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Landscape with stone windmills, anonymous, 1854 - 1885, paper, cardboard, albumen print, height 72 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-stone-windmills-anonymous-1854-1885-paper-cardboard-albumen-print-height-72-mm-width-101-mm-image454420834.htmlRM2HB8JBE–Landscape with stone windmills, anonymous, 1854 - 1885, paper, cardboard, albumen print, height 72 mm × width 101 mm
Inspired by Landscape with stone windmills, 1854 - 1885, paper, albumen print, height 72 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-landscape-with-stone-windmills-1854-1885-paper-albumen-print-height-72-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459527855.htmlRF2HKH8D3–Inspired by Landscape with stone windmills, 1854 - 1885, paper, albumen print, height 72 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
St Charalambos. Date/Period: 1500 - 1530. Triptych. Height: 205 mm (8.07 in); Width: 101 mm (3.97 in). Author: Mainland Greek workshop. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-charalambos-dateperiod-1500-1530-triptych-height-205-mm-807-in-width-101-mm-397-in-author-mainland-greek-workshop-image219729263.htmlRMPNDEWK–St Charalambos. Date/Period: 1500 - 1530. Triptych. Height: 205 mm (8.07 in); Width: 101 mm (3.97 in). Author: Mainland Greek workshop.
Smithsonian miscellaneous collections . in many specimens. Material.—Sixteen specimens. Shape.—From 82 to 140 mm long. Broad with width varying from94 to 101 percent (average 96) of length; test very low varying from7 to 12 percent (average 9) of length; greatest width posterior tocenter, anterior margin rounded, posterior sharply truncated; great-est height posterior to center; ambulacral notches well developed onsome specimens (text figs. 25, 30), absent on others; posterior closedinterambulacral lunule present in six of twelve specimens preservingarea where it would occur, irregularly devel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smithsonian-miscellaneous-collections-in-many-specimens-materialsixteen-specimens-shapefrom-82-to-140-mm-long-broad-with-width-varying-from94-to-101-percent-average-96-of-length-test-very-low-varying-from7-to-12-percent-average-9-of-length-greatest-width-posterior-tocenter-anterior-margin-rounded-posterior-sharply-truncated-great-est-height-posterior-to-center-ambulacral-notches-well-developed-onsome-specimens-text-figs-25-30-absent-on-others-posterior-closedinterambulacral-lunule-present-in-six-of-twelve-specimens-preservingarea-where-it-would-occur-irregularly-devel-image342883130.htmlRM2AWRJX2–Smithsonian miscellaneous collections . in many specimens. Material.—Sixteen specimens. Shape.—From 82 to 140 mm long. Broad with width varying from94 to 101 percent (average 96) of length; test very low varying from7 to 12 percent (average 9) of length; greatest width posterior tocenter, anterior margin rounded, posterior sharply truncated; great-est height posterior to center; ambulacral notches well developed onsome specimens (text figs. 25, 30), absent on others; posterior closedinterambulacral lunule present in six of twelve specimens preservingarea where it would occur, irregularly devel
![. The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late Stock Photo](https://c8.alamy.com/comp/PFY1R3/the-eurypterida-of-new-york-eurypterida-paleontology-the-eurypterida-of-new-york-415-convex-the-antelateral-angles-prominent-well-rounded-the-basal-margin-straight-transverse-the-lateral-eyes-are-large-a-little-more-than-one-third-the-length-of-the-carapace-subcircular-situated-as-stated-the-type-is-47-mm-long-and-55-mm-wide-stylonunis-modestus-nov-see-text-figures-99-101-this-species-is-based-on-several-small-carapaces-with-portions-of-the-abdomen-and-a-leg-see-text-fig-99-which-suggest-the-following-description-carapace-subrectangular-broad-length-to-width-as-58-late-PFY1R3.jpg ". The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late Stock Photo")
. The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eurypterida-of-new-york-eurypterida-paleontology-the-eurypterida-of-new-york-415-convex-the-antelateral-angles-prominent-well-rounded-the-basal-margin-straight-transverse-the-lateral-eyes-are-large-a-little-more-than-one-third-the-length-of-the-carapace-subcircular-situated-as-stated-the-type-is-47-mm-long-and-55-mm-wide-stylonunis-modestus-nov-see-text-figures-99-101-this-species-is-based-on-several-small-carapaces-with-portions-of-the-abdomen-and-a-leg-see-text-fig-99-which-suggest-the-following-description-carapace-subrectangular-broad-length-to-width-as-58-late-image216338391.htmlRMPFY1R3–. The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late
. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder . 1-2 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22a. Size-frequency distributions of C. bairdi from the 1979 trawl survey. C. opilio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-1-2-41-42-81-82-121-122-161-162-201-202-21-22-61-62-101-102-141-142-181-182-carapace-width-mm-figure-61-22a-size-frequency-distributions-of-c-bairdi-from-the-1979-trawl-survey-c-opilio-image178471721.htmlRMMAA2E1–. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder . 1-2 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22a. Size-frequency distributions of C. bairdi from the 1979 trawl survey. C. opilio
The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 1-2 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22a. Size-frequency distributions of C. bairdi from the 1979 trawl survey. C. opilio 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22b. Size-frequency distributions of C. opilio from the 1979 trawl survey. REFERENCES Alaska Department of Fish and Game 1978 Alaska she Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-easternberingsea00hood-year-1981-1-2-41-42-81-82-121-122-161-162-201-202-21-22-61-62-101-102-141-142-181-182-carapace-width-mm-figure-61-22a-size-frequency-distributions-of-c-bairdi-from-the-1979-trawl-survey-c-opilio-41-42-81-82-121-122-161-162-201-202-21-22-61-62-101-102-141-142-181-182-carapace-width-mm-figure-61-22b-size-frequency-distributions-of-c-opilio-from-the-1979-trawl-survey-references-alaska-department-of-fish-and-game-1978-alaska-she-image241238059.htmlRMT0D9GY–The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 1-2 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22a. Size-frequency distributions of C. bairdi from the 1979 trawl survey. C. opilio 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22b. Size-frequency distributions of C. opilio from the 1979 trawl survey. REFERENCES Alaska Department of Fish and Game 1978 Alaska she
Portrait of Frances Willard, Veeder, anonymous, c. 1881 - in or before 1891, paper, height 101 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-frances-willard-veeder-anonymous-c-1881-in-or-before-1891-paper-height-101-mm-width-101-mm-image454394293.htmlRM2HB7CFH–Portrait of Frances Willard, Veeder, anonymous, c. 1881 - in or before 1891, paper, height 101 mm × width 101 mm
Inspired by Portrait of George Goschen, Chancellor, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-george-goschen-chancellor-c-1881-in-or-before-1891-paper-height-135-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459451935.htmlRF2HKDRHK–Inspired by Portrait of George Goschen, Chancellor, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Mexico. Date/Period: 1565. Oil painting on wood. Height: 113 mm (4.44 in); Width: 101 mm (3.97 in). Author: EGNAZIO DANTI. STEFANO BUONSIGNORI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mexico-dateperiod-1565-oil-painting-on-wood-height-113-mm-444-in-width-101-mm-397-in-author-egnazio-danti-stefano-buonsignori-image219652348.htmlRMPNA0PM–Mexico. Date/Period: 1565. Oil painting on wood. Height: 113 mm (4.44 in); Width: 101 mm (3.97 in). Author: EGNAZIO DANTI. STEFANO BUONSIGNORI.
Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . Fig. 101. Bag for spoons, 775, decorated with white beads, 163a,Zulu, no locality, 1938 (UCT 38/19). Length 255 mm.. Fig. 102. Bracelet, 179, Mpondo, Flagstaff, Transkei, 1901(SAM-249). Width of fabric 30 mm. Hats It used to be said that the shape of South Sotho hats (184, Fig. 103) was dic-tated to some extent by whether they were to be worn in sunshine (in which casethey were wide brimmed) or rain (in which case they were conical), but thisseems to be no longer the case, if ever it was, and the conical hat has become a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museumannale-van-die-suid-afrikaanse-museum-fig-101-bag-for-spoons-775-decorated-with-white-beads-163azulu-no-locality-1938-uct-3819-length-255-mm-fig-102-bracelet-179-mpondo-flagstaff-transkei-1901sam-249-width-of-fabric-30-mm-hats-it-used-to-be-said-that-the-shape-of-south-sotho-hats-184-fig-103-was-dic-tated-to-some-extent-by-whether-they-were-to-be-worn-in-sunshine-in-which-casethey-were-wide-brimmed-or-rain-in-which-case-they-were-conical-but-thisseems-to-be-no-longer-the-case-if-ever-it-was-and-the-conical-hat-has-become-a-image342708567.htmlRM2AWFM7K–Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . Fig. 101. Bag for spoons, 775, decorated with white beads, 163a,Zulu, no locality, 1938 (UCT 38/19). Length 255 mm.. Fig. 102. Bracelet, 179, Mpondo, Flagstaff, Transkei, 1901(SAM-249). Width of fabric 30 mm. Hats It used to be said that the shape of South Sotho hats (184, Fig. 103) was dic-tated to some extent by whether they were to be worn in sunshine (in which casethey were wide brimmed) or rain (in which case they were conical), but thisseems to be no longer the case, if ever it was, and the conical hat has become a
. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder . 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22b. Size-frequency distributions of C. opilio from the 1979 trawl survey. REFERENCES Alaska Department of Fish and Game 1978 Alaska shellfish commercial fishing regulations. ADF&G, Juneau, Alaska. 1979a Alaska shellfish commercial fishing regulations. ADF&G, Juneau, Alaska. 1979b Westward region Tanner crab report to the Alaska Board of Fisheries. ADF&G, Kodiak, Alaska. 1980 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-41-42-81-82-121-122-161-162-201-202-21-22-61-62-101-102-141-142-181-182-carapace-width-mm-figure-61-22b-size-frequency-distributions-of-c-opilio-from-the-1979-trawl-survey-references-alaska-department-of-fish-and-game-1978-alaska-shellfish-commercial-fishing-regulations-adfampg-juneau-alaska-1979a-alaska-shellfish-commercial-fishing-regulations-adfampg-juneau-alaska-1979b-westward-region-tanner-crab-report-to-the-alaska-board-of-fisheries-adfampg-kodiak-alaska-1980-image178471717.htmlRMMAA2DW–. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder . 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22b. Size-frequency distributions of C. opilio from the 1979 trawl survey. REFERENCES Alaska Department of Fish and Game 1978 Alaska shellfish commercial fishing regulations. ADF&G, Juneau, Alaska. 1979a Alaska shellfish commercial fishing regulations. ADF&G, Juneau, Alaska. 1979b Westward region Tanner crab report to the Alaska Board of Fisheries. ADF&G, Kodiak, Alaska. 1980
Discovery reports (1937) Discovery reports discoveryreports16inst Year: 1937 14 DISCOVERY REPORTS St. WS789. 13. xii. 31. 4517'S, 64°22'W. Commercial otter trawl, 95-93111.: 2 male specimens, 325-330 mm. (width of disc 255, 260 mm.). St.WS790. 14. xii. 31. 450 28' 52' S, 630 40' 37' W. Commercial otter trawl, 99-101 m.: 3 male specimens, 240-405 mm. (width of disc 180-335 mm.), 5 female specimens, 250-480 mm. (width of disc 160-380 mm.). St. WS792. 15. xii. 31. 45 49'30' S, 620 20' 15' W. Commercial otter trawl, 102-106 m.: 1 female specimen, 270 mm. (width of disc 210 mm.). St. WS815. 13.1. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/discovery-reports-1937-discovery-reports-discoveryreports16inst-year-1937-14-discovery-reports-st-ws789-13-xii-31-4517s-6422w-commercial-otter-trawl-95-93111-2-male-specimens-325-330-mm-width-of-disc-255-260-mm-stws790-14-xii-31-450-28-52-s-630-40-37-w-commercial-otter-trawl-99-101-m-3-male-specimens-240-405-mm-width-of-disc-180-335-mm-5-female-specimens-250-480-mm-width-of-disc-160-380-mm-st-ws792-15-xii-31-45-4930-s-620-20-15-w-commercial-otter-trawl-102-106-m-1-female-specimen-270-mm-width-of-disc-210-mm-st-ws815-131-image241936499.htmlRMT1H4D7–Discovery reports (1937) Discovery reports discoveryreports16inst Year: 1937 14 DISCOVERY REPORTS St. WS789. 13. xii. 31. 4517'S, 64°22'W. Commercial otter trawl, 95-93111.: 2 male specimens, 325-330 mm. (width of disc 255, 260 mm.). St.WS790. 14. xii. 31. 450 28' 52' S, 630 40' 37' W. Commercial otter trawl, 99-101 m.: 3 male specimens, 240-405 mm. (width of disc 180-335 mm.), 5 female specimens, 250-480 mm. (width of disc 160-380 mm.). St. WS792. 15. xii. 31. 45 49'30' S, 620 20' 15' W. Commercial otter trawl, 102-106 m.: 1 female specimen, 270 mm. (width of disc 210 mm.). St. WS815. 13.1.
