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William marshall craig Stock Photos and Images
Chiromancy: Country girl having her hand read by an itinerant fortune teller who sees misfortunes ahead. Illustration by William Marshall Craig (c1765-c1834). Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chiromancy-country-girl-having-her-hand-read-by-an-itinerant-fortune-57301229.htmlRMD9688D–Chiromancy: Country girl having her hand read by an itinerant fortune teller who sees misfortunes ahead. Illustration by William Marshall Craig (c1765-c1834). Engraving.
Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-edwards-edward-craig-william-marshall-phillips-richard-print-hand-105027214.htmlRMG2TB7X–Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving -
Vicar drawing moral reflections from a field of ripe wheat. Illustration by William Marshall Craig (c1765-c1834) for ''Reflections on the Works of God'', London, 1813. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vicar-drawing-moral-reflections-from-a-field-of-ripe-wheat-illustration-image69824493.htmlRME1GNRW–Vicar drawing moral reflections from a field of ripe wheat. Illustration by William Marshall Craig (c1765-c1834) for ''Reflections on the Works of God'', London, 1813.
by; published by; after Robert Hicks; Nuttall, Fisher & Dixon; William Marshall Craig,print,published April 1818 301 Charlotte and Leopold wedding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-published-by-after-robert-hicks-nuttall-fisher-dixon-william-marshall-craigprintpublished-april-1818-301-charlotte-and-leopold-wedding-image212723889.htmlRMPA2BDN–by; published by; after Robert Hicks; Nuttall, Fisher & Dixon; William Marshall Craig,print,published April 1818 301 Charlotte and Leopold wedding
Delilah cutting Samson's hair, thus taking away his strength. 'Bible'. Illustration by William Marshall Craig (c1765-1834) Copperplate engraving 1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-delilah-cutting-samsons-hair-thus-taking-away-his-strength-bible-illustration-57301741.htmlRMD968XN–Delilah cutting Samson's hair, thus taking away his strength. 'Bible'. Illustration by William Marshall Craig (c1765-1834) Copperplate engraving 1820.
Milk-maid selling fresh milk in Cavendish Square. Welsh girl in bonnet, coat and skirts, with yoke and two large pales of milk. Milk below. The golden equestrian statue of the Butcher of Culloden, Prince William, Duke of Cumberland. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milk-maid-selling-fresh-milk-in-cavendish-square-welsh-girl-in-bonnet-coat-and-skirts-with-yoke-and-two-large-pales-of-milk-milk-below-the-golden-equestrian-statue-of-the-butcher-of-culloden-prince-william-duke-of-cumberland-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522701769.htmlRM2NAB3C9–Milk-maid selling fresh milk in Cavendish Square. Welsh girl in bonnet, coat and skirts, with yoke and two large pales of milk. Milk below. The golden equestrian statue of the Butcher of Culloden, Prince William, Duke of Cumberland. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
Illustration depicting Stonehenge by William Marshall Craig (1788-1827) an English painter. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-illustration-depicting-stonehenge-by-william-marshall-craig-1788-1827-162596349.htmlRMKCEW8D–Illustration depicting Stonehenge by William Marshall Craig (1788-1827) an English painter. Dated 19th Century
The City of Morocco, Taken from the South, after William Marshall Craig, ca. 1788–1828, British, 1828, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-city-of-morocco-taken-from-the-south-after-william-marshall-craig-ca-17881828-british-1828-etching-and-line-engraving-on-medium-slightly-textured-cream-wove-paper-image389832853.htmlRM2DJ6BNW–The City of Morocco, Taken from the South, after William Marshall Craig, ca. 1788–1828, British, 1828, Etching and line engraving on medium, slightly textured, cream wove paper
Illustration depicting Cain killing Abel. Illustrated by William Marshall Craig (1765-1827) an English painter and poet. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-depicting-cain-killing-abel-illustrated-by-william-marshall-craig-1765-1827-an-english-painter-and-poet-dated-19th-century-image481073314.htmlRM2JXJNWP–Illustration depicting Cain killing Abel. Illustrated by William Marshall Craig (1765-1827) an English painter and poet. Dated 19th Century
Print; hand-coloured copper plate engraving - Band Boxes (Tabarts Juvenile Library). 1804. Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Band Boxes (Tabarts Juvenile Library) - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-hand-coloured-copper-plate-engraving-band-boxes-tabarts-juvenile-library-1804-edwards-edward-craig-william-marshall-phillips-richard-print-hand-coloured-copper-plate-engraving-band-boxes-tabarts-juvenile-library-google-art-project-image184974026.htmlRMMMX876–Print; hand-coloured copper plate engraving - Band Boxes (Tabarts Juvenile Library). 1804. Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Band Boxes (Tabarts Juvenile Library) - Google Art Project
Copperplate print after an illustration by William Marshall Craig. The print depicts children feeding their goldfish. William Marshall Craig (1765-1827) an English painter. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copperplate-print-after-an-illustration-by-william-marshall-craig-the-print-depicts-children-feeding-their-goldfish-william-marshall-craig-1765-1827-an-english-painter-dated-19th-century-image186327728.htmlRMMR3XWM–Copperplate print after an illustration by William Marshall Craig. The print depicts children feeding their goldfish. William Marshall Craig (1765-1827) an English painter. Dated 19th century
Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Band Boxes (Tabarts Juvenile Library) - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-edwards-edward-craig-william-marshall-phillips-richard-print-hand-132683191.htmlRMHKT6NB–Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Band Boxes (Tabarts Juvenile Library) - Google Art Project
Illustration of children feeding their goldfish by William Marshall Craig (1765-1827) for the Rev. Edward Polehampton. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-children-feeding-their-goldfish-by-william-marshall-131243877.htmlRMHHEJW9–Illustration of children feeding their goldfish by William Marshall Craig (1765-1827) for the Rev. Edward Polehampton. Dated 19th Century
Delilah cutting Samson's hair, thus taking away his strength, 1820. Artist: William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/delilah-cutting-samsons-hair-thus-taking-away-his-strength-1820-artist-william-marshall-craig-image262738001.htmlRMW7CN01–Delilah cutting Samson's hair, thus taking away his strength, 1820. Artist: William Marshall Craig
Illustration depicting a wife trying to remove her husband from the gaming table. Illustrated by William Marshall Craig (1765-1827) an English painter and poet. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-depicting-a-wife-trying-to-remove-her-husband-from-the-gaming-table-illustrated-by-william-marshall-craig-1765-1827-an-english-painter-and-poet-dated-19th-century-image481041580.htmlRM2JXH9CC–Illustration depicting a wife trying to remove her husband from the gaming table. Illustrated by William Marshall Craig (1765-1827) an English painter and poet. Dated 19th Century
Chiromancy: Country girl having her hand read by a fortune teller who sees misfortunes ahead. Artist: William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chiromancy-country-girl-having-her-hand-read-by-a-fortune-teller-who-sees-misfortunes-ahead-artist-william-marshall-craig-image262737914.htmlRMW7CMTX–Chiromancy: Country girl having her hand read by a fortune teller who sees misfortunes ahead. Artist: William Marshall Craig
An engraving depicting the biblical story of Cain killing Abel. Illustrated by William Marshall Craig (1765-1827) an English painter. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-depicting-the-biblical-story-of-cain-killing-abel-illustrated-by-william-marshall-craig-1765-1827-an-english-painter-dated-19th-century-image235029940.htmlRMRJAF2C–An engraving depicting the biblical story of Cain killing Abel. Illustrated by William Marshall Craig (1765-1827) an English painter. Dated 19th century
Comedy. William Marshall Craig; English, c. 1765-c. 1834. Date: 1804. Dimensions: 49 × 38 mm. Pen and gray wash on cream wove paper, laid down on cream card. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/comedy-william-marshall-craig-english-c-1765-c-1834-date-1804-dimensions-49-38-mm-pen-and-gray-wash-on-cream-wove-paper-laid-down-on-cream-card-origin-england-museum-the-chicago-art-institute-image240164983.htmlRMRXMCTR–Comedy. William Marshall Craig; English, c. 1765-c. 1834. Date: 1804. Dimensions: 49 × 38 mm. Pen and gray wash on cream wove paper, laid down on cream card. Origin: England. Museum: The Chicago Art Institute.
