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A depiction of the Garden of Eden and 'topography of the earthly paradise' by Athanasius Kircher (1602-1680), from 1675. Adam and Eve can be seen inside the walls, with angels at all four gates. Cain can be seen killing Abel at upper left outside the walls. Athanasius Kircher was a 17th-century German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of 'Oriental studies,' geology, and medicine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-garden-of-eden-and-topography-of-the-earthly-paradise-by-athanasius-kircher-1602-1680-from-1675-adam-and-eve-can-be-seen-inside-the-walls-with-angels-at-all-four-gates-cain-can-be-seen-killing-abel-at-upper-left-outside-the-walls-athanasius-kircher-was-a-17th-century-german-jesuit-scholar-and-polymath-who-published-around-40-major-works-most-notably-in-the-fields-of-oriental-studies-geology-and-medicine-image352826316.htmlRM2BE0HFT–A depiction of the Garden of Eden and 'topography of the earthly paradise' by Athanasius Kircher (1602-1680), from 1675. Adam and Eve can be seen inside the walls, with angels at all four gates. Cain can be seen killing Abel at upper left outside the walls. Athanasius Kircher was a 17th-century German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of 'Oriental studies,' geology, and medicine.
A depiction of Gluttony Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-gluttony-56682808.htmlRMD863E0–A depiction of Gluttony
Stained glass window with a depiction of St Peter St Peter s Church in Old Woking Surrey England The church is a Grade 1 Listed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stained-glass-window-with-a-depiction-of-st-peter-st-peter-s-church-24166658.htmlRMBB8TPX–Stained glass window with a depiction of St Peter St Peter s Church in Old Woking Surrey England The church is a Grade 1 Listed
A depiction of the Battle of Bannockburn from a 1440s manuscript of Walter Bower's Scotichronicon. This is the earliest known depiction of the battle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-battle-of-bannockburn-from-a-1440s-manuscript-of-walter-bowers-scotichronicon-this-is-the-earliest-known-depiction-of-the-battle-image242706020.htmlRMT2T604–A depiction of the Battle of Bannockburn from a 1440s manuscript of Walter Bower's Scotichronicon. This is the earliest known depiction of the battle.
Allegorical representation, possibly a depiction of the Raison d Etat, Giovanni Antonio Pellegrini, 1718 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-representation-possibly-a-depiction-of-the-raison-d-etat-giovanni-antonio-pellegrini-1718-image454288598.htmlRM2HB2HMP–Allegorical representation, possibly a depiction of the Raison d Etat, Giovanni Antonio Pellegrini, 1718
Inspired by Allegorical representation, possibly a depiction of the Raison d Etat, Giovanni Antonio Pellegrini, 1718, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-allegorical-representation-possibly-a-depiction-of-the-raison-d-etat-giovanni-antonio-pellegrini-1718-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459271439.htmlRF2HK5HBB–Inspired by Allegorical representation, possibly a depiction of the Raison d Etat, Giovanni Antonio Pellegrini, 1718, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Greek vase decorated with a depiction of a young warrior departing from home. 4-5th Century BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greek-vase-decorated-with-a-depiction-of-a-young-warrior-departing-57348258.htmlRMD98C82–Greek vase decorated with a depiction of a young warrior departing from home. 4-5th Century BC
Hindu pilgrims and a brahman at a depiction of Lord Vishnu as Jalashayana Narayan lying in the water, Budhanilkantha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hindu-pilgrims-and-a-brahman-at-a-depiction-of-lord-vishnu-as-jalashayana-74783784.htmlRME9JKDC–Hindu pilgrims and a brahman at a depiction of Lord Vishnu as Jalashayana Narayan lying in the water, Budhanilkantha
A depiction on walls of Hoysaleshwara temple in Halebidu, Hassan District, Karnataka, India, constructed around 1121 AD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-on-walls-of-hoysaleshwara-temple-in-halebidu-hassan-district-101100788.htmlRMFTDF2C–A depiction on walls of Hoysaleshwara temple in Halebidu, Hassan District, Karnataka, India, constructed around 1121 AD
A depiction of how email encircles the earth Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-how-email-encircles-the-earth-image64088505.htmlRFDM7DF5–A depiction of how email encircles the earth
A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-porcelain-easter-egg-with-a-depiction-of-the-cross-of-st-george-probably-from-the-imperial-russian-porcelain-factory-in-st-petersburg-circa-1915-lilac-coloured-glazed-porcelain-height-ca-10-cm-cf-imperial-easter-porcelain-eggs-from-the-hermitage-museum-in-st-petersburg-ariana-museum-geneva-1996-p-159-historic-historical-20th-century-additional-rights-clearance-info-not-available-image245916742.htmlRMT82D8P–A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Ceramic relief with a depiction of Christ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ceramic-relief-with-a-depiction-of-christ-49156636.htmlRMCRY7P4–Ceramic relief with a depiction of Christ
Cover of the Russian satirical journal Plamia (Flame) showing a black dog with red eyes, possibly a depiction of a hellhound, lying atop a pile of ripped newspapers, 1905. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cover-of-the-russian-satirical-journal-plamia-flame-showing-a-black-165163505.htmlRMKGKRMH–Cover of the Russian satirical journal Plamia (Flame) showing a black dog with red eyes, possibly a depiction of a hellhound, lying atop a pile of ripped newspapers, 1905.
