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1770 1786 Stock Photos and Images
An engraving of Chatsworth in Derbyshire, the Seat of his Grace the Duke of Devonshire scanned at high resolution from a book published around 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-chatsworth-in-derbyshire-the-seat-of-his-grace-the-duke-of-devonshire-scanned-at-high-resolution-from-a-book-published-around-1786-image349299408.htmlRM2B87XXT–An engraving of Chatsworth in Derbyshire, the Seat of his Grace the Duke of Devonshire scanned at high resolution from a book published around 1786.
At the gate of a villa, Carlo Marchionni, Italian, 1702–1786, Black crayon on laid paper, Closed gateway in the wall of a park. A big chain fastened upon stone pillars obstructs the approach. Between it and the gate two gentlemen or soldiers and a beggar. Four other beggars are sitting or lying and standing in the foreground., Italy, 1770–86, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/at-the-gate-of-a-villa-carlo-marchionni-italian-17021786-black-crayon-on-laid-paper-closed-gateway-in-the-wall-of-a-park-a-big-chain-fastened-upon-stone-pillars-obstructs-the-approach-between-it-and-the-gate-two-gentlemen-or-soldiers-and-a-beggar-four-other-beggars-are-sitting-or-lying-and-standing-in-the-foreground-italy-177086-architecture-drawing-image391127164.htmlRM2DM9AK8–At the gate of a villa, Carlo Marchionni, Italian, 1702–1786, Black crayon on laid paper, Closed gateway in the wall of a park. A big chain fastened upon stone pillars obstructs the approach. Between it and the gate two gentlemen or soldiers and a beggar. Four other beggars are sitting or lying and standing in the foreground., Italy, 1770–86, architecture, Drawing
. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. inth Earl, b. 30 June 1769, succeeded 10 April 1786, and d. Jan. 1825 ; having m. abroad and afterwards in London, 28 Feb.1811, yinne-Charlotte de Bojanovitz, a noble Hungarian Lady, who d.15 Feb. 1819, without issue. 3 Charles, tenth and late Earl, b. 10 Sept. 1770, succeeded Jan. 1825, and d. unmarried, 20 April 1832, when he was succeeded by his onlysurviving brother, Henry, present Earl. 4 Lady Caroline, b. 8 Oct. 1771, d. 3 Nov. 1832 ; having m. 26 July 1792. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-peerage-of-the-british-empire-as-at-present-existing-arranged-and-printed-from-the-personal-communications-of-the-nobility-inth-earl-b-30-june-1769-succeeded-10-april-1786-and-d-jan-1825-having-m-abroad-and-afterwards-in-london-28-feb1811-yinne-charlotte-de-bojanovitz-a-noble-hungarian-lady-who-d15-feb-1819-without-issue-3-charles-tenth-and-late-earl-b-10-sept-1770-succeeded-jan-1825-and-d-unmarried-20-april-1832-when-he-was-succeeded-by-his-onlysurviving-brother-henry-present-earl-4-lady-caroline-b-8-oct-1771-d-3-nov-1832-having-m-26-july-1792-image370309828.htmlRM2CED1Y0–. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. inth Earl, b. 30 June 1769, succeeded 10 April 1786, and d. Jan. 1825 ; having m. abroad and afterwards in London, 28 Feb.1811, yinne-Charlotte de Bojanovitz, a noble Hungarian Lady, who d.15 Feb. 1819, without issue. 3 Charles, tenth and late Earl, b. 10 Sept. 1770, succeeded Jan. 1825, and d. unmarried, 20 April 1832, when he was succeeded by his onlysurviving brother, Henry, present Earl. 4 Lady Caroline, b. 8 Oct. 1771, d. 3 Nov. 1832 ; having m. 26 July 1792.
A landscape, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and brown ink on paper, Foreground: foud people on the left with large trees surrounding them. In the middleground are two people, one is riding a horse walking on a path towards a building. In the background is a building. To the right, is a large cliff or mountain., Italy, 1770–86, landscapes, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-landscape-carlo-marchionni-italian-17021786-black-chalk-pen-and-brown-ink-on-paper-foreground-foud-people-on-the-left-with-large-trees-surrounding-them-in-the-middleground-are-two-people-one-is-riding-a-horse-walking-on-a-path-towards-a-building-in-the-background-is-a-building-to-the-right-is-a-large-cliff-or-mountain-italy-177086-landscapes-drawing-image391247745.htmlRM2DMETDN–A landscape, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and brown ink on paper, Foreground: foud people on the left with large trees surrounding them. In the middleground are two people, one is riding a horse walking on a path towards a building. In the background is a building. To the right, is a large cliff or mountain., Italy, 1770–86, landscapes, Drawing
Eleanor Francis Grant, of Arndilly, Tilly Kettle, 1735–1786, British, active in India (1769–76), Formerly attributed to Francis Cotes RA, 1726–1770, British, between 1764 and 1769, Oil on canvas, Support (PTG): 50 x 39 15/16 inches (127 x 101.4 cm), armchair, chair, costume, flowers (plants), guitar, interior, leisure, light, music, pillow, portrait, woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eleanor-francis-grant-of-arndilly-tilly-kettle-17351786-british-active-in-india-176976-formerly-attributed-to-francis-cotes-ra-17261770-british-between-1764-and-1769-oil-on-canvas-support-ptg-50-x-39-1516-inches-127-x-1014-cm-armchair-chair-costume-flowers-plants-guitar-interior-leisure-light-music-pillow-portrait-woman-image389656728.htmlRM2DHXB3M–Eleanor Francis Grant, of Arndilly, Tilly Kettle, 1735–1786, British, active in India (1769–76), Formerly attributed to Francis Cotes RA, 1726–1770, British, between 1764 and 1769, Oil on canvas, Support (PTG): 50 x 39 15/16 inches (127 x 101.4 cm), armchair, chair, costume, flowers (plants), guitar, interior, leisure, light, music, pillow, portrait, woman
. Amalie von Levetzow (1788-1868) . 1803. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam (1791-1794), Dessau, Weimar, Berlin, Lei Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amalie-von-levetzow-1788-1868-1803-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-1789-amsterdam-1791-1794-dessau-weimar-berlin-lei-image184794052.htmlRMMMJ2KG–. Amalie von Levetzow (1788-1868) . 1803. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam (1791-1794), Dessau, Weimar, Berlin, Lei
Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Etching, engraving on white paper, A shell-work fountain on a mound of rockwork in the foreground, with two monkeys at the left. In the background, a temple portico houses another fountain, with vase and pyramid beside it., 1730s, ornament, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rocaille-rococo-design-in-nouveaux-morceaux-pour-des-paravents-new-concepts-for-screens-franois-boucher-french-1703-1770-claude-augustin-duflos-french-17001786-etching-engraving-on-white-paper-a-shell-work-fountain-on-a-mound-of-rockwork-in-the-foreground-with-two-monkeys-at-the-left-in-the-background-a-temple-portico-houses-another-fountain-with-vase-and-pyramid-beside-it-1730s-ornament-print-image391178658.htmlRM2DMBMAA–Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Etching, engraving on white paper, A shell-work fountain on a mound of rockwork in the foreground, with two monkeys at the left. In the background, a temple portico houses another fountain, with vase and pyramid beside it., 1730s, ornament, Print
Spring. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 3/4 × 9 5/8 in. (22.3 × 24.5 cm). Series/Portfolio: The Four Seasons (Les Quatre Saisons). Date: 1735-86. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spring-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-8-34-9-58-in-223-245-cm-seriesportfolio-the-four-seasons-les-quatre-saisons-date-1735-86-museum-metropolitan-museum-of-art-new-york-usa-image213503361.htmlRMPB9WM1–Spring. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 3/4 × 9 5/8 in. (22.3 × 24.5 cm). Series/Portfolio: The Four Seasons (Les Quatre Saisons). Date: 1735-86. Museum: Metropolitan Museum of Art, New York, USA.
Design for an Architrave, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and ink, brush and sepia on laid paper, On top are three capitals connected by an entablature, with candles standing beside the capitals, except at the left, where the capital is on top of a column and the candlestick is farther from it. The entablature is decorated with festoons. Below the entablature is a frieze with two escutcheons beside a trophy of arms. Partially squared., Italy, ca. 1770, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-architrave-carlo-marchionni-italian-17021786-black-crayon-pen-and-ink-brush-and-sepia-on-laid-paper-on-top-are-three-capitals-connected-by-an-entablature-with-candles-standing-beside-the-capitals-except-at-the-left-where-the-capital-is-on-top-of-a-column-and-the-candlestick-is-farther-from-it-the-entablature-is-decorated-with-festoons-below-the-entablature-is-a-frieze-with-two-escutcheons-beside-a-trophy-of-arms-partially-squared-italy-ca-1770-architecture-drawing-image391503478.htmlRM2DMXEK2–Design for an Architrave, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and ink, brush and sepia on laid paper, On top are three capitals connected by an entablature, with candles standing beside the capitals, except at the left, where the capital is on top of a column and the candlestick is farther from it. The entablature is decorated with festoons. Below the entablature is a frieze with two escutcheons beside a trophy of arms. Partially squared., Italy, ca. 1770, architecture, Drawing
View of the new Theater Royal facade at Drury Lane in London; Begbie, Patrick (fl. Ca 1770-1806), Adam, Robert (1728-1792); 1776 (1776-00-00-1786-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-new-theater-royal-facade-at-drury-lane-in-london-begbie-patrick-fl-ca-1770-1806-adam-robert-1728-1792-1776-1776-00-00-1786-00-00-image598979658.htmlRM2WPDTJJ–View of the new Theater Royal facade at Drury Lane in London; Begbie, Patrick (fl. Ca 1770-1806), Adam, Robert (1728-1792); 1776 (1776-00-00-1786-00-00);
Art inspired by Satyrical Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-satyrical-poetry-ca-1741-etching-and-engraving-sheet-trimmed-10-14-9-516-in-26-236-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462994965.htmlRF2HW76PD–Art inspired by Satyrical Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
An engraving of Carisbroke Castle 1784 (Carisbrooke Castle) Isle of Wight scanned at high resolution from a book published around 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-carisbroke-castle-1784-carisbrooke-castle-isle-of-wight-scanned-at-high-resolution-from-a-book-published-around-1786-image350691050.htmlRM2BAFA0A–An engraving of Carisbroke Castle 1784 (Carisbrooke Castle) Isle of Wight scanned at high resolution from a book published around 1786.