Engraving depicting a wife trying to remove her husband from the gaming table. Illustrated by William Marshall Craig (1765-1827) an English painter. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-depicting-a-wife-trying-to-remove-her-husband-from-the-gaming-table-illustrated-by-william-marshall-craig-1765-1827-an-english-painter-dated-19th-century-image186393524.htmlRMMR6XRG–Engraving depicting a wife trying to remove her husband from the gaming table. Illustrated by William Marshall Craig (1765-1827) an English painter. Dated 19th century
Vicar drawing moral reflections from a field of ripe wheat. Illustration by William Marshall Craig (c1765-c1834) for ''Reflections on the Works of God'', London, 1813. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vicar-drawing-moral-reflections-from-a-field-of-ripe-wheat-illustration-by-william-marshall-craig-c1765-c1834-for-reflections-on-the-works-of-god-london-1813-image230631764.htmlRMRB654M–Vicar drawing moral reflections from a field of ripe wheat. Illustration by William Marshall Craig (c1765-c1834) for ''Reflections on the Works of God'', London, 1813.
Magician summoning up a spirit while the man who is consulting him crouches terrified. On the floor is aheart stuck with nails and an unsheathed knife. Illustration by William Marshall Craig (c1765-c1834). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-magician-summoning-up-a-spirit-while-the-man-who-is-consulting-him-57447908.htmlRMD9CYB0–Magician summoning up a spirit while the man who is consulting him crouches terrified. On the floor is aheart stuck with nails and an unsheathed knife. Illustration by William Marshall Craig (c1765-c1834).
Delilah cutting Samson's hair, thus taking away his strength The 'Bible'. Illustration by William Marshall Craig (c1765-1834) 1820 Copperplate engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/delilah-cutting-samsons-hair-thus-taking-away-his-strength-the-bible-illustration-by-william-marshall-craig-c1765-1834-1820-copperplate-engraving-image257298177.htmlRMTXGXCH–Delilah cutting Samson's hair, thus taking away his strength The 'Bible'. Illustration by William Marshall Craig (c1765-1834) 1820 Copperplate engraving
Engraving depicting a wife trying to remove her husband from the gaming table. Painting by William Marshall Craig (1765-1827) an English painter and artist. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-depicting-a-wife-trying-to-remove-her-husband-from-the-gaming-table-painting-by-william-marshall-craig-1765-1827-an-english-painter-and-artist-dated-19th-century-image186349674.htmlRMMR4XWE–Engraving depicting a wife trying to remove her husband from the gaming table. Painting by William Marshall Craig (1765-1827) an English painter and artist. Dated 19th century
Chiromancy, Country girl having her hand read by an itinerant fortune teller who sees misfortunes ahead. Illustration by William Marshall Craig (c1765-c1834) Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chiromancy-country-girl-having-her-hand-read-by-an-itinerant-fortune-teller-who-sees-misfortunes-ahead-illustration-by-william-marshall-craig-c1765-c1834-engraving-image257298197.htmlRMTXGXD9–Chiromancy, Country girl having her hand read by an itinerant fortune teller who sees misfortunes ahead. Illustration by William Marshall Craig (c1765-c1834) Engraving
Woman selling new potatoes at Middlesex Hospital. In bonnet, fichu, dress and petticoats with wheelbarrow of potatoes. Gate and gardens of Middlesex Hospital, built in 1755 and demolished in 2017. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-selling-new-potatoes-at-middlesex-hospital-in-bonnet-fichu-dress-and-petticoats-with-wheelbarrow-of-potatoes-gate-and-gardens-of-middlesex-hospital-built-in-1755-and-demolished-in-2017-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522702240.htmlRM2NAB414–Woman selling new potatoes at Middlesex Hospital. In bonnet, fichu, dress and petticoats with wheelbarrow of potatoes. Gate and gardens of Middlesex Hospital, built in 1755 and demolished in 2017. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
Tender Conscience crossing the river. Illustration by William Marshall Craig (c1765-c1834) form an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tender-conscience-crossing-the-river-illustration-by-william-marshall-image68548983.htmlRMDYEJWY–Tender Conscience crossing the river. Illustration by William Marshall Craig (c1765-c1834) form an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678.
The Descent from the Cross. Luke Chap. XXIII.V.53, Robert Wallis, 1794–1878, British, or William Wallis, 1794– active 1830, William Marshall Craig, ca. 1788–1828, British, 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-descent-from-the-cross-luke-chap-xxiiiv53-robert-wallis-17941878-british-or-william-wallis-1794-active-1830-william-marshall-craig-ca-17881828-british-1813-image389764928.htmlRM2DJ3940–The Descent from the Cross. Luke Chap. XXIII.V.53, Robert Wallis, 1794–1878, British, or William Wallis, 1794– active 1830, William Marshall Craig, ca. 1788–1828, British, 1813
Dolgelle 1806 by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dolgelle-1806-by-william-marshall-craig-image559671254.htmlRM2REF6B2–Dolgelle 1806 by William Marshall Craig
William Marshall Craig, Samuel Anointing David, 1788-1828, brush and ink on paper, 6 1/2 in. x 5 1/2 in. (16.51 cm. x 13.9 cm.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-marshall-craig-samuel-anointing-david-1788-1828-brush-and-ink-on-paper-6-12-in-x-5-12-in-1651-cm-x-139-cm-image344472634.htmlRM2B0C2A2–William Marshall Craig, Samuel Anointing David, 1788-1828, brush and ink on paper, 6 1/2 in. x 5 1/2 in. (16.51 cm. x 13.9 cm.)