Portrait of George Goschen, Chancellor, anonymous, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-george-goschen-chancellor-anonymous-c-1881-in-or-before-1891-paper-height-135-mm-width-101-mm-image454394102.htmlRM2HB7C8P–Portrait of George Goschen, Chancellor, anonymous, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm
Inspired by Portrait of Frances Willard, Veeder, c. 1881 - in or before 1891, paper, height 101 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-frances-willard-veeder-c-1881-in-or-before-1891-paper-height-101-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452254.htmlRF2HKDT12–Inspired by Portrait of Frances Willard, Veeder, c. 1881 - in or before 1891, paper, height 101 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Sawmill, December sun. Date/Period: 1914. Painting. Oil on canvas Oil on canvas. Height: 85 mm (3.34 in); Width: 101 mm (3.97 in). Author: ESTER ALMQVIST. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sawmill-december-sun-dateperiod-1914-painting-oil-on-canvas-oil-on-canvas-height-85-mm-334-in-width-101-mm-397-in-author-ester-almqvist-image219734606.htmlRMPNDNME–The Sawmill, December sun. Date/Period: 1914. Painting. Oil on canvas Oil on canvas. Height: 85 mm (3.34 in); Width: 101 mm (3.97 in). Author: ESTER ALMQVIST.
Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . Fig. 101. Bag for spoons, 775, decorated with white beads, 163a,Zulu, no locality, 1938 (UCT 38/19). Length 255 mm.. Fig. 102. Bracelet, 179, Mpondo, Flagstaff, Transkei, 1901(SAM-249). Width of fabric 30 mm. Hats It used to be said that the shape of South Sotho hats (184, Fig. 103) was dic-tated to some extent by whether they were to be worn in sunshine (in which casethey were wide brimmed) or rain (in which case they were conical), but thisseems to be no longer the case, if ever it was, and the conical hat has become a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museumannale-van-die-suid-afrikaanse-museum-fig-101-bag-for-spoons-775-decorated-with-white-beads-163azulu-no-locality-1938-uct-3819-length-255-mm-fig-102-bracelet-179-mpondo-flagstaff-transkei-1901sam-249-width-of-fabric-30-mm-hats-it-used-to-be-said-that-the-shape-of-south-sotho-hats-184-fig-103-was-dic-tated-to-some-extent-by-whether-they-were-to-be-worn-in-sunshine-in-which-casethey-were-wide-brimmed-or-rain-in-which-case-they-were-conical-but-thisseems-to-be-no-longer-the-case-if-ever-it-was-and-the-conical-hat-has-become-a-image342709395.htmlRM2AWFN97–Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . Fig. 101. Bag for spoons, 775, decorated with white beads, 163a,Zulu, no locality, 1938 (UCT 38/19). Length 255 mm.. Fig. 102. Bracelet, 179, Mpondo, Flagstaff, Transkei, 1901(SAM-249). Width of fabric 30 mm. Hats It used to be said that the shape of South Sotho hats (184, Fig. 103) was dic-tated to some extent by whether they were to be worn in sunshine (in which casethey were wide brimmed) or rain (in which case they were conical), but thisseems to be no longer the case, if ever it was, and the conical hat has become a
Portrait of Alexander Farnese, print maker: Edouard Hamman, 1842, paper, etching, height 149 mm × width 101 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-alexander-farnese-print-maker-edouard-hamman-1842-paper-etching-height-149-mm-width-101-mm-print-image599507955.htmlRM2WR9XEB–Portrait of Alexander Farnese, print maker: Edouard Hamman, 1842, paper, etching, height 149 mm × width 101 mm, print
Inspired by Paris-Reims = 156 kilomètres, maker: Helio-Cachan, 1930 - 1960, paper, width 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-paris-reims-=-156-kilomtres-maker-helio-cachan-1930-1960-paper-width-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459485942.htmlRF2HKFB06–Inspired by Paris-Reims = 156 kilomètres, maker: Helio-Cachan, 1930 - 1960, paper, width 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[View of a Temple, India]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 83 mm (3.26 in); Width: 101 mm (3.97 in). Author: Unknown maker, British. Stock Photo](https://c8.alamy.com/comp/PNER5N/view-of-a-temple-india-dateperiod-1843-1845-print-salt-fixed-calotype-height-83-mm-326-in-width-101-mm-397-in-author-unknown-maker-british-PNER5N.jpg "[View of a Temple, India]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 83 mm (3.26 in); Width: 101 mm (3.97 in). Author: Unknown maker, British. Stock Photo")
[View of a Temple, India]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 83 mm (3.26 in); Width: 101 mm (3.97 in). Author: Unknown maker, British. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-a-temple-india-dateperiod-1843-1845-print-salt-fixed-calotype-height-83-mm-326-in-width-101-mm-397-in-author-unknown-maker-british-image219757713.htmlRMPNER5N–[View of a Temple, India]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 83 mm (3.26 in); Width: 101 mm (3.97 in). Author: Unknown maker, British.
Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . Fig. 99. Utensil, 176. Beer-beaker, Mpondo, Flagstaff district, Transkei 1932 (UCT 32/41). Height 292 mm. OBJECTS OTHER THAN BASKETS Bags Bags (178, Fig. 101) are of different sizes, but differ in shape only accordingto the ratio between length and width. Bracelets Bracelets (179, Fig. 102) are straight bands and differ only in width. Birdcages Birdcages (180, Fig. 6) have no special shape. Fish-traps Fish-traps (181, Fig. 14) are nearly always conical in shape, but there aresome like little fences. Food- and grain-mats Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museumannale-van-die-suid-afrikaanse-museum-fig-99-utensil-176-beer-beaker-mpondo-flagstaff-district-transkei-1932-uct-3241-height-292-mm-objects-other-than-baskets-bags-bags-178-fig-101-are-of-different-sizes-but-differ-in-shape-only-accordingto-the-ratio-between-length-and-width-bracelets-bracelets-179-fig-102-are-straight-bands-and-differ-only-in-width-birdcages-birdcages-180-fig-6-have-no-special-shape-fish-traps-fish-traps-181-fig-14-are-nearly-always-conical-in-shape-but-there-aresome-like-little-fences-food-and-grain-mats-image342711431.htmlRM2AWFRWY–Annals of the South African MuseumAnnale van die Suid-Afrikaanse Museum . Fig. 99. Utensil, 176. Beer-beaker, Mpondo, Flagstaff district, Transkei 1932 (UCT 32/41). Height 292 mm. OBJECTS OTHER THAN BASKETS Bags Bags (178, Fig. 101) are of different sizes, but differ in shape only accordingto the ratio between length and width. Bracelets Bracelets (179, Fig. 102) are straight bands and differ only in width. Birdcages Birdcages (180, Fig. 6) have no special shape. Fish-traps Fish-traps (181, Fig. 14) are nearly always conical in shape, but there aresome like little fences. Food- and grain-mats
Portrait of Emile Zola, Félix Nadar, anonymous, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emile-zola-flix-nadar-anonymous-c-1881-in-or-before-1891-paper-height-114-mm-width-101-mm-image454394257.htmlRM2HB7CE9–Portrait of Emile Zola, Félix Nadar, anonymous, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm
Inspired by Portrait of Emile Zola, Félix Nadar, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-emile-zola-flix-nadar-c-1881-in-or-before-1891-paper-height-114-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452004.htmlRF2HKDRM4–Inspired by Portrait of Emile Zola, Félix Nadar, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Phillis Wheatley. Date/Period: 1773. Engraving on paper. Bound Object. Height: 128 mm (5.03 in); Width: 101 mm (3.97 in). Author: Unidentified Artist. Anonymous, 18th century. ANONYMOUS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phillis-wheatley-dateperiod-1773-engraving-on-paper-bound-object-height-128-mm-503-in-width-101-mm-397-in-author-unidentified-artist-anonymous-18th-century-anonymous-image227482561.htmlRMR62M95–Phillis Wheatley. Date/Period: 1773. Engraving on paper. Bound Object. Height: 128 mm (5.03 in); Width: 101 mm (3.97 in). Author: Unidentified Artist. Anonymous, 18th century. ANONYMOUS.
