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The Last Drop (from McGuire Scrapbook). Artist: Emanuel Leutze (American, Schwäbisch Gmünd 1816-1868 Washington, D.C.). Dimensions: 5 5/16 x 4 7/8 in. (13.5 x 12.4 cm). Leutze is best known for his large-scale history paintings such as "Washington Crossing the Delaware". He was interested in American Indian subjects throughout his career, and in this sketch he imagines a lone figure drinking from a forest pond. The Indian's pose recalls the Hellenistic sculpture known as the "Dying Gaul" (Museo Capitolino, Rome). This classical reference reinforces the impression of the contemplative Indian a

The Last Drop (from McGuire Scrapbook). Artist: Emanuel Leutze (American, Schwäbisch Gmünd 1816-1868 Washington, D.C.). Dimensions: 5 5/16 x 4 7/8 in. (13.5 x 12.4 cm).  Leutze is best known for his large-scale history paintings such as "Washington Crossing the Delaware". He was interested in American Indian subjects throughout his career, and in this sketch he imagines a lone figure drinking from a forest pond. The Indian's pose recalls the Hellenistic sculpture known as the "Dying Gaul" (Museo Capitolino, Rome). This classical reference reinforces the impression of the contemplative Indian a Stock Photo
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Contributor:

Album / Alamy Stock Photo

Image ID:

PAKYC5

File size:

19.6 MB (729.9 KB Compressed download)

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Dimensions:

2357 x 2902 px | 20 x 24.6 cm | 7.9 x 9.7 inches | 300dpi

Photographer:

Album

More information:

This image could have imperfections as it’s either historical or reportage.

The Last Drop (from McGuire Scrapbook). Artist: Emanuel Leutze (American, Schwäbisch Gmünd 1816-1868 Washington, D.C.). Dimensions: 5 5/16 x 4 7/8 in. (13.5 x 12.4 cm). Leutze is best known for his large-scale history paintings such as "Washington Crossing the Delaware". He was interested in American Indian subjects throughout his career, and in this sketch he imagines a lone figure drinking from a forest pond. The Indian's pose recalls the Hellenistic sculpture known as the "Dying Gaul" (Museo Capitolino, Rome). This classical reference reinforces the impression of the contemplative Indian as a "noble savage, " a popular Romantic concept during the mid-nineteenth century. Museum: Metropolitan Museum of Art, New York, USA.