19/12/1154 - On this Day in History - Henry II crowned as King of England; his great achievement was to strengthen the administration of the country and to establish the Exchequer. DECEMBER 29th : On this day in 1170 Thomas Becket was murdered by four knights on the orders of King Henry II. KING HENRY II : A depiction of King Henry II, the first Plantagenet King Of England (1154-1189). He extended his Anglo-French domains and instituted judicial and financial reforms. His attempts to control the church were opposed by Thomas Becket, his former friend. Becket was later murdered by knights Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-19121154-on-this-day-in-history-henry-ii-crowned-as-king-of-england-106475795.htmlRMG56AXY–19/12/1154 - On this Day in History - Henry II crowned as King of England; his great achievement was to strengthen the administration of the country and to establish the Exchequer. DECEMBER 29th : On this day in 1170 Thomas Becket was murdered by four knights on the orders of King Henry II. KING HENRY II : A depiction of King Henry II, the first Plantagenet King Of England (1154-1189). He extended his Anglo-French domains and instituted judicial and financial reforms. His attempts to control the church were opposed by Thomas Becket, his former friend. Becket was later murdered by knights
Le croup guéri par le docteur Roux (croup healed by Dr. Roux), depiction of a child being injected 1894 France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-le-croup-guri-par-le-docteur-roux-croup-healed-by-dr-roux-depiction-113151650.htmlRMGG2E2A–Le croup guéri par le docteur Roux (croup healed by Dr. Roux), depiction of a child being injected 1894 France
Pilgrim Fathers. A depiction of the landing of the Pilgrim Fathers from The Mayflower in 1620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pilgrim-fathers-a-depiction-of-the-landing-of-the-pilgrim-fathers-93228454.htmlRMFBJWRJ–Pilgrim Fathers. A depiction of the landing of the Pilgrim Fathers from The Mayflower in 1620
William Tell, a depiction of the apple shooting scene. William Tell is a folk hero of Switzerland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-william-tell-a-depiction-of-the-apple-shooting-scene-william-tell-167282400.htmlRMKM4ABC–William Tell, a depiction of the apple shooting scene. William Tell is a folk hero of Switzerland
Sacred picture with a depiction of Christmas, Christ child and angel, Austria, 1900 / Heiligenbildchen mit einer Weihnachtsdarstellung, Christuskind und Engel, Österreich, 1900, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-picture-with-a-depiction-of-christmas-christ-child-and-angel-austria-1900-heiligenbildchen-mit-einer-weihnachtsdarstellung-christuskind-und-engel-sterreich-1900-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image414114754.htmlRF2F1MFGJ–Sacred picture with a depiction of Christmas, Christ child and angel, Austria, 1900 / Heiligenbildchen mit einer Weihnachtsdarstellung, Christuskind und Engel, Österreich, 1900, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
A depiction of Roman victory during the 1st Century BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-depiction-of-roman-victory-during-the-1st-century-bc-164997635.htmlRMKGC84K–A depiction of Roman victory during the 1st Century BC
A depiction of the Garden of Eden and 'topography of the earthly paradise' by Athanasius Kircher (1602-1680), from 1675. Adam and Eve can be seen inside the walls, with angels at all four gates. Cain can be seen killing Abel at upper left outside the walls. Athanasius Kircher was a 17th-century German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of 'Oriental studies,' geology, and medicine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-garden-of-eden-and-topography-of-the-earthly-paradise-by-athanasius-kircher-1602-1680-from-1675-adam-and-eve-can-be-seen-inside-the-walls-with-angels-at-all-four-gates-cain-can-be-seen-killing-abel-at-upper-left-outside-the-walls-athanasius-kircher-was-a-17th-century-german-jesuit-scholar-and-polymath-who-published-around-40-major-works-most-notably-in-the-fields-of-oriental-studies-geology-and-medicine-image352834603.htmlRM2BE103R–A depiction of the Garden of Eden and 'topography of the earthly paradise' by Athanasius Kircher (1602-1680), from 1675. Adam and Eve can be seen inside the walls, with angels at all four gates. Cain can be seen killing Abel at upper left outside the walls. Athanasius Kircher was a 17th-century German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of 'Oriental studies,' geology, and medicine.
A depiction of the Holy Trinity (Father, Son and Holy Spirit), with cherubs and putti. Date: 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-the-holy-trinity-father-son-and-holy-spirit-with-cherubs-105252801.htmlRMG36K0H–A depiction of the Holy Trinity (Father, Son and Holy Spirit), with cherubs and putti. Date: 19th century
The departure of Vasco da Gama to India in 1497. On 8 July Vasco da Gama led a fleet of four ships with a crew of 170 men from Lisbon, Portugal. Colour lithograph of watercolour by Alfredo Roque Gameiro (1864-1935) Portuguese painter and designer. See image F86R41 for a depiction of his arrival in India in 1498 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-departure-of-vasco-da-gama-to-india-in-1497-on-8-july-vasco-da-91116812.htmlRMF86MBT–The departure of Vasco da Gama to India in 1497. On 8 July Vasco da Gama led a fleet of four ships with a crew of 170 men from Lisbon, Portugal. Colour lithograph of watercolour by Alfredo Roque Gameiro (1864-1935) Portuguese painter and designer. See image F86R41 for a depiction of his arrival in India in 1498
A depiction of the town of Linz, Austria in 1594 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-town-of-linz-austria-in-1594-image370652861.htmlRM2CF0KE5–A depiction of the town of Linz, Austria in 1594
Bowl, with a depiction or 'A Midnight Modern Conversation' by William Hogarth (1697-1764) Bowl, multi-colored painted with a performance after 'A Midnight Modern Conversation' by William Hogarth, hemispherical bowl on a stand ring, from painted porcelain. The border is decorated with the Ozier pattern. The inside of the bowl is painted with 'deutsche Blumen', the outside with two representations: one after a print by William Hogarth (A midnight Modern Conversation) and one with a landscape in which a woman serves coffee or tea to a smoking man at a table and a servant who has fallen to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-a-depiction-or-a-midnight-modern-conversation-by-william-hogarth-1697-1764-bowl-multi-colored-painted-with-a-performance-after-a-midnight-modern-conversation-by-william-hogarth-hemispherical-bowl-on-a-stand-ring-from-painted-porcelain-the-border-is-decorated-with-the-ozier-pattern-the-inside-of-the-bowl-is-painted-with-deutsche-blumen-the-outside-with-two-representations-one-after-a-print-by-william-hogarth-a-midnight-modern-conversation-and-one-with-a-landscape-in-which-a-woman-serves-coffee-or-tea-to-a-smoking-man-at-a-table-and-a-servant-who-has-fallen-to-image261336270.htmlRMW54W26–Bowl, with a depiction or 'A Midnight Modern Conversation' by William Hogarth (1697-1764) Bowl, multi-colored painted with a performance after 'A Midnight Modern Conversation' by William Hogarth, hemispherical bowl on a stand ring, from painted porcelain. The border is decorated with the Ozier pattern. The inside of the bowl is painted with 'deutsche Blumen', the outside with two representations: one after a print by William Hogarth (A midnight Modern Conversation) and one with a landscape in which a woman serves coffee or tea to a smoking man at a table and a servant who has fallen to
Art inspired by Allegorical representation, possibly a depiction of the Raison d Etat, Giovanni Antonio Pellegrini, 1718, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-allegorical-representation-possibly-a-depiction-of-the-raison-d-etat-giovanni-antonio-pellegrini-1718-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459583036.htmlRF2HKKPRT–Art inspired by Allegorical representation, possibly a depiction of the Raison d Etat, Giovanni Antonio Pellegrini, 1718, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Greek vase decorated with a depiction of a young warrior departing from home. 4-5th Century BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greek-vase-decorated-with-a-depiction-of-a-young-warrior-departing-57348255.htmlRMD98C7Y–Greek vase decorated with a depiction of a young warrior departing from home. 4-5th Century BC
. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 46 AngelOfHadleyEngraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-angel-of-hadley-legend-circa-1850-frederick-chapman-1818-1891-46-angelofhadleyengraving-image188077717.htmlRMMWYK19–. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 46 AngelOfHadleyEngraving
Design for a Panel with a Depiction of Bacchus and Ariadne. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 3-1/4 x 9-3/8 in. (8.2 x 23.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-panel-with-a-depiction-of-bacchus-and-ariadne-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-3-14-x-9-38-in-82-x-238-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212901947.htmlRMPAAEGY–Design for a Panel with a Depiction of Bacchus and Ariadne. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 3-1/4 x 9-3/8 in. (8.2 x 23.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porta-speciosa-with-a-depiction-of-nunio-and-alodio-monastery-of-leyre-romanesque-architecture-in-navarre-spain-image329700264.htmlRM2A4B41C–Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain
A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-porcelain-easter-egg-with-a-depiction-of-the-cross-of-st-george-probably-from-the-imperial-russian-porcelain-factory-in-st-petersburg-circa-1915-lilac-coloured-glazed-porcelain-height-ca-10-cm-cf-imperial-easter-porcelain-eggs-from-the-hermitage-museum-in-st-petersburg-ariana-museum-geneva-1996-p-159-historic-historical-20th-century-additional-rights-clearance-info-not-available-image245916744.htmlRMT82D8T–A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Hydria (Kalpis) with a Depiction of a Scene in Gynaeceum. Attic pottery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hydria-kalpis-with-a-depiction-of-a-scene-in-gynaeceum-attic-pottery-image186151332.htmlRMMPRWWT–Hydria (Kalpis) with a Depiction of a Scene in Gynaeceum. Attic pottery.
