Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 47.—Chandelier, Temple Church, Bristol chandelier in the Victoria and Albert Museum (Plate XXVI.),but whence it came seems uncertain.. Il.AlE XX[ CIIAXDELIEU, IX THE V. AXD A. MUSEUM <^ ^-^

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RM2AXJ12M–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . > WW < --^. ^.

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RM2AXJKBE–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Ai iUAMAMLLL;, IX THE URITISII MUSEUM »^^-

RM2AXJJRM–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Ai iUAMAMLLL;, IX THE URITISII MUSEUM »^^-.

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RM2AXHPB9–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . o < G SANCTUARY RINGS 203 and a writer in UArt four tous for 1905 states that the nameof their maker, one Giraldus, is inscribed on them ; but we. /! ^-

RM2AXJJ51–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 45.—At.tarCandlestick, DiJSSELDORF Fig. 46.—Altar Candlestick, Limoges 146 DINANDERIE from which the chandeUer is suspended, and below a figureof S. George and the Dragon. There is a somewhat similar

RM2AXJYGD–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 33.—Censer, German can be seen by an example of fifteenth-century work in theBritish Museum, was that of an oblong dish mounted on afoot, which allowed of it being stood on the credence, and. y.

RM2AXHT67–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . < Q w<; SANCTUARY RINGS 20I Oderisius of Benevento used the heads merely as orna-mental accessories, and those which he placed on his two doorsat Troja, eight on one and four on the other, are extremelygrotesque almost to ugliness. The four extraordinary heads on.

RM2AXHH13–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 69.—Group, from the Maximilian Monument, Innsbruck 214 DINANDERIE style from the tomb itself. The effigy and sarcophagus we havesufficiently described, but further mention must be made of thetwenty-eight supporting figures. These are ranged in two lineson each side of the tomb, and divided into groups by the pillars.

Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 47.—Chandelier, Temple Church, Bristol chandelier in the Victoria and Albert Museum (Plate XXVI.),but whence it came seems uncertain.. Il.AlE XX[ CIIAXDELIEU, IX THE V. AXD A. MUSEUM <^ ^-^

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Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 47.—Chandelier, Temple Church, Bristol chandelier in the Victoria and Albert Museum (Plate XXVI.),but whence it came seems uncertain.. Il.AlE XX[ CIIAXDELIEU, IX THE V. AXD A. MUSEUM &lt;^ ^-^

Image details

Search stock photos by tags

Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Fig. 47.—Chandelier, Temple Church, Bristol chandelier in the Victoria and Albert Museum (Plate XXVI.),but whence it came seems uncertain.. Il.AlE XX[ CIIAXDELIEU, IX THE V. AXD A. MUSEUM <^ ^-^