. Extracted from Apotheosis of the Princes Octavius & Alfred, and of the Princess Amelia (Prince Octavius; Princess Amelia; Prince Alfred), by William Marshall Craig. According to the caption on the original image, it was derived from a 'picture by Gainsborough in the Queen's Palace.' . before 1859. William Marshall Craig (floruit in 1788) 1028 Prince Octavius from Apotheosis by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/extracted-from-apotheosis-of-the-princes-octavius-alfred-and-of-the-princess-amelia-prince-octavius-princess-amelia-prince-alfred-by-william-marshall-craig-according-to-the-caption-on-the-original-image-it-was-derived-from-a-picture-by-gainsborough-in-the-queens-palace-before-1859-william-marshall-craig-floruit-in-1788-1028-prince-octavius-from-apotheosis-by-william-marshall-craig-image185552912.htmlRMMNTJHM–. Extracted from Apotheosis of the Princes Octavius & Alfred, and of the Princess Amelia (Prince Octavius; Princess Amelia; Prince Alfred), by William Marshall Craig. According to the caption on the original image, it was derived from a 'picture by Gainsborough in the Queen's Palace.' . before 1859. William Marshall Craig (floruit in 1788) 1028 Prince Octavius from Apotheosis by William Marshall Craig
View of Grand Cairo, Print made by John Neagle, 1796–1865, American, after William Marshall Craig, ca. 1788–1828, British, Published by Samuel A. Walker, 19th century, 1828, Etching and line engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-grand-cairo-print-made-by-john-neagle-17961865-american-after-william-marshall-craig-ca-17881828-british-published-by-samuel-a-walker-19th-century-1828-etching-and-line-engraving-on-medium-slightly-textured-cream-wove-paper-image389832874.htmlRM2DJ6BPJ–View of Grand Cairo, Print made by John Neagle, 1796–1865, American, after William Marshall Craig, ca. 1788–1828, British, Published by Samuel A. Walker, 19th century, 1828, Etching and line engraving on medium, slightly textured, cream wove paper
Princess Amelia from Apotheosis by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-princess-amelia-from-apotheosis-by-william-marshall-craig-134921636.htmlRMHRE5WT–Princess Amelia from Apotheosis by William Marshall Craig
by; after Mackenzie; William Marshall Craig,print,published 1 November 1808 177 Edgeworth-Mackenzie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-after-mackenzie-william-marshall-craigprintpublished-1-november-1808-177-edgeworth-mackenzie-image213982136.htmlRMPC3MB4–by; after Mackenzie; William Marshall Craig,print,published 1 November 1808 177 Edgeworth-Mackenzie
Attributed to William Marshall Craig, Miss Robertson, c. 1810, Gum arabic with watercolor on ivory (miniature). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-william-marshall-craig-miss-robertson-c-1810-gum-arabic-with-watercolor-on-ivory-miniature-image537573678.htmlRM2P6GGKX–Attributed to William Marshall Craig, Miss Robertson, c. 1810, Gum arabic with watercolor on ivory (miniature).
by Mackenzie, after William Marshall Craig, line and stipple engraving, published 1 November 1808 385 Mackenzie-MariaEdgeworth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-mackenzie-after-william-marshall-craig-line-and-stipple-engraving-published-1-november-1808-385-mackenzie-mariaedgeworth-image214082529.htmlRMPC88CH–by Mackenzie, after William Marshall Craig, line and stipple engraving, published 1 November 1808 385 Mackenzie-MariaEdgeworth
William Marshall Craig. Comedy. 1804. England. Pen and gray wash on cream wove paper, laid down on cream card Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-marshall-craig-comedy-1804-england-pen-and-gray-wash-on-cream-wove-paper-laid-down-on-cream-card-image337928328.htmlRM2AHNY0T–William Marshall Craig. Comedy. 1804. England. Pen and gray wash on cream wove paper, laid down on cream card
Greenpea seller in front of Newgate Prison, London, 1805. Vegetable seller with barrow of Green Hastens peas. In front of the window to the Keeper's house, Newgate Prison, Ludgate Hill. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greenpea-seller-in-front-of-newgate-prison-london-1805-vegetable-seller-with-barrow-of-green-hastens-peas-in-front-of-the-window-to-the-keepers-house-newgate-prison-ludgate-hill-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image571824692.htmlRM2T68T6C–Greenpea seller in front of Newgate Prison, London, 1805. Vegetable seller with barrow of Green Hastens peas. In front of the window to the Keeper's house, Newgate Prison, Ludgate Hill. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.
by; published by; after Robert Hicks; Nuttall, Fisher & Dixon; William Marshall Craig,print,published April 1818 330 Charlotte and Leopold wedding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-published-by-after-robert-hicks-nuttall-fisher-dixon-william-marshall-craigprintpublished-april-1818-330-charlotte-and-leopold-wedding-image210167756.htmlRMP5WY38–by; published by; after Robert Hicks; Nuttall, Fisher & Dixon; William Marshall Craig,print,published April 1818 330 Charlotte and Leopold wedding
after William Marshall Craig, ca. 1788–1828, British, The City of Morocco, Taken from the South, 1828. Etching and line engraving on medium, slightly textured, cream wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-william-marshall-craig-ca-17881828-british-the-city-of-morocco-taken-from-the-south-1828-etching-and-line-engraving-on-medium-slightly-textured-cream-wove-paper-image398421744.htmlRM2E45K00–after William Marshall Craig, ca. 1788–1828, British, The City of Morocco, Taken from the South, 1828. Etching and line engraving on medium, slightly textured, cream wove paper.
The Battle of Trafalgar and the Death of Nelson, 1806. Artist: Craig, William Marshall (ca. 1765-1827) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-trafalgar-and-the-death-of-nelson-1806-artist-craig-image66579810.htmlRMDT8Y6A–The Battle of Trafalgar and the Death of Nelson, 1806. Artist: Craig, William Marshall (ca. 1765-1827)
Battle of Trafalgar with the death of Horatio Nelson, Robert Cooper, after William Marshall Craig, 1806 print London paper etching battle (+ naval force). violent death, being killed; being mishandled and maltreated; seeking death Trafalgar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-trafalgar-with-the-death-of-horatio-nelson-robert-cooper-after-william-marshall-craig-1806-print-london-paper-etching-battle-naval-force-violent-death-being-killed-being-mishandled-and-maltreated-seeking-death-trafalgar-image594902700.htmlRM2WFT4D0–Battle of Trafalgar with the death of Horatio Nelson, Robert Cooper, after William Marshall Craig, 1806 print London paper etching battle (+ naval force). violent death, being killed; being mishandled and maltreated; seeking death Trafalgar
Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Band Boxes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edwards-edward-craig-william-marshall-phillips-richard-print-hand-coloured-copper-plate-engraving-band-boxes-image328513815.htmlRM2A2D2M7–Edwards, Edward; Craig, William Marshall; Phillips, Richard - print; hand-coloured copper plate engraving - Band Boxes
William Marshall Craig, ca. 1788–1828, British, Landscape with Lime-Kiln and Workmen, ca. 1808. Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper. baskets , cliffs , drinking , genre subject , jug , labor , laborers , landscape , lime kiln , limestone , men , resting , shovels , smoke , stairs , woman , workers , working Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-marshall-craig-ca-17881828-british-landscape-with-lime-kiln-and-workmen-ca-1808-watercolor-pen-and-gray-ink-pen-and-brown-ink-and-graphite-on-moderately-thick-slightly-textured-beige-wove-paper-baskets-cliffs-drinking-genre-subject-jug-labor-laborers-landscape-lime-kiln-limestone-men-resting-shovels-smoke-stairs-woman-workers-working-image398460399.htmlRM2E47C8F–William Marshall Craig, ca. 1788–1828, British, Landscape with Lime-Kiln and Workmen, ca. 1808. Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper. baskets , cliffs , drinking , genre subject , jug , labor , laborers , landscape , lime kiln , limestone , men , resting , shovels , smoke , stairs , woman , workers , working
Greenpea seller in front of Newgate Prison, London, 1805. Vegetable seller with barrow of Green Hastens peas. In front of the window to the Keeper's house, Newgate Prison, Ludgate Hill. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greenpea-seller-in-front-of-newgate-prison-london-1805-vegetable-seller-with-barrow-of-green-hastens-peas-in-front-of-the-window-to-the-keepers-house-newgate-prison-ludgate-hill-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522699071.htmlRM2NAAYYY–Greenpea seller in front of Newgate Prison, London, 1805. Vegetable seller with barrow of Green Hastens peas. In front of the window to the Keeper's house, Newgate Prison, Ludgate Hill. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
Christian, the Pilgrim of the title, meets Evangelist. Illustration by William Marshall Craig (c1765-c1834) from an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-the-pilgrim-of-the-title-meets-evangelist-illustration-by-image68548982.htmlRMDYEJWX–Christian, the Pilgrim of the title, meets Evangelist. Illustration by William Marshall Craig (c1765-c1834) from an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678.