. Report. 156 « » H Writing 7,220 6,625 « » M Arithmetic » 6,328 5,940 •< « <: Geography 4,087 4,062 < Grammar 3,412 3,101 « » »? History 1,005 958 4« mm » Book-Keeping 138 74 tt u « Algebra 460 347 « Philosophy 073 420 STATE BOARD OF EDUCATION. SCHOOL HOUSES BUILT OR ENLARGED DURING THE YEAR. oo Jio Q A aa 03 s ca uO ^ t-i33 Cost. Length. Width. cX 5 Square feet ofBlackboard. Out-Buildings,Yes or No. Fences,Yes or No. ! Cost ofFurniture. Remarks. 97 R 261 1 BB.BB.[j.B. $683 96575 00. 1,225 92404 13552 00Rented. Repaired thoroughly.Reported previously. <( <t (< i it a New Sch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/report-156-h-writing-7220-6625-m-arithmetic-6328-5940-lt-lt-geography-4087-4062-lt-grammar-3412-3101-history-1005-958-4-mm-book-keeping-138-74-tt-u-algebra-460-347-philosophy-073-420-state-board-of-education-school-houses-built-or-enlarged-during-the-year-oo-jio-q-a-aa-03-s-ca-uo-t-i33-cost-length-width-cx-5-square-feet-ofblackboard-out-buildingsyes-or-no-fencesyes-or-no-!-cost-offurniture-remarks-97-r-261-1-bbbb-jb-683-96575-00-1225-92404-13552-00rented-repaired-thoroughlyreported-previously-lt-ltt-lt-i-it-a-new-sch-image337094129.htmlRM2AGBY01–. Report. 156 « » H Writing 7,220 6,625 « » M Arithmetic » 6,328 5,940 •< « <: Geography 4,087 4,062 < Grammar 3,412 3,101 « » »? History 1,005 958 4« mm » Book-Keeping 138 74 tt u « Algebra 460 347 « Philosophy 073 420 STATE BOARD OF EDUCATION. SCHOOL HOUSES BUILT OR ENLARGED DURING THE YEAR. oo Jio Q A aa 03 s ca uO ^ t-i33 Cost. Length. Width. cX 5 Square feet ofBlackboard. Out-Buildings,Yes or No. Fences,Yes or No. ! Cost ofFurniture. Remarks. 97 R 261 1 BB.BB.[j.B. $683 96575 00. 1,225 92404 13552 00Rented. Repaired thoroughly.Reported previously. <( <t (< i it a New Sch
Portrait of Jules Verne, Félix Nadar, anonymous, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jules-verne-flix-nadar-anonymous-c-1881-in-or-before-1891-paper-height-114-mm-width-101-mm-image454394253.htmlRM2HB7CE5–Portrait of Jules Verne, Félix Nadar, anonymous, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm
Inspired by Portrait of Millicent Fawcett, Hugh Owen, c. 1881 - in or before 1891, paper, height 145 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-millicent-fawcett-hugh-owen-c-1881-in-or-before-1891-paper-height-145-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452231.htmlRF2HKDT07–Inspired by Portrait of Millicent Fawcett, Hugh Owen, c. 1881 - in or before 1891, paper, height 145 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Panel of Arabesques for the Hôtel de Salm, Paris. Date/Period: 1785. Drawing. Pen and black ink, brush and gray, turquoise-blue and white gouache, traces of black chalk on toned paper, ruled border in pen and black ink, lined with paper with ruled border. Height: 430 mm (16.92 in); Width: 101 mm (3.97 in). Author: JEAN-GUILLAUME MOITTE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-of-arabesques-for-the-htel-de-salm-paris-dateperiod-1785-drawing-pen-and-black-ink-brush-and-gray-turquoise-blue-and-white-gouache-traces-of-black-chalk-on-toned-paper-ruled-border-in-pen-and-black-ink-lined-with-paper-with-ruled-border-height-430-mm-1692-in-width-101-mm-397-in-author-jean-guillaume-moitte-image219734785.htmlRMPNDNXW–Panel of Arabesques for the Hôtel de Salm, Paris. Date/Period: 1785. Drawing. Pen and black ink, brush and gray, turquoise-blue and white gouache, traces of black chalk on toned paper, ruled border in pen and black ink, lined with paper with ruled border. Height: 430 mm (16.92 in); Width: 101 mm (3.97 in). Author: JEAN-GUILLAUME MOITTE.
. A treatise on diseases of the eye . )()n-eurotic connective tissue attachments at the apex of the orbit. Internal Rectus.—This is the largest and strongest of the recti nuiscles;it is 41 mm. long, and weighs about 0.75 gram. It passes forward from 1 Ann. dOcul., vol. ci, p. 123. Miel and Benoit, Arch, dopht., vol. x.x. 4, p 101. 3G ANATOMY the apex of the orbit, nearly parallel to the inner wall of the orbit, to theequator of the globe; it is inserted into the sclera 6.5 to 7 mm. from themargin of the cornea. The insertion is in a slightly curved line, convexitytoward the cornea. The width o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-treatise-on-diseases-of-the-eye-n-eurotic-connective-tissue-attachments-at-the-apex-of-the-orbit-internal-rectusthis-is-the-largest-and-strongest-of-the-recti-nuisclesit-is-41-mm-long-and-weighs-about-075-gram-it-passes-forward-from-1-ann-docul-vol-ci-p-123-miel-and-benoit-arch-dopht-vol-xx-4-p-101-3g-anatomy-the-apex-of-the-orbit-nearly-parallel-to-the-inner-wall-of-the-orbit-to-theequator-of-the-globe-it-is-inserted-into-the-sclera-65-to-7-mm-from-themargin-of-the-cornea-the-insertion-is-in-a-slightly-curved-line-convexitytoward-the-cornea-the-width-o-image369604948.htmlRM2CD8XTM–. A treatise on diseases of the eye . )()n-eurotic connective tissue attachments at the apex of the orbit. Internal Rectus.—This is the largest and strongest of the recti nuiscles;it is 41 mm. long, and weighs about 0.75 gram. It passes forward from 1 Ann. dOcul., vol. ci, p. 123. Miel and Benoit, Arch, dopht., vol. x.x. 4, p 101. 3G ANATOMY the apex of the orbit, nearly parallel to the inner wall of the orbit, to theequator of the globe; it is inserted into the sclera 6.5 to 7 mm. from themargin of the cornea. The insertion is in a slightly curved line, convexitytoward the cornea. The width o
Portrait of Millicent Fawcett, Hugh Owen (possibly), anonymous, c. 1881 - in or before 1891, paper, height 145 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-millicent-fawcett-hugh-owen-possibly-anonymous-c-1881-in-or-before-1891-paper-height-145-mm-width-101-mm-image454394287.htmlRM2HB7CFB–Portrait of Millicent Fawcett, Hugh Owen (possibly), anonymous, c. 1881 - in or before 1891, paper, height 145 mm × width 101 mm
Inspired by Portrait of Jules Verne, Félix Nadar, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-jules-verne-flix-nadar-c-1881-in-or-before-1891-paper-height-114-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452001.htmlRF2HKDRM1–Inspired by Portrait of Jules Verne, Félix Nadar, c. 1881 - in or before 1891, paper, height 114 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Forest (Morning Sun). Date/Period: 1904. Painting. Height: 101.50 mm (3.99 in); Width: 82 mm (3.22 in). Author: JOHANN WALTER-KURAU. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/forest-morning-sun-dateperiod-1904-painting-height-10150-mm-399-in-width-82-mm-322-in-author-johann-walter-kurau-image219729049.htmlRMPNDEJ1–Forest (Morning Sun). Date/Period: 1904. Painting. Height: 101.50 mm (3.99 in); Width: 82 mm (3.22 in). Author: JOHANN WALTER-KURAU.
![. The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late Stock Photo](https://c8.alamy.com/comp/RD7TH1/the-eurypterida-of-new-york-eurypterida-paleontology-the-eurypterida-of-new-york-415-convex-the-antelateral-angles-prominent-well-rounded-the-basal-margin-straight-transverse-the-lateral-eyes-are-large-a-little-more-than-one-third-the-length-of-the-carapace-subcircular-situated-as-stated-the-type-is-47-mm-long-and-55-mm-wide-stylonunis-modestus-nov-see-text-figures-99-101-this-species-is-based-on-several-small-carapaces-with-portions-of-the-abdomen-and-a-leg-see-text-fig-99-which-suggest-the-following-description-carapace-subrectangular-broad-length-to-width-as-58-late-RD7TH1.jpg ". The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late Stock Photo")
. The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eurypterida-of-new-york-eurypterida-paleontology-the-eurypterida-of-new-york-415-convex-the-antelateral-angles-prominent-well-rounded-the-basal-margin-straight-transverse-the-lateral-eyes-are-large-a-little-more-than-one-third-the-length-of-the-carapace-subcircular-situated-as-stated-the-type-is-47-mm-long-and-55-mm-wide-stylonunis-modestus-nov-see-text-figures-99-101-this-species-is-based-on-several-small-carapaces-with-portions-of-the-abdomen-and-a-leg-see-text-fig-99-which-suggest-the-following-description-carapace-subrectangular-broad-length-to-width-as-58-late-image231898269.htmlRMRD7TH1–. The Eurypterida of New York. Eurypterida; Paleontology. THE EURYPTERIDA OF NEW YORK 415 convex, the antelateral angles prominent, well rounded; the basal margin straight transverse. The lateral eyes are large, a little more than one third the length of the carapace, subcircular, situated as stated. The type is 4.7 mm long and 5.5 mm wide. Stylonunis modestus nov. See text figures 99-101 This species is based on several small carapaces with portions of the abdomen and a leg [see text fig. 99] which suggest the following description: Carapace subrectangular, broad, length to width as 5:8. Late
Portrait of a man wearing a tie, Guillame Maximilien Zimmermann, Amsterdam, 1916, cardboard, paper, height 161 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-wearing-a-tie-guillame-maximilien-zimmermann-amsterdam-1916-cardboard-paper-height-161-mm-width-101-mm-image454383647.htmlRM2HB6XYB–Portrait of a man wearing a tie, Guillame Maximilien Zimmermann, Amsterdam, 1916, cardboard, paper, height 161 mm × width 101 mm
Inspired by Portrait of Harry Johnston, Elliott & Fry, c. 1881 - in or before 1891, paper, height 124 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-harry-johnston-elliott-fry-c-1881-in-or-before-1891-paper-height-124-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452220.htmlRF2HKDRYT–Inspired by Portrait of Harry Johnston, Elliott & Fry, c. 1881 - in or before 1891, paper, height 124 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Deserving objects of gratuitous relief. Date/Period: Ca. 1877. Print. Albumen silver. Height: 101 mm (3.97 in); Width: 157 mm (6.18 in). Author: Colonel William Willoughby Hooper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deserving-objects-of-gratuitous-relief-dateperiod-ca-1877-print-albumen-silver-height-101-mm-397-in-width-157-mm-618-in-author-colonel-william-willoughby-hooper-image219739371.htmlRMPNDYPK–Deserving objects of gratuitous relief. Date/Period: Ca. 1877. Print. Albumen silver. Height: 101 mm (3.97 in); Width: 157 mm (6.18 in). Author: Colonel William Willoughby Hooper.