Illustration from the Russian satirical journal Na Rasputi (At the Crossroads) showing a depiction of a mine as a Sphinx with a bird's head, with people angrily crowding around it, with text reading 'Mine number 3', 1906. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-illustration-from-the-russian-satirical-journal-na-rasputi-at-the-165163445.htmlRMKGKRJD–Illustration from the Russian satirical journal Na Rasputi (At the Crossroads) showing a depiction of a mine as a Sphinx with a bird's head, with people angrily crowding around it, with text reading 'Mine number 3', 1906. ()
THE DEVIL'S PIPES Illustration by Eduard Schoen about 1535. The Devil is shown as being the promoter of the reforms lead by Martin Luther but is not a depiction of Luther himself as often claimed. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-devils-pipes-illustration-by-eduard-schoen-about-1535-the-devil-is-shown-as-being-the-promoter-of-the-reforms-lead-by-martin-luther-but-is-not-a-depiction-of-luther-himself-as-often-claimed-image548189913.htmlRM2PRT5R5–THE DEVIL'S PIPES Illustration by Eduard Schoen about 1535. The Devil is shown as being the promoter of the reforms lead by Martin Luther but is not a depiction of Luther himself as often claimed.
Jesse and a prophet Antwerp 1515 The Tree of Jesse is a depiction in art of the Ancestors of Christ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jesse-and-a-prophet-antwerp-1515-the-tree-of-jesse-is-a-depiction-43735380.htmlRMCF48WT–Jesse and a prophet Antwerp 1515 The Tree of Jesse is a depiction in art of the Ancestors of Christ
'The Custer Fight' by Charles Marion Russell a depiction of George Armstrong Custer's last stand at the Battle of Little Big Horn from the Indian side. c.1903 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-custer-fight-by-charles-marion-russell-a-depiction-of-george-armstrong-94502355.htmlRMFDMXM3–'The Custer Fight' by Charles Marion Russell a depiction of George Armstrong Custer's last stand at the Battle of Little Big Horn from the Indian side. c.1903
The Last Judgment by Michelangelo, a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-judgment-by-michelangelo-a-fresco-by-the-italian-renaissance-painter-michelangelo-covering-the-whole-altar-wall-of-the-sistine-chapel-in-vatican-city-it-is-a-depiction-of-the-second-coming-of-christ-and-the-final-and-eternal-judgment-by-god-of-all-humanity-image335801762.htmlRM2AE92G2–The Last Judgment by Michelangelo, a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
A depiction of Dattatreye Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-dattatreye-139466633.htmlRMJ2W735–A depiction of Dattatreye
Maps of the islands of Manipa, Noesa Laut, Oma en Honimoa and a depiction of Manipese fencers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maps-of-the-islands-of-manipa-noesa-laut-oma-en-honimoa-and-a-depiction-of-manipese-fencers-image214632412.htmlRMPD59R8–Maps of the islands of Manipa, Noesa Laut, Oma en Honimoa and a depiction of Manipese fencers.
A depiction of Native American medicine entitled 'How They Treat Their Sick.' A man is shown cutting a patient's forehead with a sharp shell in order to suck out the blood. Women who are nursing or pregnant (far left) 'come and drink this blood, especia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-native-american-medicine-entitled-how-they-treat-their-104000814.htmlRMG15J2P–A depiction of Native American medicine entitled 'How They Treat Their Sick.' A man is shown cutting a patient's forehead with a sharp shell in order to suck out the blood. Women who are nursing or pregnant (far left) 'come and drink this blood, especia
A depiction of the philosopher Socrates walking through the streets of ancient Athens. Date: 470 - 399 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-the-philosopher-socrates-walking-through-the-streets-105252730.htmlRMG36JX2–A depiction of the philosopher Socrates walking through the streets of ancient Athens. Date: 470 - 399 BC
The arrival of Vasco da Gama to Calecut 1498. On 20 May Vasco da Gama first voyage reached Kappadu near Calicut, India. The depiction shows the King of Calicut, Zamorin greeting the foreign arrivals. Colour lithograph of watercolour by Alfredo Roque Gameiro (1864-1935) Portuguese painter and designer. See image F86MBT for a depiction of his departure from Lisbon, Portugal in 1497. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-arrival-of-vasco-da-gama-to-calecut-1498-on-20-may-vasco-da-gama-91118945.htmlRMF86R41–The arrival of Vasco da Gama to Calecut 1498. On 20 May Vasco da Gama first voyage reached Kappadu near Calicut, India. The depiction shows the King of Calicut, Zamorin greeting the foreign arrivals. Colour lithograph of watercolour by Alfredo Roque Gameiro (1864-1935) Portuguese painter and designer. See image F86MBT for a depiction of his departure from Lisbon, Portugal in 1497.
The British Fleet Entering Havana, 21 August 1762 - Dominic Serres, circa 1775. A depiction of an episode from the last major operation of the Seven Years War, 1756-63. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-british-fleet-entering-havana-21-august-1762-dominic-serres-circa-1775-a-depiction-of-an-episode-from-the-last-major-operation-of-the-seven-years-war-1756-63-image214575952.htmlRMPD2NPT–The British Fleet Entering Havana, 21 August 1762 - Dominic Serres, circa 1775. A depiction of an episode from the last major operation of the Seven Years War, 1756-63.