. Deutsch: Maria Pawlowna, Erbprinzessin von Sachsen-Weimar-Eisenach (1786–1859) . 19th century. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-178 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-maria-pawlowna-erbprinzessin-von-sachsen-weimar-eisenach-17861859-19th-century-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-178-image187819330.htmlRMMWFWD6–. Deutsch: Maria Pawlowna, Erbprinzessin von Sachsen-Weimar-Eisenach (1786–1859) . 19th century. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-178
Epic Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/epic-poetry-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-10-14-9-516-in-26-236-cm-seriesportfolio-the-four-poems-les-quatre-posies-date-ca-1741-museum-metropolitan-museum-of-art-new-york-usa-image213073188.htmlRMPAJ90M–Epic Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA.
View of a Village in Mountainous Country, Carlo Marchionni, Italian, 1702–1786, Pen and black, gray ink, black chalk on off-white laid paper, laid down, A small village is lightly drawn in the middle distance, flanked by trees rising from left and right foreground. A small figure is sketched in the foreground walking along a road. Mountains are visible in the distance., Italy, 1770–86, landscapes, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-a-village-in-mountainous-country-carlo-marchionni-italian-17021786-pen-and-black-gray-ink-black-chalk-on-off-white-laid-paper-laid-down-a-small-village-is-lightly-drawn-in-the-middle-distance-flanked-by-trees-rising-from-left-and-right-foreground-a-small-figure-is-sketched-in-the-foreground-walking-along-a-road-mountains-are-visible-in-the-distance-italy-177086-landscapes-drawing-image391474485.htmlRM2DMW5KH–View of a Village in Mountainous Country, Carlo Marchionni, Italian, 1702–1786, Pen and black, gray ink, black chalk on off-white laid paper, laid down, A small village is lightly drawn in the middle distance, flanked by trees rising from left and right foreground. A small figure is sketched in the foreground walking along a road. Mountains are visible in the distance., Italy, 1770–86, landscapes, Drawing
Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by oblongs with masks above and below, supporting festoons, whose other ends are supported in the lateral panels by masks above and below, and in the central panel by rinceaux. Inside the panels are smaller ones framed by bands, with an oval containing a shell, at left and right, and a motif of four shells in the center; rinceaux; half-figures of winged animals at left and right., Italy, ca. 1770, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-frieze-carlo-marchionni-italian-17021786-black-crayon-pen-and-sepia-ink-brush-and-gray-watercolor-on-laid-paper-three-panels-framed-by-oblongs-with-masks-above-and-below-supporting-festoons-whose-other-ends-are-supported-in-the-lateral-panels-by-masks-above-and-below-and-in-the-central-panel-by-rinceaux-inside-the-panels-are-smaller-ones-framed-by-bands-with-an-oval-containing-a-shell-at-left-and-right-and-a-motif-of-four-shells-in-the-center-rinceaux-half-figures-of-winged-animals-at-left-and-right-italy-ca-1770-architecture-drawing-image391129462.htmlRM2DM9DHA–Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by oblongs with masks above and below, supporting festoons, whose other ends are supported in the lateral panels by masks above and below, and in the central panel by rinceaux. Inside the panels are smaller ones framed by bands, with an oval containing a shell, at left and right, and a motif of four shells in the center; rinceaux; half-figures of winged animals at left and right., Italy, ca. 1770, architecture, Drawing
Doric desk and decorations used in the Shelburne House lobby at Breteley-Square in London; Finnie, Alexander (fl. Ca 1770-1778), Adam, Robert (1728-1792); 1778 (1778-00-00-1786-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/doric-desk-and-decorations-used-in-the-shelburne-house-lobby-at-breteley-square-in-london-finnie-alexander-fl-ca-1770-1778-adam-robert-1728-1792-1778-1778-00-00-1786-00-00-image598928337.htmlRM2WPBF5N–Doric desk and decorations used in the Shelburne House lobby at Breteley-Square in London; Finnie, Alexander (fl. Ca 1770-1778), Adam, Robert (1728-1792); 1778 (1778-00-00-1786-00-00);
Rocaille (Rock Garden), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and engraving on white laid paper, One of a set of five panels for a fold-up screen. Vertical panel design. View of architectural element with columns, large garden urn at right. Panel is dominated by an arrangement of shell, coral, large leaf, branch, and a palm leaf motif. A fantastical animal appears at bottom left., France, 1740, ornament, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rocaille-rock-garden-from-nouveaux-morceaux-pour-des-paravants-new-designs-for-screens-franois-boucher-french-1703-1770-claude-augustin-duflos-french-17001786-nicolas-de-larmessin-iv-french-1684-1755-etching-and-engraving-on-white-laid-paper-one-of-a-set-of-five-panels-for-a-fold-up-screen-vertical-panel-design-view-of-architectural-element-with-columns-large-garden-urn-at-right-panel-is-dominated-by-an-arrangement-of-shell-coral-large-leaf-branch-and-a-palm-leaf-motif-a-fantastical-animal-appears-at-bottom-left-france-1740-ornament-print-image391178119.htmlRM2DMBKK3–Rocaille (Rock Garden), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and engraving on white laid paper, One of a set of five panels for a fold-up screen. Vertical panel design. View of architectural element with columns, large garden urn at right. Panel is dominated by an arrangement of shell, coral, large leaf, branch, and a palm leaf motif. A fantastical animal appears at bottom left., France, 1740, ornament, Print
Art inspired by Winter, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-winter-173586-etching-and-engraving-sheet-trimmed-8-1516-9-58-in-227-245-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462809791.htmlRF2HTXPH3–Art inspired by Winter, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Alexander Cozens, 1717–1786, British, Castle in a Landscape, between 1770 and 1779. Brush and black ink on medium, slightly textured, cream laid paper. architectural subject , castle , hills , landscape , mountains , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-cozens-17171786-british-castle-in-a-landscape-between-1770-and-1779-brush-and-black-ink-on-medium-slightly-textured-cream-laid-paper-architectural-subject-castle-hills-landscape-mountains-trees-image398451724.htmlRM2E4716M–Alexander Cozens, 1717–1786, British, Castle in a Landscape, between 1770 and 1779. Brush and black ink on medium, slightly textured, cream laid paper. architectural subject , castle , hills , landscape , mountains , trees
Cross -section of the house in Blackheath in Kent, the estate of Sir Gregory Page; Darly, Matthias (FL Ca 1740-Ca 1770), James, John Thomas (1786-1828); 1767 (1767-00-00-1767-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cross-section-of-the-house-in-blackheath-in-kent-the-estate-of-sir-gregory-page-darly-matthias-fl-ca-1740-ca-1770-james-john-thomas-1786-1828-1767-1767-00-00-1767-00-00-image598889079.htmlRM2WP9N3K–Cross -section of the house in Blackheath in Kent, the estate of Sir Gregory Page; Darly, Matthias (FL Ca 1740-Ca 1770), James, John Thomas (1786-1828); 1767 (1767-00-00-1767-00-00);
An engraving of the East Gate, Southampton 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-the-east-gate-southampton-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351431072.htmlRM2BBN1WM–An engraving of the East Gate, Southampton 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
. Deutsch: Maria Pawlowna, Erbprinzessin von Sachsen-Weimar-Eisenach (1786–1859) . 19th century. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-178 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-maria-pawlowna-erbprinzessin-von-sachsen-weimar-eisenach-17861859-19th-century-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-178-image188323365.htmlRMMXATAD–. Deutsch: Maria Pawlowna, Erbprinzessin von Sachsen-Weimar-Eisenach (1786–1859) . 19th century. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-178
Leda and the Swan. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: plate: 20 1/16 x 10 5/16 in. (51 x 26.2 cm) sheet: 21 x 11 1/4 in. (53.3 x 28.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leda-and-the-swan-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-plate-20-116-x-10-516-in-51-x-262-cm-sheet-21-x-11-14-in-533-x-285-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image212894517.htmlRMPAA53H–Leda and the Swan. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: plate: 20 1/16 x 10 5/16 in. (51 x 26.2 cm) sheet: 21 x 11 1/4 in. (53.3 x 28.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Hommage Champètre (Pastorale), from Nouveaux morceaux pour des Paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and engraving on white laid paper, Vertical panel design with a pagoda motif, top center, an architectural ruin showing the capital of a column, an urn, a broken column, interspersed with garlands and leaves. In the central scene a young man is about to lay a wreath of flowers upon the head of a young woman who is reclining amongst bushes, leaves, and branches Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hommage-champtre-pastorale-from-nouveaux-morceaux-pour-des-paravants-new-designs-for-screens-franois-boucher-french-1703-1770-claude-augustin-duflos-french-17001786-nicolas-de-larmessin-iv-french-1684-1755-etching-and-engraving-on-white-laid-paper-vertical-panel-design-with-a-pagoda-motif-top-center-an-architectural-ruin-showing-the-capital-of-a-column-an-urn-a-broken-column-interspersed-with-garlands-and-leaves-in-the-central-scene-a-young-man-is-about-to-lay-a-wreath-of-flowers-upon-the-head-of-a-young-woman-who-is-reclining-amongst-bushes-leaves-and-branches-image391178129.htmlRM2DMBKKD–Hommage Champètre (Pastorale), from Nouveaux morceaux pour des Paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and engraving on white laid paper, Vertical panel design with a pagoda motif, top center, an architectural ruin showing the capital of a column, an urn, a broken column, interspersed with garlands and leaves. In the central scene a young man is about to lay a wreath of flowers upon the head of a young woman who is reclining amongst bushes, leaves, and branches
Art inspired by Spring, 1735–86, Etching and engraving, Sheet (trimmed): 8 3/4 × 9 5/8 in. (22.3 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spring-173586-etching-and-engraving-sheet-trimmed-8-34-9-58-in-223-245-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462809786.htmlRF2HTXPGX–Art inspired by Spring, 1735–86, Etching and engraving, Sheet (trimmed): 8 3/4 × 9 5/8 in. (22.3 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