![. The Canadian field-naturalist. March. 1927] The Canadian f ield-NaturAlist 47 men represents the average state of preservation of skulls of this species. Such measurements as could be made are as follows:ââ mm. Width between bases of horn-cores 300 Width at the rear of the temporal fossse 215 Width across mastoids 301 Width at rear of orbits 307 Height of occipital crest above lower lip of foramen magnum 163 Height of occipital crest above upper lip of foramen magnum Ill Circumference of zone-core 354 Greatest diameter (horizontal) of horn-core. 118 Least diameter (vertical) of horn-core 101 Stock Photo](https://c8.alamy.com/comp/RG2WTG/the-canadian-field-naturalist-march-1927-the-canadian-f-ield-naturalist-47-men-represents-the-average-state-of-preservation-of-skulls-of-this-species-such-measurements-as-could-be-made-are-as-follows-mm-width-between-bases-of-horn-cores-300-width-at-the-rear-of-the-temporal-fossse-215-width-across-mastoids-301-width-at-rear-of-orbits-307-height-of-occipital-crest-above-lower-lip-of-foramen-magnum-163-height-of-occipital-crest-above-upper-lip-of-foramen-magnum-ill-circumference-of-zone-core-354-greatest-diameter-horizontal-of-horn-core-118-least-diameter-vertical-of-horn-core-101-RG2WTG.jpg ". The Canadian field-naturalist. March. 1927] The Canadian f ield-NaturAlist 47 men represents the average state of preservation of skulls of this species. Such measurements as could be made are as follows:ââ mm. Width between bases of horn-cores 300 Width at the rear of the temporal fossse 215 Width across mastoids 301 Width at rear of orbits 307 Height of occipital crest above lower lip of foramen magnum 163 Height of occipital crest above upper lip of foramen magnum Ill Circumference of zone-core 354 Greatest diameter (horizontal) of horn-core. 118 Least diameter (vertical) of horn-core 101 Stock Photo")
. The Canadian field-naturalist. March. 1927] The Canadian f ield-NaturAlist 47 men represents the average state of preservation of skulls of this species. Such measurements as could be made are as follows:ââ mm. Width between bases of horn-cores 300 Width at the rear of the temporal fossse 215 Width across mastoids 301 Width at rear of orbits 307 Height of occipital crest above lower lip of foramen magnum 163 Height of occipital crest above upper lip of foramen magnum Ill Circumference of zone-core 354 Greatest diameter (horizontal) of horn-core. 118 Least diameter (vertical) of horn-core 101 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-canadian-field-naturalist-march-1927-the-canadian-f-ield-naturalist-47-men-represents-the-average-state-of-preservation-of-skulls-of-this-species-such-measurements-as-could-be-made-are-as-follows-mm-width-between-bases-of-horn-cores-300-width-at-the-rear-of-the-temporal-fossse-215-width-across-mastoids-301-width-at-rear-of-orbits-307-height-of-occipital-crest-above-lower-lip-of-foramen-magnum-163-height-of-occipital-crest-above-upper-lip-of-foramen-magnum-ill-circumference-of-zone-core-354-greatest-diameter-horizontal-of-horn-core-118-least-diameter-vertical-of-horn-core-101-image233633472.htmlRMRG2WTG–. The Canadian field-naturalist. March. 1927] The Canadian f ield-NaturAlist 47 men represents the average state of preservation of skulls of this species. Such measurements as could be made are as follows:ââ mm. Width between bases of horn-cores 300 Width at the rear of the temporal fossse 215 Width across mastoids 301 Width at rear of orbits 307 Height of occipital crest above lower lip of foramen magnum 163 Height of occipital crest above upper lip of foramen magnum Ill Circumference of zone-core 354 Greatest diameter (horizontal) of horn-core. 118 Least diameter (vertical) of horn-core 101
Portrait of a man with a lace collar, Guillame Maximilien Zimmermann, Amsterdam, 1916, cardboard, paper, height 141 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-with-a-lace-collar-guillame-maximilien-zimmermann-amsterdam-1916-cardboard-paper-height-141-mm-width-101-mm-image454383632.htmlRM2HB6XXT–Portrait of a man with a lace collar, Guillame Maximilien Zimmermann, Amsterdam, 1916, cardboard, paper, height 141 mm × width 101 mm
Inspired by Portrait of Henry James, The London Stereoscopic Company, c. 1881 - in or before 1891, paper, height 127 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-henry-james-the-london-stereoscopic-company-c-1881-in-or-before-1891-paper-height-127-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452112.htmlRF2HKDRT0–Inspired by Portrait of Henry James, The London Stereoscopic Company, c. 1881 - in or before 1891, paper, height 127 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Caroline Matilda Sotheron. Date/Period: Ca. 1808. Painting. Oil on canvas. Height: 126.70 mm (4.98 in); Width: 101.10 mm (3.98 in). Author: THOMAS LAWRENCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caroline-matilda-sotheron-dateperiod-ca-1808-painting-oil-on-canvas-height-12670-mm-498-in-width-10110-mm-398-in-author-thomas-lawrence-image219743406.htmlRMPNE4XP–Caroline Matilda Sotheron. Date/Period: Ca. 1808. Painting. Oil on canvas. Height: 126.70 mm (4.98 in); Width: 101.10 mm (3.98 in). Author: THOMAS LAWRENCE.
. Bulletin of the Buffalo Society of Natural Sciences. Natural history; Science. 203 Mensurements.— Large specimen: width. 11 nun.; height, 8 mm. Chonetes LEPiDus. Hall. (Fig. 101).) (Pal. N. Y., Vol. IV., p. 132, PI. XXL) Distinguishing Clinvncters.— Small size; semi-ellijitical in outline; sub-hemispherical in convexity; slender, angular, x^^j^^^^^i' Fig. 109. Chonetes lepidus. Ventral and dorsal views of a specimen, natural size, and the former enlarged ; enlargement of interior of bracliial valve, with cardinal process broken away (from Hall). bifurcating surface strirV, of which there are Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-buffalo-society-of-natural-sciences-natural-history-science-203-mensurements-large-specimen-width-11-nun-height-8-mm-chonetes-lepidus-hall-fig-101-pal-n-y-vol-iv-p-132-pi-xxl-distinguishing-clinvncters-small-size-semi-ellijitical-in-outline-sub-hemispherical-in-convexity-slender-angular-xji-fig-109-chonetes-lepidus-ventral-and-dorsal-views-of-a-specimen-natural-size-and-the-former-enlarged-enlargement-of-interior-of-bracliial-valve-with-cardinal-process-broken-away-from-hall-bifurcating-surface-strirv-of-which-there-are-image233945920.htmlRMRGH4BC–. Bulletin of the Buffalo Society of Natural Sciences. Natural history; Science. 203 Mensurements.— Large specimen: width. 11 nun.; height, 8 mm. Chonetes LEPiDus. Hall. (Fig. 101).) (Pal. N. Y., Vol. IV., p. 132, PI. XXL) Distinguishing Clinvncters.— Small size; semi-ellijitical in outline; sub-hemispherical in convexity; slender, angular, x^^j^^^^^i' Fig. 109. Chonetes lepidus. Ventral and dorsal views of a specimen, natural size, and the former enlarged ; enlargement of interior of bracliial valve, with cardinal process broken away (from Hall). bifurcating surface strirV, of which there are
Portrait of James Stansfeld, Russell & Sons, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-james-stansfeld-russell-sons-anonymous-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-image454394201.htmlRM2HB7CC9–Portrait of James Stansfeld, Russell & Sons, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm
Inspired by Portrait of a man with a lace collar, Guillame Maximilien Zimmermann, Amsterdam, 1916, paper, height 141 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-a-man-with-a-lace-collar-guillame-maximilien-zimmermann-amsterdam-1916-paper-height-141-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459429886.htmlRF2HKCRE6–Inspired by Portrait of a man with a lace collar, Guillame Maximilien Zimmermann, Amsterdam, 1916, paper, height 141 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Portrait of a Seated Man with Mustache]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 101 mm (3.97 in); Width: 75 mm (2.95 in). Author: Unknown maker, British. Stock Photo](https://c8.alamy.com/comp/PNE4W7/portrait-of-a-seated-man-with-mustache-dateperiod-1843-1845-print-salt-fixed-calotype-height-101-mm-397-in-width-75-mm-295-in-author-unknown-maker-british-PNE4W7.jpg "[Portrait of a Seated Man with Mustache]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 101 mm (3.97 in); Width: 75 mm (2.95 in). Author: Unknown maker, British. Stock Photo")
[Portrait of a Seated Man with Mustache]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 101 mm (3.97 in); Width: 75 mm (2.95 in). Author: Unknown maker, British. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-seated-man-with-mustache-dateperiod-1843-1845-print-salt-fixed-calotype-height-101-mm-397-in-width-75-mm-295-in-author-unknown-maker-british-image219743363.htmlRMPNE4W7–[Portrait of a Seated Man with Mustache]. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 101 mm (3.97 in); Width: 75 mm (2.95 in). Author: Unknown maker, British.
