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Art inspired by Drawings and Prints, Print, Autumnal Point, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Image details File size:
55.9 MB (2.4 MB Compressed download)
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Dimensions:
4895 x 3995 px | 41.4 x 33.8 cm | 16.3 x 13.3 inches | 300dpi
More information:
This image could have imperfections as it’s either historical or reportage.
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Similar stock images RF 2HWA1B7 – Art inspired by Drawings and Prints, Print, Salvator, from The Art Journal 1848, opposite p. 252, Artist, After, Ferdinand Joubert, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT RM R2K3XX – St. Jerome Reading in an Italian Landscape. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: plate: 10 3/16 x 8 1/4 in. (25.9 x 21 cm). Date: ca. 1653. Rembrandt depicted Saint Jerome many times, here as a contented old man reading. The print reflects Rembrandt's great admiration for Venetian art, particularly in the landscape and buildings in the background, which were inspired by the work of Giulio (ca. 1482-after 1515) and Domenico (1500-1564) Campagnola. The marked contrast between the briefly sketched saint and the more polished areas of the print RM 2AHPD14 – William Wynne Ryland. Bathsheba, from A Collection of Prints in Imitation of Drawings. 1764. England. Stipple engraving in sanguine on cream laid paper Publisher John Boydell sought to elevate the stature of British connoisseurship of art and to rival France in the production and trade of prints. This print by William Wynne Ryland is a copy of a drawing by François Boucher, now in the British Museum, that was once owned by well-known collector William Esdaile.Ryland’s studies of crayon-manner engraving in Paris inspired him to develop a simplified version he called stipple engraving, in which RM 2HT88JG – Allegory of Art: A Youth Inspired by the Spirit of Art, 1810. RM MT7KR6 – Jehan Georges Vibert (1840-1902) Photographic copy of a print engraving of LA REPRIMANDE RF 2HWAC5A – Art inspired by Drawings and Prints, Print, Benjamin West's First Effort in Art, from the Illustrated London News, Artist, After, Edward Matthew, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT RM PAMEFN – The Sower (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Date: 1864. It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but t RF 2HWAC8X – Art inspired by Drawings and Prints, Print, David Brought Before Saul (from The Art Journal), Publisher, Engraver, Artist, After, J. S. Virtue, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT RM PB1RH7 – Westport (Scotland). Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 10 3/8 × 14 3/16 in. (26.3 × 36 cm) Plate: 6 7/8 × 10 1/2 in. (17.5 × 26.7 cm). Date: 1891. The Scottish etcher and painter Cameron, inspired by the works of James McNeill Whistler and Charles Meryon, became a leader of the Scottish etching revival. Cameron's use of light and shade in this print, completed during a trip to Scotland's Westport Harbor, result in a composition that is bold and modern in design. Similar to Meryon's prints of Paris, Cameron contrasts ill RF 2HWA99X – Art inspired by Drawings and Prints, Print, In the House of Mourning (from American Art Review, no. 8), Artist, After, Friedrich Leonhard Meyer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT RM RXK0A3 – Allegory of Art: A Youth Inspired by the Spirit of Art. Carl Russ; Austrian, 1779-1843. Date: 1810. Dimensions: 209 × 292 mm (plate); 239 × 352 mm (sheet). Etching and aquatint in black on tan wove paper. Origin: Austria. Museum: The Chicago Art Institute. RF 2HWA0P0 – Art inspired by Drawings and Prints, Print, St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT RM PANG15 – The Judgment of Paris. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 11 15/16 x 18 1/16 in. (30.4 x 45.9 cm). Date: ca. 1550-60. Inspired in part by Marcantonio's engraving and by the Roman sarcophagus (now in the Villa Medici, Rome) that was one of Raphael's sources for the design, Bonasone shows far less interest in sculptural form. His more lyrical version of the subject is composed of softly modeled figures and flowing surface patterns, such as the curvilinear lines that form the water. Museum: Metropolitan Museum of Art, New York, USA. 