House plans at Nuthall, Nottinghamshire, the estate of Baronet Charles Sedley; Darly, Matthias (FL Ca 1740-Ca 1770), Gandon, James (1742-1823), Wright, Thomas (1711-1786); 1767 (1767-00-00-1767-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/house-plans-at-nuthall-nottinghamshire-the-estate-of-baronet-charles-sedley-darly-matthias-fl-ca-1740-ca-1770-gandon-james-1742-1823-wright-thomas-1711-1786-1767-1767-00-00-1767-00-00-image598834616.htmlRM2WP77JG–House plans at Nuthall, Nottinghamshire, the estate of Baronet Charles Sedley; Darly, Matthias (FL Ca 1740-Ca 1770), Gandon, James (1742-1823), Wright, Thomas (1711-1786); 1767 (1767-00-00-1767-00-00);
The Old Fortress ca. 1770 After Joseph Vernet. The Old Fortress. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1770. Engraving. Jean Jacques Le Veau (French, Rouen 1729–1786 Paris). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-old-fortress-ca-1770-after-joseph-vernet-the-old-fortress-after-joseph-vernet-french-avignon-17141789-paris-ca-1770-engraving-jean-jacques-le-veau-french-rouen-17291786-paris-prints-image457920563.htmlRM2HH029R–The Old Fortress ca. 1770 After Joseph Vernet. The Old Fortress. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1770. Engraving. Jean Jacques Le Veau (French, Rouen 1729–1786 Paris). Prints
An engraving of Netley Abbey Hants 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-netley-abbey-hants-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351087476.htmlRM2BB5BJC–An engraving of Netley Abbey Hants 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
Plans of the attic and the first floor of the house in Blackheath in Kent, the estate of Sir Gregory Page; Darly, Matthias (FL Ca 1740-Ca 1770), James, John Thomas (1786-1828); 1767 (1767-00-00-1767-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plans-of-the-attic-and-the-first-floor-of-the-house-in-blackheath-in-kent-the-estate-of-sir-gregory-page-darly-matthias-fl-ca-1740-ca-1770-james-john-thomas-1786-1828-1767-1767-00-00-1767-00-00-image598826264.htmlRM2WP6W08–Plans of the attic and the first floor of the house in Blackheath in Kent, the estate of Sir Gregory Page; Darly, Matthias (FL Ca 1740-Ca 1770), James, John Thomas (1786-1828); 1767 (1767-00-00-1767-00-00);
An engraving of Hyde Abbey 1783 scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-hyde-abbey-1783-scanned-at-high-resolution-from-a-book-published-around-1786-this-image-is-believed-to-be-free-of-all-copyright-image351087321.htmlRM2BB5BCW–An engraving of Hyde Abbey 1783 scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright.
An engraving of Hide (Hyde) Abbey Hampshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-hide-hyde-abbey-hampshire-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351087391.htmlRM2BB5BFB–An engraving of Hide (Hyde) Abbey Hampshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
. English: Amalie of Hesse-Homburg with her children . Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam (1791-1794), Dessau, Weimar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-amalie-of-hesse-homburg-with-her-children-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-1789-amsterdam-1791-1794-dessau-weimar-image184887360.htmlRMMMP9M0–. English: Amalie of Hesse-Homburg with her children . Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam (1791-1794), Dessau, Weimar
Turkish Soldiers Resting. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.6 × 13.4 cm). Series/Portfolio: Customs and Traditions of the Turks (Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turkish-soldiers-resting-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-2-58-5-14-in-66-134-cm-seriesportfolio-customs-and-traditions-of-the-turks-moers-et-usages-des-turcs-date-1746-47-museum-metropolitan-museum-of-art-new-york-usa-image213208143.htmlRMPATD4F–Turkish Soldiers Resting. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.6 × 13.4 cm). Series/Portfolio: Customs and Traditions of the Turks (Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA.
Triomphe de Priape (Triumph of Priapus), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and engraving on white laid paper, One of a set of five panels for a fold-up screen. The other designs in the series include Rocaille (Rock Garden); Hommage Champêtre (Pastorale); and Léda (Leda and the Swan), all etched by Claude Duflos; and Triomphe de Pomone (Triumph of Pomona) etched by Charles Nicolas Cochin the Younger. Shell motif at top. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triomphe-de-priape-triumph-of-priapus-from-nouveaux-morceaux-pour-des-paravants-new-designs-for-screens-franois-boucher-french-1703-1770-claude-augustin-duflos-french-17001786-nicolas-de-larmessin-iv-french-1684-1755-etching-and-engraving-on-white-laid-paper-one-of-a-set-of-five-panels-for-a-fold-up-screen-the-other-designs-in-the-series-include-rocaille-rock-garden-hommage-champtre-pastorale-and-lda-leda-and-the-swan-all-etched-by-claude-duflos-and-triomphe-de-pomone-triumph-of-pomona-etched-by-charles-nicolas-cochin-the-younger-shell-motif-at-top-image391178118.htmlRM2DMBKK2–Triomphe de Priape (Triumph of Priapus), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and engraving on white laid paper, One of a set of five panels for a fold-up screen. The other designs in the series include Rocaille (Rock Garden); Hommage Champêtre (Pastorale); and Léda (Leda and the Swan), all etched by Claude Duflos; and Triomphe de Pomone (Triumph of Pomona) etched by Charles Nicolas Cochin the Younger. Shell motif at top.
Art inspired by Air, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-air-18th-century-etching-and-engraving-sheet-trimmed-8-78-9-916-in-225-243-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462809801.htmlRF2HTXPHD–Art inspired by Air, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
FELDMARSCHALL FÜRST WINDISCHGRÄTZ, and Feldmarschall Lieutenant Freiherr von Jellacic, in front of Vienna. ' (Windischgrätz and Jelačić), Jeremias Bermann (1770-1855), publisher, Carl Jakob Theodor Leybold (1786-1844), lithographer, 1848, paper, chalk-manner lithograph, height 67, 1 cm, width 49, 8 cm, Military, Fine Arts, Revolutions of 1848, 1849, commander-in-chief, general, marshal, The Vienna Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/feldmarschall-frst-windischgrtz-and-feldmarschall-lieutenant-freiherr-von-jellacic-in-front-of-vienna-windischgrtz-and-jelai-jeremias-bermann-1770-1855-publisher-carl-jakob-theodor-leybold-1786-1844-lithographer-1848-paper-chalk-manner-lithograph-height-67-1-cm-width-49-8-cm-military-fine-arts-revolutions-of-1848-1849-commander-in-chief-general-marshal-the-vienna-collection-image573442001.htmlRM2T8XF3D–FELDMARSCHALL FÜRST WINDISCHGRÄTZ, and Feldmarschall Lieutenant Freiherr von Jellacic, in front of Vienna. ' (Windischgrätz and Jelačić), Jeremias Bermann (1770-1855), publisher, Carl Jakob Theodor Leybold (1786-1844), lithographer, 1848, paper, chalk-manner lithograph, height 67, 1 cm, width 49, 8 cm, Military, Fine Arts, Revolutions of 1848, 1849, commander-in-chief, general, marshal, The Vienna Collection
Nuthall main facade in Nottinghamshire, home in the Baroneta estate Charles Sedley; Darly, Matthias (FL Ca 1740-Ca 1770), Gandon, James (1742-1823), Wright, Thomas (1711-1786); 1767 (1767-00-00-1767-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nuthall-main-facade-in-nottinghamshire-home-in-the-baroneta-estate-charles-sedley-darly-matthias-fl-ca-1740-ca-1770-gandon-james-1742-1823-wright-thomas-1711-1786-1767-1767-00-00-1767-00-00-image598866172.htmlRM2WP8KWG–Nuthall main facade in Nottinghamshire, home in the Baroneta estate Charles Sedley; Darly, Matthias (FL Ca 1740-Ca 1770), Gandon, James (1742-1823), Wright, Thomas (1711-1786); 1767 (1767-00-00-1767-00-00);
Young Neapolitan Woman Fishing ca. 1770 After Joseph Vernet. Young Neapolitan Woman Fishing. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1770. Engraving. Jean Jacques Le Veau (French, Rouen 1729–1786 Paris). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-neapolitan-woman-fishing-ca-1770-after-joseph-vernet-young-neapolitan-woman-fishing-after-joseph-vernet-french-avignon-17141789-paris-ca-1770-engraving-jean-jacques-le-veau-french-rouen-17291786-paris-prints-image457923026.htmlRM2HH05DP–Young Neapolitan Woman Fishing ca. 1770 After Joseph Vernet. Young Neapolitan Woman Fishing. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1770. Engraving. Jean Jacques Le Veau (French, Rouen 1729–1786 Paris). Prints
An engraving of Odiam (Odiham) Castle Hants 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-odiam-odiham-castle-hants-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351087541.htmlRM2BB5BMN–An engraving of Odiam (Odiham) Castle Hants 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
. Nederlands: Jhr. mr. nl:Nicolaas Warin (1744-1815), politicus . 1794. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam (1791-1794) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-jhr-mr-nlnicolaas-warin-1744-1815-politicus-1794-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-1789-amsterdam-1791-1794-image185868200.htmlRMMPB0P0–. Nederlands: Jhr. mr. nl:Nicolaas Warin (1744-1815), politicus . 1794. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam (1791-1794)
'Field marshal Fürst Windischgrätz / and Feldmarschall Lieutenant Freiherr von Jellacic, / before Vienna.' (Windischgrätz and Jelačić). Jeremias Bermann (1770-1855), publisher, Carl Jakob Theodor Leybold (1786-1844), Lithographer, after: Joseph Zürnich (1824-1902), Drawer, Johann Höfelich (1796-1849), printer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/field-marshal-frst-windischgrtz-and-feldmarschall-lieutenant-freiherr-von-jellacic-before-vienna-windischgrtz-and-jelai-jeremias-bermann-1770-1855-publisher-carl-jakob-theodor-leybold-1786-1844-lithographer-after-joseph-zrnich-1824-1902-drawer-johann-hfelich-1796-1849-printer-image471214028.htmlRM2JAHJ8C–'Field marshal Fürst Windischgrätz / and Feldmarschall Lieutenant Freiherr von Jellacic, / before Vienna.' (Windischgrätz and Jelačić). Jeremias Bermann (1770-1855), publisher, Carl Jakob Theodor Leybold (1786-1844), Lithographer, after: Joseph Zürnich (1824-1902), Drawer, Johann Höfelich (1796-1849), printer
The Slave Merchant. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.7 × 13.3 cm). Series/Portfolio: Customs and Traditions of the Turks (Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-slave-merchant-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-2-58-5-14-in-67-133-cm-seriesportfolio-customs-and-traditions-of-the-turks-moers-et-usages-des-turcs-date-1746-47-museum-metropolitan-museum-of-art-new-york-usa-image212914070.htmlRMPAB21X–The Slave Merchant. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.7 × 13.3 cm). Series/Portfolio: Customs and Traditions of the Turks (Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA.