. Bulletin of the Natural Histort Museum. Geology series. LOWER CARBONIFEROUS BRYOZOA /,* m -'â¢m Fig. 101 Goniocladia cellulifera (Etheridge, 1873b). Line drawing of external features of BMNH PD9704; scale bar = 1 mm.. Fig. 102 Goniocladia cellulifera (Etheridge, 1873b). Line drawing of protion of a reticulate colony of BELUM K2164; scale bar = 1 mm. examined measured 19 x 12mm. Branches are bifoliate, laterally iFlattened, straight, and maintain a constant width along their length jxcept prior to division when a small increase in width occurs. Branches divide, at angles of 30° to 70°, at s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-natural-histort-museum-geology-series-lower-carboniferous-bryozoa-m-m-fig-101-goniocladia-cellulifera-etheridge-1873b-line-drawing-of-external-features-of-bmnh-pd9704-scale-bar-=-1-mm-fig-102-goniocladia-cellulifera-etheridge-1873b-line-drawing-of-protion-of-a-reticulate-colony-of-belum-k2164-scale-bar-=-1-mm-examined-measured-19-x-12mm-branches-are-bifoliate-laterally-iflattened-straight-and-maintain-a-constant-width-along-their-length-jxcept-prior-to-division-when-a-small-increase-in-width-occurs-branches-divide-at-angles-of-30-to-70-at-s-image233869702.htmlRMRGDK5A–. Bulletin of the Natural Histort Museum. Geology series. LOWER CARBONIFEROUS BRYOZOA /,* m -'â¢m Fig. 101 Goniocladia cellulifera (Etheridge, 1873b). Line drawing of external features of BMNH PD9704; scale bar = 1 mm.. Fig. 102 Goniocladia cellulifera (Etheridge, 1873b). Line drawing of protion of a reticulate colony of BELUM K2164; scale bar = 1 mm. examined measured 19 x 12mm. Branches are bifoliate, laterally iFlattened, straight, and maintain a constant width along their length jxcept prior to division when a small increase in width occurs. Branches divide, at angles of 30° to 70°, at s
Portrait of Henry James, The London Stereoscopic Company, anonymous, c. 1881 - in or before 1891, paper, height 127 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-henry-james-the-london-stereoscopic-company-anonymous-c-1881-in-or-before-1891-paper-height-127-mm-width-101-mm-image454394236.htmlRM2HB7CDG–Portrait of Henry James, The London Stereoscopic Company, anonymous, c. 1881 - in or before 1891, paper, height 127 mm × width 101 mm
Inspired by Portrait of Charles Russell, The London Stereoscopic Company, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-charles-russell-the-london-stereoscopic-company-c-1881-in-or-before-1891-paper-height-135-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452124.htmlRF2HKDRTC–Inspired by Portrait of Charles Russell, The London Stereoscopic Company, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The artist's wife Susanna, son Anthony and daughter Susanna. Date/Period: Ca. 1728. Painting. Oil on canvas. Height: 126 mm (4.96 in); Width: 101.70 mm (4 in). Author: JOSEPH HIGHMORE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-artists-wife-susanna-son-anthony-and-daughter-susanna-dateperiod-ca-1728-painting-oil-on-canvas-height-126-mm-496-in-width-10170-mm-4-in-author-joseph-highmore-image233247723.htmlRMRFD9RR–The artist's wife Susanna, son Anthony and daughter Susanna. Date/Period: Ca. 1728. Painting. Oil on canvas. Height: 126 mm (4.96 in); Width: 101.70 mm (4 in). Author: JOSEPH HIGHMORE.
. Catalogue of the ungulate mammals in the British Museum (Natural History). British Museum (Natural History); Ungulates. KEDUNCIX/K 201 below. Horns slender, rising nearly vertically, with a slight forward inclination; in good specimens the length ranges from 8 to llj inches, the girth from 2 to 2f inches, and the tip-to-tip interval from 2 to Gj inches. Basal length of skull about 7i inches (100 mm.), maximum width 4 inches. YiG. 23.—Skull and Horns of the Vaal Rhebok [Pelca caprcolus). (101 mm.), interval between orbit and muzzle 5 inches (126 mm.). The distribution is confined to the area Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-the-ungulate-mammals-in-the-british-museum-natural-history-british-museum-natural-history-ungulates-keduncixk-201-below-horns-slender-rising-nearly-vertically-with-a-slight-forward-inclination-in-good-specimens-the-length-ranges-from-8-to-llj-inches-the-girth-from-2-to-2f-inches-and-the-tip-to-tip-interval-from-2-to-gj-inches-basal-length-of-skull-about-7i-inches-100-mm-maximum-width-4-inches-yig-23skull-and-horns-of-the-vaal-rhebok-pelca-caprcolus-101-mm-interval-between-orbit-and-muzzle-5-inches-126-mm-the-distribution-is-confined-to-the-area-image235158514.htmlRMRJGB2A–. Catalogue of the ungulate mammals in the British Museum (Natural History). British Museum (Natural History); Ungulates. KEDUNCIX/K 201 below. Horns slender, rising nearly vertically, with a slight forward inclination; in good specimens the length ranges from 8 to llj inches, the girth from 2 to 2f inches, and the tip-to-tip interval from 2 to Gj inches. Basal length of skull about 7i inches (100 mm.), maximum width 4 inches. YiG. 23.—Skull and Horns of the Vaal Rhebok [Pelca caprcolus). (101 mm.), interval between orbit and muzzle 5 inches (126 mm.). The distribution is confined to the area
Portrait of Harry Johnston, Elliott & Fry, anonymous, c. 1881 - in or before 1891, paper, height 124 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-harry-johnston-elliott-fry-anonymous-c-1881-in-or-before-1891-paper-height-124-mm-width-101-mm-image454394277.htmlRM2HB7CF1–Portrait of Harry Johnston, Elliott & Fry, anonymous, c. 1881 - in or before 1891, paper, height 124 mm × width 101 mm
Inspired by Portrait of James Stansfeld, Russell & Sons, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-james-stansfeld-russell-sons-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459451997.htmlRF2HKDRKW–Inspired by Portrait of James Stansfeld, Russell & Sons, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Niagara Falls, from the American Side. Date/Period: 1867. Painting. Oil on canvas. Height: 2,575 mm (101.37 in); Width: 2,273 mm (89.48 in). Author: FREDERIC EDWIN CHURCH. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niagara-falls-from-the-american-side-dateperiod-1867-painting-oil-on-canvas-height-2575-mm-10137-in-width-2273-mm-8948-in-author-frederic-edwin-church-image233354295.htmlRMRFJ5NY–Niagara Falls, from the American Side. Date/Period: 1867. Painting. Oil on canvas. Height: 2,575 mm (101.37 in); Width: 2,273 mm (89.48 in). Author: FREDERIC EDWIN CHURCH.
. Cerambycidae of Northern Asia. Cerambycidae; Beetles; Cerambycidae; Cerambycidae. 253 laceous, lustrous granules forming two transverse rows, often slightly recurved. Ventral locomotory ampullae similar, except that ampullaceous granules form two straight parallel rows, not bent backward. Tip of abdo- men with long, somewhat rusty hairs. Body length of late instar larvae 10-13 mm, width of head up to 1.5 mm. Pupa (Fig. 101): Distinguished from the pupa of Pterolophia jugosa Bat. by antennae flexed laterad, their apices bent toward ventral side of abdomen behind hind tarsi, not bent forward. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cerambycidae-of-northern-asia-cerambycidae-beetles-cerambycidae-cerambycidae-253-laceous-lustrous-granules-forming-two-transverse-rows-often-slightly-recurved-ventral-locomotory-ampullae-similar-except-that-ampullaceous-granules-form-two-straight-parallel-rows-not-bent-backward-tip-of-abdo-men-with-long-somewhat-rusty-hairs-body-length-of-late-instar-larvae-10-13-mm-width-of-head-up-to-15-mm-pupa-fig-101-distinguished-from-the-pupa-of-pterolophia-jugosa-bat-by-antennae-flexed-laterad-their-apices-bent-toward-ventral-side-of-abdomen-behind-hind-tarsi-not-bent-forward-image235095251.htmlRMRJDEAY–. Cerambycidae of Northern Asia. Cerambycidae; Beetles; Cerambycidae; Cerambycidae. 253 laceous, lustrous granules forming two transverse rows, often slightly recurved. Ventral locomotory ampullae similar, except that ampullaceous granules form two straight parallel rows, not bent backward. Tip of abdo- men with long, somewhat rusty hairs. Body length of late instar larvae 10-13 mm, width of head up to 1.5 mm. Pupa (Fig. 101): Distinguished from the pupa of Pterolophia jugosa Bat. by antennae flexed laterad, their apices bent toward ventral side of abdomen behind hind tarsi, not bent forward.
Portrait of Charles Russell, The London Stereoscopic Company, anonymous, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-russell-the-london-stereoscopic-company-anonymous-c-1881-in-or-before-1891-paper-height-135-mm-width-101-mm-image454394261.htmlRM2HB7CED–Portrait of Charles Russell, The London Stereoscopic Company, anonymous, c. 1881 - in or before 1891, paper, height 135 mm × width 101 mm
Inspired by Portrait of a man wearing a tie, Guillame Maximilien Zimmermann, Amsterdam, 1916, paper, height 161 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-a-man-wearing-a-tie-guillame-maximilien-zimmermann-amsterdam-1916-paper-height-161-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459429890.htmlRF2HKCREA–Inspired by Portrait of a man wearing a tie, Guillame Maximilien Zimmermann, Amsterdam, 1916, paper, height 161 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Project for Carved Panelling. Date/Period: 1650. Drawing. Pen and brown ink, graphite, red chalk on paper. Height: 101 mm (3.97 in); Width: 392 mm (15.43 in). Author: Giovanni Francesco Romanelli. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/project-for-carved-panelling-dateperiod-1650-drawing-pen-and-brown-ink-graphite-red-chalk-on-paper-height-101-mm-397-in-width-392-mm-1543-in-author-giovanni-francesco-romanelli-image219749241.htmlRMPNECB5–Project for Carved Panelling. Date/Period: 1650. Drawing. Pen and brown ink, graphite, red chalk on paper. Height: 101 mm (3.97 in); Width: 392 mm (15.43 in). Author: Giovanni Francesco Romanelli.
