RM2C51WYY–William Paulet, 1st Marquess of Winchester (circa 1474/1485–1572), Lord High Treasurer, Lord Keeper of the Great Seal, portrait painting by unknown artist, circa 1575
RMD95RK1–William Paulet, 1st Earl of Winchester (1485?-1572) English statesman. Engraving after portrait by Holbein.
RMA4J6CH–William Paulet, 1st Marquess of Winchester, English statesman, (1828).Artist: TA Dean
RMAA1769–William Paulet, 1st Marquess of Winchester,c. 1483/1485 –1572. English Lord High Treasurer, Lord Keeper of the Great Seal, and statesman
RMG16N6M–William Paulet, 1st Marquess of Winchester, c. 1483/1485-1572, an English Secretary of State and statesman
RMKC5XF6–William Paulet Carey (1759–1839), British or Irish Painter
RM2H63XPK–england,hampshire,basingstoke,old basing village,basing house,the museum,print showing sir william paulet attended by roland broughton
RF2HW8K94–Art inspired by William Paulet Carey (1759–1839), Watercolor on ivory, 2 1/2 x 1 3/4 in. (64 x 44 mm), Miniatures, British or Irish Painter (late 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J6CW3R–William Paulet, first Marquess of Winchester (1474/5?–1572) by an unknown artist. Sixteenth century.
RMP5XPBE–N/A. English: Scene from the opera Sardu: The Duenna , libretto by Richard Brinsley Sheridan, with actors identified as John Quick as Little Isaac, and Jane Green as the Duenna. 1784. Engraver William Paulet Carey, after Thomas Rowlandson 484 Duenna and Little Isaac Carey
RMMR3A12–Portrait of John Paulet, 5th Marquess of Winchester (1598-1675) he third but eldest surviving son of William Paulet and his successor as 5th Marquess of Winchester. Dated 17th century
RMPB0DWY–A Sketch from Nature. Artist: After Thomas Rowlandson (British, London 1757-1827 London); William Paulet Carey (Irish, Dublin 1759-1839 Birmingham). Dimensions: Sheet: 12 1/8 in. × 16 in. (30.8 × 40.6 cm). Publisher: John Raphael Smith (British, baptized Derby 1751-1812 Doncaster) , London. Date: January 24, 1784. Museum: Metropolitan Museum of Art, New York, USA.
RM2GFNTKK–The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. National Portrait Gallery. London, England, United Kingdom.
RM2CCJJE5–An old engraving from the River Thames showing the Custom House, City of London, England, UK in the 1600s. Merchant ships are on the river and in front of the building are wooden cranes. The site was long known as ‘Wool Quay’ and a custom house levied duty payable on exported wool. Around 1380, one John Churchman built a custom house there. It remained in use until 1559. Its replacement (shown here) was erected under the direction of William Paulet, Marquess of Winchester, the Lord High Treasurer. This structure was destroyed in the Great Fire of 1666.
RMJ42J8E–Lord William Paulet
RFC3E10F–Sir William Paulet (1483/1485-1572) on engraving from 1838. English Secretary of State and statesman.
RMHR833H–William Paulet Carey
RMFEH2PX–William Paulet, 1st Marquess of Winchester, c. 1483/1485-1572, an English Secretary of State and statesman
RM2E1G94B–Lord William Paulet.
RM2GPAE3F–England, Hampshire, Basingstoke, Old Basing Village, Basing House, The Museum, Print showing Sir William Paulet attended by Roland Broughton
RF2WMEH93–Titled “Effigies of the Mary Stuart Tragedy,” this image shows from top to bottom, left to right: Earl of Bothwell (third husband of Mary Stuart), Sir Umnas Paulet (dungeon master of Mary Stuart), David Riccio (secretary of Mary Stuart), William Cecil/Lord Burleigh (chancellor of Queen Elizabeth), Robert Dudley (Earl of Leicester), Lord Henry Dudley (second husband of Mary Stuart). Mary, Queen of Scots, also known as Mary Stuart or Mary I of Scotland, died 1587. She was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V o
RMR9XG7H–Around 1380, one John Churchman built a custom house on a site on the banks of the River Thames, known as Wool Quay to collect dues for the City of London, England. In 1382 the Crown came to an agreement to use its facilities. It remained in use until 1559, the freehold passing through various hands. A replacement was erected under the direction of William Paulet, Marquess of Winchester, the Lord High Treasurer in the 17th Century but it was destroyed in the Great Fire of 1666.