Alexander Cozens, 1717–1786, British, River and Boat, ca. 1770. Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper. flag , hills , landscape , marine art , river , sailboat , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-cozens-17171786-british-river-and-boat-ca-1770-brushed-black-ink-pen-and-black-ink-graphite-light-brown-ground-and-varnish-on-thin-slightly-textured-cream-laid-paper-mounted-on-medium-slightly-textured-cream-laid-paper-flag-hills-landscape-marine-art-river-sailboat-trees-image398453611.htmlRM2E473J3–Alexander Cozens, 1717–1786, British, River and Boat, ca. 1770. Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper. flag , hills , landscape , marine art , river , sailboat , trees
An engraving of Church of St Cross near Winchester 1783 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-church-of-st-cross-near-winchester-1783-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image350691401.htmlRM2BAFACW–An engraving of Church of St Cross near Winchester 1783 scanned at high resolution from a book published around 1786. Believed copyright free.
Art inspired by Fire, 18th century, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fire-18th-century-etching-and-engraving-sheet-trimmed-8-1516-9-58-in-227-244-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995071.htmlRF2HW76X7–Art inspired by Fire, 18th century, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Caroline Amalie, Bertel Thorvaldsen, 1770-1844, No earlier than December 30, 1820 - 1821, Sculpture, Bust, Portrait Bust, Princess Caroline Amalie (1796-1881), the daughter of the Duke of Augustenborg, was Crown Prince Christian Frederik’s (1786-1848) second wife. She was considered by many in her day to be very beautiful, something this bust seems to confirm., Cast, Height 67 cm, Sculpture, European, Modernity (1800 - 1914), Italy, Lazio, Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caroline-amalie-bertel-thorvaldsen-1770-1844-no-earlier-than-december-30-1820-1821-sculpture-bust-portrait-bust-princess-caroline-amalie-1796-1881-the-daughter-of-the-duke-of-augustenborg-was-crown-prince-christian-frederiks-1786-1848-second-wife-she-was-considered-by-many-in-her-day-to-be-very-beautiful-something-this-bust-seems-to-confirm-cast-height-67-cm-sculpture-european-modernity-1800-1914-italy-lazio-rome-image573185937.htmlRM2T8ETE9–Caroline Amalie, Bertel Thorvaldsen, 1770-1844, No earlier than December 30, 1820 - 1821, Sculpture, Bust, Portrait Bust, Princess Caroline Amalie (1796-1881), the daughter of the Duke of Augustenborg, was Crown Prince Christian Frederik’s (1786-1848) second wife. She was considered by many in her day to be very beautiful, something this bust seems to confirm., Cast, Height 67 cm, Sculpture, European, Modernity (1800 - 1914), Italy, Lazio, Rome
. Nederlands: Mr. nl:Andries Cornelis Willem Munter (1775-1861), politicus . 1797. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-mr-nlandries-cornelis-willem-munter-1775-1861-politicus-1797-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-1789-amsterdam-image184830320.htmlRMMMKMXT–. Nederlands: Mr. nl:Andries Cornelis Willem Munter (1775-1861), politicus . 1797. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Amsterdam
Sultana at Her Toilet. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm). Series/Portfolio: Customs and Traditions of the Turks (Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sultana-at-her-toilet-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-2-1316-5-316-in-71-132-cm-seriesportfolio-customs-and-traditions-of-the-turks-moers-et-usages-des-turcs-date-1746-47-museum-metropolitan-museum-of-art-new-york-usa-image213209186.htmlRMPATEDP–Sultana at Her Toilet. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm). Series/Portfolio: Customs and Traditions of the Turks (Moers et Usages des Turcs). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA.
. English: A few princes, like these sons of the Nawab of Arcot, were painted by the popular artist Tilly Kettle (c.1770) Source: http://search.sothebys.com/jsps/live/lot/LotDetail.jsp?lot id=4FGKN (downloaded May 2005) 'A PORTRAIT OF UMDAT AL-UMARA AND AMIR AL-UMARA, SONS OF NAWAB MUHAMMAD ALI KHAN OF ARCOT AND THE CARNATIC, TILLY KETTLE (1734/5-1786), ENGLISH SCHOOL, INDIA, CIRCA 1770; 127 by 96.5cm.; oil on canvas. PROVENANCE Charles Bourchier, Governor of Madras, 1770. By descent to his grandson, Captain Charles Bourchier, circa 1867-69 CATALOGUE NOTE: Tilly Kettle was the first distinguis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-few-princes-like-these-sons-of-the-nawab-of-arcot-were-painted-by-the-popular-artist-tilly-kettle-c1770-source-httpsearchsothebyscomjspslivelotlotdetailjsplot-id=4fgkn-downloaded-may-2005-a-portrait-of-umdat-al-umara-and-amir-al-umara-sons-of-nawab-muhammad-ali-khan-of-arcot-and-the-carnatic-tilly-kettle-17345-1786-english-school-india-circa-1770-127-by-965cm-oil-on-canvas-provenance-charles-bourchier-governor-of-madras-1770-by-descent-to-his-grandson-captain-charles-bourchier-circa-1867-69-catalogue-note-tilly-kettle-was-the-first-distinguis-image184834398.htmlRMMMKX4E–. English: A few princes, like these sons of the Nawab of Arcot, were painted by the popular artist Tilly Kettle (c.1770) Source: http://search.sothebys.com/jsps/live/lot/LotDetail.jsp?lot id=4FGKN (downloaded May 2005) 'A PORTRAIT OF UMDAT AL-UMARA AND AMIR AL-UMARA, SONS OF NAWAB MUHAMMAD ALI KHAN OF ARCOT AND THE CARNATIC, TILLY KETTLE (1734/5-1786), ENGLISH SCHOOL, INDIA, CIRCA 1770; 127 by 96.5cm.; oil on canvas. PROVENANCE Charles Bourchier, Governor of Madras, 1770. By descent to his grandson, Captain Charles Bourchier, circa 1867-69 CATALOGUE NOTE: Tilly Kettle was the first distinguis
Alexander Cozens, 1717–1786, British, Coastal Scene with Wooded Cliff, ca. 1770. Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper. cliffs , clouds , landscape , sailboats , seascape , shore (landform) , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-cozens-17171786-british-coastal-scene-with-wooded-cliff-ca-1770-black-ink-graphite-brown-wash-gray-wash-brown-ground-and-varnish-on-medium-slightly-textured-cream-laid-paper-mounted-on-thick-moderately-textured-beige-laid-paper-cliffs-clouds-landscape-sailboats-seascape-shore-landform-trees-image398453577.htmlRM2E473GW–Alexander Cozens, 1717–1786, British, Coastal Scene with Wooded Cliff, ca. 1770. Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper. cliffs , clouds , landscape , sailboats , seascape , shore (landform) , trees
English: family in Elswout. 1799. Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF:?5798194 ISNI:?0000 0000 6679 9055 ULAN:?500011085 LCCN:?no2015029695 WGA:?LELIE, Adriaan de WorldCat Egbert van Drielst (1745–1818) Alternative names Drenthe Hobbema, P. van Drielst Description Dutch painter, draughtsman, aquarellist and orna Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-family-in-elswout-1799-adriaan-de-lelie-17551820-alternative-names-adriaen-de-lelie-description-dutch-painter-date-of-birthdeath-19-may-1755-30-november-1820-location-of-birthdeath-tilburg-amsterdam-work-period-circa-1770-1820-work-location-antwerp-dsseldorf-amsterdam-1786-1820-authority-control-q616083-viaf5798194-isni0000-0000-6679-9055-ulan500011085-lccnno2015029695-wgalelie-adriaan-de-worldcat-egbert-van-drielst-17451818-alternative-names-drenthe-hobbema-p-van-drielst-description-dutch-painter-draughtsman-aquarellist-and-orna-image185020420.htmlRMMN0BC4–English: family in Elswout. 1799. Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF:?5798194 ISNI:?0000 0000 6679 9055 ULAN:?500011085 LCCN:?no2015029695 WGA:?LELIE, Adriaan de WorldCat Egbert van Drielst (1745–1818) Alternative names Drenthe Hobbema, P. van Drielst Description Dutch painter, draughtsman, aquarellist and orna
Medal of Friedrich Wilhelm I, II, III. Subject: Frederick William I, King of Prussia, 1688–1740, ruled 1713–40 Subject: Frederick William II, King of Prussia, 1744–1797, ruled 1786–97 Subject: Frederick William III, King of Prussia, 1770–1840, ruled 1797–1840 Artist: Gottfried Bernhard Loos, German, 1774–1843 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medal-of-friedrich-wilhelm-i-ii-iii-subject-frederick-william-i-king-of-prussia-16881740-ruled-171340-subject-frederick-william-ii-king-of-prussia-17441797-ruled-178697-subject-frederick-william-iii-king-of-prussia-17701840-ruled-17971840-artist-gottfried-bernhard-loos-german-17741843-image463229355.htmlRM2HWHWNF–Medal of Friedrich Wilhelm I, II, III. Subject: Frederick William I, King of Prussia, 1688–1740, ruled 1713–40 Subject: Frederick William II, King of Prussia, 1744–1797, ruled 1786–97 Subject: Frederick William III, King of Prussia, 1770–1840, ruled 1797–1840 Artist: Gottfried Bernhard Loos, German, 1774–1843
An engraving of St Botolphs Priory Colchester 1783 scanned at high resolution from a book published around 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-st-botolphs-priory-colchester-1783-scanned-at-high-resolution-from-a-book-published-around-1786-image350171539.htmlRM2B9KKAB–An engraving of St Botolphs Priory Colchester 1783 scanned at high resolution from a book published around 1786.