Woman apple seller in Stratford Place, London. Woman in bonnet, cloak, apron and skirts, with wheelbarrow full of apples, sold hot in winter. Baking or boiling apples! Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-apple-seller-in-stratford-place-london-woman-in-bonnet-cloak-apron-and-skirts-with-wheelbarrow-full-of-apples-sold-hot-in-winter-baking-or-boiling-apples!-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522695302.htmlRM2NAAR5A–Woman apple seller in Stratford Place, London. Woman in bonnet, cloak, apron and skirts, with wheelbarrow full of apples, sold hot in winter. Baking or boiling apples! Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
Barmouth 1806 by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/barmouth-1806-by-william-marshall-craig-image559671255.htmlRM2REF6B3–Barmouth 1806 by William Marshall Craig
William Marshall Craig, ca. 1788–1828, British, Hamlet and the Ghost, ca. 1820. Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper. armor , boots , capes , collar , costume , fear , gesture , Hamlet, Act I, Scene IV , helmet , literary theme , man , moon , night , plays by William Shakespeare , plume , sword , trees , tunic , walking. Denmark , Europe. Ghost of Hamlet's Father Shakespeare, William (1564–1616), playwright and poet Hamlet, Prince of Denmark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-marshall-craig-ca-17881828-british-hamlet-and-the-ghost-ca-1820-brown-ink-with-watercolor-and-gray-wash-on-thick-slightly-textured-beige-wove-paper-armor-boots-capes-collar-costume-fear-gesture-hamlet-act-i-scene-iv-helmet-literary-theme-man-moon-night-plays-by-william-shakespeare-plume-sword-trees-tunic-walking-denmark-europe-ghost-of-hamlets-father-shakespeare-william-15641616-playwright-and-poet-hamlet-prince-of-denmark-image398460329.htmlRM2E47C61–William Marshall Craig, ca. 1788–1828, British, Hamlet and the Ghost, ca. 1820. Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper. armor , boots , capes , collar , costume , fear , gesture , Hamlet, Act I, Scene IV , helmet , literary theme , man , moon , night , plays by William Shakespeare , plume , sword , trees , tunic , walking. Denmark , Europe. Ghost of Hamlet's Father Shakespeare, William (1564–1616), playwright and poet Hamlet, Prince of Denmark
William Pitt the Younger (1759-1806), British statesman and prime minister, 1816.Artist: I Brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-pitt-the-younger-1759-1806-british-statesman-and-prime-minister-1816artist-i-brown-image262751947.htmlRMW7DAP3–William Pitt the Younger (1759-1806), British statesman and prime minister, 1816.Artist: I Brown
Landscape with Lime-Kiln and Workmen, William Marshall Craig, ca. 1788–1828, British, ca. 1808, Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm), baskets, cliffs, drinking, genre subject, jug, labor, laborers, landscape, lime kiln, limestone, men, resting, shovels, smoke, stairs, woman, workers, working Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-lime-kiln-and-workmen-william-marshall-craig-ca-17881828-british-ca-1808-watercolor-pen-and-gray-ink-pen-and-brown-ink-and-graphite-on-moderately-thick-slightly-textured-beige-wove-paper-sheet-9-x-7-38-inches-228-x-188-cm-baskets-cliffs-drinking-genre-subject-jug-labor-laborers-landscape-lime-kiln-limestone-men-resting-shovels-smoke-stairs-woman-workers-working-image389854390.htmlRM2DJ7B72–Landscape with Lime-Kiln and Workmen, William Marshall Craig, ca. 1788–1828, British, ca. 1808, Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm), baskets, cliffs, drinking, genre subject, jug, labor, laborers, landscape, lime kiln, limestone, men, resting, shovels, smoke, stairs, woman, workers, working
Prince Alfred from Apotheosis by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-prince-alfred-from-apotheosis-by-william-marshall-craig-134895394.htmlRMHRD0CJ–Prince Alfred from Apotheosis by William Marshall Craig
The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection 1816 Drawn by William Marshall Craig. The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection. British, London. 1816. Etching and engraving. Edward Orme (British, Manchester 1775–1848 London). possibly London. Thomas Sutherland (British, 1785–1838). Works on Paper-Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-interior-of-the-oplotheca-in-brook-st-bond-st-being-the-finest-collection-of-antient-armour-in-europe-now-open-for-public-inspection-1816-drawn-by-william-marshall-craig-the-interior-of-the-oplotheca-in-brook-st-bond-st-being-the-finest-collection-of-antient-armour-in-europe-now-open-for-public-inspection-british-london-1816-etching-and-engraving-edward-orme-british-manchester-17751848-london-possibly-london-thomas-sutherland-british-17851838-works-on-paper-prints-image457857090.htmlRM2HGW5AX–The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection 1816 Drawn by William Marshall Craig. The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection. British, London. 1816. Etching and engraving. Edward Orme (British, Manchester 1775–1848 London). possibly London. Thomas Sutherland (British, 1785–1838). Works on Paper-Prints
'Matches', Cries of London, 1804. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matches-cries-of-london-1804-artist-anon-image60089360.htmlRMDDN8GG–'Matches', Cries of London, 1804. Artist: Anon
William Marshall Craig, ca. 1788–1828, British, Macbeth and the Apparition of the Armed Head, ca. 1820. Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper. apparition , armor , cape , cauldron , clouds , costume , hallucination , head , helmet , literary theme , Macbeth, Act IV, Scene I , man , plays by William Shakespeare , sandals , smoke , snakes , sword , tunic , vision , women. demons Shakespeare, William (1564–1616), playwright and poet Macbeth (character in The Tragedy of Macbeth) The Three Witches (characters in Macbeth) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-marshall-craig-ca-17881828-british-macbeth-and-the-apparition-of-the-armed-head-ca-1820-brown-ink-with-gray-wash-and-watercolor-over-graphite-on-moderately-thick-slightly-textured-beige-wove-paper-apparition-armor-cape-cauldron-clouds-costume-hallucination-head-helmet-literary-theme-macbeth-act-iv-scene-i-man-plays-by-william-shakespeare-sandals-smoke-snakes-sword-tunic-vision-women-demons-shakespeare-william-15641616-playwright-and-poet-macbeth-character-in-the-tragedy-of-macbeth-the-three-witches-characters-in-macbeth-image398460344.htmlRM2E47C6G–William Marshall Craig, ca. 1788–1828, British, Macbeth and the Apparition of the Armed Head, ca. 1820. Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper. apparition , armor , cape , cauldron , clouds , costume , hallucination , head , helmet , literary theme , Macbeth, Act IV, Scene I , man , plays by William Shakespeare , sandals , smoke , snakes , sword , tunic , vision , women. demons Shakespeare, William (1564–1616), playwright and poet Macbeth (character in The Tragedy of Macbeth) The Three Witches (characters in Macbeth)
Cries of London - A New Love Song, only Ha’pence a Piece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cries-of-london-a-new-love-song-only-hapence-a-piece-image434092154.htmlRF2G66GY6–Cries of London - A New Love Song, only Ha’pence a Piece.
