1770 1786 hi-res stock photography and images - Page 2

A map of Dorsetshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions. Stock Photo

RM2B87YF4–A map of Dorsetshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions.

Cécile Caroline Charlotte Vanhove (1770-1860) - Portrait original d'après nature gravé en 1786 par Charles Etienne Gaucher. Stock Photo

RMW5KP62–Cécile Caroline Charlotte Vanhove (1770-1860) - Portrait original d'après nature gravé en 1786 par Charles Etienne Gaucher.

Peruche, de Gingi François-Nicolas Martinet (French, 1739-after 1796). Peruche, de Gingi, 1770-1786. Hand-colored engraving, sheet: 12 7/16 x 9 in. (31.6 x 22.9 cm). European Art 1770-1786 Stock Photo

RM2M94246–Peruche, de Gingi François-Nicolas Martinet (French, 1739-after 1796). Peruche, de Gingi, 1770-1786. Hand-colored engraving, sheet: 12 7/16 x 9 in. (31.6 x 22.9 cm). European Art 1770-1786

1786 Playfair - Chart of import and exports of England to and from all North America from the year 1770 to 1782. Stock Photo

RMP517JB–1786 Playfair - Chart of import and exports of England to and from all North America from the year 1770 to 1782.

Thomas Phillips (1770-1845) (copy after) - Sir John Franklin (1786–1847) Stock Photo

RM2JPY6AJ–Thomas Phillips (1770-1845) (copy after) - Sir John Franklin (1786–1847)

Sultana Reading in the Harem. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9BR9–Sultana Reading in the Harem. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by The Poet, ca. 1753, Etching and engraving, Sheet (trimmed): 10 9/16 in. × 8 in. (26.9 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76W8–Art inspired by The Poet, ca. 1753, Etching and engraving, Sheet (trimmed): 10 9/16 in. × 8 in. (26.9 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014 Stock Photo

RMEFK1GK–The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014

Archive image from page 78 of Verzeichnis der ihm bekannten schweizerischen. Verzeichnis der ihm bekannten schweizerischen Insekten mit einer ausgemahlten Kupfertafel: nebst der Ankündigung eines neuen Insecten Werks CUbiodiversity1121751 Year: 1775 ( FlX7. I 3 .CL Stock Photo

RMW9FXFG–Archive image from page 78 of Verzeichnis der ihm bekannten schweizerischen. Verzeichnis der ihm bekannten schweizerischen Insekten mit einer ausgemahlten Kupfertafel: nebst der Ankündigung eines neuen Insecten Werks CUbiodiversity1121751 Year: 1775 ( FlX7. I 3 .CL

Français : portrait de Madame Gaspard Gilbert Delamalle née Agathe-Louise-Élisabeth Sarraire (1770-1845) et son fils Jean-François Delamalle (1786-1814). 18th century. 1231 Vestier - portrait de madame Gaspard Gilbert Delamalle Stock Photo

RMMNY5A7–Français : portrait de Madame Gaspard Gilbert Delamalle née Agathe-Louise-Élisabeth Sarraire (1770-1845) et son fils Jean-François Delamalle (1786-1814). 18th century. 1231 Vestier - portrait de madame Gaspard Gilbert Delamalle

Alexander Cozens, (artist), British, c. 1717 - 1786, Mountain Landscape with a Hollow, c. 1770, pen and brown ink with brown wash on laid paper, Overall: 23 x 30.3 cm (9 1/16 x 11 15/16 in.), overall (mount): 33.3 x 43.3 cm (13 1/8 x 17 1/16 in Stock Photo

RM2DCAKRJ–Alexander Cozens, (artist), British, c. 1717 - 1786, Mountain Landscape with a Hollow, c. 1770, pen and brown ink with brown wash on laid paper, Overall: 23 x 30.3 cm (9 1/16 x 11 15/16 in.), overall (mount): 33.3 x 43.3 cm (13 1/8 x 17 1/16 in

. Historical collections of the state of New Jersey: past and present:. s completedin 1811. It stands on a commanding eminence, on a site presentedto the college by the Hon. James Parker, of Amboy. This institu-tion was chartered by George III., in 1770, and was named QueensCollege, in honor of his consort; but, for want of necessary funds,did not go into operation until 1781. It began and continued un-der the instruction of tutors, and degrees were conferred by theboard of trustees, until 1786, when the Rev. J. R. Hardenberghwas elected the tirst president. Dr. Hardenbergh died in 1790,and in Stock Photo

RM2AFKYXT–. Historical collections of the state of New Jersey: past and present:. s completedin 1811. It stands on a commanding eminence, on a site presentedto the college by the Hon. James Parker, of Amboy. This institu-tion was chartered by George III., in 1770, and was named QueensCollege, in honor of his consort; but, for want of necessary funds,did not go into operation until 1781. It began and continued un-der the instruction of tutors, and degrees were conferred by theboard of trustees, until 1786, when the Rev. J. R. Hardenberghwas elected the tirst president. Dr. Hardenbergh died in 1790,and in

A map of Derbyshire UK scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions. Stock Photo

RM2B87Y4H–A map of Derbyshire UK scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions.

RM2M9423P–Peruche, de Gingi François-Nicolas Martinet (French, 1739-after 1796). Peruche, de Gingi, 1770-1786. Hand-colored engraving, sheet: 12 7/16 x 9 in. (31.6 x 22.9 cm). European Art 1770-1786

Earth. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm). Series/Portfolio: The Four Elements (Les Quatres Éléments). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANJ4W–Earth. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm). Series/Portfolio: The Four Elements (Les Quatres Éléments). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by The Shepherd, ca3, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76W5–Art inspired by The Shepherd, ca3, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Obelisk in front of the parish church of St. Blasius in Fulda. The City Parish Church of St. Blaise is the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014 Stock Photo

RMEFK1FT–Obelisk in front of the parish church of St. Blasius in Fulda. The City Parish Church of St. Blaise is the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014

Archive image from page 77 of Verzeichnis der ihm bekannten schweizerischen. Verzeichnis der ihm bekannten schweizerischen Insekten mit einer ausgemahlten Kupfertafel: nebst der Ankündigung eines neuen Insecten Werks CUbiodiversity1121751 Year: 1775 ( £'2, No. vil. Clag bet 3nfcctc!t. Aptera. (Dl)nc glütfcl/ obci llngesicfcr. 3« ecn tint gifcf)tetd;en ütdt fcfteii. SchaefF, elem. t. 22. 1217 Omfcus Aiellus. jCÜeCflgcf. Lin. 14. Ulj. ÄCUnj. t. 24- f. 154- b. Schaeif. elem. t. 92. Geofr. 2.t. 22. f. I. 3iilcntf)albeii in bec cfjiücij fcf;i- fjdiifiij. 1218 Onifcus Aimadillo. Sie (gtCinaiTd. Li Stock Photo