Busts of the artists Abraham Lion Zeelander and Anthony Oberman on either side of a depiction of two children drawing near a chair, Two drawing children and portraits of A.L. Zeelander and A. Oberman Study prints, Etudes grav, print maker: Jacob Ernst Marcus, (mentioned on object), intermediary draughtsman: Hendrik Willem Caspari, (mentioned on object), Amsterdam, Jun-1812, paper, etching, h 140 mm × w 235 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/busts-of-the-artists-abraham-lion-zeelander-and-anthony-oberman-on-either-side-of-a-depiction-of-two-children-drawing-near-a-chair-two-drawing-children-and-portraits-of-al-zeelander-and-a-oberman-study-prints-etudes-grav-print-maker-jacob-ernst-marcus-mentioned-on-object-intermediary-draughtsman-hendrik-willem-caspari-mentioned-on-object-amsterdam-jun-1812-paper-etching-h-140-mm-w-235-mm-image472212715.htmlRM2JC743R–Busts of the artists Abraham Lion Zeelander and Anthony Oberman on either side of a depiction of two children drawing near a chair, Two drawing children and portraits of A.L. Zeelander and A. Oberman Study prints, Etudes grav, print maker: Jacob Ernst Marcus, (mentioned on object), intermediary draughtsman: Hendrik Willem Caspari, (mentioned on object), Amsterdam, Jun-1812, paper, etching, h 140 mm × w 235 mm
a depiction of a large red sphere, inscribed 'Victory', simultaneously being pushed from the left by a group of Irish infantrymen and from the right by German infantrymen, wearing pickelhaubes. text: VICTORY PUT YOUR BACK INTO IT AND HELP TO GIVE THE FINAL PUSH Sign the Enlistment Form. 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-a-large-red-sphere-inscribed-victory-simultaneously-being-pushed-from-the-left-by-a-group-of-irish-infantrymen-and-from-the-right-by-german-infantrymen-wearing-pickelhaubes-text-victory-put-your-back-into-it-and-help-to-give-the-final-push-sign-the-enlistment-form-1914-image178577833.htmlRMMAEWRN–a depiction of a large red sphere, inscribed 'Victory', simultaneously being pushed from the left by a group of Irish infantrymen and from the right by German infantrymen, wearing pickelhaubes. text: VICTORY PUT YOUR BACK INTO IT AND HELP TO GIVE THE FINAL PUSH Sign the Enlistment Form. 1914
German tourist coach with a depiction of Johann Wolfgang von Goethe (1749 – 1832); German writer and statesman. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-tourist-coach-with-a-depiction-of-johann-wolfgang-von-goethe-1749-1832-german-writer-and-statesman-image328350483.htmlRM2A25JAY–German tourist coach with a depiction of Johann Wolfgang von Goethe (1749 – 1832); German writer and statesman.
. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 40 AngelOfHadleyEngraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-angel-of-hadley-legend-circa-1850-frederick-chapman-1818-1891-40-angelofhadleyengraving-image188818441.htmlRMMY5BRN–. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 40 AngelOfHadleyEngraving
Design for a Panel with a Depiction of Boreas Abducting Oreithyia. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 3-3/4 x 9-1/2 in. (9.5 x 24.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-panel-with-a-depiction-of-boreas-abducting-oreithyia-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-3-34-x-9-12-in-95-x-241-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213151764.htmlRMPANW70–Design for a Panel with a Depiction of Boreas Abducting Oreithyia. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 3-3/4 x 9-1/2 in. (9.5 x 24.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porta-speciosa-with-a-depiction-of-nunio-and-alodio-monastery-of-leyre-romanesque-architecture-in-navarre-spain-image329700254.htmlRM2A4B412–Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain
A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-porcelain-easter-egg-with-a-depiction-of-the-cross-of-st-george-probably-from-the-imperial-russian-porcelain-factory-in-st-petersburg-circa-1915-lilac-coloured-glazed-porcelain-height-ca-10-cm-cf-imperial-easter-porcelain-eggs-from-the-hermitage-museum-in-st-petersburg-ariana-museum-geneva-1996-p-159-historic-historical-20th-century-additional-rights-clearance-info-not-available-image245916743.htmlRMT82D8R–A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Vintage anatomy print showing a depiction of the human heart. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-anatomy-print-showing-a-depiction-of-the-human-heart-image327694495.htmlRF2A13NJR–Vintage anatomy print showing a depiction of the human heart.
Cartoon from the Russian satirical journal Na Rasputi (At the Crossroads), part of a series of images called 'Russian Fashion', showing a man in shackles holding a tied bag in one hand and a tea kettle in the other, with an armed soldier and prison behind him, with text reading ''Constitutional' period', possibly a depiction of Leon Trotsky being exiled to Siberia in 1906, and likely a reference to the Russian Constitution of 1906, 1906. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cartoon-from-the-russian-satirical-journal-na-rasputi-at-the-crossroads-165163412.htmlRMKGKRH8–Cartoon from the Russian satirical journal Na Rasputi (At the Crossroads), part of a series of images called 'Russian Fashion', showing a man in shackles holding a tied bag in one hand and a tea kettle in the other, with an armed soldier and prison behind him, with text reading ''Constitutional' period', possibly a depiction of Leon Trotsky being exiled to Siberia in 1906, and likely a reference to the Russian Constitution of 1906, 1906. ()
Marriage contract (ketubbah) with a depiction of Jerusalem - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marriage-contract-ketubbah-with-a-depiction-of-jerusalem-google-art-133429625.htmlRMHN26RN–Marriage contract (ketubbah) with a depiction of Jerusalem - Google Art Project
The Civil War. A Southern View, a depiction of President Abraham Lincoln as the devil, writing the Emancipation Proclamation Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-civil-war-a-southern-view-a-depiction-of-president-abraham-lincoln-50027516.htmlRMCWAXH0–The Civil War. A Southern View, a depiction of President Abraham Lincoln as the devil, writing the Emancipation Proclamation
Bremen Johann Georg Meyer Von - Fidelity (Possibly a Depiction of the Poet Friedrich Von Schiller His Wife and Son) - German School - 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bremen-johann-georg-meyer-von-fidelity-possibly-a-depiction-of-the-poet-friedrich-von-schiller-his-wife-and-son-german-school-19th-century-image367853367.htmlRM2CAD4M7–Bremen Johann Georg Meyer Von - Fidelity (Possibly a Depiction of the Poet Friedrich Von Schiller His Wife and Son) - German School - 19th Century
Bremen Johann Georg Meyer Von - Fidelity (Possibly a Depiction of the Poet Friedrich Von Schiller His Wife and Son) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bremen-johann-georg-meyer-von-fidelity-possibly-a-depiction-of-the-poet-friedrich-von-schiller-his-wife-and-son-image221665264.htmlRMPTHM8G–Bremen Johann Georg Meyer Von - Fidelity (Possibly a Depiction of the Poet Friedrich Von Schiller His Wife and Son)
A depiction of an anatomical theatre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-an-anatomical-theatre-142473736.htmlRMJ7P6KM–A depiction of an anatomical theatre
Joris van Son - Garland of Fruit surrounding a depiction of St Michael. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joris-van-son-garland-of-fruit-surrounding-a-depiction-of-st-michael-image374318116.htmlRM2CMYJG4–Joris van Son - Garland of Fruit surrounding a depiction of St Michael.
