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White heightening Stock Photos and Images
Before the jump, chalk with white heightening. Genre based on the contemporary photograph of a paratrooper sergeant in full combat gear, standing in the open door of a Ju 52, waiting for the order to jump. Signed '1988 Uwe Feist'. Under glass, framed 75 x 64 cm. historic, historical, people, 1980s, 20th century, Air Force, branch of service, branches of service, armed service, armed services, military, militaria, air forces, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, photograph, photo, photographs, man, men, male, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-before-the-jump-chalk-with-white-heightening-genre-based-on-the-contemporary-31691155.htmlRMBRFJAY–Before the jump, chalk with white heightening. Genre based on the contemporary photograph of a paratrooper sergeant in full combat gear, standing in the open door of a Ju 52, waiting for the order to jump. Signed '1988 Uwe Feist'. Under glass, framed 75 x 64 cm. historic, historical, people, 1980s, 20th century, Air Force, branch of service, branches of service, armed service, armed services, military, militaria, air forces, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, photograph, photo, photographs, man, men, male, Additional-Rights-Clearences-Not Available
Francesco Londonio, (artist), Italian, 1723 - 1783, Goatherd Piping to Four Goats, etching on blue paper with white heightening Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-londonio-artist-italian-1723-1783-goatherd-piping-to-four-goats-etching-on-blue-paper-with-white-heightening-image386200010.htmlRM2DC8X1E–Francesco Londonio, (artist), Italian, 1723 - 1783, Goatherd Piping to Four Goats, etching on blue paper with white heightening
Inspired by Profile Portrait of Augustin and His Family, Jean Baptiste Jacques Augustin, French, 1759–1832, 1800, Black and brown-black chalk with white heightening, Drawings & watercolors, 9 3/16 x 13 1/16 in. (23.3 x 33.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-profile-portrait-of-augustin-and-his-family-jean-baptiste-jacques-augustin-french-17591832-1800-black-and-brown-black-chalk-with-white-heightening-drawings-watercolors-9-316-x-13-116-in-233-x-332-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459284240.htmlRF2HK65MG–Inspired by Profile Portrait of Augustin and His Family, Jean Baptiste Jacques Augustin, French, 1759–1832, 1800, Black and brown-black chalk with white heightening, Drawings & watercolors, 9 3/16 x 13 1/16 in. (23.3 x 33.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Interior of the House of the house of a Chief on the Sandwich Islands. Kamehameha, King of the Sandwich Islands 1816. Louis Choris. Watercolour with opaque white heightening Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-interior-of-the-house-of-the-house-of-a-chief-on-the-sandwich-islands-76266162.htmlRMEC267E–Interior of the House of the house of a Chief on the Sandwich Islands. Kamehameha, King of the Sandwich Islands 1816. Louis Choris. Watercolour with opaque white heightening
Francesco Hayez, Dispute over the body of Patrocles, drawing in pen and ink, with chalk and white heightening, before 1882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-hayez-dispute-over-the-body-of-patrocles-drawing-in-pen-and-ink-with-chalk-and-white-heightening-before-1882-image466885585.htmlRM2J3GD95–Francesco Hayez, Dispute over the body of Patrocles, drawing in pen and ink, with chalk and white heightening, before 1882
Goatherd Piping to Four Goats. Medium: etching on blue paper with white heightening. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goatherd-piping-to-four-goats-medium-etching-on-blue-paper-with-white-heightening-museum-national-gallery-of-art-washington-dc-author-francesco-londonio-image225819191.htmlRMR3AXK3–Goatherd Piping to Four Goats. Medium: etching on blue paper with white heightening. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO.