RMW9FX7A–Archive image from page 77 of Verzeichnis der ihm bekannten schweizerischen. Verzeichnis der ihm bekannten schweizerischen Insekten mit einer ausgemahlten Kupfertafel: nebst der Ankündigung eines neuen Insecten Werks CUbiodiversity1121751 Year: 1775 ( £'2, No. vil. Clag bet 3nfcctc!t. Aptera. (Dl)nc glütfcl/ obci llngesicfcr. 3« ecn tint gifcf)tetd;en ütdt fcfteii. SchaefF, elem. t. 22. 1217 Omfcus Aiellus. jCÜeCflgcf. Lin. 14. Ulj. ÄCUnj. t. 24- f. 154- b. Schaeif. elem. t. 92. Geofr. 2.t. 22. f. I. 3iilcntf)albeii in bec cfjiücij fcf;i- fjdiifiij. 1218 Onifcus Aimadillo. Sie (gtCinaiTd. Li

. English: Golghar, Patna, 1888. This storage house for grain, also known as Golghar ('round house'), was built in 1786 by John Garstin at the request of the then administrator, Warren Hastings, as a safeguard against a recurrence of the terrible famine of 1770. 1888. De Fabeck, Frederick William Alexander, (1830-1912) 215 Golghar, Patna, 1888 Stock Photo

RMMYG48B–. English: Golghar, Patna, 1888. This storage house for grain, also known as Golghar ('round house'), was built in 1786 by John Garstin at the request of the then administrator, Warren Hastings, as a safeguard against a recurrence of the terrible famine of 1770. 1888. De Fabeck, Frederick William Alexander, (1830-1912) 215 Golghar, Patna, 1888

Jean-Baptiste Nini, Charles-Juste, Prince de Beauvau, French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 4 3/8 in. (11.1 cm), Sculpture-Miniature Stock Photo

RM2B0H7AB–Jean-Baptiste Nini, Charles-Juste, Prince de Beauvau, French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 4 3/8 in. (11.1 cm), Sculpture-Miniature

A history of the United States . e was suddenlystricken with fever and the command was transferred toGeneral Israel Putnam,- with Generals Sullivan and Stirling 1 Born, 1742; died, 1786. Member of the Rhode Islaud assembly in 1770;joined a military company in 1774; became brigadier general in 1775; majorgeneral in 1776; showed great military talents at Dorchester Heights, Brook-lyn, Trenton, Princeton, Brandywine, and Germantown; succeeded Gates inthe South, 1780, and by his strategic skill in opposing Cornwallis and LordRawdon, cleared the South and drove Cornwallis into the position which re Stock Photo

RM2AXE35Y–A history of the United States . e was suddenlystricken with fever and the command was transferred toGeneral Israel Putnam,- with Generals Sullivan and Stirling 1 Born, 1742; died, 1786. Member of the Rhode Islaud assembly in 1770;joined a military company in 1774; became brigadier general in 1775; majorgeneral in 1776; showed great military talents at Dorchester Heights, Brook-lyn, Trenton, Princeton, Brandywine, and Germantown; succeeded Gates inthe South, 1780, and by his strategic skill in opposing Cornwallis and LordRawdon, cleared the South and drove Cornwallis into the position which re

An old coloured map of Herefordshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright. Stock Photo

RM2BBN24X–An old coloured map of Herefordshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright.

Landweg, Johan Antonie Kaldenbach, 1770 - 1786 print Landweg with current figures and a farmhouse, where a woman leans over the lower door. In the background a car with two horses and on the right a church tower protrudes above the trees. paper etching road, path. four-wheeled vehicle drawn by two animals. parts of church exterior and annexes Stock Photo

RM2WCKG2E–Landweg, Johan Antonie Kaldenbach, 1770 - 1786 print Landweg with current figures and a farmhouse, where a woman leans over the lower door. In the background a car with two horses and on the right a church tower protrudes above the trees. paper etching road, path. four-wheeled vehicle drawn by two animals. parts of church exterior and annexes

Summer. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm). Series/Portfolio: The Four Seasons (Les Quatre Saisons). Date: 1735-86. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAB4C7–Summer. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm). Series/Portfolio: The Four Seasons (Les Quatre Saisons). Date: 1735-86. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Summer, 1735–86, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXPR1–Art inspired by Summer, 1735–86, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMEFK1YB–Obelisk in front of the parish church of St. Blasius in Fulda. The City Parish Church of St. Blaise is the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014

Art inspired by Leda and the Swan, n.d., Etching, plate: 20 1/16 x 10 5/16 in. (51 x 26.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW65G0–Art inspired by Leda and the Swan, n.d., Etching, plate: 20 1/16 x 10 5/16 in. (51 x 26.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Archive image from page 73 of Verzeichnis der ihm bekannten schweizerischen. Verzeichnis der ihm bekannten schweizerischen Insekten mit einer ausgemahlten Kupfertafel: nebst der Ankündigung eines neuen Insecten Werks CUbiodiversity1121751 Year: 1775 ( 8 VI. (Ha bei 3nfcctcn. No. 1150 Afilus tipuloidcs. Qdjnaäcmvtuje. Lin. 14. ci) iitiä nidjt feiten «uf 551uinen in ten .ecfen. 1151 Afilus oelandicus. Lin. i Schaeff. Ratisb. t. 8- f. 14? 311 i'inbtcn. Dr. 3lm(?ciii. 1152 Afilus lufitanicus. Lin. 17, &tn bdfelbft Dr. 3(mrtetti, Bombylius. en @cf)iüa(6enneflcrn. II59 Hippobofca ovina. cfjaflflau Stock Photo