Reconstruction of the bull-leaping fresco from the Knossos Minoan Palace. It is interpreted to be a depiction of a ritual performed in connection with bull worship. An alternative interpretation is that the leaping bull represents a rite of passage for yo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-reconstruction-of-the-bull-leaping-fresco-from-the-knossos-minoan-104000391.htmlRMG15HFK–Reconstruction of the bull-leaping fresco from the Knossos Minoan Palace. It is interpreted to be a depiction of a ritual performed in connection with bull worship. An alternative interpretation is that the leaping bull represents a rite of passage for yo
Mosaic depiction of a pretty Italian Girl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mosaic-depiction-of-a-pretty-italian-girl-image222905853.htmlRMPXJ6K9–Mosaic depiction of a pretty Italian Girl
A depiction of a fish created from seashells Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-a-fish-created-from-seashells-53223867.htmlRFD2GFGB–A depiction of a fish created from seashells
The Flying Carpet, a depiction of the hero of Russian folklore, Ivan Tsarevich. Viktor Mikhaylovich Vasnetsov, 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flying-carpet-a-depiction-of-the-hero-of-russian-folklore-ivan-tsarevich-viktor-mikhaylovich-vasnetsov-1880-image333082774.htmlRM2A9W6DA–The Flying Carpet, a depiction of the hero of Russian folklore, Ivan Tsarevich. Viktor Mikhaylovich Vasnetsov, 1880
Plate, painted with depiction of Christ and the adulterous woman, Plate of faience, painted in blue with a depiction of Christ and the adulterous woman., anonymous, Rotterdam, 1763, h 35 cm × w 35 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-painted-with-depiction-of-christ-and-the-adulterous-woman-plate-of-faience-painted-in-blue-with-a-depiction-of-christ-and-the-adulterous-woman-anonymous-rotterdam-1763-h-35-cm-w-35-cm-image261363276.htmlRMW563EM–Plate, painted with depiction of Christ and the adulterous woman, Plate of faience, painted in blue with a depiction of Christ and the adulterous woman., anonymous, Rotterdam, 1763, h 35 cm × w 35 cm
Shakespeare's First Folio 17th Century Title page with Portrait of William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shakespeares-first-folio-17th-century-title-page-with-portrait-of-william-shakespeare-shakespeares-comedies-histories-tragedies-published-according-to-the-true-original-copies-london-printed-by-isaac-iaggard-and-ed-blount-engraving-by-artist-martin-droeshout-1623-the-droeshout-portrait-or-droeshout-engraving-is-a-portrait-of-william-shakespeare-engraved-by-martin-droeshout-as-the-frontispiece-for-the-title-page-of-the-first-folio-collection-of-shakespeares-plays-published-in-1623-it-is-one-of-only-two-works-of-art-definitively-identifiable-as-a-depiction-of-the-poet-image339568596.htmlRM2AMCK5T–Shakespeare's First Folio 17th Century Title page with Portrait of William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet.
Part of a mosaic with a depiction of a woman donor at the feet of crucified Christ. probably from Italy, late 7th-early 8th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-part-of-a-mosaic-with-a-depiction-of-a-woman-donor-at-the-feet-of-57430686.htmlRMD9C5BX–Part of a mosaic with a depiction of a woman donor at the feet of crucified Christ. probably from Italy, late 7th-early 8th century.
. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 46 AngelOfHadleyEngraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-angel-of-hadley-legend-circa-1850-frederick-chapman-1818-1891-46-angelofhadleyengraving-image187563335.htmlRMMW46XF–. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 46 AngelOfHadleyEngraving
Byzantine relic cross with a depiction of St. Stephen. 9th-11th century. Bronze, engraved. Erwordben 1997. As a result of the crusades, many high-quality religious objects were brought back from the eastern Mediterranean to western Europe. They had a lasting influence on artistic developments. The German Historical Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/byzantine-relic-cross-with-a-depiction-of-st-stephen-9th-11th-century-bronze-engraved-erwordben-1997-as-a-result-of-the-crusades-many-high-quality-religious-objects-were-brought-back-from-the-eastern-mediterranean-to-western-europe-they-had-a-lasting-influence-on-artistic-developments-the-german-historical-museum-berlin-germany-image220026396.htmlRMPNY1WG–Byzantine relic cross with a depiction of St. Stephen. 9th-11th century. Bronze, engraved. Erwordben 1997. As a result of the crusades, many high-quality religious objects were brought back from the eastern Mediterranean to western Europe. They had a lasting influence on artistic developments. The German Historical Museum. Berlin. Germany.
Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porta-speciosa-with-a-depiction-of-nunio-and-alodio-monastery-of-leyre-romanesque-architecture-in-navarre-spain-image329700258.htmlRM2A4B416–Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain
A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-porcelain-easter-egg-with-a-depiction-of-the-cross-of-st-george-probably-from-the-imperial-russian-porcelain-factory-in-st-petersburg-circa-1915-lilac-coloured-glazed-porcelain-height-ca-10-cm-cf-imperial-easter-porcelain-eggs-from-the-hermitage-museum-in-st-petersburg-ariana-museum-geneva-1996-p-159-historic-historical-20th-century-additional-rights-clearance-info-not-available-image245839669.htmlRMT7XY05–A rare porcelain Easter egg with a depiction of the Cross of St. George. Probably from the Imperial Russian Porcelain Factory in St. Petersburg, circa 1915. Lilac-coloured glazed porcelain, height ca. 10 cm. Cf. 'Imperial Easter Porcelain Eggs from the Hermitage Museum in St. Petersburg', Ariana Museum, Geneva, 1996, p. 159. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Vintage anatomy print showing a depiction of the outer human heart. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-anatomy-print-showing-a-depiction-of-the-outer-human-heart-image327694440.htmlRF2A13NGT–Vintage anatomy print showing a depiction of the outer human heart.
A depiction of the Gate of Tyre, the city is believed to have been founded by the Phoenicians as early as 2750 BCE, Lebanon, 1882. From the New York Public Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-depiction-of-the-gate-of-tyre-the-city-is-believed-to-have-been-166810474.htmlRMKKATCX–A depiction of the Gate of Tyre, the city is believed to have been founded by the Phoenicians as early as 2750 BCE, Lebanon, 1882. From the New York Public Library.
A depiction at the East Texas Oil Museum, in Kilgore, Texas, of a muddy street in Boomtown U.S.A., an amalgam view of Texas during the oil boom of the 1930s, when the largest oil field in U.S. history was discovered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-at-the-east-texas-oil-museum-in-kilgore-texas-of-a-muddy-street-in-boomtown-usa-an-amalgam-view-of-texas-during-the-oil-boom-of-the-1930s-when-the-largest-oil-field-in-us-history-was-discovered-image264461792.htmlRMWA77M0–A depiction at the East Texas Oil Museum, in Kilgore, Texas, of a muddy street in Boomtown U.S.A., an amalgam view of Texas during the oil boom of the 1930s, when the largest oil field in U.S. history was discovered
A man passes a mural in central Dublin, where graffiti artists have been decorating derelict areas of the city with artworks commemorating the 1916 Easter Rising. A depiction of 19th century politician Daniel O'Connell is visible in the background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-man-passes-a-mural-in-central-dublin-where-graffiti-artists-have-108713064.htmlRMG8T8HC–A man passes a mural in central Dublin, where graffiti artists have been decorating derelict areas of the city with artworks commemorating the 1916 Easter Rising. A depiction of 19th century politician Daniel O'Connell is visible in the background.
