Westport (Scotland). Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 10 3/8 × 14 3/16 in. (26.3 × 36 cm) Plate: 6 7/8 × 10 1/2 in. (17.5 × 26.7 cm). Date: 1891. The Scottish etcher and painter Cameron, inspired by the works of James McNeill Whistler and Charles Meryon, became a leader of the Scottish etching revival. Cameron's use of light and shade in this print, completed during a trip to Scotland's Westport Harbor, result in a composition that is bold and modern in design. Similar to Meryon's prints of Paris, Cameron contrasts ill

Westport (Scotland). Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 10 3/8 × 14 3/16 in. (26.3 × 36 cm)  Plate: 6 7/8 × 10 1/2 in. (17.5 × 26.7 cm). Date: 1891.  The Scottish etcher and painter Cameron, inspired by the works of James McNeill Whistler and Charles Meryon, became a leader of the Scottish etching revival. Cameron's use of light and shade in this print, completed during a trip to Scotland's Westport Harbor, result in a composition that is bold and modern in design. Similar to Meryon's prints of Paris, Cameron contrasts ill Stock Photo
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Contributor:

Album / Alamy Stock Photo

Image ID:

PB1RH7

File size:

34.5 MB (1.9 MB Compressed download)

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Model - no | Property - noDo I need a release?

Dimensions:

4063 x 2971 px | 34.4 x 25.2 cm | 13.5 x 9.9 inches | 300dpi

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Album

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This image could have imperfections as it’s either historical or reportage.

Westport (Scotland). Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 10 3/8 × 14 3/16 in. (26.3 × 36 cm) Plate: 6 7/8 × 10 1/2 in. (17.5 × 26.7 cm). Date: 1891. The Scottish etcher and painter Cameron, inspired by the works of James McNeill Whistler and Charles Meryon, became a leader of the Scottish etching revival. Cameron's use of light and shade in this print, completed during a trip to Scotland's Westport Harbor, result in a composition that is bold and modern in design. Similar to Meryon's prints of Paris, Cameron contrasts illuminated masses with velvety black shadowing, while forms are meticulously defined through elegant line work. Museum: Metropolitan Museum of Art, New York, USA.