RMW9FWCT–Archive image from page 73 of Verzeichnis der ihm bekannten schweizerischen. Verzeichnis der ihm bekannten schweizerischen Insekten mit einer ausgemahlten Kupfertafel: nebst der Ankündigung eines neuen Insecten Werks CUbiodiversity1121751 Year: 1775 ( 8 VI. (Ha bei 3nfcctcn. No. 1150 Afilus tipuloidcs. Qdjnaäcmvtuje. Lin. 14. ci) iitiä nidjt feiten «uf 551uinen in ten .ecfen. 1151 Afilus oelandicus. Lin. i Schaeff. Ratisb. t. 8- f. 14? 311 i'inbtcn. Dr. 3lm(?ciii. 1152 Afilus lufitanicus. Lin. 17, &tn bdfelbft Dr. 3(mrtetti, Bombylius. en @cf)iüa(6enneflcrn. II59 Hippobofca ovina. cfjaflflau

Art inspired by Rocaille (Rock Garden), ca. 1737, Etching with engraving, Sheet: 19 5/8 x 9 13/16 in. (49.8 x 25 cm), Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6525–Art inspired by Rocaille (Rock Garden), ca. 1737, Etching with engraving, Sheet: 19 5/8 x 9 13/16 in. (49.8 x 25 cm), Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by The Hearing of Qadi, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 3/16 in. (6.9 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76W7–Art inspired by The Hearing of Qadi, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 3/16 in. (6.9 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMX9FKA–. English: Golghar, Patna, 1888. This storage house for grain, also known as Golghar ('round house'), was built in 1786 by John Garstin at the request of the then administrator, Warren Hastings, as a safeguard against a recurrence of the terrible famine of 1770. 1888. De Fabeck, Frederick William Alexander, (1830-1912) 249 Golghar, Patna, 1888

Jean-Baptiste Nini, Hiacinthe de Rigaud, Comte de Vaudreuil, French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 4 5/8 in. (11.7 cm), Sculpture-Miniature Stock Photo

RM2B0MTF5–Jean-Baptiste Nini, Hiacinthe de Rigaud, Comte de Vaudreuil, French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 4 5/8 in. (11.7 cm), Sculpture-Miniature

. The Pennsylvania-German Society : [Publications]. arley, 1786 1842 John Harley, 1812 David Keim, 1802 Peter Hollobush, 1805 1872 Jacob Conner, 1834 Isaac Urner Brower, 1S44 Jesse P. Hetric, 1844 John Y. Eisenburg, 1840 List of members in 1770, of the Coventry Brethrenchurch: Martin Urner, minister, and wife, Peter Reinhart, ex-horter, Owen Reinhart, Henry Dasker and wife, NicholosHarwick and wife, Abraham Grub and wife, ChristianMonsieur, Barbara Miller, Barbara Welty, FrederickReinhart and wife, Barbara Urner, Elizabeth Ingles,Catherine Grumbacker, Catharine Boch, John Eiker, JacobPfauts an Stock Photo

RM2AFYC2C–. The Pennsylvania-German Society : [Publications]. arley, 1786 1842 John Harley, 1812 David Keim, 1802 Peter Hollobush, 1805 1872 Jacob Conner, 1834 Isaac Urner Brower, 1S44 Jesse P. Hetric, 1844 John Y. Eisenburg, 1840 List of members in 1770, of the Coventry Brethrenchurch: Martin Urner, minister, and wife, Peter Reinhart, ex-horter, Owen Reinhart, Henry Dasker and wife, NicholosHarwick and wife, Abraham Grub and wife, ChristianMonsieur, Barbara Miller, Barbara Welty, FrederickReinhart and wife, Barbara Urner, Elizabeth Ingles,Catherine Grumbacker, Catharine Boch, John Eiker, JacobPfauts an

Master Skinner, Print made by James Wilson, c.1735–c.1786, after Francis Cotes RA, 1726–1770, British, 1770, Mezzotint on moderately thick, moderately textured, beige laid paper, Sheet: 14 1/8 × 10 1/16 inches (35.9 × 25.6 cm) and Image: 12 1/4 × 9 13/16 inches (31.1 × 24.9 cm Stock Photo

RM2DHWWP4–Master Skinner, Print made by James Wilson, c.1735–c.1786, after Francis Cotes RA, 1726–1770, British, 1770, Mezzotint on moderately thick, moderately textured, beige laid paper, Sheet: 14 1/8 × 10 1/16 inches (35.9 × 25.6 cm) and Image: 12 1/4 × 9 13/16 inches (31.1 × 24.9 cm

A map of Hampshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions. Stock Photo

RM2BAF9RK–A map of Hampshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions.

East India House, London . Author Caldwall, James 24.10.a. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [between 1770 and 1786] Item type: 1 print Medium: etching and engraving Dimensions: sheet 10.8 x 17.3 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HGAP–East India House, London . Author Caldwall, James 24.10.a. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [between 1770 and 1786] Item type: 1 print Medium: etching and engraving Dimensions: sheet 10.8 x 17.3 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820

Frontispiece, from The Building of St. Sulpice by Alexis Piron. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet: 5 7/16 x 3 3/8 in. (13.8 x 8.6 cm). Date: ca. 1744. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAR2WN–Frontispiece, from The Building of St. Sulpice by Alexis Piron. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet: 5 7/16 x 3 3/8 in. (13.8 x 8.6 cm). Date: ca. 1744. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Erigone Vanquished, ca. 1745, Etching and engraving, Sheet (trimmed): 9 3/8 × 11 1/16 in. (23.8 × 28.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76TR–Art inspired by Erigone Vanquished, ca. 1745, Etching and engraving, Sheet (trimmed): 9 3/8 × 11 1/16 in. (23.8 × 28.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMWBK55–. English: Golghar, Patna, 1888. This storage house for grain, also known as Golghar ('round house'), was built in 1786 by John Garstin at the request of the then administrator, Warren Hastings, as a safeguard against a recurrence of the terrible famine of 1770. 1888. De Fabeck, Frederick William Alexander, (1830-1912) 249 Golghar, Patna, 1888

English: Portrait of Elisaveta Alexandrovna Stroganova (1745-1831) ???????: ????????? ????????????? ?????????? (1745-1831), ???? ?? ?????? ???????? ??? ?????, ???? ?????????? ??????????? ??????????? (1716-1786) ? ????????? ????????????? ????????? (1720-?); ???? ??????? ?? ???????-??????? ??????????? ???????????? ??????????? (1740-1789), ?? ??? ???? ???????? ????????????? ????????? (1770-1857). 1770s. ElisavetaAlexandrovnaStroganova Stock Photo