RM2W9NMHC–The Duenna & Little Isaac 1959 by William Paulet Carey
RM2HT65TN–Tercentenary Service at the Dutch Church, Austin Friars, [London], 1850. Scene of the '...Commemoration in the Dutch Church at Austin Friars, an edifice of very interesting antiquarian history, and belonging to the house of Augustine Friars founded by Humphrey Bohun, Earl of Hereford and Essex, in the year 1243...Henry VIII., at the Dissolution, bestowed the house and grounds on William Paulet, first Marquis of Winchester; hence Winchester-street adjoining. The Church, reserved by the King, was granted by his son "to the Dutch nation in London, to be their preaching place;" and to th
RMKCCY82–A Sketch from Nature, William Paulet Carey, January 24, 1784
RM2H63XPY–england,hampshire,basingstoke,old basing village,basing house,the museum,print showing sir william paulet attended by roland broughton
RF2HW6T7B–Art inspired by A Sketch from Nature, January 24, 1784, Etching and stipple, printed in brown ink, Sheet: 12 1/8 in. × 16 in. (30.8 × 40.6 cm), Prints, William Paulet Carey (British, Dublin 1759–1839 Birmingham), After Thomas Rowlandson (British, London 1757–1827 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2AX1DNE–William Paulet Carey (1759-1839), .
RMMNXBE5–. Portrait of William Paulet, 1st Marquess of Winchester (c.1483–1572) . after 1551. 1125 Sir William Paulet
RM2E46YDJ–Unknown artist, sixteenth century, William Paulet, first Marquess of Winchester (1474/5?–1572), ca. 1575. Oil on panel.
RMPARW3N–A Camp Scene. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet (trimmed to plate): 10 3/4 × 14 3/4 in. (27.3 × 37.4 cm). Etcher: William Paulet Carey (Irish, Dublin 1759-1839 Birmingham). Publisher: William Allen (Irish, active 1778-1829). Date: 1784-90. Museum: Metropolitan Museum of Art, New York, USA.
RM2HJ4586–William Paulet Carey (1759–1839) British or Irish Painter British/Irish. William Paulet Carey (1759–1839). British or Irish Painter (late 18th century). Watercolor on ivory. Miniatures
RMKND8GC–A Sketch from Nature MET DP871783 388738 Artist: William Paulet Carey, British, Dublin 1759?1839 Birmingham, Artist: After Thomas Rowlandson, British, London 1757?1827 London, Publisher: John Raphael Smith, British, baptized Derby 1751?1812 Doncaster , London, A Sketch from Nature, January 24, 1784, Etching and stipple, printed in brown ink, Sheet: 12 1/8 in. ? 16 in. (30.8 ? 40.6 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.36(a))
RM2HGYDK8–A Camp Scene 1784–90 William Paulet Carey. A Camp Scene. After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland). 1784–90. Hand-colored etching. William Allen (Irish, active 1778–1829). Prints
RM2A82P3C–John Pawlet, 5th Marquess of Winchester, Earl of Wiltshire, died 1675. Copperplate engraving by Wenceslaus Hollar from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792–1812. James Granger (1723–1776) was an English clergyman, biographer, and print collector.
RMHKM59X–Sir William Paulet
RMFEH2PG–William Paulet, 1st Marquess of Winchester, c. 1483/1485-1572, an English Secretary of State and statesman
RM2TCE7HY–William Paulet Carey.
