bridges and pavilion has been sketched out in white pastel in the center. To the right are lightly sketched elements in black pastel. Squared in brown ink., France, ca. 1750, textile designs, Drawing
RM2DMFP2N–Venus and Cupid, Felice Giani, Italian, 1758–1823, Red crayon on grey-brown paper over traces of graphite on cream laid paper, In center, circular medallion with Venus shown kneeling in opened shell upon sea. Putti shown beside her. Laterally are pen sketches at left of putto and right of Venus. Cupid dancing holding arrow and bow., Italy, 1800–1815, figures, Drawing
RM2DMBA71–Design for a Salt Cellar in the Shape of a Sleigh, Pen and brown ink, brush and grey wash on paper, The forward part of the body of the vessel represents a centaur abducting a maiden, and behind, the body is in the form of a boat, over whose side hangs a lambrequin. The single runner shown, encircled by leaves, terminates in the figure of a bearded man with bow and arrow aimed at the centaur., Germany, 1675-1690, Drawing
RM2DMW9P5–Design for Four Festoons, Pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper, Horizontal rectangle showing design for four festoons. At top, a shield with crossed swords; at center left, a fasces and shield; at center right, a resplendent crowned eagle; at bottom, a perched crowned eagle. Verso, in pen and ink: the top of a hill and garden., Italy, ca. 1780, ornament, Drawing
RM2DMTD29–Project for an andiron, Black chalk, ink, pen in grey/brown watercolors on paper., Vertical rectangle. The design is in small scale. A shell scroll is supported by two leaf scrolls. They are surrounded by a snake biting in the back of a child. Written beside: 'focolare,' first in pencil, then in ink. On the reverse, in two different inks, the accounts of the weight with the result 'pessi 36' and '19.80', Italy, 1700–1750, tableware designs, Drawing
RM2DMWNPF–Two Victories in Roundels, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brownish grey wash on rough laid paper, Vertical rectangle top: circular medallion with Victory in chariot, directed toward left. Bottom: ovoidal medallion with two female genii raising wreaths above, panoply. Caption above top medallion, 'Vittorie;' and bottom medallion 'Vittore', Captions, as in 1901-39-3259: 'Vittorie.' Verso: part of pen sketch similar to 1901-39-3259., Italy, 1812, figures, Drawing
RM2DMD0Y0–The Adoration of the Shepherds, Pen and black ink, brush and brown and grey wash on cream laid paper, The Holy Family is seen at the top of a steep stairway in the background. A shepherd, with sheep, kneels on the right in adoration. A seated angel, left, points towards the scene. A man lies prostrate on the steps in the center foreground, while a dog in front of him climbs the steps. An adoring child and woman stand in the right foreground. The upper corners of the picture are chamfered., Italy, 1720–50, figures, Drawing
RM2DN8AP0–Feste Bacchique, Graphite, red and black chalk on two sheets of grey-brown paper, joined, On a platform within an arabesque enframement is a scene from Don Quixote, showing Sancho Panza on a donkey approaching three figures, while in the background is a herm. Below, a landscape with a bridge within a cartouche. The frame is composed of trellis-work, garlands, and vegetal arabesques decorated with birds. Composition continued on second sheet of paper, pieced horizontally at the lower edge of the first., France, before 1710, ornament, Drawing
RM2DNA6C3–Project for an altar, Pencil, pen, ink, brush, sepia and grey water color on light brown paper., Vertical composition of an altar. The front of the mensa is not decorated. The image represents a writing Dominican nun having a vision. Below the image there are two angels, raising a burning heart. Six figures represent different themes. In niches 'Faith' stands on the left and 'Love' on the right. 'Prudence' and 'Temperance' sit above on the center pediment. Beside the pediment wall stands 'Justice' on the left and 'Force' on the right.
RM2DM9AAB–Study for Painting 'The Flight into Egypt', Antonio Bellandi, Italian, Black chalk, pen and brown ink on grey paper, Mary, carrying the Christ-child, is seated on a donkey, in left profile, and is being attended to by a flying angel. Two additional angels appear to their left. Joseph walks beside the group on their right. The figures are flanked by trees on either side. An angel and a cherub appear above in palm trees. The landscape in the background includes hills, a village, and a pyramid. The drawing includes squaring lines., Italy, ca. 1860, religion, Drawing
RM2DMANM9–Grotesque Panel, black chalk, pen and ink, brown, grey wash on paper, Vertical rectangle. Symmetrical scheme with slight deviations in details. A candelabrum is in the middle framed by a gaine with a winged female throax, carrying upon the head a fruit bowl, from which branch spirals spring. In these are rabbits. Bead festoons are fastened to the wings. Their other ends are carried by geese standing upon oxen. Below are lions rampant in whose mouths half figures with butterfly wings and entwined snake legs look. Framing lines above, at left, below., Italy, 1570–1600, Drawing
RM2DMD3G7–Design for the Painted Decorations of Three Panels, Pen and brown ink, brush and grey wash, black chalk on laid paper., Vertical rectangle with three panels. Above is a horizontal oblong with a bevelled upper left corner. The half-figures of two children carry a lath, the central part forms one half of an oblong, in which stands a framed cameo. Beside the cameo, sit two crouched sphinxes. Below, at left, is a vertical oblong with a niche-like quatrefoil. Two female half-figures stand beside a lit candelabrum. Below, at right, is a niche with a figure carrying a spear in left hand., Italy, 1580
RM2DMRKEP–Project for the decoration of a chapel, Black chalk, pen, ink, brush, and grey, brown and rose water colors on paper., Italy, 1700–1730, architecture, Drawing
RM2B0BXXG–Pieter Jansz., The Expulsion of Hagar, 1602-1672, pen and brown ink and brown and grey washes over traces of graphite on paper, 7 1/2 in. x 6 1/2 in. (19 cm. x 16.5 cm.)