Art inspired by Lyrical Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lyrical-poetry-ca-1741-etching-and-engraving-sheet-trimmed-10-14-9-516-in-26-236-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995049.htmlRF2HW76WD–Art inspired by Lyrical Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christian (VIII) Frederik, Bertel Thorvaldsen, 1770-1844, Presumably January 7, 1821 - Presumably January 13, 1821, Sculpture, Bust, Portrait Bust, The bust of Crown Prince Christian Frederik (1786-1848) was modelled when the prince and his wife came to Rome while engaged on a prolonged journey abroad (1818-22). In his quality of Chairman of the Royal Danish Academy of Fine Art, the intelligent and well educated prince acquired great importance for fine art. It was, however Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-viii-frederik-bertel-thorvaldsen-1770-1844-presumably-january-7-1821-presumably-january-13-1821-sculpture-bust-portrait-bust-the-bust-of-crown-prince-christian-frederik-1786-1848-was-modelled-when-the-prince-and-his-wife-came-to-rome-while-engaged-on-a-prolonged-journey-abroad-1818-22-in-his-quality-of-chairman-of-the-royal-danish-academy-of-fine-art-the-intelligent-and-well-educated-prince-acquired-great-importance-for-fine-art-it-was-however-image573185926.htmlRM2T8ETDX–Christian (VIII) Frederik, Bertel Thorvaldsen, 1770-1844, Presumably January 7, 1821 - Presumably January 13, 1821, Sculpture, Bust, Portrait Bust, The bust of Crown Prince Christian Frederik (1786-1848) was modelled when the prince and his wife came to Rome while engaged on a prolonged journey abroad (1818-22). In his quality of Chairman of the Royal Danish Academy of Fine Art, the intelligent and well educated prince acquired great importance for fine art. It was, however
Art inspired by Pastoral Poetry, ca. 1742, Etching and engraving, Sheet (trimmed): 10 3/16 × 9 5/16 in. (25.9 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pastoral-poetry-ca-1742-etching-and-engraving-sheet-trimmed-10-316-9-516-in-259-236-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462972273.htmlRF2HW65T1–Art inspired by Pastoral Poetry, ca. 1742, Etching and engraving, Sheet (trimmed): 10 3/16 × 9 5/16 in. (25.9 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Spoon, 1770–1800, Made in New York, New York, United States, American, Silver, L. 9 1/8 in. (23.2 cm), Silver, John Burger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-spoon-17701800-made-in-new-york-new-york-united-states-american-silver-162398933.htmlRMKC5WDW–Spoon, 1770–1800, Made in New York, New York, United States, American, Silver, L. 9 1/8 in. (23.2 cm), Silver, John Burger
Side Chair, ca. 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, northern white cedar, 37 x 22 1/2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-side-chair-ca-1770-made-in-philadelphia-pennsylvania-united-states-162558905.htmlRMKCD5F5–Side Chair, ca. 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, northern white cedar, 37 x 22 1/2
Firescreen, 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, 62 7/8 x 21 in. (159.7 x 53.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-firescreen-1770-made-in-philadelphia-pennsylvania-united-states-american-162399142.htmlRMKC5WNA–Firescreen, 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, 62 7/8 x 21 in. (159.7 x 53.3 cm
Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by pilasters, with alternate variations. The central panel has in the middle a candelabrum with a burning fire above a leaf base, the lateral panels have a floral candelabrum upon a similar base with two flying birds breaking stems of the rinceaux protruding from the bases. Two festoons are suspended beside each of the candelabra. In front of the pilasters are two crossed branches, fastened by a knot whose ends are hanging into the panels Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-frieze-carlo-marchionni-italian-17021786-black-crayon-pen-and-sepia-ink-brush-and-gray-watercolor-on-laid-paper-three-panels-framed-by-pilasters-with-alternate-variations-the-central-panel-has-in-the-middle-a-candelabrum-with-a-burning-fire-above-a-leaf-base-the-lateral-panels-have-a-floral-candelabrum-upon-a-similar-base-with-two-flying-birds-breaking-stems-of-the-rinceaux-protruding-from-the-bases-two-festoons-are-suspended-beside-each-of-the-candelabra-in-front-of-the-pilasters-are-two-crossed-branches-fastened-by-a-knot-whose-ends-are-hanging-into-the-panels-image391204884.htmlRM2DMCWR0–Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by pilasters, with alternate variations. The central panel has in the middle a candelabrum with a burning fire above a leaf base, the lateral panels have a floral candelabrum upon a similar base with two flying birds breaking stems of the rinceaux protruding from the bases. Two festoons are suspended beside each of the candelabra. In front of the pilasters are two crossed branches, fastened by a knot whose ends are hanging into the panels
View of a Monastery Receiving Visit from Great People, Carlo Marchionni, Italian, 1702–1786, Black chalk, brush and gray-black watercolor on cream laid paper, Horizontal rectangle.The buildings of the monastery are in the middle ground upon a terrace of a hill sloping down to the foreground. There is a wall with the gateway, where a guard and a group of monks stand. Monks and soldiers are on the road connecting the gateways, outer and inner, in front of the church. One of the soldiers busies himself to chase two fighting dogs. A coach drawn by four horses, preceded by a courier, approaches Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-a-monastery-receiving-visit-from-great-people-carlo-marchionni-italian-17021786-black-chalk-brush-and-gray-black-watercolor-on-cream-laid-paper-horizontal-rectanglethe-buildings-of-the-monastery-are-in-the-middle-ground-upon-a-terrace-of-a-hill-sloping-down-to-the-foreground-there-is-a-wall-with-the-gateway-where-a-guard-and-a-group-of-monks-stand-monks-and-soldiers-are-on-the-road-connecting-the-gateways-outer-and-inner-in-front-of-the-church-one-of-the-soldiers-busies-himself-to-chase-two-fighting-dogs-a-coach-drawn-by-four-horses-preceded-by-a-courier-approaches-image391651213.htmlRM2DN5739–View of a Monastery Receiving Visit from Great People, Carlo Marchionni, Italian, 1702–1786, Black chalk, brush and gray-black watercolor on cream laid paper, Horizontal rectangle.The buildings of the monastery are in the middle ground upon a terrace of a hill sloping down to the foreground. There is a wall with the gateway, where a guard and a group of monks stand. Monks and soldiers are on the road connecting the gateways, outer and inner, in front of the church. One of the soldiers busies himself to chase two fighting dogs. A coach drawn by four horses, preceded by a courier, approaches
The Little Farm Girl. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 5/8 × 8 1/16 in. (27 × 20.5 cm). Series/Portfolio: Four Children Themes (Quatre Sujets d'Enfants). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-little-farm-girl-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-10-58-8-116-in-27-205-cm-seriesportfolio-four-children-themes-quatre-sujets-denfants-date-ca-1753-museum-metropolitan-museum-of-art-new-york-usa-image213107876.htmlRMPAKW7G–The Little Farm Girl. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 5/8 × 8 1/16 in. (27 × 20.5 cm). Series/Portfolio: Four Children Themes (Quatre Sujets d'Enfants). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.
