The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with

The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with Stock Photo
Preview

Image details

Contributor:

MET/BOT / Alamy Stock Photo

Image ID:

2HHX4R6

File size:

21.9 MB (2.6 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

2462 x 3115 px | 20.8 x 26.4 cm | 8.2 x 10.4 inches | 300dpi

Date taken:

19 January 2022

More information:

This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.The Parable of the Wheat and the Tares (Matthew 13: 24-30) records how "The kingdom of heaven is like a man who sowed good seed in his field; but...his enemy came and sowed tares (weeds) among the wheat." Pre-Raphaelite ideals shaped Millais's combination of detailed naturalism and down-to-earth imagery to produce a work distinctly different than most religious art of the period.. The Tares (The Parables of Our Lord and Saviour Jesus Christ) 382268 Artist: After Sir John Everett Millais, British, Southampton 1829?1896 London, Engraver: Engraved and printed by Dalziel Brothers, British, active 1839?1893, The Tares (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1921 (21.68.4(3))