Door-mat seller in front of King Charles I equestrian statue, Charling Cross. Man in hat, coat, breeches and buckle shoes, selling rush and rope mats. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/door-mat-seller-in-front-of-king-charles-i-equestrian-statue-charling-cross-man-in-hat-coat-breeches-and-buckle-shoes-selling-rush-and-rope-mats-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image571816695.htmlRM2T68E0R–Door-mat seller in front of King Charles I equestrian statue, Charling Cross. Man in hat, coat, breeches and buckle shoes, selling rush and rope mats. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.
. Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 152 Edgeworth-Mackenzie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-edgeworth-line-and-stipple-engraving-published-1-november-1808-mackenzie-after-william-marshall-craig-floruit-1788-1828-152-edgeworth-mackenzie-image188775897.htmlRMMY3DG9–. Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 152 Edgeworth-Mackenzie
Centennial services of the Fourth Presbyterian Church of the city of New York . mas T. Allan, Miss Grace L. Ritchie, Mrs. a. M. Stewart, Miss Ella I. Morrison,Mrs. James Cameron. Welcome Committee* Archibald McLintock, Chn, Mrs. Robert Dinwiddie,Robert Marshall, Mrs. C. W. Cameron, Thomas D. Brown, Mrs. William Harrison, James Kydd, Mrs. Frederick Blume, John McIntire, Mrs. J. B. Mattison, Henry Paige, Miss Margaret F. Haggart. SDecoration Committee. Andrew Craig, Chairman, Mrs. R. A. Dorman,John H. Allen, Mrs. James Kydd, Walter Stevenson, Miss Maggie S. Strachan, Mrs. Thomas Kirkpatrick. (^m Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/centennial-services-of-the-fourth-presbyterian-church-of-the-city-of-new-york-mas-t-allan-miss-grace-l-ritchie-mrs-a-m-stewart-miss-ella-i-morrisonmrs-james-cameron-welcome-committee-archibald-mclintock-chn-mrs-robert-dinwiddierobert-marshall-mrs-c-w-cameron-thomas-d-brown-mrs-william-harrison-james-kydd-mrs-frederick-blume-john-mcintire-mrs-j-b-mattison-henry-paige-miss-margaret-f-haggart-sdecoration-committee-andrew-craig-chairman-mrs-r-a-dormanjohn-h-allen-mrs-james-kydd-walter-stevenson-miss-maggie-s-strachan-mrs-thomas-kirkpatrick-m-image342769080.htmlRM2AWJDCT–Centennial services of the Fourth Presbyterian Church of the city of New York . mas T. Allan, Miss Grace L. Ritchie, Mrs. a. M. Stewart, Miss Ella I. Morrison,Mrs. James Cameron. Welcome Committee* Archibald McLintock, Chn, Mrs. Robert Dinwiddie,Robert Marshall, Mrs. C. W. Cameron, Thomas D. Brown, Mrs. William Harrison, James Kydd, Mrs. Frederick Blume, John McIntire, Mrs. J. B. Mattison, Henry Paige, Miss Margaret F. Haggart. SDecoration Committee. Andrew Craig, Chairman, Mrs. R. A. Dorman,John H. Allen, Mrs. James Kydd, Walter Stevenson, Miss Maggie S. Strachan, Mrs. Thomas Kirkpatrick. (^m
Christian and Hopeful alarmed a the punishment of Turn-away. Illustration by William Marshall Craig (c1765-c1834) form an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-and-hopeful-alarmed-a-the-punishment-of-turn-away-illustration-image68548985.htmlRMDYEJX1–Christian and Hopeful alarmed a the punishment of Turn-away. Illustration by William Marshall Craig (c1765-c1834) form an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678.
Door-mat seller in front of King Charles I equestrian statue, Charling Cross. Man in hat, coat, breeches and buckle shoes, selling rush and rope mats. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/door-mat-seller-in-front-of-king-charles-i-equestrian-statue-charling-cross-man-in-hat-coat-breeches-and-buckle-shoes-selling-rush-and-rope-mats-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522698500.htmlRM2NAAY7G–Door-mat seller in front of King Charles I equestrian statue, Charling Cross. Man in hat, coat, breeches and buckle shoes, selling rush and rope mats. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
Dolgelle 1806 by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dolgelle-1806-by-william-marshall-craig-image559671253.htmlRM2REF6B1–Dolgelle 1806 by William Marshall Craig
Boy selling matches in front of Mansion House. Matchseller in hat, coat, breeches and toe-less shoes with basket of matches. The Palladian-style Mantion House was designed by George Dance as the Lord Mayor's residence. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boy-selling-matches-in-front-of-mansion-house-matchseller-in-hat-coat-breeches-and-toe-less-shoes-with-basket-of-matches-the-palladian-style-mantion-house-was-designed-by-george-dance-as-the-lord-mayors-residence-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522701310.htmlRM2NAB2RX–Boy selling matches in front of Mansion House. Matchseller in hat, coat, breeches and toe-less shoes with basket of matches. The Palladian-style Mantion House was designed by George Dance as the Lord Mayor's residence. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
Britannia having chained the demon of war, 1816.Artist: T Wallis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/britannia-having-chained-the-demon-of-war-1816artist-t-wallis-image262751937.htmlRMW7DANN–Britannia having chained the demon of war, 1816.Artist: T Wallis
Hamlet and the Ghost, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper, Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm), armor, boots, capes, collar, costume, fear, gesture, Hamlet, Act I, Scene IV, helmet, literary theme, man, moon, night, plays by William Shakespeare, plume, sword, trees, tunic, walking, Denmark, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hamlet-and-the-ghost-william-marshall-craig-ca-17881828-british-ca-1820-brown-ink-with-watercolor-and-gray-wash-on-thick-slightly-textured-beige-wove-paper-sheet-10-1116-x-8-316-inches-272-x-208-cm-armor-boots-capes-collar-costume-fear-gesture-hamlet-act-i-scene-iv-helmet-literary-theme-man-moon-night-plays-by-william-shakespeare-plume-sword-trees-tunic-walking-denmark-europe-image389854421.htmlRM2DJ7B85–Hamlet and the Ghost, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper, Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm), armor, boots, capes, collar, costume, fear, gesture, Hamlet, Act I, Scene IV, helmet, literary theme, man, moon, night, plays by William Shakespeare, plume, sword, trees, tunic, walking, Denmark, Europe
Prince Octavius from Apotheosis by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-prince-octavius-from-apotheosis-by-william-marshall-craig-134714189.htmlRMHR4N91–Prince Octavius from Apotheosis by William Marshall Craig
'Baskets!', Cries of London, 1804. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baskets!-cries-of-london-1804-artist-anon-image60089207.htmlRMDDN8B3–'Baskets!', Cries of London, 1804. Artist: Anon
William Marshall Craig, ca. 1788–1828, British, The Princes in the Tower, ca. 1820. Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper. bed (furniture) , bedroom , blankets , boys , brothers , curtains , doublet , drapery , interior , killing , literary theme , men , murder , nightshirts , pillows , plays by William Shakespeare , princes , Richard III, Act IV, Scene II , sheets , sleeping , tower (building division). England , Greater London , Tower of London , United Kingdom. Edward V (1470–1483), king of England and lord of Ireland Shakespeare, William (1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-marshall-craig-ca-17881828-british-the-princes-in-the-tower-ca-1820-brown-ink-with-gray-wash-and-watercolor-on-thick-slightly-textured-beige-wove-paper-bed-furniture-bedroom-blankets-boys-brothers-curtains-doublet-drapery-interior-killing-literary-theme-men-murder-nightshirts-pillows-plays-by-william-shakespeare-princes-richard-iii-act-iv-scene-ii-sheets-sleeping-tower-building-division-england-greater-london-tower-of-london-united-kingdom-edward-v-14701483-king-of-england-and-lord-of-ireland-shakespeare-william-1-image398460350.htmlRM2E47C6P–William Marshall Craig, ca. 1788–1828, British, The Princes in the Tower, ca. 1820. Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper. bed (furniture) , bedroom , blankets , boys , brothers , curtains , doublet , drapery , interior , killing , literary theme , men , murder , nightshirts , pillows , plays by William Shakespeare , princes , Richard III, Act IV, Scene II , sheets , sleeping , tower (building division). England , Greater London , Tower of London , United Kingdom. Edward V (1470–1483), king of England and lord of Ireland Shakespeare, William (1
Cries of London - Round & Sound, Five Pence a Pound, Duke Cherries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cries-of-london-round-sound-five-pence-a-pound-duke-cherries-image434092152.htmlRF2G66GY4–Cries of London - Round & Sound, Five Pence a Pound, Duke Cherries.
