Siāh-qalam, lit. ‘black pen’, is a term referring to both the genre of paintings or drawings done in pen and ink (also known as qalam-siāhi), and to the painter or, more likely, painters (more commonly known as Siāh-qalam) of a particular collection of such pen and ink drawings, preserved principally in the albums at Topkapi Saray Library. Qalam-siāhi: While medieval Iranian artists were more renowned for their painting than their drawing skills, the two mediums were not unrelated. The planning of any painting involved laying down a preliminary drawing in red or black ink, which would later b
![Siāh-qalam, lit. ‘black pen’, is a term referring to both the genre of paintings or drawings done in pen and ink (also known as qalam-siāhi), and to the painter or, more likely, painters (more commonly known as Siāh-qalam) of a particular collection of such pen and ink drawings, preserved principally in the albums at Topkapi Saray Library. Qalam-siāhi: While medieval Iranian artists were more renowned for their painting than their drawing skills, the two mediums were not unrelated. The planning of any painting involved laying down a preliminary drawing in red or black ink, which would later b Stock Photo](https://c8.alamy.com/comp/2B02A73/sih-qalam-lit-black-pen-is-a-term-referring-to-both-the-genre-of-paintings-or-drawings-done-in-pen-and-ink-also-known-as-qalam-sihi-and-to-the-painter-or-more-likely-painters-more-commonly-known-as-sih-qalam-of-a-particular-collection-of-such-pen-and-ink-drawings-preserved-principally-in-the-albums-at-topkapi-saray-library-qalam-sihi-while-medieval-iranian-artists-were-more-renowned-for-their-painting-than-their-drawing-skills-the-two-mediums-were-not-unrelated-the-planning-of-any-painting-involved-laying-down-a-preliminary-drawing-in-red-or-black-ink-which-would-later-b-2B02A73.jpg)
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2B02A73File size:
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3100 x 5557 px | 26.2 x 47 cm | 10.3 x 18.5 inches | 300dpiPhotographer:
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Siāh-qalam, lit. ‘black pen’, is a term referring to both the genre of paintings or drawings done in pen and ink (also known as qalam-siāhi), and to the painter or, more likely, painters (more commonly known as Siāh-qalam) of a particular collection of such pen and ink drawings, preserved principally in the albums at Topkapi Saray Library. Qalam-siāhi: While medieval Iranian artists were more renowned for their painting than their drawing skills, the two mediums were not unrelated. The planning of any painting involved laying down a preliminary drawing in red or black ink, which would later be painted over.