William Stanley Haseltine - 'West Island', graphite with white heightening on blue paper, 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-stanley-haseltine-west-island-graphite-with-white-heightening-134780056.htmlRMHR7N9C–William Stanley Haseltine - 'West Island', graphite with white heightening on blue paper, 1863
by William Shakespeare Burton, chalk with white heightening, 1899 88 William Shakespeare Burton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-william-shakespeare-burton-chalk-with-white-heightening-1899-88-william-shakespeare-burton-image210554555.htmlRMP6FGDF–by William Shakespeare Burton, chalk with white heightening, 1899 88 William Shakespeare Burton
Johann Herman Carmiencke - 'View of the Shawangunke Mountains', graphite with white heightening on paper, 1865. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-herman-carmiencke-view-of-the-shawangunke-mountains-graphite-with-white-heightening-on-paper-1865-image369383801.htmlRM2CCXTPH–Johann Herman Carmiencke - 'View of the Shawangunke Mountains', graphite with white heightening on paper, 1865.
Frederick Stuart Church, Idyll, American, 1842 - 1924, 1886, graphite with gray wash and white heightening on brown paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frederick-stuart-church-idyll-american-1842-1924-1886-graphite-with-50438551.htmlRMCX1JTR–Frederick Stuart Church, Idyll, American, 1842 - 1924, 1886, graphite with gray wash and white heightening on brown paper
Aaron Draper Shattuck 'Tariffville, Connecticut, Farmington River', ink with white heightening, 1867 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-aaron-draper-shattuck-tariffville-connecticut-farmington-river-ink-162206946.htmlRMKBW4H6–Aaron Draper Shattuck 'Tariffville, Connecticut, Farmington River', ink with white heightening, 1867
Study of Drapery. Research in ProgressDrapery study with white heightening. Study of Drapery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-drapery-research-in-progressdrapery-study-with-white-heightening-study-of-drapery-image352163232.htmlRM2BCXBP8–Study of Drapery. Research in ProgressDrapery study with white heightening. Study of Drapery
Lorenzo Colorgia. Drawing in black chalk with white heightening. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lorenzo-colorgia-drawing-in-black-chalk-with-white-heightening-image450069462.htmlRM2H46C5A–Lorenzo Colorgia. Drawing in black chalk with white heightening.
Drawing, Brooch; Italy; pen and ink, white heightening on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-brooch-italy-pen-and-ink-white-heightening-on-paper-image546074992.htmlRM2PMBT68–Drawing, Brooch; Italy; pen and ink, white heightening on paper
'Martin Johann Schmidt, Tobias and the Angel, c. 1780, black chalk with white heightening on buff laid paper, overall: 27.2 x 21300 cm (10 11/16 x 8385 13/16 in.), Ailsa Mellon Bruce Fund, 2008.53.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-johann-schmidt-tobias-and-the-angel-c-1780-black-chalk-with-white-heightening-on-buff-laid-paper-overall-272-x-21300-cm-10-1116-x-8385-1316-in-ailsa-mellon-bruce-fund-2008531-image560022478.htmlRM2RF36AP–'Martin Johann Schmidt, Tobias and the Angel, c. 1780, black chalk with white heightening on buff laid paper, overall: 27.2 x 21300 cm (10 11/16 x 8385 13/16 in.), Ailsa Mellon Bruce Fund, 2008.53.1'
An Italian View, c. 1810? . Rebell’s early work, such as this Italian view, had strong overtones of classicism and was influenced by Claude Lorrain’s heroic depictions of the landscape. Rebell spent long periods in Italy, first visiting Milan in 1810, Naples in 1813, and Rome in 1816. More active as a painter, he made a small number of prints. This evocative etching printed on brown paper and enlivened with white heightening reveals his painterly inclinations. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-italian-view-c-1810-rebellx2019s-early-work-such-as-this-italian-view-had-strong-overtones-of-classicism-and-was-influenced-by-claude-lorrainx2019s-heroic-depictions-of-the-landscape-rebell-spent-long-periods-in-italy-first-visiting-milan-in-1810-naples-in-1813-and-rome-in-1816-more-active-as-a-painter-he-made-a-small-number-of-prints-this-evocative-etching-printed-on-brown-paper-and-enlivened-with-white-heightening-reveals-his-painterly-inclinations-image330074025.htmlRM2A504P1–An Italian View, c. 1810? . Rebell’s early work, such as this Italian view, had strong overtones of classicism and was influenced by Claude Lorrain’s heroic depictions of the landscape. Rebell spent long periods in Italy, first visiting Milan in 1810, Naples in 1813, and Rome in 1816. More active as a painter, he made a small number of prints. This evocative etching printed on brown paper and enlivened with white heightening reveals his painterly inclinations.