RM2GFNTKW–The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom.
RM2CGGM9J–. Surrey archaeological collections . BaronHoward of Effingham, Lord High Admiral of England,and a Knight of the Garter. He died 11 January,1572-3, and was buried in the chancel of Reigatechurch. The daughter Agnes mentioned in the in-scription married William Paulet, third Marquess ofWinchester. II. Effigy of Thomas Clere, esq., 1545, in armour, with oneshield of arms. Inscription lost. Relaid and now onivall of north aisle. Full-length effigy of Thomas Clere, 30i inches inheight, in armour, bareheaded with long hair, and withbare hands, standing on a mound covered with flowersand grass. His
RMK0N2NN–A summer view of Netley Abbey, Hampshire, UK
RMJXD8KP–Scion-Netley Abbey is a ruined late medieval monastery in the village of Netley near Southampton in Hampshire, England. Netley was never rich, produced no influential scholars nor churchmen, and its nearly 300-year history was quiet. The monks were best known to their neighbours for the generous hospitality they offered to travellers on land and sea.
RMC58X0T–Stables in the grounds of Basing House, Old Basing, Hampshire, UK.
RMKC7NRX–A Sketch from Nature, William Paulet Carey, January 24, 1784
RMDPAHX9–16TH MARQUESS WINCHESTER
RM2B0M5DE–William Paulet Carey, A Camp Scene, After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland), 1784–90, Hand-colored etching, Sheet (trimmed to plate): 10 3/4 × 14 3/4 in. (27.3 × 37.4 cm), Prints
RF2HW6T86–Art inspired by A Sketch from Nature, January 24, 1784, Hand-colored etching and stipple, sheet: 11 3/4 x 15 7/8 in. (29.8 x 40.3 cm), Prints, William Paulet Carey (British, Dublin 1759–1839 Birmingham), After Thomas Rowlandson (British, London 1757–1827 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DHWD96–William Paulet, first Marquess of Winchester (1474/5?–1572), Unknown artist, sixteenth century, ca. 1575, Oil on panel, Support (PTG): 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm), beard, costume, fur, jewelry, lace, man, portrait, ring, ruff, Tudor
RMMNYCK4–. English: Portrait of William Paulet Carey (1759–1839), Irish art critic and engraver. . 18th century. 1267 William Paulet Carey
RM2B0JY61–William Paulet Carey, The Duenna & Little Isaac, William Paulet Carey (Irish, Dublin 1759–1839 Birmingham), After Thomas Rowlandson (British, London 1757–1827 London), Richard Brinsley Sheridan (Irish, Dublin 1751–1816 London), John Quick (British, Cornwall 1748–1831 Camberwell, Melbourne), Mrs. Jane Green (British, 1719–1791 Bristol), April 1, 1784, Stipple engraving, printed in brown ink, and hand-colored, Plate: 10 9/16 × 9 1/16 in. (26.9 × 23 cm), Sheet: 11 1/4 × 9 9/16 in. (28.5 × 24.3 cm), Prints
RMP7F1AX–John Pawlet, 5th Marquess of Winchester, Earl of Wiltshire, died 1675. Copperplate engraving by Wenceslaus Hollar from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792–1812. James Granger (1723–1776) was an English clergyman, biographer, and print collector.
RMEDYY9B–William Powlett, 1st Marquess of Winchester, K.G., unknown artist, 16th century, British
RM2HGW4JD–The Duenna & Little Isaac April 1, 1784 William Paulet Carey. The Duenna & Little Isaac. William Paulet Carey (Irish, Dublin 1759–1839 Birmingham). April 1, 1784. Colored stipple engraving. John Raphael Smith (British, baptized Derby 1751–1812 Doncaster). Prints
RM2D6D3G6–The Duenna & Little Isaac, April 1, 1784.