![. Catalogue of the ungulate mammals in the British Museum (Natural History). Ungulates. KEDUNCI^f.F, 201 "below. Horns slender, rising nearly vertically, with a slight forward inclination; in good specimens the length ranges from 8 to Hi inches, the girth from 2 to 2|- inches, and the tip-to-tip interval from 2 to 6| inches. Basal length of skviU about "7^ inches (190 mm.), maximum width 4 inches. Fig. 23.—Skull akd Hoeks of the Vaal Ehbeok {Pelea capri (101 mm.), interval between orbit and muzzle 5 inches (126 mm.). The distribution is confined to the area south of the Zambesi. 81. Stock Photo](https://c8.alamy.com/comp/RDJJWR/catalogue-of-the-ungulate-mammals-in-the-british-museum-natural-history-ungulates-kedunciff-201-quotbelow-horns-slender-rising-nearly-vertically-with-a-slight-forward-inclination-in-good-specimens-the-length-ranges-from-8-to-hi-inches-the-girth-from-2-to-2-inches-and-the-tip-to-tip-interval-from-2-to-6-inches-basal-length-of-skviu-about-quot7-inches-190-mm-maximum-width-4-inches-fig-23skull-akd-hoeks-of-the-vaal-ehbeok-pelea-capri-101-mm-interval-between-orbit-and-muzzle-5-inches-126-mm-the-distribution-is-confined-to-the-area-south-of-the-zambesi-81-RDJJWR.jpg ". Catalogue of the ungulate mammals in the British Museum (Natural History). Ungulates. KEDUNCI^f.F, 201 "below. Horns slender, rising nearly vertically, with a slight forward inclination; in good specimens the length ranges from 8 to Hi inches, the girth from 2 to 2|- inches, and the tip-to-tip interval from 2 to 6| inches. Basal length of skviU about "7^ inches (190 mm.), maximum width 4 inches. Fig. 23.—Skull akd Hoeks of the Vaal Ehbeok {Pelea capri (101 mm.), interval between orbit and muzzle 5 inches (126 mm.). The distribution is confined to the area south of the Zambesi. 81. Stock Photo")
. Catalogue of the ungulate mammals in the British Museum (Natural History). Ungulates. KEDUNCI^f.F, 201 "below. Horns slender, rising nearly vertically, with a slight forward inclination; in good specimens the length ranges from 8 to Hi inches, the girth from 2 to 2|- inches, and the tip-to-tip interval from 2 to 6| inches. Basal length of skviU about "7^ inches (190 mm.), maximum width 4 inches. Fig. 23.—Skull akd Hoeks of the Vaal Ehbeok {Pelea capri (101 mm.), interval between orbit and muzzle 5 inches (126 mm.). The distribution is confined to the area south of the Zambesi. 81. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-the-ungulate-mammals-in-the-british-museum-natural-history-ungulates-kedunciff-201-quotbelow-horns-slender-rising-nearly-vertically-with-a-slight-forward-inclination-in-good-specimens-the-length-ranges-from-8-to-hi-inches-the-girth-from-2-to-2-inches-and-the-tip-to-tip-interval-from-2-to-6-inches-basal-length-of-skviu-about-quot7-inches-190-mm-maximum-width-4-inches-fig-23skull-akd-hoeks-of-the-vaal-ehbeok-pelea-capri-101-mm-interval-between-orbit-and-muzzle-5-inches-126-mm-the-distribution-is-confined-to-the-area-south-of-the-zambesi-81-image232135283.htmlRMRDJJWR–. Catalogue of the ungulate mammals in the British Museum (Natural History). Ungulates. KEDUNCI^f.F, 201 "below. Horns slender, rising nearly vertically, with a slight forward inclination; in good specimens the length ranges from 8 to Hi inches, the girth from 2 to 2|- inches, and the tip-to-tip interval from 2 to 6| inches. Basal length of skviU about "7^ inches (190 mm.), maximum width 4 inches. Fig. 23.—Skull akd Hoeks of the Vaal Ehbeok {Pelea capri (101 mm.), interval between orbit and muzzle 5 inches (126 mm.). The distribution is confined to the area south of the Zambesi. 81.
Portrait of Lodewijk Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 142 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-lodewijk-asser-eduard-isaac-asser-amsterdam-c-1854-paper-salted-paper-print-height-142-mm-width-101-mm-image454399418.htmlRM2HB7K2J–Portrait of Lodewijk Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 142 mm × width 101 mm
Inspired by Vue d'une galerie vins, sur pointe, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-vue-dune-galerie-vins-sur-pointe-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459486109.htmlRF2HKFB65–Inspired by Vue d'une galerie vins, sur pointe, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A Dorcas meeting in the 6th century. Date/Period: From 1873 until 1877. Painting. Oil on canvas. Height: 1,765 mm (69.48 in); Width: 2,578 mm (101.49 in). Author: Edwin Long. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dorcas-meeting-in-the-6th-century-dateperiod-from-1873-until-1877-painting-oil-on-canvas-height-1765-mm-6948-in-width-2578-mm-10149-in-author-edwin-long-image219734487.htmlRMPNDNG7–A Dorcas meeting in the 6th century. Date/Period: From 1873 until 1877. Painting. Oil on canvas. Height: 1,765 mm (69.48 in); Width: 2,578 mm (101.49 in). Author: Edwin Long.
. Bulletin of the Natural Histort Museum. Geology series. LATE CRETACEOUS-EARLY TERTIARY ECHINOIDS 101. Fig. 10 Camera lucida drawings of plating in Echinogalerus species, a, c, ?E. vetschaiiensis (Schliiter, 1902) from the Maastrichtian of the coast west of Cabo Mayor (Santander, Cantabria); a, BMNH EE6164, adoral ambulacrum, peristome opening at base; c, BMNH EE 6165, apical disc; b, d, E. muelleri (Schluter, 1902), BMNH EE4412a from Olazaguti pass, Navarra; b. adoral ambulacrum , peristome margin at base; d. apical disc. Scale bars = I mm. Diagnosis. Test up to 12 mm, width ca. 95% of leng Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-natural-histort-museum-geology-series-late-cretaceous-early-tertiary-echinoids-101-fig-10-camera-lucida-drawings-of-plating-in-echinogalerus-species-a-c-e-vetschaiiensis-schliiter-1902-from-the-maastrichtian-of-the-coast-west-of-cabo-mayor-santander-cantabria-a-bmnh-ee6164-adoral-ambulacrum-peristome-opening-at-base-c-bmnh-ee-6165-apical-disc-b-d-e-muelleri-schluter-1902-bmnh-ee4412a-from-olazaguti-pass-navarra-b-adoral-ambulacrum-peristome-margin-at-base-d-apical-disc-scale-bars-=-i-mm-diagnosis-test-up-to-12-mm-width-ca-95-of-leng-image233870894.htmlRMRGDMKX–. Bulletin of the Natural Histort Museum. Geology series. LATE CRETACEOUS-EARLY TERTIARY ECHINOIDS 101. Fig. 10 Camera lucida drawings of plating in Echinogalerus species, a, c, ?E. vetschaiiensis (Schliiter, 1902) from the Maastrichtian of the coast west of Cabo Mayor (Santander, Cantabria); a, BMNH EE6164, adoral ambulacrum, peristome opening at base; c, BMNH EE 6165, apical disc; b, d, E. muelleri (Schluter, 1902), BMNH EE4412a from Olazaguti pass, Navarra; b. adoral ambulacrum , peristome margin at base; d. apical disc. Scale bars = I mm. Diagnosis. Test up to 12 mm, width ca. 95% of leng
Portrait of William Arthur White, Sébah & Joaillier, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-william-arthur-white-sbah-joaillier-anonymous-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-image454394111.htmlRM2HB7C93–Portrait of William Arthur White, Sébah & Joaillier, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm
Inspired by Enfilade de crayères, d'origine gallo-romaine, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-enfilade-de-crayres-dorigine-gallo-romaine-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459486096.htmlRF2HKFB5M–Inspired by Enfilade de crayères, d'origine gallo-romaine, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
La conversión de san Ignacio de Loyola The Conversion of Saint Ignatius Loyola. Painting. Oil on canvas Oil on canvas. Height: 3,010 mm (118.50 in); Width: 2,570 mm (101.18 in). Author: MIGUEL CABRERA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-conversin-de-san-ignacio-de-loyola-the-conversion-of-saint-ignatius-loyola-painting-oil-on-canvas-oil-on-canvas-height-3010-mm-11850-in-width-2570-mm-10118-in-author-miguel-cabrera-image219697584.htmlRMPNC2E8–La conversión de san Ignacio de Loyola The Conversion of Saint Ignatius Loyola. Painting. Oil on canvas Oil on canvas. Height: 3,010 mm (118.50 in); Width: 2,570 mm (101.18 in). Author: MIGUEL CABRERA.
. Bulletin - United States National Museum. Science. 12 U.S. NATIONAL MUSEUM BULLETIN 227 Laetmonice filicornis Moore, 1903a, p. 420; 1909a, p. 137.—Hartman, 1942a, p. 90.—Treadwell, 1948, p. 11, fig. 26.—Eliason, 1962, p. 213.—Wesenberg-Lund, 1950b, p. 11; 1951, p. 7.—Miner, 1950, p. 308, pi. 101. Laetmatonice filicornis Fauvel, 1923, p. 36, fig. 12, a-f.—St0p-Bowitz, 1948a, p. 8. Description.—Length up to 90 mm., width includmg setae up to 45 mm., segments 33-42. Dorsum more or less covered with grayish felt composed of feltage notosetae, mucus and mud; the sides are flanked by the large iri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-united-states-national-museum-science-12-us-national-museum-bulletin-227-laetmonice-filicornis-moore-1903a-p-420-1909a-p-137hartman-1942a-p-90treadwell-1948-p-11-fig-26eliason-1962-p-213wesenberg-lund-1950b-p-11-1951-p-7miner-1950-p-308-pi-101-laetmatonice-filicornis-fauvel-1923-p-36-fig-12-a-fst0p-bowitz-1948a-p-8-descriptionlength-up-to-90-mm-width-includmg-setae-up-to-45-mm-segments-33-42-dorsum-more-or-less-covered-with-grayish-felt-composed-of-feltage-notosetae-mucus-and-mud-the-sides-are-flanked-by-the-large-iri-image233726443.htmlRMRG74CY–. Bulletin - United States National Museum. Science. 12 U.S. NATIONAL MUSEUM BULLETIN 227 Laetmonice filicornis Moore, 1903a, p. 420; 1909a, p. 137.—Hartman, 1942a, p. 90.—Treadwell, 1948, p. 11, fig. 26.—Eliason, 1962, p. 213.—Wesenberg-Lund, 1950b, p. 11; 1951, p. 7.—Miner, 1950, p. 308, pi. 101. Laetmatonice filicornis Fauvel, 1923, p. 36, fig. 12, a-f.—St0p-Bowitz, 1948a, p. 8. Description.—Length up to 90 mm., width includmg setae up to 45 mm., segments 33-42. Dorsum more or less covered with grayish felt composed of feltage notosetae, mucus and mud; the sides are flanked by the large iri
Portrait of Edwin Arnold, Henry van der Weyde, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-edwin-arnold-henry-van-der-weyde-anonymous-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-image454394278.htmlRM2HB7CF2–Portrait of Edwin Arnold, Henry van der Weyde, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm
Inspired by Une galerie de vins, sur pointe, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-une-galerie-de-vins-sur-pointe-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459486015.htmlRF2HKFB2R–Inspired by Une galerie de vins, sur pointe, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
L'Adoration des mages The Adoration of the Magi. Date/Period: 1904. Tapestry. Height: 2,580 mm (101.57 in); Width: 3,770 mm (12.36 ft). Author: Edward Burne-Jones. Morris Tapestry Works. Burne-Jones, Sir Edward Coley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ladoration-des-mages-the-adoration-of-the-magi-dateperiod-1904-tapestry-height-2580-mm-10157-in-width-3770-mm-1236-ft-author-edward-burne-jones-morris-tapestry-works-burne-jones-sir-edward-coley-image219724270.htmlRMPND8FA–L'Adoration des mages The Adoration of the Magi. Date/Period: 1904. Tapestry. Height: 2,580 mm (101.57 in); Width: 3,770 mm (12.36 ft). Author: Edward Burne-Jones. Morris Tapestry Works. Burne-Jones, Sir Edward Coley.