RMMMJ3N7–English: Portrait of Elisaveta Alexandrovna Stroganova (1745-1831) ???????: ????????? ????????????? ?????????? (1745-1831), ???? ?? ?????? ???????? ??? ?????, ???? ?????????? ??????????? ??????????? (1716-1786) ? ????????? ????????????? ????????? (1720-?); ???? ??????? ?? ???????-??????? ??????????? ???????????? ??????????? (1740-1789), ?? ??? ???? ???????? ????????????? ????????? (1770-1857). 1770s. ElisavetaAlexandrovnaStroganova

Lady Christiana Collier (née Gwyn), Print made by George Graham, active 1786–1813, after Sir Joshua Reynolds RA, 1723–1792, British, between 1760 and 1770, Mezzotint on medium, slightly textured, beige, laid paper, Sheet: 14 3/16 × 10 3/16 inches (36 × 25.9 cm), Plate: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm), and Image: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm Stock Photo

RM2DHX9N6–Lady Christiana Collier (née Gwyn), Print made by George Graham, active 1786–1813, after Sir Joshua Reynolds RA, 1723–1792, British, between 1760 and 1770, Mezzotint on medium, slightly textured, beige, laid paper, Sheet: 14 3/16 × 10 3/16 inches (36 × 25.9 cm), Plate: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm), and Image: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm

. Français : Portrait gravé de Sophie Cottin (1770-1807) . 19th century. Adrien Migneret Alternative names Migneret, Adrien Jacques Antoine Description French engraver Date of birth/death 1786 1840 Work location Paris After Charles Abraham Chasselat (1782–1843) Description French painter Date of birth/death 1782 1843 Location of birth/death Paris Paris Authority control : Q5074952 VIAF: 15041995 ISNI: 0000 0000 6629 4954 ULAN: 500001251 LCCN: nr2002016820 SUDOC: 120068192 WorldCat 1133 Sophie Cottin par Migneret Stock Photo

RMMNXD2N–. Français : Portrait gravé de Sophie Cottin (1770-1807) . 19th century. Adrien Migneret Alternative names Migneret, Adrien Jacques Antoine Description French engraver Date of birth/death 1786 1840 Work location Paris After Charles Abraham Chasselat (1782–1843) Description French painter Date of birth/death 1782 1843 Location of birth/death Paris Paris Authority control : Q5074952 VIAF: 15041995 ISNI: 0000 0000 6629 4954 ULAN: 500001251 LCCN: nr2002016820 SUDOC: 120068192 WorldCat 1133 Sophie Cottin par Migneret

An engraving of Lanthony Abbey 1784 (Llanthony Secunda Priory) Gloucestershire scanned at high resolution from a book published around 1786. Stock Photo

RM2BAF9P2–An engraving of Lanthony Abbey 1784 (Llanthony Secunda Priory) Gloucestershire scanned at high resolution from a book published around 1786.

History of Worcester and its people . OLD MAIN STREET VIEW TAKEN ABOUT 1840.Frum near Harriiiyliin ClnuT lunkint; iKirtli. 3/8 HISTORY OF WORCESTER of Worcester, but the request was refused and for many years this townhad citizens exercising rights, and subject to duties within the limits ofWard. The town of Ward became Auburn in 1837. Selectmen of the Town Charles .-Mien. 1832. Jiiscph Allen, 1783. David Andrews, 1798, 1802. Daniel Baird, 1786-89. Nathan Baldwin, 1770. Edward Bangs, 1803-08. Edward Bangs Jr., 1823-24. Samuel Banister, 1837. Joseph Barber, 1780. William Barber, 1842. Gen. E. L Stock Photo

RM2AN3B29–History of Worcester and its people . OLD MAIN STREET VIEW TAKEN ABOUT 1840.Frum near Harriiiyliin ClnuT lunkint; iKirtli. 3/8 HISTORY OF WORCESTER of Worcester, but the request was refused and for many years this townhad citizens exercising rights, and subject to duties within the limits ofWard. The town of Ward became Auburn in 1837. Selectmen of the Town Charles .-Mien. 1832. Jiiscph Allen, 1783. David Andrews, 1798, 1802. Daniel Baird, 1786-89. Nathan Baldwin, 1770. Edward Bangs, 1803-08. Edward Bangs Jr., 1823-24. Samuel Banister, 1837. Joseph Barber, 1780. William Barber, 1842. Gen. E. L

Portrait of Joseph (1741-1786) and his Brother John Gulston (1750-1764). Francis Cotes (English, 1726 - 1770) Stock Photo

RM2F5M5EX–Portrait of Joseph (1741-1786) and his Brother John Gulston (1750-1764). Francis Cotes (English, 1726 - 1770)

Water. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm). Series/Portfolio: The Four Elements (Les Quatres Éléments). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPARATC–Water. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm). Series/Portfolio: The Four Elements (Les Quatres Éléments). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Sultana at Her Toilet, 1746–47, Etching and engraving, Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76W2–Art inspired by Sultana at Her Toilet, 1746–47, Etching and engraving, Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

River and Boat, Alexander Cozens, 1717–1786, British, ca. 1770, Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper, Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm) and Mount: 6 1/8 x 7 3/4 inches (15.6 x 19.7 cm), flag, hills, landscape, marine art, river, sailboat, trees Stock Photo

RM2DJ7M4H–River and Boat, Alexander Cozens, 1717–1786, British, ca. 1770, Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper, Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm) and Mount: 6 1/8 x 7 3/4 inches (15.6 x 19.7 cm), flag, hills, landscape, marine art, river, sailboat, trees

. Baron Charles de Geer (1782-78) Baroness Catharina Charlotta Ribbing (1720-87) . 1770-talet. Gustaf Lundberg (1695–1786) Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF:?25745822 ISNI:?0000 0000 6686 454X ULAN:?500027182 LCCN:?n2006086273 WGA:?LUNDBERG, Gustaf WorldCat DeGeer-Ribbing Stock Photo

RMMMX0N7–. Baron Charles de Geer (1782-78) Baroness Catharina Charlotta Ribbing (1720-87) . 1770-talet. Gustaf Lundberg (1695–1786) Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF:?25745822 ISNI:?0000 0000 6686 454X ULAN:?500027182 LCCN:?n2006086273 WGA:?LUNDBERG, Gustaf WorldCat DeGeer-Ribbing

An old coloured map of Hertfordshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright. Stock Photo

RM2BBN2B7–An old coloured map of Hertfordshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright.