RMHY9FDH–William Paulet, 1st Marquess of Winchester from NPG
RMFEH2R3–William Paulet, 1st Marquess of Winchester, c. 1483/1485-1572, an English Secretary of State and statesman
RM2HG8KF7–Sir William Paulet.
RM2GFNTM0–The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari. Painting by Jerry Barrett (1824-1906). Oil on canvas (147 x 218,2 cm), 1857. Detail. National Portrait Gallery. London, England, United Kingdom.
RM2AN5PK3–The new annual army list, militia list, yeomanry cavalry list, and Indian civil service list . Foster8 1 28 Oct. 3 Hon. Frederick William Stopford,12 at Staff College I 28 Oct. Henry Chalouer Smith i 28 Oct. 2 Hon. Charles Robert William Colville, 3/asto- ofColoille™ | 28 Oct. 1 Francis Cecil Ricardo, Adjutant 7 Aug. 80 ] 11 Sept. 1 Harry James Craufurd, Regimental Adjutant 1 July Si [ 29 Mar. 2 Henry Paulet St. John Mildmay8 ; 24 July 2 Lewis Vivian Loyd8 j n Sept. 2 John Hunter Reynolds8 iS Mar. 1 Francis Lloyd 18 Mar. 1 Josceline FitzRoy Bagot, Aide de Camp to the Marquis of Lome 18 Mar. 1
RFJ80F6T–humans human beings people folk persons human human being antique portrait
RFRAX18T–William Powlett, 1st Marquess of Winchester, K.G., unknown artist, 16th century, British. Reimagined
RMC58X1Y–The walled Jacobean garden in the grounds of Basing House, Old Basing, Hampshire, UK.
RMRFGXW4–William Powlett, 1st Marquess of Winchester, K.G. Date/Period: Between 1555 and 1575. Painting. Oil on panel. Height: 359 mm (14.13 in); Width: 248 mm (9.76 in). Author: UNKNOWN ARTIST.
RM2HGYXJW–The Duenna & Little Isaac April 1, 1784 William Paulet Carey. The Duenna & Little Isaac. William Paulet Carey (Irish, Dublin 1759–1839 Birmingham). April 1, 1784. Stipple engraving, printed in brown ink, and hand-colored. John Raphael Smith (British, baptized Derby 1751–1812 Doncaster). Prints
RM2D6CKM1–The Duenna & Little Isaac, April 1, 1784.
RMHYF1YB–Sir William Paulet, 1st Marquess of Winchester by Circle of Hans Eworth
RMFEH2PK–William Paulet, 1st Marquess of Winchester, c. 1483/1485-1572, an English Secretary of State and statesman
RM2HG8KF2–Sir William Paulet, 1st Marquess of Winchester by Circle of Hans Eworth.
RM2HHEM9F–A Sketch from Nature January 24, 1784 William Paulet Carey British A brothel scene with a fat bawd at left leaning back in an armchair and sleeping in a drunken stupor. She spills her glass onto a dog who eagerly laps at the contents. At center, two couples embrace. An officer at center leans on a table and holds a bottle while slinging his leg over a woman's lap. At right another young woman wrestles with a middle aged man whose wig is held aloft by the woman behind him.. A Sketch from Nature 388739
RM2CDB2DP–. The ancient sepulchral effigies and monumental and memorial sculpture of Devon . H^ ^ Cloisters, Ford Abbey. The shields 3 and 4 exhiljit the arms and crest of Poulett of Hintonand elsewhere. Abbot Chard appointed Sir Hugh Paulet head stewardof the Abbey, witli a pension of 100^ The Pan lets w^ere allied to theCourtenays about this time in marriage, Sir William Courtenay ofPowderham (ob. 1557) having married Elizabeth daughter of JohnPaulet, Marquis of Winchester, K.G., and a distinguished nobleman ofthat era. At the dissolution, the scite of the Aljbey was grairted toLewis Pollard, Es([.,
RM2HGW54E–A Sketch from Nature January 24, 1784 William Paulet Carey British A brothel scene with a fat bawd at left leaning back in an armchair and sleeping in a drunken stupor. She spills her glass onto a dog who eagerly laps at the contents. At center, two couples embrace. An officer at center leans on a table and holds a bottle while slinging his leg over a woman's lap. At right another young woman wrestles with a middle aged man whose wig is held aloft by the woman behind him.. A Sketch from Nature. William Paulet Carey (Irish, Dublin 1759–1839 Birmingham). January 24, 1784. Hand-colored etching an
RM2F8G50M–Paulet, William Marquis of Winchester Earl of Wiltshire .