![Untitled (recto); Untitled (verso), 1880s. Probably taken by one of two British photographic firms based in Ceylon (present-day Sri Lanka), this image was likely shot by a European and was definitely made for a European audience, not for the individuals depicted. It is unlikely the sitters ever saw the finished photograph. Such ethnographic portraits were collected by governments as information, by tourists as souvenirs, and by "armchair travelers" as aids to the imagination. Viewers of the era would have regarded it more as a depiction of a cultural type than as a record of individu Stock Photo](https://c8.alamy.com/comp/2A52RE7/untitled-recto-untitled-verso-1880s-probably-taken-by-one-of-two-british-photographic-firms-based-in-ceylon-present-day-sri-lanka-this-image-was-likely-shot-by-a-european-and-was-definitely-made-for-a-european-audience-not-for-the-individuals-depicted-it-is-unlikely-the-sitters-ever-saw-the-finished-photograph-such-ethnographic-portraits-were-collected-by-governments-as-information-by-tourists-as-souvenirs-and-by-quotarmchair-travelersquot-as-aids-to-the-imagination-viewers-of-the-era-would-have-regarded-it-more-as-a-depiction-of-a-cultural-type-than-as-a-record-of-individu-2A52RE7.jpg "Untitled (recto); Untitled (verso), 1880s. Probably taken by one of two British photographic firms based in Ceylon (present-day Sri Lanka), this image was likely shot by a European and was definitely made for a European audience, not for the individuals depicted. It is unlikely the sitters ever saw the finished photograph. Such ethnographic portraits were collected by governments as information, by tourists as souvenirs, and by "armchair travelers" as aids to the imagination. Viewers of the era would have regarded it more as a depiction of a cultural type than as a record of individu Stock Photo")
Untitled (recto); Untitled (verso), 1880s. Probably taken by one of two British photographic firms based in Ceylon (present-day Sri Lanka), this image was likely shot by a European and was definitely made for a European audience, not for the individuals depicted. It is unlikely the sitters ever saw the finished photograph. Such ethnographic portraits were collected by governments as information, by tourists as souvenirs, and by "armchair travelers" as aids to the imagination. Viewers of the era would have regarded it more as a depiction of a cultural type than as a record of individu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-recto-untitled-verso-1880s-probably-taken-by-one-of-two-british-photographic-firms-based-in-ceylon-present-day-sri-lanka-this-image-was-likely-shot-by-a-european-and-was-definitely-made-for-a-european-audience-not-for-the-individuals-depicted-it-is-unlikely-the-sitters-ever-saw-the-finished-photograph-such-ethnographic-portraits-were-collected-by-governments-as-information-by-tourists-as-souvenirs-and-by-quotarmchair-travelersquot-as-aids-to-the-imagination-viewers-of-the-era-would-have-regarded-it-more-as-a-depiction-of-a-cultural-type-than-as-a-record-of-individu-image330132607.htmlRM2A52RE7–Untitled (recto); Untitled (verso), 1880s. Probably taken by one of two British photographic firms based in Ceylon (present-day Sri Lanka), this image was likely shot by a European and was definitely made for a European audience, not for the individuals depicted. It is unlikely the sitters ever saw the finished photograph. Such ethnographic portraits were collected by governments as information, by tourists as souvenirs, and by "armchair travelers" as aids to the imagination. Viewers of the era would have regarded it more as a depiction of a cultural type than as a record of individu
Byzantine relic cross with a depiction of St. Stephen. 9th-11th century. Bronze, engraved. Erwordben 1997. As a result of the crusades, many high-quality religious objects were brought back from the eastern Mediterranean to western Europe. They had a lasting influence on artistic developments. The German Historical Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/byzantine-relic-cross-with-a-depiction-of-st-stephen-9th-11th-century-bronze-engraved-erwordben-1997-as-a-result-of-the-crusades-many-high-quality-religious-objects-were-brought-back-from-the-eastern-mediterranean-to-western-europe-they-had-a-lasting-influence-on-artistic-developments-the-german-historical-museum-berlin-germany-image218687090.htmlRMPKP1H6–Byzantine relic cross with a depiction of St. Stephen. 9th-11th century. Bronze, engraved. Erwordben 1997. As a result of the crusades, many high-quality religious objects were brought back from the eastern Mediterranean to western Europe. They had a lasting influence on artistic developments. The German Historical Museum. Berlin. Germany.
A depiction by Giulio Ferrario Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-by-giulio-ferrario-139473238.htmlRMJ2WFF2–A depiction by Giulio Ferrario
Four Patriarchs from a depiction of the Tree of Jesse, 2 of 4, Antwerp, c. 1520, oak, polychrome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-patriarchs-from-a-depiction-of-the-tree-of-jesse-2-of-4-antwerp-c-1520-oak-polychrome-image342918522.htmlRM2AWW822–Four Patriarchs from a depiction of the Tree of Jesse, 2 of 4, Antwerp, c. 1520, oak, polychrome
A depiction of the Garden of Eden and 'topography of the earthly paradise' by Athanasius Kircher (1602-1680), from 1675. Adam and Eve can be seen inside the walls, with angels at all four gates. Cain can be seen killing Abel at upper left outside the wal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-the-garden-of-eden-and-topography-of-the-earthly-paradise-104017249.htmlRMG16B1N–A depiction of the Garden of Eden and 'topography of the earthly paradise' by Athanasius Kircher (1602-1680), from 1675. Adam and Eve can be seen inside the walls, with angels at all four gates. Cain can be seen killing Abel at upper left outside the wal
A stylised depiction of a medieval banquet. Date: medieval Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-stylised-depiction-of-a-medieval-banquet-date-medieval-image183007395.htmlRMMHMKPB–A stylised depiction of a medieval banquet. Date: medieval
Jan Brueghel the Elder & Hendrik van Balen Garland of Fruit surrounding a Depiction of Cybele Receiving Gifts from Personifications of the Four Seasons c. 1620-1622 Belgian, Belgium, Flemish, Medallion depicts Cybele, Goddess, Earth and Nature, Around the medallion hangs a garland of flowers, vegetables and fruit , Tribute to the goddess , ode to plenty and fertility Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-brueghel-the-elder-hendrik-van-balen-garland-of-fruit-surrounding-a-depiction-of-cybele-receiving-gifts-from-personifications-of-the-four-seasons-c-1620-1622-belgian-belgium-flemish-medallion-depicts-cybele-goddess-earth-and-nature-around-the-medallion-hangs-a-garland-of-flowers-vegetables-and-fruit-tribute-to-the-goddess-ode-to-plenty-and-fertility-image509486534.htmlRM2MGW37J–Jan Brueghel the Elder & Hendrik van Balen Garland of Fruit surrounding a Depiction of Cybele Receiving Gifts from Personifications of the Four Seasons c. 1620-1622 Belgian, Belgium, Flemish, Medallion depicts Cybele, Goddess, Earth and Nature, Around the medallion hangs a garland of flowers, vegetables and fruit , Tribute to the goddess , ode to plenty and fertility
Miniature out of the Toggenburg Bible (Switzerland) of 1411. The disease is widely believed to be the plague. The location of bumps or blisters, however, is more consistent with smallpox (as the bubonic plague normally causes them only in the groin and in the armpits). is generally interpreted as a depiction of the plague - 'the Black Death'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-miniature-out-of-the-toggenburg-bible-switzerland-of-1411-the-disease-75467750.htmlRMEANRTP–Miniature out of the Toggenburg Bible (Switzerland) of 1411. The disease is widely believed to be the plague. The location of bumps or blisters, however, is more consistent with smallpox (as the bubonic plague normally causes them only in the groin and in the armpits). is generally interpreted as a depiction of the plague - 'the Black Death'.