Giovanni Battista Nini, Hiacynthe de Rigaud, 1741-1817, Comte de Vaudreuil, Italian, 1717-1786, 1770, terracotta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-giovanni-battista-nini-hiacynthe-de-rigaud-1741-1817-comte-de-vaudreuil-77440914.htmlRMEDYMJX–Giovanni Battista Nini, Hiacynthe de Rigaud, 1741-1817, Comte de Vaudreuil, Italian, 1717-1786, 1770, terracotta
. Nederlands: Portret van Johanna Andrea Charlotte van der Muelen (1774-1843) echtgenote van Anthony Christiaan Winand Staring (1767-1840) . 1805. Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF: 5798194 ISNI: 0000 0000 6679 9055 ULAN: 500011085 LCCN: no2015029695 WGA: LELIE, Adriaan de WorldCat 20150522 Johanna Andrea Charlotte van Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-portret-van-johanna-andrea-charlotte-van-der-muelen-1774-1843-echtgenote-van-anthony-christiaan-winand-staring-1767-1840-1805-adriaan-de-lelie-17551820-alternative-names-adriaen-de-lelie-description-dutch-painter-date-of-birthdeath-19-may-1755-30-november-1820-location-of-birthdeath-tilburg-amsterdam-work-period-circa-1770-1820-work-location-antwerp-dsseldorf-amsterdam-1786-1820-authority-control-q616083-viaf5798194-isni0000-0000-6679-9055-ulan500011085-lccnno2015029695-wgalelie-adriaan-de-worldcat-20150522-johanna-andrea-charlotte-van-image184981408.htmlRMMMXHJT–. Nederlands: Portret van Johanna Andrea Charlotte van der Muelen (1774-1843) echtgenote van Anthony Christiaan Winand Staring (1767-1840) . 1805. Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF: 5798194 ISNI: 0000 0000 6679 9055 ULAN: 500011085 LCCN: no2015029695 WGA: LELIE, Adriaan de WorldCat 20150522 Johanna Andrea Charlotte van
Medal of Alexander I, Emperor of Russia, Emperor Francis II, and Frederick William III. Honorand: Alexander I, Emperor of Russia, Russian, 1777–1825Honorand: Francis I, Emperor of Austria, Austrian, 1768–1835, ruled 1792–85Honorand: Frederick William III, King of Prussia, 1770–1840, ruled 1797–1840Engraver: Johann Thomas Stettner, German, 1786–1840Maker: Amédée Durand, French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medal-of-alexander-i-emperor-of-russia-emperor-francis-ii-and-frederick-william-iii-honorand-alexander-i-emperor-of-russia-russian-17771825honorand-francis-i-emperor-of-austria-austrian-17681835-ruled-179285honorand-frederick-william-iii-king-of-prussia-17701840-ruled-17971840engraver-johann-thomas-stettner-german-17861840maker-amde-durand-french-image463229490.htmlRM2HWHWXA–Medal of Alexander I, Emperor of Russia, Emperor Francis II, and Frederick William III. Honorand: Alexander I, Emperor of Russia, Russian, 1777–1825Honorand: Francis I, Emperor of Austria, Austrian, 1768–1835, ruled 1792–85Honorand: Frederick William III, King of Prussia, 1770–1840, ruled 1797–1840Engraver: Johann Thomas Stettner, German, 1786–1840Maker: Amédée Durand, French
An engraving of St Botolphs Priory Colchester 1783 scanned at high resolution from a book published around 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-st-botolphs-priory-colchester-1783-scanned-at-high-resolution-from-a-book-published-around-1786-image350171470.htmlRM2B9KK7X–An engraving of St Botolphs Priory Colchester 1783 scanned at high resolution from a book published around 1786.
Portrait of Maria Walewska (1786-1817); Gérard, François (1770-1837); after 1810 (1810-00-00-1810-00-00);Napoleon I (French emperor-1769-1821), Potocka Wąssowiczowa, Anna (1779-1867), Walewska, Maria (1789-1817), Walewski, Aleksander (1810-1868), D'Ornano, Philippe-Antoine (1784-1864 ), French painting, portraits of en face, women's portraits Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-maria-walewska-1786-1817-grard-franois-1770-1837-after-1810-1810-00-00-1810-00-00napoleon-i-french-emperor-1769-1821-potocka-wssowiczowa-anna-1779-1867-walewska-maria-1789-1817-walewski-aleksander-1810-1868-dornano-philippe-antoine-1784-1864-french-painting-portraits-of-en-face-womens-portraits-image598808825.htmlRM2WP62ND–Portrait of Maria Walewska (1786-1817); Gérard, François (1770-1837); after 1810 (1810-00-00-1810-00-00);Napoleon I (French emperor-1769-1821), Potocka Wąssowiczowa, Anna (1779-1867), Walewska, Maria (1789-1817), Walewski, Aleksander (1810-1868), D'Ornano, Philippe-Antoine (1784-1864 ), French painting, portraits of en face, women's portraits
An engraving of Hertford Castle 1784 scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-hertford-castle-1784-scanned-at-high-resolution-from-a-book-published-around-1786-this-image-is-believed-to-be-free-of-all-copyright-image351431488.htmlRM2BBN2CG–An engraving of Hertford Castle 1784 scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright.
Art inspired by Epic Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-epic-poetry-ca-1741-etching-and-engraving-sheet-trimmed-10-14-9-516-in-26-236-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462972286.htmlRF2HW65TE–Art inspired by Epic Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
HUZAAR VAN THE RIJNGRAAF OF SALM in 1786, S.G. Casten, 1795 drawing The uniform of the Kurassiers of the Rhinegraaf of Salm in 1786. Part of the second chapter on the new uniforms in the period 1783-1787. In the sketchbook with colored drawings of the uniforms of soldiers and members of the militia from the period 1770 to 1795-1796. Amsterdam paper writing (processes) (military) uniforms (+ cavalry, horsemen) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/huzaar-van-the-rijngraaf-of-salm-in-1786-sg-casten-1795-drawing-the-uniform-of-the-kurassiers-of-the-rhinegraaf-of-salm-in-1786-part-of-the-second-chapter-on-the-new-uniforms-in-the-period-1783-1787-in-the-sketchbook-with-colored-drawings-of-the-uniforms-of-soldiers-and-members-of-the-militia-from-the-period-1770-to-1795-1796-amsterdam-paper-writing-processes-military-uniforms-cavalry-horsemen-image595105795.htmlRM2WG5BEB–HUZAAR VAN THE RIJNGRAAF OF SALM in 1786, S.G. Casten, 1795 drawing The uniform of the Kurassiers of the Rhinegraaf of Salm in 1786. Part of the second chapter on the new uniforms in the period 1783-1787. In the sketchbook with colored drawings of the uniforms of soldiers and members of the militia from the period 1770 to 1795-1796. Amsterdam paper writing (processes) (military) uniforms (+ cavalry, horsemen)
Art inspired by Bringing Rope to the Prisoner, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 1/4 in. (6.8 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bringing-rope-to-the-prisoner-174647-etching-and-engraving-sheet-trimmed-2-1116-5-14-in-68-133-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995030.htmlRF2HW76TP–Art inspired by Bringing Rope to the Prisoner, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 1/4 in. (6.8 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fire. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.4 cm). Publisher: Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Series/Portfolio: The Four Elements (Les Quatres Éléments). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fire-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-dimensions-sheet-trimmed-8-1516-9-58-in-227-244-cm-publisher-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-seriesportfolio-the-four-elements-les-quatres-lments-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212873097.htmlRMPA95PH–Fire. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.4 cm). Publisher: Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Series/Portfolio: The Four Elements (Les Quatres Éléments). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Giovanni Battista Nini, Hiacynthe de Rigaud, 1741-1817, Comte de Vaudreuil, Italian, 1717-1786, 1770, terracotta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-giovanni-battista-nini-hiacynthe-de-rigaud-1741-1817-comte-de-vaudreuil-123377929.htmlRMH4M9PH–Giovanni Battista Nini, Hiacynthe de Rigaud, 1741-1817, Comte de Vaudreuil, Italian, 1717-1786, 1770, terracotta
Side Chair, chaise à la reine, Jean Boucault, French, 1705 - 1786, master 1728), Paris, France; about 1765 - 1770; Gessoed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-chaise-la-reine-jean-boucault-french-1705-1786-master-1728-paris-france-about-1765-1770-gessoed-image220574969.htmlRMPPT1HD–Side Chair, chaise à la reine, Jean Boucault, French, 1705 - 1786, master 1728), Paris, France; about 1765 - 1770; Gessoed
N/A. English: .Anne Willem Carel van Nagell Nederlands: .Anne Willem Carel van Nagell . 1787. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-anne-willem-carel-van-nagell-nederlands-anne-willem-carel-van-nagell-1787-johann-friedrich-august-tischbein-17501812-alternative-names-friedrich-jan-august-tischbein-jan-frederik-august-tischbein-friedrich-tischbein-pseudonym-leipziger-tischbein-description-german-painter-and-university-teacher-date-of-birthdeath-9-march-1750-21-june-1812-location-of-birthdeath-maastricht-heidelberg-work-period-between-circa-1770-and-circa-1812-work-location-arolsen-1770-paris-1772-1777-italy-1777-1780-naples-1778-1779-the-hague-1781-1782-1786-1788-1789-image210020053.htmlRMP5K6M5–N/A. English: .Anne Willem Carel van Nagell Nederlands: .Anne Willem Carel van Nagell . 1787. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-1789),
Jean-Baptiste-André Gautier Dagoty (French, 1740 - 1786), Ph. Cl. A. de Thubières, Comte de Caylus, c. 1770, mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptiste-andr-gautier-dagoty-french-1740-1786-ph-cl-a-de-thubires-77368443.htmlRMEDTC6K–Jean-Baptiste-André Gautier Dagoty (French, 1740 - 1786), Ph. Cl. A. de Thubières, Comte de Caylus, c. 1770, mezzotint
A map of Gloucestershire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-map-of-gloucestershire-scanned-at-high-resolution-from-a-book-published-around-1786-this-image-is-believed-to-be-free-of-all-copyright-restrictions-image350357287.htmlRM2BA0487–A map of Gloucestershire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions
