Page 1 of 3
Woven seat Cut Out Stock Images
RM2A2JYRJ–Yoke-Back Armchair, Late Ming or early Qing dynasty, 17th century, China, Huanghuali wood with pine seat boards and woven cane seat, 113.7 × 57.9 × 52.7 cm (44 3/4 × 22 3/4 × 20 3/4 in
RF2HW9A98–Art inspired by Pair of chair seat covers, third quarter 18th century, probably French, Painted and woven silk, Overall: 28 1/2 × 31 1/2 in. (72.4 × 80 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H5WR97–Textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Those woven in blue depict the secular realm, those in red the sacred. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WR9E–Ceremonial textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Those woven in blue depict the secular realm, those in red the sacred. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2BD0GHG–Textile. A length of fabric woven specifically to be used to upholster a chair. Gold satin ground with neoclassical motifs for the back, seat top, and seat front (or arm?) in red. Textile
RM2H5WPXF–Pair of ceremonial 'shipcloth' textiles, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Those woven in blue depict the secular realm; in red, the sacred. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2AHT9BG–Yoke-Back Armchair. 1600–1699. China. Huanghuali wood with pine seat boards and woven cane seat
RM2A2JYRH–Yoke-Back Armchair, late Ming–early Qing dynasty, 17th century, China, Huanghuali wood with pine seat boards and woven cane seat, 113.7 × 57.9 × 52.7 cm (44 3/4 × 22 3/4 × 20 3/4 in
RF2B76R3W–A typical representation of the cane chair's seat or back which is of woven cane-work or padded. The Chair is termed cane meaning upholstered, vintage
RF2B76XRF–A typical representation of the cane chair's seat or back which is of woven cane-work or padded. The Chair is termed cane meaning upholstered, vintage
RM2H5WR5D–Pair of ceremonial 'shipcloth' textiles, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Those woven in blue depict the secular realm; in red, the sacred. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WR9X–Ceremonial textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RF2WTBA5P–set of old and damaged traditional hand woven wooden chair in different angles, collection of used furniture isolated on white background
RF2K4KW84–A chair made of woven rattan in different colors. Isolated on a white background. Interior element
RF2APPGWH–Retro wooden french cane back dining chair isolated on white background including clipping path
RM2AHT9BN–Yoke-Back Armchair. 1600–1699. China. Huanghuali wood with pine seat boards and woven cane seat
RF2BX9K0P–Old and vintage wooden chair with straw seat photographed from the front, from the side and from behind and isolated on white background
RM2DF6B7B–Anonymous, first half of the 18th century, wood, plywood, velor d'utrecht, woven, With frame: 71 x 50.9 x 1cm 710 x 509 x 10mm, Steel velor d'Utrecht with a floral motif. The textile is red in color and has a pattern rolled and sheared. It was later attached to a plywood sheet and placed in a narrow wooden frame. It comes from the rear of the seat backrest inv. 2616, flower
RMTA99HR–A late Roman iron folding chair with gold-damascening for high officials or military officers, 4th - 5th century Two wrought iron frames of ca. 8 mm width, connected in the middle by a sturdy rivet with a quadrangular stud. This joint functions again due to restoration. Width of frame each ca. 3 cm. Waisted sides and top, after 15 cm at the ends a narrow, only 2 cm wide central section. The top and side surfaces richly decorated with a geometrical pattern of metal wire inlays, silver at the top, bronze at the sides. The inside of the frame on eit, Additional-Rights-Clearance-Info-Not-Available
RM2H5WRB3–Ceremonial textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RF2K4KW88–A chair made of woven rattan in different colors. Isolated on a white background. Interior element
RM2DCHD22–pastel, Adrianus Henricus van der Tak, 1855, Signature front, bottom right: AH. vd Tak Fec. 1855, pastel, cardboard, paper, signed, Carrier: 76 × 60.5 × 0.3cm (760 × 605 × 3mm), With frame: 83.5 × 67.5 × 6.5cm (835 × 675 x 65mm), woman's portrait, interior, Portrait of a woman: Cornelia Gerarda Maria van Trotsenburg. She is depicted sitting on an armchair, turned a little to the left and looking at the viewer. She is dressed in a high-necked, fitted black dress with woven floral motifs. Thin white sleeves can be seen under the flared sleeves. Along the neck she wears a white collar in points
RF2JJDF12–Wicker furniture. Close-up of a wickerwork stool in round shape as seating in hotels and by the pool isolated on a white background. Pool accessories.
RF2A65WRF–Wicker furniture. Close-up of wicker stool in the form of a cube is also used as a storage next to couches at the hotel swimming pool. Pool accessorie
RF2HMMMA9–Wicker rocking chair with soft fabric upholstery in beige color isolated on a white background.
RM2H5WR6P–Pair of ceremonial textiles, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RFP8XEWB–Retro wooden french cane back dining chair isolated on white background including clipping path
RM2H5WR9R–Ceremonial 'shipcloth' textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WPXX–Ceremonial textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WRAB–Ceremonial textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WR9K–Ceremonial textile, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WR6D–Pair of ceremonial textiles, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
RM2H5WR77–Pair of ceremonial 'shipcloth' textiles, C19th, Lampung, Sumatra. Tampan were used for rites of passage ceremonies, as the focal point for ritual meals, the seat for elders overseeing traditional law, and tied to newly-built houses. Examples from the mountainous interior show stylised natural or domestic subjects and geometric designs, while those from the coast (tampan pasisir) display richly detailed scenes of ships and other motifs. The ship, the main motif, symbolises movement, appropriate to the rites of passage rituals.
Search Results for Woven seat Cut Out Stock Images & Pictures (237)
Page 1 of 3