Woman apple seller in Stratford Place, London. Woman in bonnet, cloak, apron and skirts, with wheelbarrow full of apples, sold hot in winter. Baking or boiling apples! Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-apple-seller-in-stratford-place-london-woman-in-bonnet-cloak-apron-and-skirts-with-wheelbarrow-full-of-apples-sold-hot-in-winter-baking-or-boiling-apples!-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image571811071.htmlRM2T686RY–Woman apple seller in Stratford Place, London. Woman in bonnet, cloak, apron and skirts, with wheelbarrow full of apples, sold hot in winter. Baking or boiling apples! Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.
. Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 177 Edgeworth-Mackenzie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-edgeworth-line-and-stipple-engraving-published-1-november-1808-mackenzie-after-william-marshall-craig-floruit-1788-1828-177-edgeworth-mackenzie-image187488882.htmlRMMW0RYE–. Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 177 Edgeworth-Mackenzie
. Pennsylvanian . Albert D. Liefeld Northwestern University Capital University Music Course at Wood- ville, Ohio Pupil of Carlo Garciotto, Boston Director of Mandolin Club Anna B. Craig Pupil of William Chase,Sargant Kendall, HenryKeller, and Howard Pyle Art James B. Garner B.S., M.S., Wabash Col-lege Ph.D., University of Chi-cago Chemistry Vanda E. Kerst Heidelberg UniversityPupil of S. H. Clark andMrs. Bertha Kunz BakerCurry School of Expres-sion Expression 24 i .,0,- S^l|^ P^nnsgluantan jij I i.0. Mary Helen MarksB.A., Smith CollegeField Secretary Margaret Ann Stuart Ella Moore Marshall Sec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pennsylvanian-albert-d-liefeld-northwestern-university-capital-university-music-course-at-wood-ville-ohio-pupil-of-carlo-garciotto-boston-director-of-mandolin-club-anna-b-craig-pupil-of-william-chasesargant-kendall-henrykeller-and-howard-pyle-art-james-b-garner-bs-ms-wabash-col-lege-phd-university-of-chi-cago-chemistry-vanda-e-kerst-heidelberg-universitypupil-of-s-h-clark-andmrs-bertha-kunz-bakercurry-school-of-expres-sion-expression-24-i-0-sl-pnnsgluantan-jij-i-i0-mary-helen-marksba-smith-collegefield-secretary-margaret-ann-stuart-ella-moore-marshall-sec-image369824497.htmlRM2CDJXWN–. Pennsylvanian . Albert D. Liefeld Northwestern University Capital University Music Course at Wood- ville, Ohio Pupil of Carlo Garciotto, Boston Director of Mandolin Club Anna B. Craig Pupil of William Chase,Sargant Kendall, HenryKeller, and Howard Pyle Art James B. Garner B.S., M.S., Wabash Col-lege Ph.D., University of Chi-cago Chemistry Vanda E. Kerst Heidelberg UniversityPupil of S. H. Clark andMrs. Bertha Kunz BakerCurry School of Expres-sion Expression 24 i .,0,- S^l|^ P^nnsgluantan jij I i.0. Mary Helen MarksB.A., Smith CollegeField Secretary Margaret Ann Stuart Ella Moore Marshall Sec
The Devil, in hooded cloak to hide his horns and cloven hooves, trying to extinguish the cleansing fire of Grace. Illustration by William Marshall Craig (c1765-c1834) from an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-devil-in-hooded-cloak-to-hide-his-horns-and-cloven-hooves-trying-image68548984.htmlRMDYEJX0–The Devil, in hooded cloak to hide his horns and cloven hooves, trying to extinguish the cleansing fire of Grace. Illustration by William Marshall Craig (c1765-c1834) from an 1832 edition of the Christian allegory ''The Pilgrim's Progress'' by John Bunyan first published in 1678.
An engraving depicting Lot fleeing from Sodom and Gomorrah when an earthquake circa BC 1900 destroyed them. In the right background is Lot's wife turned to a pillar of salt because she looked back. There is evidence of a massive earthquake in the area at this date and might well have arisen from the escape of petroleum gases. Engraved by William Marshall Craig (1765-1834). Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-depicting-lot-fleeing-from-sodom-and-gomorrah-when-an-earthquake-circa-bc-1900-destroyed-them-in-the-right-background-is-lots-wife-turned-to-a-pillar-of-salt-because-she-looked-back-there-is-evidence-of-a-massive-earthquake-in-the-area-at-this-date-and-might-well-have-arisen-from-the-escape-of-petroleum-gases-engraved-by-william-marshall-craig-1765-1834-dated-19th-century-image235266403.htmlRMRJN8KF–An engraving depicting Lot fleeing from Sodom and Gomorrah when an earthquake circa BC 1900 destroyed them. In the right background is Lot's wife turned to a pillar of salt because she looked back. There is evidence of a massive earthquake in the area at this date and might well have arisen from the escape of petroleum gases. Engraved by William Marshall Craig (1765-1834). Dated 19th century
Rabbit-meat seller in Portland Place. In hat, jacket, waistcoat, apron and breeches, with wild and domesticated rabbits hanging from a pole. In front of the railings of the houses on Portland Place. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rabbit-meat-seller-in-portland-place-in-hat-jacket-waistcoat-apron-and-breeches-with-wild-and-domesticated-rabbits-hanging-from-a-pole-in-front-of-the-railings-of-the-houses-on-portland-place-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522703914.htmlRM2NAB64X–Rabbit-meat seller in Portland Place. In hat, jacket, waistcoat, apron and breeches, with wild and domesticated rabbits hanging from a pole. In front of the railings of the houses on Portland Place. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
An engraving depicting Lot fleeing Sodom and Gomorrah when an earthquake circa 1900 BC destroyed them. In the background (right) is Lot's wife turned into a pillar of salt because she looked back. There is evidence of a massive earthquake in the area at this date, and the legend of fire and brimstone could well have arisen from the escape of petroleum gases. Engraved by William Marshall Craig (1765-1827) an English painter. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-engraving-depicting-lot-fleeing-sodom-and-gomorrah-when-an-earthquake-circa-1900-bc-destroyed-them-in-the-background-right-is-lots-wife-turned-into-a-pillar-of-salt-because-she-looked-back-there-is-evidence-of-a-massive-earthquake-in-the-area-at-this-date-and-the-legend-of-fire-and-brimstone-could-well-have-arisen-from-the-escape-of-petroleum-gases-engraved-by-william-marshall-craig-1765-1827-an-english-painter-dated-19th-century-image235000277.htmlRMRJ9571–An engraving depicting Lot fleeing Sodom and Gomorrah when an earthquake circa 1900 BC destroyed them. In the background (right) is Lot's wife turned into a pillar of salt because she looked back. There is evidence of a massive earthquake in the area at this date, and the legend of fire and brimstone could well have arisen from the escape of petroleum gases. Engraved by William Marshall Craig (1765-1827) an English painter. Dated 19th century
Macbeth and the Apparition of the Armed Head, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 1/16 x 8 15/16 inches (28.1 x 22.7 cm), apparition, armor, cape, cauldron, clouds, costume, hallucination, head, helmet, literary theme, Macbeth, Act IV, Scene I, man, plays by William Shakespeare, sandals, smoke, snakes, sword, tunic, vision, women Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/macbeth-and-the-apparition-of-the-armed-head-william-marshall-craig-ca-17881828-british-ca-1820-brown-ink-with-gray-wash-and-watercolor-over-graphite-on-moderately-thick-slightly-textured-beige-wove-paper-sheet-11-116-x-8-1516-inches-281-x-227-cm-apparition-armor-cape-cauldron-clouds-costume-hallucination-head-helmet-literary-theme-macbeth-act-iv-scene-i-man-plays-by-william-shakespeare-sandals-smoke-snakes-sword-tunic-vision-women-image389854418.htmlRM2DJ7B82–Macbeth and the Apparition of the Armed Head, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 1/16 x 8 15/16 inches (28.1 x 22.7 cm), apparition, armor, cape, cauldron, clouds, costume, hallucination, head, helmet, literary theme, Macbeth, Act IV, Scene I, man, plays by William Shakespeare, sandals, smoke, snakes, sword, tunic, vision, women