HUZAAR VAN THE RIJNGRAAF OF SALM in 1786, S.G. Casten, 1795 drawing The uniform of the Hussars of the Rhinegraaf van Salm in 1786. Part of the second chapter on the new uniforms in the period 1783-1787. In the sketchbook with colored drawings of the uniforms of soldiers and members of the militia from the period 1770 to 1795-1796. Amsterdam paper writing (processes) (military) uniforms (+ cavalry, horsemen) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/huzaar-van-the-rijngraaf-of-salm-in-1786-sg-casten-1795-drawing-the-uniform-of-the-hussars-of-the-rhinegraaf-van-salm-in-1786-part-of-the-second-chapter-on-the-new-uniforms-in-the-period-1783-1787-in-the-sketchbook-with-colored-drawings-of-the-uniforms-of-soldiers-and-members-of-the-militia-from-the-period-1770-to-1795-1796-amsterdam-paper-writing-processes-military-uniforms-cavalry-horsemen-image595105794.htmlRM2WG5BEA–HUZAAR VAN THE RIJNGRAAF OF SALM in 1786, S.G. Casten, 1795 drawing The uniform of the Hussars of the Rhinegraaf van Salm in 1786. Part of the second chapter on the new uniforms in the period 1783-1787. In the sketchbook with colored drawings of the uniforms of soldiers and members of the militia from the period 1770 to 1795-1796. Amsterdam paper writing (processes) (military) uniforms (+ cavalry, horsemen)
Art inspired by Turkish Soldiers Resting, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.6 × 13.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-turkish-soldiers-resting-174647-etching-and-engraving-sheet-trimmed-2-58-5-14-in-66-134-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995035.htmlRF2HW76TY–Art inspired by Turkish Soldiers Resting, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.6 × 13.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Virgin of the Immaculate Conception. Culture: German, Fulda. Dimensions: Height: 14 5/16 in. (36.4 cm). Factory: Fulda Pottery and Porcelain Manufactory (German, 1764-1789). Modeler: Wenzel Neu (German, ca. 1708-1774). Date: ca. 1781. The model is attributed to Neu by Ernst Kramer and considered by him to have originated about 1770; it is mentioned in the factory records in 1786. Of the fourteen examples of the model that have been notes, three--this one and two others in the Cooper-Hewitt Museum, New York, and the Schloss Fasanerie, Fulda--share a marked similarity in details of decoration a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-of-the-immaculate-conception-culture-german-fulda-dimensions-height-14-516-in-364-cm-factory-fulda-pottery-and-porcelain-manufactory-german-1764-1789-modeler-wenzel-neu-german-ca-1708-1774-date-ca-1781-the-model-is-attributed-to-neu-by-ernst-kramer-and-considered-by-him-to-have-originated-about-1770-it-is-mentioned-in-the-factory-records-in-1786-of-the-fourteen-examples-of-the-model-that-have-been-notes-three-this-one-and-two-others-in-the-cooper-hewitt-museum-new-york-and-the-schloss-fasanerie-fulda-share-a-marked-similarity-in-details-of-decoration-a-image212902186.htmlRMPAAEWE–Virgin of the Immaculate Conception. Culture: German, Fulda. Dimensions: Height: 14 5/16 in. (36.4 cm). Factory: Fulda Pottery and Porcelain Manufactory (German, 1764-1789). Modeler: Wenzel Neu (German, ca. 1708-1774). Date: ca. 1781. The model is attributed to Neu by Ernst Kramer and considered by him to have originated about 1770; it is mentioned in the factory records in 1786. Of the fourteen examples of the model that have been notes, three--this one and two others in the Cooper-Hewitt Museum, New York, and the Schloss Fasanerie, Fulda--share a marked similarity in details of decoration a
![. Nederlands: gezigt der Weteringpoort ['Raam' doorgestreept en verbeterd in 'Wetering'] en moolen de Valk op de buijtesingel te amsterdam. Met buiten naar rechts, de molens: de Spiering, de Hoop en de Wetering. . 1770. Dirk Verrijk (1734–1786) Alternative names Dirk Verrijck, Theodor Verrijk, Dirk Verryck, Dirk Verryk, Theodorus Verrijk Description Dutch painter, ornamental painter, draughtsman and copyist Date of birth/death 7 July 1734 3 May 1786 Location of birth/death Haarlem The Hague Work location Mechelen (1764), Paris, The Hague (1782-1786) Authority control : Q18516498 V Stock Photo](https://c8.alamy.com/comp/MMX3D5/nederlands-gezigt-der-weteringpoort-raam-doorgestreept-en-verbeterd-in-wetering-en-moolen-de-valk-op-de-buijtesingel-te-amsterdam-met-buiten-naar-rechts-de-molens-de-spiering-de-hoop-en-de-wetering-1770-dirk-verrijk-17341786-alternative-names-dirk-verrijck-theodor-verrijk-dirk-verryck-dirk-verryk-theodorus-verrijk-description-dutch-painter-ornamental-painter-draughtsman-and-copyist-date-of-birthdeath-7-july-1734-3-may-1786-location-of-birthdeath-haarlem-the-hague-work-location-mechelen-1764-paris-the-hague-1782-1786-authority-control-q18516498-v-MMX3D5.jpg ". Nederlands: gezigt der Weteringpoort ['Raam' doorgestreept en verbeterd in 'Wetering'] en moolen de Valk op de buijtesingel te amsterdam. Met buiten naar rechts, de molens: de Spiering, de Hoop en de Wetering. . 1770. Dirk Verrijk (1734–1786) Alternative names Dirk Verrijck, Theodor Verrijk, Dirk Verryck, Dirk Verryk, Theodorus Verrijk Description Dutch painter, ornamental painter, draughtsman and copyist Date of birth/death 7 July 1734 3 May 1786 Location of birth/death Haarlem The Hague Work location Mechelen (1764), Paris, The Hague (1782-1786) Authority control : Q18516498 V Stock Photo")
. Nederlands: gezigt der Weteringpoort ['Raam' doorgestreept en verbeterd in 'Wetering'] en moolen de Valk op de buijtesingel te amsterdam. Met buiten naar rechts, de molens: de Spiering, de Hoop en de Wetering. . 1770. Dirk Verrijk (1734–1786) Alternative names Dirk Verrijck, Theodor Verrijk, Dirk Verryck, Dirk Verryk, Theodorus Verrijk Description Dutch painter, ornamental painter, draughtsman and copyist Date of birth/death 7 July 1734 3 May 1786 Location of birth/death Haarlem The Hague Work location Mechelen (1764), Paris, The Hague (1782-1786) Authority control : Q18516498 V Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-gezigt-der-weteringpoort-raam-doorgestreept-en-verbeterd-in-wetering-en-moolen-de-valk-op-de-buijtesingel-te-amsterdam-met-buiten-naar-rechts-de-molens-de-spiering-de-hoop-en-de-wetering-1770-dirk-verrijk-17341786-alternative-names-dirk-verrijck-theodor-verrijk-dirk-verryck-dirk-verryk-theodorus-verrijk-description-dutch-painter-ornamental-painter-draughtsman-and-copyist-date-of-birthdeath-7-july-1734-3-may-1786-location-of-birthdeath-haarlem-the-hague-work-location-mechelen-1764-paris-the-hague-1782-1786-authority-control-q18516498-v-image184970273.htmlRMMMX3D5–. Nederlands: gezigt der Weteringpoort ['Raam' doorgestreept en verbeterd in 'Wetering'] en moolen de Valk op de buijtesingel te amsterdam. Met buiten naar rechts, de molens: de Spiering, de Hoop en de Wetering. . 1770. Dirk Verrijk (1734–1786) Alternative names Dirk Verrijck, Theodor Verrijk, Dirk Verryck, Dirk Verryk, Theodorus Verrijk Description Dutch painter, ornamental painter, draughtsman and copyist Date of birth/death 7 July 1734 3 May 1786 Location of birth/death Haarlem The Hague Work location Mechelen (1764), Paris, The Hague (1782-1786) Authority control : Q18516498 V
Jean-Baptiste-André Gautier Dagoty (French, 1740 - 1786), Ph. Cl. A. de Thubières, Comte de Caylus, c. 1770, mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptiste-andr-gautier-dagoty-french-1740-1786-ph-cl-a-de-thubires-123392970.htmlRMH4N0YP–Jean-Baptiste-André Gautier Dagoty (French, 1740 - 1786), Ph. Cl. A. de Thubières, Comte de Caylus, c. 1770, mezzotint
. English: A family portrait of the Bonebakker family, made in 1809 by Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF: 5798194 ISNI: 0000 0000 6679 9055 ULAN: 500011085 LCCN: no2015029695 WGA: LELIE, Adriaan de WorldCat . Owned by Rijksmuseum Amsterdam, oil on canvas . 2 July 2013, 17:41:03. Fouw, J. de 134 De familie van Adriaa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-family-portrait-of-the-bonebakker-family-made-in-1809-by-adriaan-de-lelie-17551820-alternative-names-adriaen-de-lelie-description-dutch-painter-date-of-birthdeath-19-may-1755-30-november-1820-location-of-birthdeath-tilburg-amsterdam-work-period-circa-1770-1820-work-location-antwerp-dsseldorf-amsterdam-1786-1820-authority-control-q616083-viaf5798194-isni0000-0000-6679-9055-ulan500011085-lccnno2015029695-wgalelie-adriaan-de-worldcat-owned-by-rijksmuseum-amsterdam-oil-on-canvas-2-july-2013-174103-fouw-j-de-134-de-familie-van-adriaa-image188800859.htmlRMMY4HBR–. English: A family portrait of the Bonebakker family, made in 1809 by Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF: 5798194 ISNI: 0000 0000 6679 9055 ULAN: 500011085 LCCN: no2015029695 WGA: LELIE, Adriaan de WorldCat . Owned by Rijksmuseum Amsterdam, oil on canvas . 2 July 2013, 17:41:03. Fouw, J. de 134 De familie van Adriaa
Side Chair (chaise à la reine); Jean Boucault, French, 1705 - 1786, master 1728; Paris, France, Europe; about 1765 - 1770 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-side-chair-chaise-la-reine-jean-boucault-french-1705-1786-master-1728-77449004.htmlRMEE02YT–Side Chair (chaise à la reine); Jean Boucault, French, 1705 - 1786, master 1728; Paris, France, Europe; about 1765 - 1770
An engraving of the Chapter House Hereford 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-the-chapter-house-hereford-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351431332.htmlRM2BBN270–An engraving of the Chapter House Hereford 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
Basket Myer Myers American 1770–76 American baskets for bread, cake, or fruit are extremely rare. The monogram on the interior is for Susannah and Samuel Cornell. Myers made several objects for these wealthy patrons from New York and New Bern, North Carolina. According to the inscription on the underside of the basket, the Cornells later gave it to their daughter Hannah, who married Herman LeRoy on October 19, 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basket-myer-myers-american-177076-american-baskets-for-bread-cake-or-fruit-are-extremely-rare-the-monogram-on-the-interior-is-for-susannah-and-samuel-cornell-myers-made-several-objects-for-these-wealthy-patrons-from-new-york-and-new-bern-north-carolina-according-to-the-inscription-on-the-underside-of-the-basket-the-cornells-later-gave-it-to-their-daughter-hannah-who-married-herman-leroy-on-october-19-1786-image569497275.htmlRM2T2ERGB–Basket Myer Myers American 1770–76 American baskets for bread, cake, or fruit are extremely rare. The monogram on the interior is for Susannah and Samuel Cornell. Myers made several objects for these wealthy patrons from New York and New Bern, North Carolina. According to the inscription on the underside of the basket, the Cornells later gave it to their daughter Hannah, who married Herman LeRoy on October 19, 1786.