RM2B0BXKR–copy after Raphael, Moses and the Tablets, 1500-1600, pen and brown ink, grey wash, touches of red chalk on paper, 8 1/8 in. x 6 1/4 in. (20.7 cm. x 15.9 cm.)
RM2A2PDHX–Eugène Delacroix, French, 1798-1863, Ravenswood and Lucy at the Mermaiden's Fountain, c. 1829, Black, brown, and grey washes, heightened with white on wove paper, Sheet: 8 5/8 x 7 3/16 in. (21.9 x 18.3 cm
RM2DMJ39C–Sidewall, Machine-printed paper, Piece of irregular shape giving full repeat. Simulation of rusticated mansonry or ashlar block printed in light brown, dark brown and white, with marbleized effect on rough light grey paper., USA, 1855–65, Wallcoverings, Sidewall
RM2B0BYMK–Noël Cochin, Temple Seen Through an Archway, 1622-1695, pen and black ink, brown, grey, and black washes, over graphite on paper, 9 3/4 in. x 15 15/16 in. (24.77 cm. x 40.48 cm.)
RM2B0BX1H–Unknown Artist, Mercury Bearing Psyche to Olympus, 1600-1700, pen and brown ink, brush and black ink, blue-grey wash, over graphite on paper, 10 1/8 in. x 17 5/16 in. (25.7 cm. x 43.9 cm.)
RM2DT2YBN–Artist: Leonard Bramer, Dutch, 1596–1674, Supper at Emmaus, Pen and ink, brown and grey wash, sheet: 18.6 × 17.4 cm (7 5/16 × 6 7/8 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors
RM2DJ3P94–A Grey Horse Trotting Out of a Wood, Sir Francis Grant, 1803–1878, British, undated, Pen, in brown ink on medium, slightly textured, cream, wove paper, Sheet: 7 × 7 1/2 inches (17.8 × 19.1 cm), animal art
RM2DT1D2N–Artist, circle of: Charles Le Brun, French, 1619–1690, Andromeda, 17th century, Brush and grey ink and brown wash over black chalk, image: 24 × 18.4 cm (9 7/16 × 7 1/4 in.), Made in France, French, 17th century, Works on Paper - Drawings and Watercolors
RM2DMEAED–Design for a Decorative Frieze, Carlo Bianconi, Italian, 1732–1802, Brush and grey and brown wash, pen and black ink, graphite on cream paper, Within black framing lines and a brown border is a simulated sculptured frieze composed of a leaf arabesque stemming from what appears to be a dolphin. To the right of the arabesque, an oval medallion shows a female head in profile., Italy, 1800–20, ornament, Drawing
RM2DM9AKP–Caius Mucius Scaevola and Porsena, Felice Giani, Italian, 1758–1823, Black chalk, pen and brown ink, brush and grey wash on cream laid paper, In an enormous courtyard, Mucius, in left foreground, thrusts his right hand into the flame of a brazier, while pointing with his left at Porsena who sits upon a throne. The stabbed officer, supported by a soldier, lies beside him, while a group of soldiers stands to the left, and the king's treasurer stands a table at right foreground., Italy, 1800–1820, figures, Drawing
RM2DM8HJC–Stage Design: Architectural Perspective, Unknown, Pen and brown ink, brush and grey watercolor wash; on verso: red and black crayon on laid paper., Horizontal rectangle. View through three openings of an arch on a paved street. The lateral openings have straight entablatures, the vault of the central opening is above. Figures lie beside it, some stand in the niches beside the later openings. On verso: Bearded man in a black coat and cape is shown in three-quarter profile, turned toward left., Italy, ca. 1580, architecture, Drawing
RM2DN8G2W–Project for the decoration of a chapel, Black chalk, pen, ink, brush, and grey, brown, greenish and rose water colors on paper., Vertical composition of a decorated chapel with framing lines. An arch and a section of a vaulted ceiling are shown in the foreground. The ceiling is decorated with an ovoidal frame with a chest, two palms branches and two panels with twigs. The altar is seen at the back wall with a mensa and a picture fram with a triangular pediment. Niches are shown on both sides. A measurement is inscribed in the pilaster on the right.