Apotheosis of the Princes Octavius & Alfred, and of the Princess Amelia (Prince Octavius; Princess Amelia; Prince Alfred) by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-apotheosis-of-the-princes-octavius-alfred-and-of-the-princess-amelia-132590431.htmlRMHKM0CF–Apotheosis of the Princes Octavius & Alfred, and of the Princess Amelia (Prince Octavius; Princess Amelia; Prince Alfred) by William Marshall Craig
Delilah cutting Samson's hair. Illustration by William Marshall Craig (ca l765-ca l834). In the Old testament story, Delilah was approached by the lords of the Philistines, to discover the secret of Samson's strength, and on being told it was to never cut his hair she secretly did so when he was asleep. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-delilah-cutting-samsons-hair-illustration-by-william-marshall-craig-131276594.htmlRMHHG4HP–Delilah cutting Samson's hair. Illustration by William Marshall Craig (ca l765-ca l834). In the Old testament story, Delilah was approached by the lords of the Philistines, to discover the secret of Samson's strength, and on being told it was to never cut his hair she secretly did so when he was asleep.
Hamlet and the Ghost circa 1820 by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hamlet-and-the-ghost-circa-1820-by-william-marshall-craig-image559671246.htmlRM2REF6AP–Hamlet and the Ghost circa 1820 by William Marshall Craig
'Bellows to Mend', Cries of London, 1804. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bellows-to-mend-cries-of-london-1804-artist-anon-image60089217.htmlRMDDN8BD–'Bellows to Mend', Cries of London, 1804. Artist: Anon
Lord Cornwallis (1738-1805) receiving the sons of Tippoo Saib as hostages, 1816.Artist: I Brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lord-cornwallis-1738-1805-receiving-the-sons-of-tippoo-saib-as-hostages-1816artist-i-brown-image262751932.htmlRMW7DANG–Lord Cornwallis (1738-1805) receiving the sons of Tippoo Saib as hostages, 1816.Artist: I Brown
Woman selling new potatoes at Middlesex Hospital. In bonnet, fichu, dress and petticoats with wheelbarrow of potatoes. Gate and gardens of Middlesex Hospital, built in 1755 and demolished in 2017. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-selling-new-potatoes-at-middlesex-hospital-in-bonnet-fichu-dress-and-petticoats-with-wheelbarrow-of-potatoes-gate-and-gardens-of-middlesex-hospital-built-in-1755-and-demolished-in-2017-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image571816017.htmlRM2T68D4H–Woman selling new potatoes at Middlesex Hospital. In bonnet, fichu, dress and petticoats with wheelbarrow of potatoes. Gate and gardens of Middlesex Hospital, built in 1755 and demolished in 2017. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.
. Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 177 Edgeworth-Mackenzie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-edgeworth-line-and-stipple-engraving-published-1-november-1808-mackenzie-after-william-marshall-craig-floruit-1788-1828-177-edgeworth-mackenzie-image187946745.htmlRMMWNKYN–. Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 177 Edgeworth-Mackenzie
. English: Portrait of Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 385 Mackenzie-MariaEdgeworth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-maria-edgeworth-line-and-stipple-engraving-published-1-november-1808-mackenzie-after-william-marshall-craig-floruit-1788-1828-385-mackenzie-mariaedgeworth-image187848294.htmlRMMWH6BJ–. English: Portrait of Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 385 Mackenzie-MariaEdgeworth
Broom seller in front of Shoreditch Church. In hat, coat, waistcoat and breeches, buckle shoes, with horse-hair brooms, brushes, wooden sieves and bowls. St Leonard's Church, Shoreditch, with its poplar trees. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/broom-seller-in-front-of-shoreditch-church-in-hat-coat-waistcoat-and-breeches-buckle-shoes-with-horse-hair-brooms-brushes-wooden-sieves-and-bowls-st-leonards-church-shoreditch-with-its-poplar-trees-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522699301.htmlRM2NAB085–Broom seller in front of Shoreditch Church. In hat, coat, waistcoat and breeches, buckle shoes, with horse-hair brooms, brushes, wooden sieves and bowls. St Leonard's Church, Shoreditch, with its poplar trees. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
The Princes in the Tower, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper, Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm), bed (furniture), bedroom, blankets, boys, brothers, curtains, doublet, drapery, interior, killing, literary theme, men, murder, nightshirts, pillows, plays by William Shakespeare, princes, Richard III, Act IV, Scene II, sheets, sleeping, tower (building division), England, Greater London, Tower of London, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-princes-in-the-tower-william-marshall-craig-ca-17881828-british-ca-1820-brown-ink-with-gray-wash-and-watercolor-on-thick-slightly-textured-beige-wove-paper-sheet-10-1316-x-8-1116-inches-275-x-221-cm-bed-furniture-bedroom-blankets-boys-brothers-curtains-doublet-drapery-interior-killing-literary-theme-men-murder-nightshirts-pillows-plays-by-william-shakespeare-princes-richard-iii-act-iv-scene-ii-sheets-sleeping-tower-building-division-england-greater-london-tower-of-london-united-kingdom-image389854415.htmlRM2DJ7B7Y–The Princes in the Tower, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper, Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm), bed (furniture), bedroom, blankets, boys, brothers, curtains, doublet, drapery, interior, killing, literary theme, men, murder, nightshirts, pillows, plays by William Shakespeare, princes, Richard III, Act IV, Scene II, sheets, sleeping, tower (building division), England, Greater London, Tower of London, United Kingdom
Castle Dinas-y-Braan 1806 by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/castle-dinas-y-braan-1806-by-william-marshall-craig-image559671252.htmlRM2REF6B0–Castle Dinas-y-Braan 1806 by William Marshall Craig
'Bellows to Mend', Cries of London, 1804. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bellows-to-mend-cries-of-london-1804-artist-anon-image60089218.htmlRMDDN8BE–'Bellows to Mend', Cries of London, 1804. Artist: Anon
The Archduke Charles of Austria (1771-1847), 1816.Artist: T Wallis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-archduke-charles-of-austria-1771-1847-1816artist-t-wallis-image262751938.htmlRMW7DANP–The Archduke Charles of Austria (1771-1847), 1816.Artist: T Wallis
Broom seller in front of Shoreditch Church. In hat, coat, waistcoat and breeches, buckle shoes, with horse-hair brooms, brushes, wooden sieves and bowls. St Leonard's Church, Shoreditch, with its poplar trees. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/broom-seller-in-front-of-shoreditch-church-in-hat-coat-waistcoat-and-breeches-buckle-shoes-with-horse-hair-brooms-brushes-wooden-sieves-and-bowls-st-leonards-church-shoreditch-with-its-poplar-trees-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image571832767.htmlRM2T696ER–Broom seller in front of Shoreditch Church. In hat, coat, waistcoat and breeches, buckle shoes, with horse-hair brooms, brushes, wooden sieves and bowls. St Leonard's Church, Shoreditch, with its poplar trees. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.