RMC57Y6F–Part of the kitchen cellars, part of the ruins of Basing House, Old Basing, Hampshire, UK.
RM2HG8KDY–Sir William Paulet, 1st Marquess of Winchester by Circle of Hans Eworth (original).
RM2CDB130–. The ancient sepulchral effigies and monumental and memorial sculpture of Devon . Cloisters, Ford Abbey. 164 SEPULCHRAL EFFIGIES IN THE Over window seven, fimr .shields—1 and 2, arms and crest of Paulet;3, Device of Abbot Chard; 4, E. CQ. (Prior William Rede,or for Richard Were an officer of the Abbey). In the span- drils—1, or. C. ; 2, JL. ^. ( ?) Over window eight, and in the spandrils—six shields all charged with the devices of Abbot Chard.(>)i the sijnth end.—The device of Abbot Chard, and the portcullis. (Beaufort).The sliield and badges of Conrtenay on the central panel over windowfo
RMC57Y78–The partially destroyed Postern Gate on the edge of the fortifications around Basing House, Old Basing, Hampshire, UK.
RM2TCDY93–William Hogarth - Ex Libris Paulet.
RM2CDB1AD–. The ancient sepulchral effigies and monumental and memorial sculpture of Devon . Cloisters, Ford Abbey. 164 SEPULCHRAL EFFIGIES IN THE Over window seven, fimr .shields—1 and 2, arms and crest of Paulet;3, Device of Abbot Chard; 4, E. CQ. (Prior William Rede,or for Richard Were an officer of the Abbey). In the span- drils—1, or. C. ; 2, JL. ^. ( ?) Over window eight, and in the spandrils—six shields all charged with the devices of Abbot Chard.(>)i the sijnth end.—The device of Abbot Chard, and the portcullis. (Beaufort).The sliield and badges of Conrtenay on the central panel over windowfo
RMC57Y5J–VIew over the remains of the wine cellar of the Great Hall in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC57Y3R–The remains of the kitchen area beside the site of the Great Hall in Basing House, Old Basing, Hampshire, UK.
RMC57XXY–The remains of the kitchen area beside the site of the Great Hall in Basing House, Old Basing, Hampshire, UK.
RMC57Y2J–The remains of the kitchen area beside the site of the Great Hall in Basing House, Old Basing, Hampshire, UK.
RMC58X21–An excellent view of the civil war defensive earthworks around the site of Basing House, Old Basing, Hampshire, UK.
RMC58X27–Excellent view of the civil war defensive earthworks around the site of Basing House, Old Basing, Hampshire, UK.
RMC58X2G–Artillery piece and gabion on a rampier around the edge of the ruins of Basing House, Old Basing, Hampshire, UK.
RMC57Y4R–VIew over the remains of the wine cellar of the Great Hall in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC58X1T–Dovecote (pigeon loft) in the walled Jacobean garden in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC57Y45–VIew over the remains of the wine cellar of the Great Hall in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC58X0D–The Great Barn ('The Bloody Barn') in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC58X02–Inside the Great Barn ('The Bloody Barn') in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC58X1M–Inside the Great Barn ('The Bloody Barn') in the grounds of Basing House, Old Basing, Hampshire, UK.
RMC58X1D–Inside the Great Barn ('The Bloody Barn') in the grounds of Basing House, Old Basing, Hampshire, UK.
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