. English: A May Day Garland for 1820 The print includes representations of Nicholas Vansittart, 1st Baron Bexley (1766-1851); John Thomas Brunt (1782-1820) (executed conspirator); George Canning (1770-1827); William Davidson (1786-1820) (executed conspirator); George Edwards (1787-1843) (spy and agent provocateur who uncovered the Cato Street Conspiracy); Robert Gifford, 1st Baron Gifford (1779-1826); James Ings (1794-1820) (executed conspirator); Robert Stewart, 2nd Marquess of Londonderry; Henry Addington, 1st Viscount Sidmouth (1757-1844); Charles Abbott, 1st Baron Tenterden (1762-1832); A Stock Photo

RMMW3275–. English: A May Day Garland for 1820 The print includes representations of Nicholas Vansittart, 1st Baron Bexley (1766-1851); John Thomas Brunt (1782-1820) (executed conspirator); George Canning (1770-1827); William Davidson (1786-1820) (executed conspirator); George Edwards (1787-1843) (spy and agent provocateur who uncovered the Cato Street Conspiracy); Robert Gifford, 1st Baron Gifford (1779-1826); James Ings (1794-1820) (executed conspirator); Robert Stewart, 2nd Marquess of Londonderry; Henry Addington, 1st Viscount Sidmouth (1757-1844); Charles Abbott, 1st Baron Tenterden (1762-1832); A

An English jack-tar giving monsieur a drubbing. British cartoon Prints collection . Keppel, Augustus Keppel,Viscount,1725-1786. , Sailors,British,1770-1780. , Dandies,French,Great Britain,1770-1780. , International relations,1770-1780. Stock Photo

RM2P07C4E–An English jack-tar giving monsieur a drubbing. British cartoon Prints collection . Keppel, Augustus Keppel,Viscount,1725-1786. , Sailors,British,1770-1780. , Dandies,French,Great Britain,1770-1780. , International relations,1770-1780.

An engraving of Goatshead or Gateside Monastery 1784 (Gateshead) Durham scanned at high resolution from a book published around 1786. Stock Photo

RM2B9KGE9–An engraving of Goatshead or Gateside Monastery 1784 (Gateshead) Durham scanned at high resolution from a book published around 1786.

Platter with reliefzierat decoration and flowers; Koenigliche Porzellan Manufaktur (KPM; Berlin; 1763-1918); around 1770/80 (1768-00-00-1775-00-00);Fryderyk II Great (King of Prussia - 1712-1786), reliefzierat, flower decorations, message (provenance), Rocaille (ornament) Stock Photo

RM2WP6J6J–Platter with reliefzierat decoration and flowers; Koenigliche Porzellan Manufaktur (KPM; Berlin; 1763-1918); around 1770/80 (1768-00-00-1775-00-00);Fryderyk II Great (King of Prussia - 1712-1786), reliefzierat, flower decorations, message (provenance), Rocaille (ornament)

An engraving of Rye House, Hertfordshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photo

RM2BBN2DC–An engraving of Rye House, Hertfordshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free.

Winter. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm). Series/Portfolio: The Four Seasons (Les Quatre Saisons). Date: 1735-86. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAY8A–Winter. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm). Series/Portfolio: The Four Seasons (Les Quatre Saisons). Date: 1735-86. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Maria Walewska (1786–1817). Gérard, François-Pascal-Simon (1770-1837), painter Stock Photo

RM2JWEDFW–Portrait of Maria Walewska (1786–1817). Gérard, François-Pascal-Simon (1770-1837), painter

An engraving of Colchester Castle Essex 1783 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photo

RM2BA02NY–An engraving of Colchester Castle Essex 1783 scanned at high resolution from a book published around 1786. Believed copyright free.

Daniel Nikolaus Chodowiecki (Engraver) Improvement of customs; The economic trophy of Labes. etching 1786; 1770 Stock Photo

RM2T80Y3G–Daniel Nikolaus Chodowiecki (Engraver) Improvement of customs; The economic trophy of Labes. etching 1786; 1770

$History of Boothbay, Southport and Boothbay Harbor, Maine1623-1905With family genealogies . h his brother. *4 John, b. abt. 1740, q. v.6 Samuel, b. 1742; m. Jean Wyer, Bristol, 1769; d. June 3, 1808; s. p.;adopted James and Samuel Murray after their mothers death. 6 Anna, b. 1747; m. John Murray, 1766, q. v.; d. May 31, 1777. Second Generation.(*4) John Montgomery {Roberf^) m. Lydia Winslow, Bristol, 1769(thought to have been dau. of Nathaniel and Martha Winslow). He diedJune 23, 1786; she died Nov. 25, 1835. Children: 7 Sally, b. Nov. 10, 1770; m. William Fullerton, 1794, q. v.*8 Robert, b. M Stock Photo$

RM2ANGTAR–History of Boothbay, Southport and Boothbay Harbor, Maine1623-1905With family genealogies . h his brother. *4 John, b. abt. 1740, q. v.6 Samuel, b. 1742; m. Jean Wyer, Bristol, 1769; d. June 3, 1808; s. p.;adopted James and Samuel Murray after their mothers death. 6 Anna, b. 1747; m. John Murray, 1766, q. v.; d. May 31, 1777. Second Generation.(*4) John Montgomery {Roberf^) m. Lydia Winslow, Bristol, 1769(thought to have been dau. of Nathaniel and Martha Winslow). He diedJune 23, 1786; she died Nov. 25, 1835. Children: 7 Sally, b. Nov. 10, 1770; m. William Fullerton, 1794, q. v.*8 Robert, b. M

Art inspired by The Slave Merchant, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.7 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76WC–Art inspired by The Slave Merchant, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.7 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Coastal Scene with Wooded Cliff, Alexander Cozens, 1717–1786, British, ca. 1770, Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper, Mount: 9 7/8 x 13 5/8 inches (25.1 x 34.6 cm) and Sheet: 4 7/8 x 7 inches (12.4 x 17.8 cm), cliffs, clouds, landscape, sailboats, seascape, shore (landform), trees Stock Photo

RM2DJ7PJT–Coastal Scene with Wooded Cliff, Alexander Cozens, 1717–1786, British, ca. 1770, Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper, Mount: 9 7/8 x 13 5/8 inches (25.1 x 34.6 cm) and Sheet: 4 7/8 x 7 inches (12.4 x 17.8 cm), cliffs, clouds, landscape, sailboats, seascape, shore (landform), trees

Interior with figures in front of a judge, Le juge ou la cruche cassée (title on object), Interior with an old man with his daughter and an old woman with her son in front of a judge., print, print maker: Jean Jacques André Le Veau, (mentioned on object), after painting by: Philibert-Louis Debucourt, (mentioned on object), publisher: Delalande, (mentioned on object), Paris, 1770 - 1786, paper, etching, engraving, height, 353 mm × width, 435 mm Stock Photo