A King of Judah and Israel. Martin Frйminet (French, Paris 1567-1619 Paris) Pen and brown ink, black chalk with heightening in white. Sheet: 17 1/8 x Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-king-of-judah-and-israel-martin-frminet-french-paris-1567-1619-paris-pen-and-brown-ink-black-chalk-with-heightening-in-white-sheet-17-18-x-image574558364.htmlRF2TANB1G–A King of Judah and Israel. Martin Frйminet (French, Paris 1567-1619 Paris) Pen and brown ink, black chalk with heightening in white. Sheet: 17 1/8 x
Current 21-5-1950: The fire brigade prepares for winterHenki Kolstad and Inger-Marie Andersen have the lead roles in the film 'Vi gifter oss', which is filmed in Oslo. To make it look like winter, even though the filming takes place in the autumn, the fire brigade has sprayed soap foam in the streets. Production manager Knut Yran in full swing with heightening the winter atmosphere. He showed some of the barber's deep delight in fine soap suds and was unstoppable. Photo: Sverre A. Børretzen / Aktuell / NTB ***PHOTO NOT IMAGE PROCESSED*** Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/current-21-5-1950-the-fire-brigade-prepares-for-winterhenki-kolstad-and-inger-marie-andersen-have-the-lead-roles-in-the-film-vi-gifter-oss-which-is-filmed-in-oslo-to-make-it-look-like-winter-even-though-the-filming-takes-place-in-the-autumn-the-fire-brigade-has-sprayed-soap-foam-in-the-streets-production-manager-knut-yran-in-full-swing-with-heightening-the-winter-atmosphere-he-showed-some-of-the-barbers-deep-delight-in-fine-soap-suds-and-was-unstoppable-photo-sverre-a-brretzen-aktuell-ntb-photo-not-image-processed-image555918325.htmlRM2R8C7DW–Current 21-5-1950: The fire brigade prepares for winterHenki Kolstad and Inger-Marie Andersen have the lead roles in the film 'Vi gifter oss', which is filmed in Oslo. To make it look like winter, even though the filming takes place in the autumn, the fire brigade has sprayed soap foam in the streets. Production manager Knut Yran in full swing with heightening the winter atmosphere. He showed some of the barber's deep delight in fine soap suds and was unstoppable. Photo: Sverre A. Børretzen / Aktuell / NTB ***PHOTO NOT IMAGE PROCESSED***
Two dresses for a debutante and her mother to wear to Royal Ascot in 1933 from Derry and Toms. On the left is a gown of white lawn embroidered in Wedgwood blue, and trimmed with kilted ruffles. Printed black circe chiffon and cire lace make the second ensemble. Closely moulded to the figure, the lace flares outwards at the hem, giving it a graceful, heightening air. Date: 1933 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-dresses-for-a-debutante-and-her-mother-to-wear-to-royal-ascot-in-1933-from-derry-and-toms-on-the-left-is-a-gown-of-white-lawn-embroidered-in-wedgwood-blue-and-trimmed-with-kilted-ruffles-printed-black-circe-chiffon-and-cire-lace-make-the-second-ensemble-closely-moulded-to-the-figure-the-lace-flares-outwards-at-the-hem-giving-it-a-graceful-heightening-air-date-1933-image501470271.htmlRM2M3RXCF–Two dresses for a debutante and her mother to wear to Royal Ascot in 1933 from Derry and Toms. On the left is a gown of white lawn embroidered in Wedgwood blue, and trimmed with kilted ruffles. Printed black circe chiffon and cire lace make the second ensemble. Closely moulded to the figure, the lace flares outwards at the hem, giving it a graceful, heightening air. Date: 1933