Art inspired by Sultana Reading in the Harem, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sultana-reading-in-the-harem-174647-etching-and-engraving-sheet-trimmed-2-58-5-316-in-66-131-cm-prints-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995050.htmlRF2HW76WE–Art inspired by Sultana Reading in the Harem, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Peasant Crossing Water, 1786, Etching and engraving, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Prints, William Wynne Ryland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-peasant-crossing-water-1786-etching-and-engraving-sheet-9-12-x-6-1116-162520707.htmlRMKCBCPY–Peasant Crossing Water, 1786, Etching and engraving, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Prints, William Wynne Ryland
Art inspired by Frontispiece, from The Building of St. Sulpice by Alexis Piron, ca. 1744, Etching and engraving, Sheet: 5 7/16 x 3 3/8 in. (13.8 x 8.6 cm), Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-frontispiece-from-the-building-of-st-sulpice-by-alexis-piron-ca-1744-etching-and-engraving-sheet-5-716-x-3-38-in-138-x-86-cm-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463014218.htmlRF2HW83A2–Art inspired by Frontispiece, from The Building of St. Sulpice by Alexis Piron, ca. 1744, Etching and engraving, Sheet: 5 7/16 x 3 3/8 in. (13.8 x 8.6 cm), Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
An engraving of Okehampton Castle Devon 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-okehampton-castle-devon-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image349299691.htmlRM2B87Y8Y–An engraving of Okehampton Castle Devon 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
An engraving of Wolvesley Castle 1783 (Old Bishop's Palace Winchester) scanned at high resolution from a book published around 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-wolvesley-castle-1783-old-bishops-palace-winchester-scanned-at-high-resolution-from-a-book-published-around-1786-image351431240.htmlRM2BBN23M–An engraving of Wolvesley Castle 1783 (Old Bishop's Palace Winchester) scanned at high resolution from a book published around 1786.
Frontispice pour le 'Tombeau de Boyle, Locke, et Sydenham' (Frontispiece for the 'Tomb of Boyle, Locke, and Sydenham'), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men). Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Author: Eugene MacSwiny. Dimensions: Sheet: 25 3/8 x 16 1/4 in. (64.5 x 41.2 cm) trimmed to platemark. Series/Portfolio: Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres qui ont fleuri dans Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frontispice-pour-le-tombeau-de-boyle-locke-et-sydenham-frontispiece-for-the-tomb-of-boyle-locke-and-sydenham-from-tombeaux-des-princes-des-grands-capitaines-et-autres-hommes-illustres-tombs-of-princes-great-captains-and-other-illustrious-men-artist-after-franois-boucher-french-paris-1703-1770-paris-claude-augustin-duflos-le-jeune-french-paris-1700-1786-paris-author-eugene-macswiny-dimensions-sheet-25-38-x-16-14-in-645-x-412-cm-trimmed-to-platemark-seriesportfolio-tombeaux-des-princes-des-grands-capitaines-et-autres-hommes-illustres-qui-ont-fleuri-dans-image213179794.htmlRMPAR502–Frontispice pour le 'Tombeau de Boyle, Locke, et Sydenham' (Frontispiece for the 'Tomb of Boyle, Locke, and Sydenham'), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men). Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Author: Eugene MacSwiny. Dimensions: Sheet: 25 3/8 x 16 1/4 in. (64.5 x 41.2 cm) trimmed to platemark. Series/Portfolio: Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres qui ont fleuri dans
. English: A family portrait of the Bonebakker family, made in 1809 by Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF: 5798194 ISNI: 0000 0000 6679 9055 ULAN: 500011085 LCCN: no2015029695 WGA: LELIE, Adriaan de WorldCat . Owned by Rijksmuseum Amsterdam, oil on canvas . 2 July 2013, 17:41:03. Fouw, J. de 155 De familie van Adriaa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-family-portrait-of-the-bonebakker-family-made-in-1809-by-adriaan-de-lelie-17551820-alternative-names-adriaen-de-lelie-description-dutch-painter-date-of-birthdeath-19-may-1755-30-november-1820-location-of-birthdeath-tilburg-amsterdam-work-period-circa-1770-1820-work-location-antwerp-dsseldorf-amsterdam-1786-1820-authority-control-q616083-viaf5798194-isni0000-0000-6679-9055-ulan500011085-lccnno2015029695-wgalelie-adriaan-de-worldcat-owned-by-rijksmuseum-amsterdam-oil-on-canvas-2-july-2013-174103-fouw-j-de-155-de-familie-van-adriaa-image188069018.htmlRMMWY7XJ–. English: A family portrait of the Bonebakker family, made in 1809 by Adriaan de Lelie (1755–1820) Alternative names Adriaen de Lelie Description Dutch painter Date of birth/death 19 May 1755 30 November 1820 Location of birth/death Tilburg Amsterdam Work period circa 1770-1820 Work location Antwerp, Düsseldorf, Amsterdam (1786-1820) Authority control : Q616083 VIAF: 5798194 ISNI: 0000 0000 6679 9055 ULAN: 500011085 LCCN: no2015029695 WGA: LELIE, Adriaan de WorldCat . Owned by Rijksmuseum Amsterdam, oil on canvas . 2 July 2013, 17:41:03. Fouw, J. de 155 De familie van Adriaa
Uniforms of the Corps of the Rhinegraaf van Salm in 1786, S.G. Casten, 1795 drawing The uniform of the fuseliers, scorters and hunters of the Rhinegraaf van Salm in 1786. Part of the second chapter on the new uniforms in the period 1783-1787. In the sketchbook with colored drawings of the uniforms of soldiers and members of the militia from the period 1770 to 1795-1796. Amsterdam paper writing (processes) (military) uniforms (+ land forces) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uniforms-of-the-corps-of-the-rhinegraaf-van-salm-in-1786-sg-casten-1795-drawing-the-uniform-of-the-fuseliers-scorters-and-hunters-of-the-rhinegraaf-van-salm-in-1786-part-of-the-second-chapter-on-the-new-uniforms-in-the-period-1783-1787-in-the-sketchbook-with-colored-drawings-of-the-uniforms-of-soldiers-and-members-of-the-militia-from-the-period-1770-to-1795-1796-amsterdam-paper-writing-processes-military-uniforms-land-forces-image595105499.htmlRM2WG5B3R–Uniforms of the Corps of the Rhinegraaf van Salm in 1786, S.G. Casten, 1795 drawing The uniform of the fuseliers, scorters and hunters of the Rhinegraaf van Salm in 1786. Part of the second chapter on the new uniforms in the period 1783-1787. In the sketchbook with colored drawings of the uniforms of soldiers and members of the militia from the period 1770 to 1795-1796. Amsterdam paper writing (processes) (military) uniforms (+ land forces)
Earth, Claude Augustin Duflos le Jeune, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-earth-claude-augustin-duflos-le-jeune-18th-century-162520549.htmlRMKCBCH9–Earth, Claude Augustin Duflos le Jeune, 18th century
Art inspired by Frame for a Dedication Plate, 18th century, Etching and engraving, Sheet: 20 1/4 x 14 5/16 in. (51.4 x 36.4 cm) trimmed within platemark, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-frame-for-a-dedication-plate-18th-century-etching-and-engraving-sheet-20-14-x-14-516-in-514-x-364-cm-trimmed-within-platemark-claude-augustin-duflos-le-jeune-french-paris-17001786-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463013788.htmlRF2HW82PM–Art inspired by Frame for a Dedication Plate, 18th century, Etching and engraving, Sheet: 20 1/4 x 14 5/16 in. (51.4 x 36.4 cm) trimmed within platemark, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Country road, Country road with walking figures and a farmstead, where a woman leans over the bottom door. In the background a wagon with two horses and on the right a church tower protrudes above the trees, road, path, four-wheeled vehicle drawn by two animals, parts of church exterior and annexes, Johan Antonie Kaldenbach, 1770 - 1786, paper, etching, h 174 mm × w 130 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, moveme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/country-road-country-road-with-walking-figures-and-a-farmstead-where-a-woman-leans-over-the-bottom-door-in-the-background-a-wagon-with-two-horses-and-on-the-right-a-church-tower-protrudes-above-the-trees-road-path-four-wheeled-vehicle-drawn-by-two-animals-parts-of-church-exterior-and-annexes-johan-antonie-kaldenbach-1770-1786-paper-etching-h-174-mm-w-130-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-moveme-image350000920.htmlRF2B9BWMT–Country road, Country road with walking figures and a farmstead, where a woman leans over the bottom door. In the background a wagon with two horses and on the right a church tower protrudes above the trees, road, path, four-wheeled vehicle drawn by two animals, parts of church exterior and annexes, Johan Antonie Kaldenbach, 1770 - 1786, paper, etching, h 174 mm × w 130 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, moveme
An engraving of Finchale Priory 1783 scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-finchale-priory-1783-scanned-at-high-resolution-from-a-book-published-around-1786-this-image-is-believed-to-be-free-of-all-copyright-image350168763.htmlRM2B9KFR7–An engraving of Finchale Priory 1783 scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright.
An engraving of Rougemont Castle, Exeter Devonshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-of-rougemont-castle-exeter-devonshire-1784-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image349299704.htmlRM2B87Y9C–An engraving of Rougemont Castle, Exeter Devonshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free.
Search Results for 1770 1786 Stock Photos and Images (423)
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