RM2X6YR52–Interior with figures in front of a judge, Le juge ou la cruche cassée (title on object), Interior with an old man with his daughter and an old woman with her son in front of a judge., print, print maker: Jean Jacques André Le Veau, (mentioned on object), after painting by: Philibert-Louis Debucourt, (mentioned on object), publisher: Delalande, (mentioned on object), Paris, 1770 - 1786, paper, etching, engraving, height, 353 mm × width, 435 mm

RMMMJWHG–. English: A May Day Garland for 1820 The print includes representations of Nicholas Vansittart, 1st Baron Bexley (1766-1851); John Thomas Brunt (1782-1820) (executed conspirator); George Canning (1770-1827); William Davidson (1786-1820) (executed conspirator); George Edwards (1787-1843) (spy and agent provocateur who uncovered the Cato Street Conspiracy); Robert Gifford, 1st Baron Gifford (1779-1826); James Ings (1794-1820) (executed conspirator); Robert Stewart, 2nd Marquess of Londonderry; Henry Addington, 1st Viscount Sidmouth (1757-1844); Charles Abbott, 1st Baron Tenterden (1762-1832); A

Card table, c. 1770, attributed to John Goddard, American, (Newport, Rhode Island), active 1724 - 1786, 28 1/2 x 34 x 34 in. (72.39 x 86.36 x 86.36 cm), Mahogany with maple, United States, 18th century Stock Photo

RM2T91F22–Card table, c. 1770, attributed to John Goddard, American, (Newport, Rhode Island), active 1724 - 1786, 28 1/2 x 34 x 34 in. (72.39 x 86.36 x 86.36 cm), Mahogany with maple, United States, 18th century

Lyrical Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB5W61–Lyrical Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA.

An engraving of Corfe Castle, Dorsetshire 1783 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photo

RM2B87YFM–An engraving of Corfe Castle, Dorsetshire 1783 scanned at high resolution from a book published around 1786. Believed copyright free.

Wiener Scenen ':' The Schornsteinfeger. '. Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publishing house, Joseph d. Ä. Lanzedelly (1772-1831), drawer Stock Photo

RM2JAAA1F–Wiener Scenen ':' The Schornsteinfeger. '. Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publishing house, Joseph d. Ä. Lanzedelly (1772-1831), drawer

Engraving of Beauchief Abbey, Derbyshire scanned at high resolution from a book published around 1786 . Believed copyright free. Stock Photo

RM2B87XYW–Engraving of Beauchief Abbey, Derbyshire scanned at high resolution from a book published around 1786 . Believed copyright free.

Series 'Viennese scenes': 'The musicians.'. Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Artist, Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publisher Stock Photo

RM2JADMA8–Series 'Viennese scenes': 'The musicians.'. Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Artist, Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publisher

The Spanish in the Southwest . La Purisima Concepcion Santa Cruz Soledad San Jose San Juan Bautista San Miguel San Fernando San Luis Rey Santa Inez . San Rafael San Francisco de Solano June i6? 1769.June 3, 1770.River in 1771.July 14, 1771.September 8, 1771.September 1, 1772.October 9, 1776. November 1, 1776.January 18, 1777.March 31, 1782.December 4, 1786.December 8, 1787.August 28, 1791.October 9, 1791.June 18, 1797.June 24, T797.July 2^, 1797.September 8, 1797.June 13, 1798.September 17, 1804.December 18, 1817.August 25, 1823. Situated at Sonoma. IV. SPANISH CALIFORNIA CHAPTER XVIII LIFE IN Stock Photo

RM2AM5PE7–The Spanish in the Southwest . La Purisima Concepcion Santa Cruz Soledad San Jose San Juan Bautista San Miguel San Fernando San Luis Rey Santa Inez . San Rafael San Francisco de Solano June i6? 1769.June 3, 1770.River in 1771.July 14, 1771.September 8, 1771.September 1, 1772.October 9, 1776. November 1, 1776.January 18, 1777.March 31, 1782.December 4, 1786.December 8, 1787.August 28, 1791.October 9, 1791.June 18, 1797.June 24, T797.July 2^, 1797.September 8, 1797.June 13, 1798.September 17, 1804.December 18, 1817.August 25, 1823. Situated at Sonoma. IV. SPANISH CALIFORNIA CHAPTER XVIII LIFE IN

Art inspired by The Little Farm Girl, ca. 1753, Etching and engraving, Sheet (trimmed): 10 5/8 × 8 1/16 in. (27 × 20.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76TM–Art inspired by The Little Farm Girl, ca. 1753, Etching and engraving, Sheet (trimmed): 10 5/8 × 8 1/16 in. (27 × 20.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Print made by James Wilson, c.1735–c.1786, Master Skinner, 1770. Mezzotint on moderately thick, moderately textured, beige laid paper. Public Domain Stock Photo

RM2E47DD7–Print made by James Wilson, c.1735–c.1786, Master Skinner, 1770. Mezzotint on moderately thick, moderately textured, beige laid paper. Public Domain

Wiener Scenen ':' Die Holzhauer. '. The Holzhauer. Jeremias Bermann (1770-1855), publishing house, after: Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Drawer (1786-1839) , lithograph Stock Photo

RM2JAAA5G–Wiener Scenen ':' Die Holzhauer. '. The Holzhauer. Jeremias Bermann (1770-1855), publishing house, after: Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Drawer (1786-1839) , lithograph

Series 'Viennese scenes': 'The fruit women.'. Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Artist, Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publishing house Stock Photo

RM2JADMA4–Series 'Viennese scenes': 'The fruit women.'. Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Artist, Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publishing house

RMMWYNW5–. English: A May Day Garland for 1820 The print includes representations of Nicholas Vansittart, 1st Baron Bexley (1766-1851); John Thomas Brunt (1782-1820) (executed conspirator); George Canning (1770-1827); William Davidson (1786-1820) (executed conspirator); George Edwards (1787-1843) (spy and agent provocateur who uncovered the Cato Street Conspiracy); Robert Gifford, 1st Baron Gifford (1779-1826); James Ings (1794-1820) (executed conspirator); Robert Stewart, 2nd Marquess of Londonderry; Henry Addington, 1st Viscount Sidmouth (1757-1844); Charles Abbott, 1st Baron Tenterden (1762-1832); A