Carlos Saenz de Tejada (1897-1958) - Albacete Castile La Mancha A study of the revolutionary struggles during the Civil War (1936 - 39) by the famous Spanish painter. Drawing on paper with black chalk, water colours and white heightening, size 50 x 69 cm. The picture shows combatants of the international brigades. Determined looking persons wearing uniforms with the badge of the communist movement. With the inscription 'Albacete pagina 50 - (V)' and a further one indicating that 'most of them fought in the Great War and were inspired by the idea , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlos-saenz-de-tejada-1897-1958-albacete-castile-la-mancha-a-study-of-the-revolutionary-struggles-during-the-civil-war-1936-39-by-the-famous-spanish-painter-drawing-on-paper-with-black-chalk-water-colours-and-white-heightening-size-50-x-69-cm-the-picture-shows-combatants-of-the-international-brigades-determined-looking-persons-wearing-uniforms-with-the-badge-of-the-communist-movement-with-the-inscription-albacete-pagina-50-v-and-a-further-one-indicating-that-most-of-them-fought-in-the-great-war-and-were-inspired-by-the-idea-additional-rights-clearance-info-not-available-image245917642.htmlRMT82ECX–Carlos Saenz de Tejada (1897-1958) - Albacete Castile La Mancha A study of the revolutionary struggles during the Civil War (1936 - 39) by the famous Spanish painter. Drawing on paper with black chalk, water colours and white heightening, size 50 x 69 cm. The picture shows combatants of the international brigades. Determined looking persons wearing uniforms with the badge of the communist movement. With the inscription 'Albacete pagina 50 - (V)' and a further one indicating that 'most of them fought in the Great War and were inspired by the idea , Additional-Rights-Clearance-Info-Not-Available
Figures Assembling on Row Boat, Black chalk, graphite, and white heightening on laid paper, Netherlands, after 1666, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figures-assembling-on-row-boat-black-chalk-graphite-and-white-heightening-on-laid-paper-netherlands-after-1666-figures-drawing-image391225518.htmlRM2DMDT3X–Figures Assembling on Row Boat, Black chalk, graphite, and white heightening on laid paper, Netherlands, after 1666, figures, Drawing
Art inspired by Design for a Doorway, 16th century, Pen and black ink with white heightening, 7-3/4 x 6 in. (19.8 x 15.1 cm), Monogrammist HT (German, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-doorway-16th-century-pen-and-black-ink-with-white-heightening-7-34-x-6-in-198-x-151-cm-monogrammist-ht-german-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946502.htmlRF2HW50YJ–Art inspired by Design for a Doorway, 16th century, Pen and black ink with white heightening, 7-3/4 x 6 in. (19.8 x 15.1 cm), Monogrammist HT (German, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Oct. 10, 1968 - Salvaging the Elephentine Temples: The UNESCO General Assembly is expected to appeal to all the world Governments and Organisations to participate in the salvaging operations of the Elepehtine Temples (the Pearl of Egypt), flooded between Aswan and the High Dam. They are being flooded by the Nile waters nine months in the year since the heightening operation of the Aswan Dam in 1902. This led to removing its coloured drawings, and since the construction of the high Dam the Temples have been constantly submerged by water to a third of their height Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oct-10-1968-salvaging-the-elephentine-temples-the-unesco-general-assembly-image69437607.htmlRME0Y4AF–Oct. 10, 1968 - Salvaging the Elephentine Temples: The UNESCO General Assembly is expected to appeal to all the world Governments and Organisations to participate in the salvaging operations of the Elepehtine Temples (the Pearl of Egypt), flooded between Aswan and the High Dam. They are being flooded by the Nile waters nine months in the year since the heightening operation of the Aswan Dam in 1902. This led to removing its coloured drawings, and since the construction of the high Dam the Temples have been constantly submerged by water to a third of their height
Leonardo da Vinci.A small oak branch.quercus robur. with a spray of dyer's greenweed .genitsa tinctoria.1508.Red chalk with touches of white heighteni Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vincia-small-oak-branchquercus-robur-with-a-spray-of-dyers-greenweed-genitsa-tinctoria1508red-chalk-with-touches-of-white-heighteni-image383958469.htmlRF2D8JPXD–Leonardo da Vinci.A small oak branch.quercus robur. with a spray of dyer's greenweed .genitsa tinctoria.1508.Red chalk with touches of white heighteni
