The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.2 x 10.1 cm (2 7/16 x 4 in.). Khujasta stands in front of a porch with a blue arabesque carpet and footed bed. The empty bed speaks to her loneliness and longing for a lover. She is dressed as an Indian woman, with backless blouse, orange wrapped skirt, and a long sash. The pompom fringe of her translucent, muslin stole stands out in

The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.2 x 10.1 cm (2 7/16 x 4 in.).  Khujasta stands in front of a porch with a blue arabesque carpet and footed bed. The empty bed speaks to her loneliness and longing for a lover. She is dressed as an Indian woman, with backless blouse, orange wrapped skirt, and a long sash. The pompom fringe of her translucent, muslin stole stands out in Stock Photo
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Contributor:

CMA/BOT / Alamy Stock Photo

Image ID:

2H10AP2

File size:

21.1 MB (1.3 MB Compressed download)

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Dimensions:

2173 x 3400 px | 18.4 x 28.8 cm | 7.2 x 11.3 inches | 300dpi

Date taken:

30 December 2020

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The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.2 x 10.1 cm (2 7/16 x 4 in.). Khujasta stands in front of a porch with a blue arabesque carpet and footed bed. The empty bed speaks to her loneliness and longing for a lover. She is dressed as an Indian woman, with backless blouse, orange wrapped skirt, and a long sash. The pompom fringe of her translucent, muslin stole stands out in a vertical row.