Scholar Viewing Plum Blossoms. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Image: 37 1/4 x 11 1/2 in. (94.6 x 29.2 cm) Overall with mounting: 71 x 16 1/8 in. (180.3 x 41 cm) Overall with knobs: 37 1/4 x 18 in. (94.6 x 45.7 cm). Date: ca. 1300. This small landscape is a rare example of the continuation of the Southern Song Painting Academy manner during the Mongol occupation. With the establishment of the native Chinese Ming dynasty in 1368, the Song style again returned to prominence as the model for the Ming Imperial Painting Academy. This painting demonstrates that pr

Scholar Viewing Plum Blossoms. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Image: 37 1/4 x 11 1/2 in. (94.6 x 29.2 cm)  Overall with mounting: 71 x 16 1/8 in. (180.3 x 41 cm)  Overall with knobs: 37 1/4 x 18 in. (94.6 x 45.7 cm). Date: ca. 1300.  This small landscape is a rare example of the continuation of the Southern Song Painting Academy manner during the Mongol occupation. With the establishment of the native Chinese Ming dynasty in 1368, the Song style again returned to prominence as the model for the Ming Imperial Painting Academy. This painting demonstrates that pr Stock Photo
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Contributor:

Album / Alamy Stock Photo

Image ID:

PB226M

File size:

21.5 MB (1.1 MB Compressed download)

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Dimensions:

1652 x 4556 px | 14 x 38.6 cm | 5.5 x 15.2 inches | 300dpi

Photographer:

Album

More information:

This image could have imperfections as it’s either historical or reportage.

Scholar Viewing Plum Blossoms. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Image: 37 1/4 x 11 1/2 in. (94.6 x 29.2 cm) Overall with mounting: 71 x 16 1/8 in. (180.3 x 41 cm) Overall with knobs: 37 1/4 x 18 in. (94.6 x 45.7 cm). Date: ca. 1300. This small landscape is a rare example of the continuation of the Southern Song Painting Academy manner during the Mongol occupation. With the establishment of the native Chinese Ming dynasty in 1368, the Song style again returned to prominence as the model for the Ming Imperial Painting Academy. This painting demonstrates that practitioners of the Song style continued to work through the fourteenth century, bridging the gap between the two formal academies. Executed in the mode of the Song master Ma Yuan (act. ca. 1190-1225), the painting continues the subject matter and vividly descriptive manner of the Song but uses more abstract outline strokes to define rocks and tree trunks, reflecting the development of a calligraphic brush style by Yuan scholar-artists. Almost no paintings of this type survive in China; all known examples come from Japan, where this style and tall narrow format had an important influence on Japanese artists of the Muromachi period (1333-1573). Museum: Metropolitan Museum of Art, New York, USA.