. English: Portrait of Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 385 Mackenzie-MariaEdgeworth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-maria-edgeworth-line-and-stipple-engraving-published-1-november-1808-mackenzie-after-william-marshall-craig-floruit-1788-1828-385-mackenzie-mariaedgeworth-image188125292.htmlRMMX1RMC–. English: Portrait of Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 385 Mackenzie-MariaEdgeworth
Sand seller in front of St Giles Church. In hat, coat, waistcoat, breeches and boots, with wagon of sand, basket and spade. Red sand and white sand was used in cleaning kitchen utensils and floors. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sand-seller-in-front-of-st-giles-church-in-hat-coat-waistcoat-breeches-and-boots-with-wagon-of-sand-basket-and-spade-red-sand-and-white-sand-was-used-in-cleaning-kitchen-utensils-and-floors-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image522704459.htmlRM2NAB6TB–Sand seller in front of St Giles Church. In hat, coat, waistcoat, breeches and boots, with wagon of sand, basket and spade. Red sand and white sand was used in cleaning kitchen utensils and floors. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Paul’s Churchyard, London, 1805.
A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806, James Clark, 19th century, J. R. Hamble, active 1775–1825, British, after William Marshall Craig, ca. 1788–1828, British, c. 1806, Colored aquatint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-view-of-the-cape-of-good-hope-below-the-battle-previous-to-the-surrender-of-the-cape-of-good-hope-january-8th-1806-james-clark-19th-century-j-r-hamble-active-17751825-british-after-william-marshall-craig-ca-17881828-british-c-1806-colored-aquatint-image389671999.htmlRM2DHY2H3–A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806, James Clark, 19th century, J. R. Hamble, active 1775–1825, British, after William Marshall Craig, ca. 1788–1828, British, c. 1806, Colored aquatint
Battle of Trafalgar with the death of Horatio Nelson, Battle of Trafalgar, and Death of Lord Viscount Nelson (title on object), print maker: Robert Cooper, after painting by: William Marshall Craig, publisher: Edward Orme, London, Jun-1806, paper, etching, height 505 mm, width 617 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-trafalgar-with-the-death-of-horatio-nelson-battle-of-trafalgar-and-death-of-lord-viscount-nelson-title-on-object-print-maker-robert-cooper-after-painting-by-william-marshall-craig-publisher-edward-orme-london-jun-1806-paper-etching-height-505-mm-width-617-mm-print-image599490167.htmlRM2WR93R3–Battle of Trafalgar with the death of Horatio Nelson, Battle of Trafalgar, and Death of Lord Viscount Nelson (title on object), print maker: Robert Cooper, after painting by: William Marshall Craig, publisher: Edward Orme, London, Jun-1806, paper, etching, height 505 mm, width 617 mm, print
The Princes in the Tower circa 1820 by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-princes-in-the-tower-circa-1820-by-william-marshall-craig-image559671244.htmlRM2REF6AM–The Princes in the Tower circa 1820 by William Marshall Craig
'Lavender', Cries of London, 1804. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lavender-cries-of-london-1804-artist-anon-image60089359.htmlRMDDN8GF–'Lavender', Cries of London, 1804. Artist: Anon
The British attacking the French line with bayonets at the Battle of Maida, 1816.Artist: I Brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-british-attacking-the-french-line-with-bayonets-at-the-battle-of-maida-1816artist-i-brown-image262751951.htmlRMW7DAP7–The British attacking the French line with bayonets at the Battle of Maida, 1816.Artist: I Brown
Fishwife selling mackerel at Billingsgate Market, London, 1805. In scarf, cloak, skirt and apron with basket of fresh mackerel. In front of fishing boats, masts and sails, barrels of salt fish on the docks. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fishwife-selling-mackerel-at-billingsgate-market-london-1805-in-scarf-cloak-skirt-and-apron-with-basket-of-fresh-mackerel-in-front-of-fishing-boats-masts-and-sails-barrels-of-salt-fish-on-the-docks-handcoloured-copperplate-engraving-by-edward-edwards-after-an-illustration-by-william-marshall-craig-from-description-of-the-plates-representing-the-itinerant-traders-of-london-richard-phillips-no-71-st-pauls-churchyard-london-1805-image571824296.htmlRM2T68RM8–Fishwife selling mackerel at Billingsgate Market, London, 1805. In scarf, cloak, skirt and apron with basket of fresh mackerel. In front of fishing boats, masts and sails, barrels of salt fish on the docks. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.
. English: Portrait of Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 336 Mackenzie-MariaEdgeworth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-maria-edgeworth-line-and-stipple-engraving-published-1-november-1808-mackenzie-after-william-marshall-craig-floruit-1788-1828-336-mackenzie-mariaedgeworth-image188842159.htmlRMMY6E2R–. English: Portrait of Maria Edgeworth, line and stipple engraving . Published 1 November 1808. Mackenzie, after William Marshall Craig (floruit 1788-1828) 336 Mackenzie-MariaEdgeworth
. Extracted from Apotheosis of the Princes Octavius & Alfred, and of the Princess Amelia (Prince Octavius; Princess Amelia; Prince Alfred), by William Marshall Craig. According to the caption on the original image, it was derived from a 'picture by Gainsborough in the Queen's Palace.' . before 1859. William Marshall Craig 3 Prince Alfred from Apotheosis by William Marshall Craig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/extracted-from-apotheosis-of-the-princes-octavius-alfred-and-of-the-princess-amelia-prince-octavius-princess-amelia-prince-alfred-by-william-marshall-craig-according-to-the-caption-on-the-original-image-it-was-derived-from-a-picture-by-gainsborough-in-the-queens-palace-before-1859-william-marshall-craig-3-prince-alfred-from-apotheosis-by-william-marshall-craig-image189266568.htmlRMMYWRC8–. Extracted from Apotheosis of the Princes Octavius & Alfred, and of the Princess Amelia (Prince Octavius; Princess Amelia; Prince Alfred), by William Marshall Craig. According to the caption on the original image, it was derived from a 'picture by Gainsborough in the Queen's Palace.' . before 1859. William Marshall Craig 3 Prince Alfred from Apotheosis by William Marshall Craig
Search Results for William marshall craig Stock Photos and Images (196)
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