. Bulletin - United States National Museum. Science. a h c Fig. 101.—PiNNixA schmitti, male (25850). a, Outee maxilliped, x 15* ; t, abdo- men, X 72 ; c, LEFT OR larger chela, X 7. of carapace 5, width of same 9.2, length of third leg about 10 mm. Range.—Port Levasheff, Alaska, to San Francisco Bay, California. 7 to 80 fathoms. Material examined.—Port Levasheff, Unalaska, Alaska; 70 to 80 fathoms; M. St.; W. H. Dall; 1 male (48140). Left chela with medium thumb and slightly gaping fingers, right chela with long thumb and nongaping fingers, both palms granulate. Cape Fox, Alaska; W. E. Coe, Har Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-united-states-national-museum-science-a-h-c-fig-101pinnixa-schmitti-male-25850-a-outee-maxilliped-x-15-t-abdo-men-x-72-c-left-or-larger-chela-x-7-of-carapace-5-width-of-same-92-length-of-third-leg-about-10-mm-rangeport-levasheff-alaska-to-san-francisco-bay-california-7-to-80-fathoms-material-examinedport-levasheff-unalaska-alaska-70-to-80-fathoms-m-st-w-h-dall-1-male-48140-left-chela-with-medium-thumb-and-slightly-gaping-fingers-right-chela-with-long-thumb-and-nongaping-fingers-both-palms-granulate-cape-fox-alaska-w-e-coe-har-image233746159.htmlRMRG81H3–. Bulletin - United States National Museum. Science. a h c Fig. 101.—PiNNixA schmitti, male (25850). a, Outee maxilliped, x 15* ; t, abdo- men, X 72 ; c, LEFT OR larger chela, X 7. of carapace 5, width of same 9.2, length of third leg about 10 mm. Range.—Port Levasheff, Alaska, to San Francisco Bay, California. 7 to 80 fathoms. Material examined.—Port Levasheff, Unalaska, Alaska; 70 to 80 fathoms; M. St.; W. H. Dall; 1 male (48140). Left chela with medium thumb and slightly gaping fingers, right chela with long thumb and nongaping fingers, both palms granulate. Cape Fox, Alaska; W. E. Coe, Har
Portrait of William Sproston Caine, Elliott & Fry, anonymous, c. 1881 - in or before 1891, paper, height 143 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-william-sproston-caine-elliott-fry-anonymous-c-1881-in-or-before-1891-paper-height-143-mm-width-101-mm-image454394240.htmlRM2HB7CDM–Portrait of William Sproston Caine, Elliott & Fry, anonymous, c. 1881 - in or before 1891, paper, height 143 mm × width 101 mm
Inspired by Une galerie de vins sur lattes, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-une-galerie-de-vins-sur-lattes-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459486102.htmlRF2HKFB5X–Inspired by Une galerie de vins sur lattes, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Geese Descending on a Sandbank. Date/Period: 1730. Painting. Ink and slight color on paper Ink and slight color on paper. Height: 2,565.40 mm (101 in); Width: 952.50 mm (37.50 in). Author: Bian Shoumin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geese-descending-on-a-sandbank-dateperiod-1730-painting-ink-and-slight-color-on-paper-ink-and-slight-color-on-paper-height-256540-mm-101-in-width-95250-mm-3750-in-author-bian-shoumin-image219714061.htmlRMPNCREN–Geese Descending on a Sandbank. Date/Period: 1730. Painting. Ink and slight color on paper Ink and slight color on paper. Height: 2,565.40 mm (101 in); Width: 952.50 mm (37.50 in). Author: Bian Shoumin.
. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder. Oceanography Bering Sea.. 1-2 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22a. Size-frequency distributions of C. bairdi from the 1979 trawl survey. C. opilio. 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22b. Size-frequency distributions of C. opilio from the 1979 trawl survey. REFERENCES Alaska Department of Fish and Game 1978 Alaska shellfish commercial fishing regulations Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-oceanography-bering-sea-1-2-41-42-81-82-121-122-161-162-201-202-21-22-61-62-101-102-141-142-181-182-carapace-width-mm-figure-61-22a-size-frequency-distributions-of-c-bairdi-from-the-1979-trawl-survey-c-opilio-41-42-81-82-121-122-161-162-201-202-21-22-61-62-101-102-141-142-181-182-carapace-width-mm-figure-61-22b-size-frequency-distributions-of-c-opilio-from-the-1979-trawl-survey-references-alaska-department-of-fish-and-game-1978-alaska-shellfish-commercial-fishing-regulations-image232461381.htmlRMRE5ET5–. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder. Oceanography Bering Sea.. 1-2 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22a. Size-frequency distributions of C. bairdi from the 1979 trawl survey. C. opilio. 41-42 81-82 121-122 161-162 201-202 21-22 61-62 101-102 141-142 181-182 CARAPACE WIDTH (MM) Figure 61-22b. Size-frequency distributions of C. opilio from the 1979 trawl survey. REFERENCES Alaska Department of Fish and Game 1978 Alaska shellfish commercial fishing regulations
Portrait of Emile de Laveleye, Léonard Hubert Zeyen, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emile-de-laveleye-lonard-hubert-zeyen-anonymous-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-image454394198.htmlRM2HB7CC6–Portrait of Emile de Laveleye, Léonard Hubert Zeyen, anonymous, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm
Inspired by Portrait of Queen Wilhelmina, Guy de Coral & Co., Amsterdam, Aug-1908, height 165 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-queen-wilhelmina-guy-de-coral-co-amsterdam-aug-1908-height-165-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459500742.htmlRF2HKG1TP–Inspired by Portrait of Queen Wilhelmina, Guy de Coral & Co., Amsterdam, Aug-1908, height 165 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Westward the Course of Empire Takes Its Way (mural study, U.S. Capitol). Date/Period: 1861. Painting. Oil on canvas Oil on canvas. Height: 844.55 mm (33.25 in); Width: 1,101.85 mm (43.37 in). Author: Emanuel Gottlieb Leutze. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/westward-the-course-of-empire-takes-its-way-mural-study-us-capitol-dateperiod-1861-painting-oil-on-canvas-oil-on-canvas-height-84455-mm-3325-in-width-110185-mm-4337-in-author-emanuel-gottlieb-leutze-image219742250.htmlRMPNE3DE–Westward the Course of Empire Takes Its Way (mural study, U.S. Capitol). Date/Period: 1861. Painting. Oil on canvas Oil on canvas. Height: 844.55 mm (33.25 in); Width: 1,101.85 mm (43.37 in). Author: Emanuel Gottlieb Leutze.
. Bulletins of American paleontology. 16 Bulletin 366 Table 3.—Measurements (in mm) of Lepicylliani hcisili.wii (Gard- ner. 1937). Height/ Restored width Specimen height Width ratio USNM 351224 (holotype) 10.1 3.8 2.66 USGS locality 23979 5.8 2.2 2.64 UF 66069 9.4 3.6 2.61 UF 88143 6.2 2.6 2.38 5.6 2.2 2.55 UF 89592 6.0 2.3 2.61 3.7 1.7 2.18 ..^^J-'-i'^^ der. i.e., it has a smaller apical angle than other species. The only species with which Gardner (1937. p. 344) compared her L. huslli.wd is the living Mcini>iliu (Cythara) cyniellu Dall (1886:101, pi. 12^ f. 4). The present writer received Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletins-of-american-paleontology-16-bulletin-366-table-3measurements-in-mm-of-lepicylliani-hcisiliwii-gard-ner-1937-height-restored-width-specimen-height-width-ratio-usnm-351224-holotype-101-38-266-usgs-locality-23979-58-22-264-uf-66069-94-36-261-uf-88143-62-26-238-56-22-255-uf-89592-60-23-261-37-17-218-j-i-der-ie-it-has-a-smaller-apical-angle-than-other-species-the-only-species-with-which-gardner-1937-p-344-compared-her-l-huslliwd-is-the-living-mcinigtiliu-cythara-cyniellu-dall-1886101-pi-12-f-4-the-present-writer-received-image233774947.htmlRMRG9A97–. Bulletins of American paleontology. 16 Bulletin 366 Table 3.—Measurements (in mm) of Lepicylliani hcisili.wii (Gard- ner. 1937). Height/ Restored width Specimen height Width ratio USNM 351224 (holotype) 10.1 3.8 2.66 USGS locality 23979 5.8 2.2 2.64 UF 66069 9.4 3.6 2.61 UF 88143 6.2 2.6 2.38 5.6 2.2 2.55 UF 89592 6.0 2.3 2.61 3.7 1.7 2.18 ..^^J-'-i'^^ der. i.e., it has a smaller apical angle than other species. The only species with which Gardner (1937. p. 344) compared her L. huslli.wd is the living Mcini>iliu (Cythara) cyniellu Dall (1886:101, pi. 12^ f. 4). The present writer received
Portrait of Anna-Gratia Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 143 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-anna-gratia-asser-eduard-isaac-asser-amsterdam-c-1854-paper-salted-paper-print-height-143-mm-width-101-mm-image454399423.htmlRM2HB7K2R–Portrait of Anna-Gratia Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 143 mm × width 101 mm
Inspired by Portrait of William Arthur White, Sébah & Joaillier, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-william-arthur-white-sbah-joaillier-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459451929.htmlRF2HKDRHD–Inspired by Portrait of William Arthur White, Sébah & Joaillier, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![. Discovery reports. Discovery (Ship); Scientific expeditions; Ocean; Antarctica; Falkland Islands. 14 DISCOVERY REPORTS St. WS789. 13. xii. 31. 4517'S, 64°22'W. Commercial otter trawl, 95-93111.: 2 male specimens, 325-330 mm. (width of disc 255, 260 mm.). St.WS790. 14. xii. 31. 450 28' 52" S, 630 40' 37" W. Commercial otter trawl, 99-101 m.: 3 male specimens, 240-405 mm. (width of disc 180-335 mm.), 5 female specimens, 250-480 mm. (width of disc 160-380 mm.). St. WS792. 15. xii. 31. 45 49'30" S, 620 20' 15" W. Commercial otter trawl, 102-106 m.: 1 female specimen, 270 mm. Stock Photo](https://c8.alamy.com/comp/RCDY67/discovery-reports-discovery-ship-scientific-expeditions-ocean-antarctica-falkland-islands-14-discovery-reports-st-ws789-13-xii-31-4517s-6422w-commercial-otter-trawl-95-93111-2-male-specimens-325-330-mm-width-of-disc-255-260-mm-stws790-14-xii-31-450-28-52quot-s-630-40-37quot-w-commercial-otter-trawl-99-101-m-3-male-specimens-240-405-mm-width-of-disc-180-335-mm-5-female-specimens-250-480-mm-width-of-disc-160-380-mm-st-ws792-15-xii-31-45-4930quot-s-620-20-15quot-w-commercial-otter-trawl-102-106-m-1-female-specimen-270-mm-RCDY67.jpg ". Discovery reports. Discovery (Ship); Scientific expeditions; Ocean; Antarctica; Falkland Islands. 14 DISCOVERY REPORTS St. WS789. 13. xii. 31. 4517'S, 64°22'W. Commercial otter trawl, 95-93111.: 2 male specimens, 325-330 mm. (width of disc 255, 260 mm.). St.WS790. 14. xii. 31. 450 28' 52" S, 630 40' 37" W. Commercial otter trawl, 99-101 m.: 3 male specimens, 240-405 mm. (width of disc 180-335 mm.), 5 female specimens, 250-480 mm. (width of disc 160-380 mm.). St. WS792. 15. xii. 31. 45 49'30" S, 620 20' 15" W. Commercial otter trawl, 102-106 m.: 1 female specimen, 270 mm. Stock Photo")
. Discovery reports. Discovery (Ship); Scientific expeditions; Ocean; Antarctica; Falkland Islands. 14 DISCOVERY REPORTS St. WS789. 13. xii. 31. 4517'S, 64°22'W. Commercial otter trawl, 95-93111.: 2 male specimens, 325-330 mm. (width of disc 255, 260 mm.). St.WS790. 14. xii. 31. 450 28' 52" S, 630 40' 37" W. Commercial otter trawl, 99-101 m.: 3 male specimens, 240-405 mm. (width of disc 180-335 mm.), 5 female specimens, 250-480 mm. (width of disc 160-380 mm.). St. WS792. 15. xii. 31. 45 49'30" S, 620 20' 15" W. Commercial otter trawl, 102-106 m.: 1 female specimen, 270 mm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/discovery-reports-discovery-ship-scientific-expeditions-ocean-antarctica-falkland-islands-14-discovery-reports-st-ws789-13-xii-31-4517s-6422w-commercial-otter-trawl-95-93111-2-male-specimens-325-330-mm-width-of-disc-255-260-mm-stws790-14-xii-31-450-28-52quot-s-630-40-37quot-w-commercial-otter-trawl-99-101-m-3-male-specimens-240-405-mm-width-of-disc-180-335-mm-5-female-specimens-250-480-mm-width-of-disc-160-380-mm-st-ws792-15-xii-31-45-4930quot-s-620-20-15quot-w-commercial-otter-trawl-102-106-m-1-female-specimen-270-mm-image231417375.htmlRMRCDY67–. Discovery reports. Discovery (Ship); Scientific expeditions; Ocean; Antarctica; Falkland Islands. 14 DISCOVERY REPORTS St. WS789. 13. xii. 31. 4517'S, 64°22'W. Commercial otter trawl, 95-93111.: 2 male specimens, 325-330 mm. (width of disc 255, 260 mm.). St.WS790. 14. xii. 31. 450 28' 52" S, 630 40' 37" W. Commercial otter trawl, 99-101 m.: 3 male specimens, 240-405 mm. (width of disc 180-335 mm.), 5 female specimens, 250-480 mm. (width of disc 160-380 mm.). St. WS792. 15. xii. 31. 45 49'30" S, 620 20' 15" W. Commercial otter trawl, 102-106 m.: 1 female specimen, 270 mm.