Orphrey, Medium: linen, silk, metallic thread Technique: woven, Orphrey with a depiction of Christ rising from the tomb, in deep cream and silver., Italy, 15th–16th century, woven textiles, Orphrey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orphrey-medium-linen-silk-metallic-thread-technique-woven-orphrey-with-a-depiction-of-christ-rising-from-the-tomb-in-deep-cream-and-silver-italy-15th16th-century-woven-textiles-orphrey-image391668048.htmlRM2DN60GG–Orphrey, Medium: linen, silk, metallic thread Technique: woven, Orphrey with a depiction of Christ rising from the tomb, in deep cream and silver., Italy, 15th–16th century, woven textiles, Orphrey
Shakespeare's First Folio 17th C TITLE PAGE William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shakespeares-first-folio-17th-c-title-page-william-shakespeare-shakespeares-comedies-histories-tragedies-published-according-to-the-true-original-copies-london-printed-by-isaac-iaggard-and-ed-blount-engraving-by-artist-martin-droeshout-1623-the-droeshout-portrait-or-droeshout-engraving-is-a-portrait-of-william-shakespeare-engraved-by-martin-droeshout-as-the-frontispiece-for-the-title-page-of-the-first-folio-collection-of-shakespeares-plays-published-in-1623-it-is-one-of-only-two-works-of-art-definitively-identifiable-as-a-depiction-of-the-poet-image333996294.htmlRM2ABARK2–Shakespeare's First Folio 17th C TITLE PAGE William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet.
Bronze folding mirror with a depiction of Paniskos holding a situla and taking a goat to be sacrificed. Late 4th century -Early 3rd century BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bronze-folding-mirror-with-a-depiction-of-paniskos-holding-a-situla-57435102.htmlRMD9CB1J–Bronze folding mirror with a depiction of Paniskos holding a situla and taking a goat to be sacrificed. Late 4th century -Early 3rd century BC.
. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 46 AngelOfHadleyByChapman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-angel-of-hadley-legend-circa-1850-frederick-chapman-1818-1891-46-angelofhadleybychapman-image187561929.htmlRMMW4549–. A depiction of the Angel of Hadley legend. circa 1850. Frederick Chapman (1818-1891) 46 AngelOfHadleyByChapman
Chinese man in an arbor. Culture: German, Meissen. Dimensions: H. 15-3/4 in. (40 cm). Factory: Meissen Manufactory (German, 1710-present). Modeler: Model attributed to George Fritzsche (German, 1698-1756). Date: ca. 1735. The bald, bearded Chinese man sitting in an arbor may be a depiction of Shou Lao, the Chinese god of longevity. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-man-in-an-arbor-culture-german-meissen-dimensions-h-15-34-in-40-cm-factory-meissen-manufactory-german-1710-present-modeler-model-attributed-to-george-fritzsche-german-1698-1756-date-ca-1735-the-bald-bearded-chinese-man-sitting-in-an-arbor-may-be-a-depiction-of-shou-lao-the-chinese-god-of-longevity-museum-metropolitan-museum-of-art-new-york-usa-image213268024.htmlRMPAY5F4–Chinese man in an arbor. Culture: German, Meissen. Dimensions: H. 15-3/4 in. (40 cm). Factory: Meissen Manufactory (German, 1710-present). Modeler: Model attributed to George Fritzsche (German, 1698-1756). Date: ca. 1735. The bald, bearded Chinese man sitting in an arbor may be a depiction of Shou Lao, the Chinese god of longevity. Museum: Metropolitan Museum of Art, New York, USA.
Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porta-speciosa-with-a-depiction-of-nunio-and-alodio-monastery-of-leyre-romanesque-architecture-in-navarre-spain-image329700202.htmlRM2A4B3Y6–Porta Speciosa with a depiction of Nunio and Alodio, Monastery of Leyre, Romanesque architecture in Navarre, Spain
A Roman golden pendant with a depiction of Hercules 1st century AD. Round, embossed pendant, in the centre a juvenile Hercules in relief fighting with two snakes. With continuous decorative perforation on the rim and suspension loop on top. Height 3.8 cm, weight 7.65 g (= 1 aureus). Provenance: South German private collection, 1970s and later. historic, historical, Roman Empire, ancient world, ancient times, ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-roman-golden-pendant-with-a-depiction-of-hercules-1st-century-ad-round-embossed-pendant-in-the-centre-a-juvenile-hercules-in-relief-fighting-with-two-snakes-with-continuous-decorative-perforation-on-the-rim-and-suspension-loop-on-top-height-38-cm-weight-765-g-=-1-aureus-provenance-south-german-private-collection-1970s-and-later-historic-historical-roman-empire-ancient-world-ancient-times-ancient-world-additional-rights-clearance-info-not-available-image245932898.htmlRMT835WP–A Roman golden pendant with a depiction of Hercules 1st century AD. Round, embossed pendant, in the centre a juvenile Hercules in relief fighting with two snakes. With continuous decorative perforation on the rim and suspension loop on top. Height 3.8 cm, weight 7.65 g (= 1 aureus). Provenance: South German private collection, 1970s and later. historic, historical, Roman Empire, ancient world, ancient times, ancient world, Additional-Rights-Clearance-Info-Not-Available
Vintage anatomy print showing a depiction of the inner heart of a human. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-anatomy-print-showing-a-depiction-of-the-inner-heart-of-a-human-image327694488.htmlRF2A13NJG–Vintage anatomy print showing a depiction of the inner heart of a human.
A depiction of the Ladder of Tyre, a rock cut road that was believed to be the northern limit of the Jewish Holy Land according to talmudic sources, Lebanon, 1882. From the New York Public Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-depiction-of-the-ladder-of-tyre-a-rock-cut-road-that-was-believed-166810430.htmlRMKKATBA–A depiction of the Ladder of Tyre, a rock cut road that was believed to be the northern limit of the Jewish Holy Land according to talmudic sources, Lebanon, 1882. From the New York Public Library.