Landscape with Houses on a Wide Bluff. Black chald and white heightening on brown paper. Date: ca. 1840-1860. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-houses-on-a-wide-bluff-black-chald-and-white-heightening-on-brown-paper-date-ca-1840-1860-museum-cooper-hewitt-smithsonian-design-museum-image554749715.htmlRM2R6F0WR–Landscape with Houses on a Wide Bluff. Black chald and white heightening on brown paper. Date: ca. 1840-1860. Museum: Cooper Hewitt, Smithsonian Design Museum.
Johann Herman Carmiencke - 'Narrows from Staten Island', graphite with white heightening on paper, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johann-herman-carmiencke-narrows-from-staten-island-graphite-with-132819423.htmlRMHM2CER–Johann Herman Carmiencke - 'Narrows from Staten Island', graphite with white heightening on paper,
. English: Study in for Found, black and brown ink and wash with white heightening on paper. Signed with monogram DGR and dated 1853. Dante Gabriel Rossetti Study for Found 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-study-in-for-found-black-and-brown-ink-and-wash-with-white-heightening-on-paper-signed-with-monogram-dgr-and-dated-1853-dante-gabriel-rossetti-study-for-found-1853-image184966405.htmlRMMMWXF1–. English: Study in for Found, black and brown ink and wash with white heightening on paper. Signed with monogram DGR and dated 1853. Dante Gabriel Rossetti Study for Found 1853
Johann Herman Carmiencke - 'Narrows from Staten Island', graphite with white heightening on paper,. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-herman-carmiencke-narrows-from-staten-island-graphite-with-white-heightening-on-paper-image369383813.htmlRM2CCXTR1–Johann Herman Carmiencke - 'Narrows from Staten Island', graphite with white heightening on paper,.
Florentine 17th Century, Two Male Figures: Youth and Old Man, black and red chalk, with white heightening on laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florentine-17th-century-two-male-figures-youth-and-old-man-black-and-50440297.htmlRFCX1N35–Florentine 17th Century, Two Male Figures: Youth and Old Man, black and red chalk, with white heightening on laid paper
Merlin; Falco aesalon; Falco columbarius Linnaeus by Joseph Wolf (1820 1899), Pencil and watercolor heightened with bodycolor, white heightening and gum arabic. c. 1862 73, Arader Galleries, New York City Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-merlin-falco-aesalon-falco-columbarius-linnaeus-by-joseph-wolf-1820-143468414.htmlRMJ9BFBX–Merlin; Falco aesalon; Falco columbarius Linnaeus by Joseph Wolf (1820 1899), Pencil and watercolor heightened with bodycolor, white heightening and gum arabic. c. 1862 73, Arader Galleries, New York City
Francis Danby (Irish, 1793 - 1861 ), Panorama of the Coast at Sunset, c. 1813, brown wash with white heightening on wove paper, Gift of Diane Allen Nixon 2000.74.1 Francis Danby, Panorama of the Coast at Sunset, c 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-danby-irish-1793-1861-panorama-of-the-coast-at-sunset-c-1813-brown-wash-with-white-heightening-on-wove-paper-gift-of-diane-allen-nixon-2000741-francis-danby-panorama-of-the-coast-at-sunset-c-1813-image335718670.htmlRM2AE58GE–Francis Danby (Irish, 1793 - 1861 ), Panorama of the Coast at Sunset, c. 1813, brown wash with white heightening on wove paper, Gift of Diane Allen Nixon 2000.74.1 Francis Danby, Panorama of the Coast at Sunset, c 1813
John Frederick Kensett, Trees, 1826–1872, pencil and white heightening on brown wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-frederick-kensett-trees-18261872-pencil-and-white-heightening-on-brown-wove-paper-image537522961.htmlRM2P6E80H–John Frederick Kensett, Trees, 1826–1872, pencil and white heightening on brown wove paper.