Parakeets among Hydrangeas and Poppies, after 1770, Sō Shiseki, Japanese, 1715 - 1786, 13 1/2 × 22 5/8 in. (34.29 × 57.47 cm) (image)49 3/8 × 28 1/16 in. (125.41 × 71.28 cm) (mount, without roller), Ink and color on silk, Japan, 18th century, Two parakeets rest among flowers on an early summer day. The composition is dominated by the large branch of hydrangea but anchored in the lower left corner by a rock and colorful poppies. Chinese painting techniques, including shading on the petals and leaves and a light, uneven wash of ink in the background Stock Photo

RM2T90FHF–Parakeets among Hydrangeas and Poppies, after 1770, Sō Shiseki, Japanese, 1715 - 1786, 13 1/2 × 22 5/8 in. (34.29 × 57.47 cm) (image)49 3/8 × 28 1/16 in. (125.41 × 71.28 cm) (mount, without roller), Ink and color on silk, Japan, 18th century, Two parakeets rest among flowers on an early summer day. The composition is dominated by the large branch of hydrangea but anchored in the lower left corner by a rock and colorful poppies. Chinese painting techniques, including shading on the petals and leaves and a light, uneven wash of ink in the background

Series 'Viennese scenes': 'The chimney sweep.'. Jeremias Bermann (1770-1855), publishing house, Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Artist, Heinrich Papin (1786-1839), Lithograph Stock Photo

RM2JAAYM8–Series 'Viennese scenes': 'The chimney sweep.'. Jeremias Bermann (1770-1855), publishing house, Joseph d. Ä. Lanzedelly (Lanzedelli) (1772-1831), Artist, Heinrich Papin (1786-1839), Lithograph

Satyrical Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPB1D–Satyrical Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA.

An engraving of Thornbury Castle Gloucestershire 1784 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photo

RM2BAF9PP–An engraving of Thornbury Castle Gloucestershire 1784 scanned at high resolution from a book published around 1786. Believed copyright free.

. Historical discourse delivered on occasion of the re-opening and dedication of the First Reformed (Dutch) Church, at Hackensack, N.J. : May 2, 1869 . with all my powers. Watch round thy venerable towers ? And can I bid the pilgrim flee, To holier refuge than to thee ? 128 IP^^STOI^S. A. D. PETRUS TASCHEAIAKER 1686-1689. GUILLIAM BERTHOLF 1694-1724. REINHART ERRICKSON 1Y25-1728. ANTONIUS CURTENIUS 1730-1755. JOHN HENRY GOETSCHIUS 1748-1774. JOHN SCHUYLER 1756-1759. CORNELIUS BLAUW 1768-1770. WARMOLDUS KUYPERS 1770-1797. THEODORICK ROMEYN. 1775-1784. SOLOMON FROELIGH 1786-1823. JAMES V. C. ROM Stock Photo

RM2CHY4NA–. Historical discourse delivered on occasion of the re-opening and dedication of the First Reformed (Dutch) Church, at Hackensack, N.J. : May 2, 1869 . with all my powers. Watch round thy venerable towers ? And can I bid the pilgrim flee, To holier refuge than to thee ? 128 IP^^STOI^S. A. D. PETRUS TASCHEAIAKER 1686-1689. GUILLIAM BERTHOLF 1694-1724. REINHART ERRICKSON 1Y25-1728. ANTONIUS CURTENIUS 1730-1755. JOHN HENRY GOETSCHIUS 1748-1774. JOHN SCHUYLER 1756-1759. CORNELIUS BLAUW 1768-1770. WARMOLDUS KUYPERS 1770-1797. THEODORICK ROMEYN. 1775-1784. SOLOMON FROELIGH 1786-1823. JAMES V. C. ROM

Art inspired by Water, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW76WG–Art inspired by Water, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMY5WG2–. English: A May Day Garland for 1820 The print includes representations of Nicholas Vansittart, 1st Baron Bexley (1766-1851); John Thomas Brunt (1782-1820) (executed conspirator); George Canning (1770-1827); William Davidson (1786-1820) (executed conspirator); George Edwards (1787-1843) (spy and agent provocateur who uncovered the Cato Street Conspiracy); Robert Gifford, 1st Baron Gifford (1779-1826); James Ings (1794-1820) (executed conspirator); Robert Stewart, 2nd Marquess of Londonderry; Henry Addington, 1st Viscount Sidmouth (1757-1844); Charles Abbott, 1st Baron Tenterden (1762-1832); A

East Windsor side chair, 1770-90, Attributed to Timothy Loomis III, American, 1724 –1786, 41 5/8 × 19 1/4 × 15 1/2 in. (105.73 × 48.9 × 39.37 cm) (approx.), Cherry, ash, pigment, plant fibers, United States, 18th century, This chair boasts some distinctive decoration. The vase-shaped splat, or center back section, has a cutout heart. The undulating top rail features a 'pagoda' design at the center and carved 'ears' on each side. The flat-bottomed, carved pad feet and curving back rail are the details of an ambitious craftsman, a third-generation joiner from the Connecticut River valley Stock Photo

RM2T90E9R–East Windsor side chair, 1770-90, Attributed to Timothy Loomis III, American, 1724 –1786, 41 5/8 × 19 1/4 × 15 1/2 in. (105.73 × 48.9 × 39.37 cm) (approx.), Cherry, ash, pigment, plant fibers, United States, 18th century, This chair boasts some distinctive decoration. The vase-shaped splat, or center back section, has a cutout heart. The undulating top rail features a 'pagoda' design at the center and carved 'ears' on each side. The flat-bottomed, carved pad feet and curving back rail are the details of an ambitious craftsman, a third-generation joiner from the Connecticut River valley

. English: Plan showing the body plan, sheer lines, and longitudinal half-breadth for Thunderer (1783), Terrible (1785), Venerable (1784), Victorious (1785), Theseus (1786), Ramillies (1785), and Hannibal (1786), all 74-gun Third Rate, two-deckers. The plan also records alterations dated January 1813 for cutting down 74-gun Third Rates to Frigates, relating specifically to Majestic (1785), Resolution (1770), and Culloden (1783), all 74-gun Third Rate, two-deckers. Only the Majestic was cut down to a 58-gun Fourth Rate, as the other two were broken up in 1813. . April 1770. HMS Thunderer (178 Stock Photo