RM2DN39N0–Elevation and Profile of a Wall Fountain, Gilles-Marie Oppenord, French, 1672–1742, Pencil, pen and brown ink with grey wash, Recto: Horizontal rectangle. A basin in the form of a shell with water issuing from a winged dolphin's head., Verso: Vertical rectangle. A standing figure seen from the back, his left arm raised, and a seated man holding a shield., One sheet of paper drawn on recto and verso, mounted onto an album page with window cutout to see verso., France, 1692–99, albums (bound) & books, Album page
RM2DM9Y2D–Design for a Console Table, Giuseppe Barberi, Italian, 1746–1809, Brush and grey, brown, and rose watercolor, pen and gray and black ink, graphite on paper, with cardstock backing, Drawing showing part of a design for a console table. Design includes a fluted supporting facade, and a central relief with three figures. Relief is framed in warm-hued tones with a botanical festoon below it, which tapers toward the tabletop and then extends out toward the leg, hanging alongside the leg at the outside. The legs are connected below by scrolls ending in dolphins which support a shell at center
RM2DMCYJY–View across Wady el-Arabah, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey paper, Recto: Continuation of the scene represented in -467. The right bank of a valley leading toward the plain beyond is shown in the foreground and middle ground. Two dromedaries are shown on a road. Inscribed: 2 / dark blue / snow / brown / black h… / greener / yellow., Bottom right: overlooking / El Arabah / 2 Mt. Hor., Verso: Oblique view of a rock wall. Bottom right: El Yemen., USA, Jordan, February 20, 1868, landscapes, Drawing
RM2DN215D–Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and brown ink, brush and yellow, grey, black and brown-red watercolor on cream laid paper, Dial suspended underneath classic arch, supported by four columns, a vase atop each column. Drapery and a head framed by two griffins hang below the dial. An integrated base with tapered knobs rests upon a black base with cushion feet., Inscription:, Pen and brown ink: 4 Colones; No. 114. /, Graphite: Presented to the Misses Hewitt, Lower Center: Cooper Union stamp #457D, Belgium, 1800–1825, timepieces & measuring devices, Drawing
RM2DHRPTJ–The Thames from the Ship Inn, Greenwich, Thomas Hearne, 1744–1817, British, undated, Black ink with grey and brown wash, over graphite on laid paper. on moderately thick, slightly textured, cream laid paper, Contemporary drawn border: 6 3/4 x 9 1/8 inches (17.1 x 23.2 cm) and Sheet: 4 3/4 x 7 1/8 inches (12.1 x 18.1 cm), boat, buildings, city, cityscape, inn, landscape, overcast, river, sailing, sails, ship, shipping, skyline, England, Europe, Greater London, Greenwich, Thames, United Kingdom
RM2DMMEGD–Four Left Halves of Escutcheons, Gilles-Marie Oppenord, French, 1672–1742, Pencil, pen and brown ink with grey wash, partial framing line in red chalk, Horizontal rectangle., Recto: Four left halves of escutcheons decorated with scrolls, leaves and surmounted by crowns. One shows a half-female-half-lion, another a head over a crescent and spear-head., Verso: Interlacing pattern of band-work, probably intended to be carried out in marble or wood flooring. The ground is indicated in shading, perhaps a suggestion for Suite XIV, plate 1., One sheet of paper drawn on recto and verso
RM2DMC35W–View across Wady el-Arabah, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey paper, Recto: A slope is shown in the left foreground. View from across the foothills and the plain toward a mountain range. Inscribed across scene: snow / yellow / dark brown / brown / rich brown yellow / gold, In ink, bottom left: overlooking / El Arabah / Feb 20th, Verso: At left, a rocky wall partially shaped into columns, a bird flying above. Inscribed across scene: gold / 3 flint color. At right, a rock shaped like the lower part of a column.
RM2DMBTTH–Border, Block-printed on handmade paper, Border containing anthemions, acanthus, dentils, bead and reel and wrapped cable motifs. Printed in brown, grey and ochre., H#384, France, 1800–1825, Wallcoverings, Border
RM2DMNNB4–Studies of Head and Arms of a Child, Daniel Huntington, American, 1816–1906, Black chalk, black and brown crayon on grey wove paper, Studies of raised head of a child, and arms with hands folded., USA, 1840–45, figures, Drawing
RM2DN6MWJ–Project for a Ceiling Fresco: Leda and the Swan, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and grey wash, pen and brown ink, graphite on paper, Circular borderline. Leda upon clouds, recumbent, the swan beside her. Amor is aiming at her., Southern Italy, ca. 1775, figures, Drawing
RM2DT2BD9–Artist: Antonio Basoli, Italian, 1774–1843, Design for an Elaborate Pitcher and Chandelier, ca. 1800, Pen and brown ink over graphite, with grey wash, 26.8 × 18.9 cm (10 9/16 × 7 7/16 in.), Italian, 19th century, Works on Paper - Drawings and Watercolors
RM2B0BYNR–Joseph Antoine David, called David de Marseilles, The Virgin and Child Appearing to Saints Peter and Paul, 1659, pen and black and brown ink, grey wash, over black chalk on paper, 12 11/16 in. x 8 5/8 in. (32.23 cm. x 21.91 cm.)
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