Drawing, Design for an Ornament; Italy; black chalk, white heightening on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-an-ornament-italy-black-chalk-white-heightening-on-paper-image546191399.htmlRM2PMH4KK–Drawing, Design for an Ornament; Italy; black chalk, white heightening on paper
'Jean-Baptiste-Camille Corot, Clump of Trees at Civita Castellana, 1826, pen and brown ink and graphite with white heightening on brown wove paper, overall: 26.5 x 35.2 cm (10 7/16 x 13 7/8 in.), Gift of Walter H. and Leonore Annenberg, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.47.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-clump-of-trees-at-civita-castellana-1826-pen-and-brown-ink-and-graphite-with-white-heightening-on-brown-wove-paper-overall-265-x-352-cm-10-716-x-13-78-in-gift-of-walter-h-and-leonore-annenberg-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-1990471-image560339949.htmlRM2RFHK91–'Jean-Baptiste-Camille Corot, Clump of Trees at Civita Castellana, 1826, pen and brown ink and graphite with white heightening on brown wove paper, overall: 26.5 x 35.2 cm (10 7/16 x 13 7/8 in.), Gift of Walter H. and Leonore Annenberg, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.47.1'
Old Man in a White Coat, 1855-1857. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-man-in-a-white-coat-1855-1857-image571915093.htmlRM2T6CYF1–Old Man in a White Coat, 1855-1857.
Abstract Flat Nature Plants Growth Graphic Design Background, Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-flat-nature-plants-growth-graphic-design-background-illustration-image386512589.htmlRF2DCR4N1–Abstract Flat Nature Plants Growth Graphic Design Background, Illustration
Conceptual hand writing showing Inflation. Concept meaning increase in the volume of money relative to available goods Modern gadgets white screen und Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/conceptual-hand-writing-showing-inflation-concept-meaning-increase-in-the-volume-of-money-relative-to-available-goods-modern-gadgets-white-screen-und-image367221208.htmlRF2C9CAB4–Conceptual hand writing showing Inflation. Concept meaning increase in the volume of money relative to available goods Modern gadgets white screen und
avatar man smilin Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-avatar-man-smilin-122510636.htmlRFH38RFT–avatar man smilin
Carlos Saenz de Tejada (1897 - 1958) - Viva la Republica A study of the revolutionary struggles during the Civil War (1936 - 39) by the famous Spanish painter. Multi-coloured drawing on cardboard, embossed with maker's name 'Carl Schleicher & Sohn', water colours and white heightening. The hand-drawn picture shows citizens of Madrid in the street 'Puerta del Sol' celebrating their victory. Also depicted: a woman with a 'barretina', a traditional headgear, flags in red, yellow, and purple or with the inscription 'Viva la Republica'. Signed 'C. S. , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlos-saenz-de-tejada-1897-1958-viva-la-republica-a-study-of-the-revolutionary-struggles-during-the-civil-war-1936-39-by-the-famous-spanish-painter-multi-coloured-drawing-on-cardboard-embossed-with-makers-name-carl-schleicher-sohn-water-colours-and-white-heightening-the-hand-drawn-picture-shows-citizens-of-madrid-in-the-street-puerta-del-sol-celebrating-their-victory-also-depicted-a-woman-with-a-barretina-a-traditional-headgear-flags-in-red-yellow-and-purple-or-with-the-inscription-viva-la-republica-signed-c-s-additional-rights-clearance-info-not-available-image245917644.htmlRMT82ED0–Carlos Saenz de Tejada (1897 - 1958) - Viva la Republica A study of the revolutionary struggles during the Civil War (1936 - 39) by the famous Spanish painter. Multi-coloured drawing on cardboard, embossed with maker's name 'Carl Schleicher & Sohn', water colours and white heightening. The hand-drawn picture shows citizens of Madrid in the street 'Puerta del Sol' celebrating their victory. Also depicted: a woman with a 'barretina', a traditional headgear, flags in red, yellow, and purple or with the inscription 'Viva la Republica'. Signed 'C. S. , Additional-Rights-Clearance-Info-Not-Available