RMMMH3PC–. English: Plan showing the body plan, sheer lines, and longitudinal half-breadth for Thunderer (1783), Terrible (1785), Venerable (1784), Victorious (1785), Theseus (1786), Ramillies (1785), and Hannibal (1786), all 74-gun Third Rate, two-deckers. The plan also records alterations dated January 1813 for cutting down 74-gun Third Rates to Frigates, relating specifically to Majestic (1785), Resolution (1770), and Culloden (1783), all 74-gun Third Rate, two-deckers. Only the Majestic was cut down to a 58-gun Fourth Rate, as the other two were broken up in 1813. . April 1770. HMS Thunderer (178

Portrait of Joseph (1741-1786) and his Brother John Gulston (1750-1764); Francis Cotes, British, 1726 - 1770; 1754 Stock Photo

RMEE0007–Portrait of Joseph (1741-1786) and his Brother John Gulston (1750-1764); Francis Cotes, British, 1726 - 1770; 1754

. Deutsch: Maria Pawlowna, Erbprinzessin von Sachsen-Weimar-Eisenach (1786–1859) . 19th century. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-178 Stock Photo

RMMYH42W–. Deutsch: Maria Pawlowna, Erbprinzessin von Sachsen-Weimar-Eisenach (1786–1859) . 19th century. Johann Friedrich August Tischbein (1750–1812) Alternative names Friedrich Jan August Tischbein, Jan Frederik August Tischbein, Friedrich Tischbein, pseudonym: Leipziger Tischbein Description German painter and university teacher Date of birth/death 9 March 1750 21 June 1812 Location of birth/death Maastricht Heidelberg Work period between circa 1770 and circa 1812 Work location Arolsen (1770), Paris (1772-1777), Italy (1777-1780), Naples (1778-1779), The Hague (1781-1782, 1786, 1788-178

View of a Farm, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Group of trees at right, in the foreground. The farm in the middle ground., Italy, 1750–1770, landscapes, Drawing Stock Photo

RM2DMM3GG–View of a Farm, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Group of trees at right, in the foreground. The farm in the middle ground., Italy, 1750–1770, landscapes, Drawing

Pastoral Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 9 5/16 in. (25.9 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1742. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAM3TN–Pastoral Poetry. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 9 5/16 in. (25.9 × 23.6 cm). Series/Portfolio: The Four Poems (Les Quatre Poésies). Date: ca. 1742. Museum: Metropolitan Museum of Art, New York, USA.

Map of the United States : with the contiguous British & Spanish possessions, still image, Maps, 1823, Vallance, J. (John) (1770-1823), Melish, John (1771-1822 ), Tanner, Henry Schenck (1786-1858 Stock Photo

RM2CTFNWT–Map of the United States : with the contiguous British & Spanish possessions, still image, Maps, 1823, Vallance, J. (John) (1770-1823), Melish, John (1771-1822 ), Tanner, Henry Schenck (1786-1858

Wiener scenes ':' Die Holzhauer. '. Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publishing house, Höllenstein, Printer, Joseph d. Ä. Lanzedelly (1772-1831), drawer Stock Photo

RM2JAAFB7–Wiener scenes ':' Die Holzhauer. '. Heinrich Papin (1786-1839), Lithographer, Jeremias Bermann (1770-1855), publishing house, Höllenstein, Printer, Joseph d. Ä. Lanzedelly (1772-1831), drawer

Wooded Landscape, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Riders cross a brook toward a village, which is partly viable behind and above trees., Italy, 1750–1770, landscapes, Drawing Stock Photo

RM2DMP6BJ–Wooded Landscape, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Riders cross a brook toward a village, which is partly viable behind and above trees., Italy, 1750–1770, landscapes, Drawing

Elements of architectural decorations of the entrance room in the Sion Castle; Finnie, Alexander (fl. Ca 1770-1778), Adam, Robert (1728-1792); 1778 (1778-00-00-1786-00-00); Stock Photo

RM2WPCEYR–Elements of architectural decorations of the entrance room in the Sion Castle; Finnie, Alexander (fl. Ca 1770-1778), Adam, Robert (1728-1792); 1778 (1778-00-00-1786-00-00);

A Trattoria in the Woods, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Figures and animals on a road within a wooded landscape. At right, an inn with mountains in the background., Italy, 1760–1770, landscapes, Drawing Stock Photo

RM2DMDPY3–A Trattoria in the Woods, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Figures and animals on a road within a wooded landscape. At right, an inn with mountains in the background., Italy, 1760–1770, landscapes, Drawing

Art inspired by Autumn, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 3/4 in. (22.7 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXPHA–Art inspired by Autumn, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 3/4 in. (22.7 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A Landscape with Town, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and wash on paper, Mountainous country with figures beside a small waterfall in the foreground. In the background, a town with a crenelated castle before a looming outcrop., Italy, 1750–1770, landscapes, Drawing Stock Photo

RM2DMTN5C–A Landscape with Town, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and wash on paper, Mountainous country with figures beside a small waterfall in the foreground. In the background, a town with a crenelated castle before a looming outcrop., Italy, 1750–1770, landscapes, Drawing

RM2BBN2CR–An engraving of Rye House Hertfordshire 1784 scanned at high resolution from a book published around 1786. Believed copyright free.

A Peasant’s Dwelling in Woody Country, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, A house and round stable with a straw roof are at right in the middle ground with sheep nearby. Cloudy sky., Italy, 1750–1770, landscapes, Drawing Stock Photo

RM2DMGT59–A Peasant’s Dwelling in Woody Country, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, A house and round stable with a straw roof are at right in the middle ground with sheep nearby. Cloudy sky., Italy, 1750–1770, landscapes, Drawing

An engraving of The Hospital of St Cross 1783 (Winchester) scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photo

RM2BAFABX–An engraving of The Hospital of St Cross 1783 (Winchester) scanned at high resolution from a book published around 1786. Believed copyright free.

Design for a Painted Ceiling, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and black wash, black chalk on paper, Octagonal. A cupid sits upon clouds, raising with his right hand a burning heart. At right are two heads of cupis. Framed as a horzontal ovoid. Squared. On verso are accountings, Italy, 1770–1800, figures, Drawing Stock Photo

RM2DMPM79–Design for a Painted Ceiling, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and black wash, black chalk on paper, Octagonal. A cupid sits upon clouds, raising with his right hand a burning heart. At right are two heads of cupis. Framed as a horzontal ovoid. Squared. On verso are accountings, Italy, 1770–1800, figures, Drawing

1770 1786 Stock Photos and Images

1770 1786 Stock Photos and Images

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