Portrait of Jeane d'Elsing, photograph, anonymous, 1916, baryta paper, height, 143 mm × width, 101 mm, height, 160 mm × width, 116 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jeane-delsing-photograph-anonymous-1916-baryta-paper-height-143-mm-width-101-mm-height-160-mm-width-116-mm-image606654164.htmlRM2X6YDG4–Portrait of Jeane d'Elsing, photograph, anonymous, 1916, baryta paper, height, 143 mm × width, 101 mm, height, 160 mm × width, 116 mm
Inspired by Portrait of William Sproston Caine, Elliott & Fry, c. 1881 - in or before 1891, paper, height 143 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-william-sproston-caine-elliott-fry-c-1881-in-or-before-1891-paper-height-143-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452087.htmlRF2HKDRR3–Inspired by Portrait of William Sproston Caine, Elliott & Fry, c. 1881 - in or before 1891, paper, height 143 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Ernest Alexandre Honoré Coquelin, print maker: Alphonse Descaves, 1840 - 1890, paper, steel engraving, height 139 mm × width 101 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-ernest-alexandre-honor-coquelin-print-maker-alphonse-descaves-1840-1890-paper-steel-engraving-height-139-mm-width-101-mm-print-image599505774.htmlRM2WR9RME–Portrait of Ernest Alexandre Honoré Coquelin, print maker: Alphonse Descaves, 1840 - 1890, paper, steel engraving, height 139 mm × width 101 mm, print
Inspired by Portrait of Emile de Laveleye, Léonard Hubert Zeyen, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-emile-de-laveleye-lonard-hubert-zeyen-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452003.htmlRF2HKDRM3–Inspired by Portrait of Emile de Laveleye, Léonard Hubert Zeyen, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Paris-Reims = 156 kilomètres (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, width 150 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-reims-=-156-kilomtres-title-on-object-maker-helio-cachan-mentioned-on-object-1930-1960-paper-width-150-mm-width-101-mm-image454411822.htmlRM2HB86WJ–Paris-Reims = 156 kilomètres (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, width 150 mm × width 101 mm
Inspired by Portrait of Edwin Arnold, Henry van der Weyde, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-edwin-arnold-henry-van-der-weyde-c-1881-in-or-before-1891-paper-height-128-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459452191.htmlRF2HKDRXR–Inspired by Portrait of Edwin Arnold, Henry van der Weyde, c. 1881 - in or before 1891, paper, height 128 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Queen Wilhelmina, Guy de Coral & Co. (mentioned on object), Amsterdam, Aug-1908, cardboard, photographic support, height 165 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-queen-wilhelmina-guy-de-coral-co-mentioned-on-object-amsterdam-aug-1908-cardboard-photographic-support-height-165-mm-width-101-mm-image454413104.htmlRM2HB88FC–Portrait of Queen Wilhelmina, Guy de Coral & Co. (mentioned on object), Amsterdam, Aug-1908, cardboard, photographic support, height 165 mm × width 101 mm
Inspired by Portrait of Lodewijk Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 142 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-lodewijk-asser-eduard-isaac-asser-amsterdam-c-1854-paper-salted-paper-print-height-142-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459457243.htmlRF2HKE2B7–Inspired by Portrait of Lodewijk Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 142 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Enfilade de crayères, d'origine gallo-romaine (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/enfilade-de-crayres-dorigine-gallo-romaine-title-on-object-maker-helio-cachan-mentioned-on-object-1930-1960-paper-height-150-mm-width-101-mm-image454411808.htmlRM2HB86W4–Enfilade de crayères, d'origine gallo-romaine (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm
Inspired by Le chantier de Tirage, Mise en bouteilles, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-le-chantier-de-tirage-mise-en-bouteilles-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459485934.htmlRF2HKFAYX–Inspired by Le chantier de Tirage, Mise en bouteilles, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Vue d'une galerie vins, sur pointe (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-dune-galerie-vins-sur-pointe-title-on-object-maker-helio-cachan-mentioned-on-object-1930-1960-paper-height-150-mm-width-101-mm-image454411835.htmlRM2HB86X3–Vue d'une galerie vins, sur pointe (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm
Inspired by Portrait of Anna-Gratia Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 143 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-anna-gratia-asser-eduard-isaac-asser-amsterdam-c-1854-paper-salted-paper-print-height-143-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459457215.htmlRF2HKE2A7–Inspired by Portrait of Anna-Gratia Asser, Eduard Isaac Asser, Amsterdam, c. 1854, paper, salted paper print, height 143 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Une galerie de vins sur lattes (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/une-galerie-de-vins-sur-lattes-title-on-object-maker-helio-cachan-mentioned-on-object-1930-1960-paper-height-150-mm-width-101-mm-image454411819.htmlRM2HB86WF–Une galerie de vins sur lattes (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm
Inspired by La Champagne au XVIIIe siecle, Bas-relief sculpté dans la craie, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-la-champagne-au-xviiie-siecle-bas-relief-sculpt-dans-la-craie-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459486013.htmlRF2HKFB2N–Inspired by La Champagne au XVIIIe siecle, Bas-relief sculpté dans la craie, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Une galerie de vins, sur pointe (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/une-galerie-de-vins-sur-pointe-title-on-object-maker-helio-cachan-mentioned-on-object-1930-1960-paper-height-150-mm-width-101-mm-image454411829.htmlRM2HB86WW–Une galerie de vins, sur pointe (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm
Art inspired by Landscape with stone windmills, 1854 - 1885, paper, cardboard, albumen print, height 72 mm × width 101 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-landscape-with-stone-windmills-1854-1885-paper-cardboard-albumen-print-height-72-mm-width-101-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459788106.htmlRF2HM14BP–Art inspired by Landscape with stone windmills, 1854 - 1885, paper, cardboard, albumen print, height 72 mm × width 101 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Stained glass window with a ship and vignette of the Royal Dutch Steamboat Company, anonymous, in or after 1907 - 1930, photographic support, height 130 mm × width 101 mm, photograph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-window-with-a-ship-and-vignette-of-the-royal-dutch-steamboat-company-anonymous-in-or-after-1907-1930-photographic-support-height-130-mm-width-101-mm-photograph-image599494761.htmlRM2WR99K5–Stained glass window with a ship and vignette of the Royal Dutch Steamboat Company, anonymous, in or after 1907 - 1930, photographic support, height 130 mm × width 101 mm, photograph
Art inspired by Paris-Reims = 156 kilomètres, maker: Helio-Cachan, 1930 - 1960, paper, width 150 mm × width 101 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-paris-reims-=-156-kilomtres-maker-helio-cachan-1930-1960-paper-width-150-mm-width-101-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459784666.htmlRF2HM100X–Art inspired by Paris-Reims = 156 kilomètres, maker: Helio-Cachan, 1930 - 1960, paper, width 150 mm × width 101 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Le chantier de Tirage, Mise en bouteilles (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-chantier-de-tirage-mise-en-bouteilles-title-on-object-maker-helio-cachan-mentioned-on-object-1930-1960-paper-height-150-mm-width-101-mm-image454411830.htmlRM2HB86WX–Le chantier de Tirage, Mise en bouteilles (title on object), maker: Helio-Cachan (mentioned on object), 1930 - 1960, paper, height 150 mm × width 101 mm
Art inspired by Une galerie de vins sur lattes, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-une-galerie-de-vins-sur-lattes-maker-helio-cachan-1930-1960-paper-height-150-mm-width-101-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459784649.htmlRF2HM1009–Art inspired by Une galerie de vins sur lattes, maker: Helio-Cachan, 1930 - 1960, paper, height 150 mm × width 101 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for Width 101 mm Stock Photos and Images (1,741)
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