Landscape with Houses on a Wide Bluff, Black chald and white heightening on brown paper, Germany, Europe, ca. 1840-1860, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-houses-on-a-wide-bluff-black-chald-and-white-heightening-on-brown-paper-germany-europe-ca-1840-1860-drawing-image391121954.htmlRM2DM9416–Landscape with Houses on a Wide Bluff, Black chald and white heightening on brown paper, Germany, Europe, ca. 1840-1860, Drawing
Art inspired by Statue of Flora from Farnese, 18th century, Black chalk with white heightening on blue paper., sheet: 11 x 5 1/2 in. (27.9 x 14 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-statue-of-flora-from-farnese-18th-century-black-chalk-with-white-heightening-on-blue-paper-sheet-11-x-5-12-in-279-x-14-cm-drawings-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961202.htmlRF2HW5KMJ–Art inspired by Statue of Flora from Farnese, 18th century, Black chalk with white heightening on blue paper., sheet: 11 x 5 1/2 in. (27.9 x 14 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Campagna di Roma (Roman Countryside). Dated: 1851. Medium: graphite with white heightening on brown paper. Museum: National Gallery of Art, Washington DC. Author: Julius Jacob the Elder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/campagna-di-roma-roman-countryside-dated-1851-medium-graphite-with-white-heightening-on-brown-paper-museum-national-gallery-of-art-washington-dc-author-julius-jacob-the-elder-image225658833.htmlRMR33J41–Campagna di Roma (Roman Countryside). Dated: 1851. Medium: graphite with white heightening on brown paper. Museum: National Gallery of Art, Washington DC. Author: Julius Jacob the Elder.
Aaron Draper Shattuck 'Tariffville, Connecticut, Farmington River', ink with white heightening, 1867 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aaron-draper-shattuck-tariffville-connecticut-farmington-river-ink-137332711.htmlRMHYC17K–Aaron Draper Shattuck 'Tariffville, Connecticut, Farmington River', ink with white heightening, 1867
. English: Seated Virgin and Child, chiaroscuro drawing. Pen and ink and brush, grey wash, white heightening, on grey prepared paper, 19.6 × 14.5cm, Museum der bildenden Künste, Leipzig. . 1519. 1107 Seated Virgin and Child, by Hans Holbein the Younger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-seated-virgin-and-child-chiaroscuro-drawing-pen-and-ink-and-brush-grey-wash-white-heightening-on-grey-prepared-paper-196-145cm-museum-der-bildenden-knste-leipzig-1519-1107-seated-virgin-and-child-by-hans-holbein-the-younger-image185587533.htmlRMMNX6P5–. English: Seated Virgin and Child, chiaroscuro drawing. Pen and ink and brush, grey wash, white heightening, on grey prepared paper, 19.6 × 14.5cm, Museum der bildenden Künste, Leipzig. . 1519. 1107 Seated Virgin and Child, by Hans Holbein the Younger
Aaron Draper Shattuck - 'Tariffville, Connecticut, Farmington River', ink with white heightening, 1867. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aaron-draper-shattuck-tariffville-connecticut-farmington-river-ink-with-white-heightening-1867-image213736583.htmlRMPBMF5B–Aaron Draper Shattuck - 'Tariffville, Connecticut, Farmington River', ink with white heightening, 1867.