A depiction of a muddy Main Street at the East Texas Oil Museum, in Kilgore, Texas Physical description: 1 photograph : digital, tiff file, color. Notes: The scene depicts Boomtown U.S.A., an amalgam view of Texas during the oil boom of the 1930s, when the largest oil field in U.S. history was discovered. The street inside the museum, on the campus of Kilgore College, includes a small theater where a movie shows how wells extract the subterranean black gold.; Title, date, and keywords based on information provided by the photographer.; Gift; The Lyda Hill Foundation; 2014; (DLC/PP-2014:054).; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-a-muddy-main-street-at-the-east-texas-oil-museum-in-kilgore-texas-physical-description-1-photograph-digital-tiff-file-color-notes-the-scene-depicts-boomtown-usa-an-amalgam-view-of-texas-during-the-oil-boom-of-the-1930s-when-the-largest-oil-field-in-us-history-was-discovered-the-street-inside-the-museum-on-the-campus-of-kilgore-college-includes-a-small-theater-where-a-movie-shows-how-wells-extract-the-subterranean-black-gold-title-date-and-keywords-based-on-information-provided-by-the-photographer-gift-the-lyda-hill-foundation-2014-dlcpp-2014054-image262618271.htmlRMW7787Y–A depiction of a muddy Main Street at the East Texas Oil Museum, in Kilgore, Texas Physical description: 1 photograph : digital, tiff file, color. Notes: The scene depicts Boomtown U.S.A., an amalgam view of Texas during the oil boom of the 1930s, when the largest oil field in U.S. history was discovered. The street inside the museum, on the campus of Kilgore College, includes a small theater where a movie shows how wells extract the subterranean black gold.; Title, date, and keywords based on information provided by the photographer.; Gift; The Lyda Hill Foundation; 2014; (DLC/PP-2014:054).;
A depiction of Dattatreye Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-dattatreye-132456757.htmlRMHKDWXD–A depiction of Dattatreye
The Sleeping Faun, modeled 1864, carved c. 1870. Hosmer is the best known female member of a large group of American artists working in Italy during the mid-1800s. The Sleeping Faun , a depiction of a pointed-eared woodland spirit, demonstrates her mastery of the neoclassical style, which was inspired by the art of ancient Greece and Rome. Hosmer’s playful sense of humor infuses the composition: a half-human, half-goat satyr mischievously ties the unwitting faun’s animal skin garment to a tree stump. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sleeping-faun-modeled-1864-carved-c-1870-hosmer-is-the-best-known-female-member-of-a-large-group-of-american-artists-working-in-italy-during-the-mid-1800s-the-sleeping-faun-a-depiction-of-a-pointed-eared-woodland-spirit-demonstrates-her-mastery-of-the-neoclassical-style-which-was-inspired-by-the-art-of-ancient-greece-and-rome-hosmerx2019s-playful-sense-of-humor-infuses-the-composition-a-half-human-half-goat-satyr-mischievously-ties-the-unwitting-faunx2019s-animal-skin-garment-to-a-tree-stump-image330130365.htmlRM2A52MJ5–The Sleeping Faun, modeled 1864, carved c. 1870. Hosmer is the best known female member of a large group of American artists working in Italy during the mid-1800s. The Sleeping Faun , a depiction of a pointed-eared woodland spirit, demonstrates her mastery of the neoclassical style, which was inspired by the art of ancient Greece and Rome. Hosmer’s playful sense of humor infuses the composition: a half-human, half-goat satyr mischievously ties the unwitting faun’s animal skin garment to a tree stump.
Egyptian papyrus with a depiction of the 'weighing of the heart'. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egyptian-papyrus-with-a-depiction-of-the-weighing-of-the-heart-artist-unknown-image262771730.htmlRMW7E80J–Egyptian papyrus with a depiction of the 'weighing of the heart'. Artist: Unknown
A depiction of ascetics from 'Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-depiction-of-ascetics-from-asia-142540554.htmlRMJ7W7X2–A depiction of ascetics from 'Asia
Four Patriarchs from a depiction of the Tree of Jesse, 3 of 4, Antwerp, c. 1520, oak, polychrome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-patriarchs-from-a-depiction-of-the-tree-of-jesse-3-of-4-antwerp-c-1520-oak-polychrome-image342918493.htmlRM2AWW811–Four Patriarchs from a depiction of the Tree of Jesse, 3 of 4, Antwerp, c. 1520, oak, polychrome
The dragon exists in Tibetan mythology either as a wood dragon or, more usually, in its more spectacular form as a thunder dragon. It is often portrayed in flight on Tibetan rugs and carpets with a depiction of stylized clouds. They are called brug or thunder dragons. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dragon-exists-in-tibetan-mythology-either-as-a-wood-dragon-or-more-usually-in-its-more-spectacular-form-as-a-thunder-dragon-it-is-often-portrayed-in-flight-on-tibetan-rugs-and-carpets-with-a-depiction-of-stylized-clouds-they-are-called-brug-or-thunder-dragons-image344256718.htmlRM2B026XP–The dragon exists in Tibetan mythology either as a wood dragon or, more usually, in its more spectacular form as a thunder dragon. It is often portrayed in flight on Tibetan rugs and carpets with a depiction of stylized clouds. They are called brug or thunder dragons.
'The Wreck Of The Titanic' A depiction of the wreck on a contemporary music sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wreck-of-the-titanic-a-depiction-of-the-wreck-on-a-contemporary-music-sheet-image504886318.htmlRM2M9BFJ6–'The Wreck Of The Titanic' A depiction of the wreck on a contemporary music sheet
Jan Brueghel the Elder & Hendrik van Balen Garland of Fruit surrounding a Depiction of Cybele Receiving Gifts from Personifications of the Four Seasons c. 1620-1622 Belgian, Belgium, Flemish, Medallion depicts Cybele, Goddess, Earth and Nature, Around the medallion hangs a garland of flowers, vegetables and fruit , Tribute to the goddess , ode to plenty and fertility Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-brueghel-the-elder-hendrik-van-balen-garland-of-fruit-surrounding-a-depiction-of-cybele-receiving-gifts-from-personifications-of-the-four-seasons-c-1620-1622-belgian-belgium-flemish-medallion-depicts-cybele-goddess-earth-and-nature-around-the-medallion-hangs-a-garland-of-flowers-vegetables-and-fruit-tribute-to-the-goddess-ode-to-plenty-and-fertility-image509485935.htmlRM2MGW2E7–Jan Brueghel the Elder & Hendrik van Balen Garland of Fruit surrounding a Depiction of Cybele Receiving Gifts from Personifications of the Four Seasons c. 1620-1622 Belgian, Belgium, Flemish, Medallion depicts Cybele, Goddess, Earth and Nature, Around the medallion hangs a garland of flowers, vegetables and fruit , Tribute to the goddess , ode to plenty and fertility
A depiction of Europe Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-europe-image64447087.htmlRFDMRPWK–A depiction of Europe
Fireplace with a depiction of Judith, about to behead the sleeping Holofernes in his tent, about to behead the sleeping Holofernes in his tent ., anonymous, Southern Netherlands, c. 1525 - c. 1575, earthenware, h 10.5 cm × w 14 cm × t 4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fireplace-with-a-depiction-of-judith-about-to-behead-the-sleeping-holofernes-in-his-tent-about-to-behead-the-sleeping-holofernes-in-his-tent-anonymous-southern-netherlands-c-1525-c-1575-earthenware-h-105-cm-w-14-cm-t-4-cm-image261354520.htmlRMW55MA0–Fireplace with a depiction of Judith, about to behead the sleeping Holofernes in his tent, about to behead the sleeping Holofernes in his tent ., anonymous, Southern Netherlands, c. 1525 - c. 1575, earthenware, h 10.5 cm × w 14 cm × t 4 cm
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