Alexandre Bida (French, 1823 - 1895 ), Middle Eastern Woman Leaning on a Rail, black chalk with white heightening on blue wove Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-alexandre-bida-french-1823-1895-middle-eastern-woman-leaning-on-a-50440515.htmlRFCX1NAY–Alexandre Bida (French, 1823 - 1895 ), Middle Eastern Woman Leaning on a Rail, black chalk with white heightening on blue wove
Design for a Book Illustration MET DP804096 381807 Artist: Anonymous, German, 19th century, Illustrator: Illustrated by Paul Gillard, French, born 1846, Design for a Book Illustration, 19th century, Pen and black ink, brush and gray wash, white heightening, sheet: 3 3/8 x 2 3/16 in. (8.6 x 5.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund,, 1952 (52.567.8) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-book-illustration-met-dp804096-381807-artist-anonymous-168219771.htmlRMKNK20Y–Design for a Book Illustration MET DP804096 381807 Artist: Anonymous, German, 19th century, Illustrator: Illustrated by Paul Gillard, French, born 1846, Design for a Book Illustration, 19th century, Pen and black ink, brush and gray wash, white heightening, sheet: 3 3/8 x 2 3/16 in. (8.6 x 5.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund,, 1952 (52.567.8)
Frederick Christian Lewis. Countess of Wilton. 1799–1856. England. Charcoal, with graphite and white heightening, on cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frederick-christian-lewis-countess-of-wilton-17991856-england-charcoal-with-graphite-and-white-heightening-on-cream-wove-paper-image337997054.htmlRM2AHW2KA–Frederick Christian Lewis. Countess of Wilton. 1799–1856. England. Charcoal, with graphite and white heightening, on cream wove paper
John Frederick Kensett, Lake George, 1855, pencil with white heightening on tan wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-frederick-kensett-lake-george-1855-pencil-with-white-heightening-on-tan-wove-paper-image537520943.htmlRM2P6E5CF–John Frederick Kensett, Lake George, 1855, pencil with white heightening on tan wove paper.
Drawing, Three Brooches; Italy; pen and ink, white heightening on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-three-brooches-italy-pen-and-ink-white-heightening-on-paper-image546073858.htmlRM2PMBPNP–Drawing, Three Brooches; Italy; pen and ink, white heightening on paper
Girl Playing Mandolin 1884 by Anders Zorn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-playing-mandolin-1884-by-anders-zorn-image574131850.htmlRM2TA1Y0X–Girl Playing Mandolin 1884 by Anders Zorn
A Seated Shepherdess, 1800s. One of the most influential landscape painters of the 1830s, Dupré was among the leaders of the Barbizon school, a group of artists who painted the landscape and rural subjects in and around the Forest of Fontainebleau, about 40 miles southeast of Paris. He frequently made drawings in black chalk heightened with white chalk or pastel on tan or brown paper, as seen here. Dupré’s special interest in atmospheric conditions is apparent in the luminosity of the sky and the reflected light on the surrounding landscape. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-seated-shepherdess-1800s-one-of-the-most-influential-landscape-painters-of-the-1830s-duprxe9-was-among-the-leaders-of-the-barbizon-school-a-group-of-artists-who-painted-the-landscape-and-rural-subjects-in-and-around-the-forest-of-fontainebleau-about-40-miles-southeast-of-paris-he-frequently-made-drawings-in-black-chalk-heightened-with-white-chalk-or-pastel-on-tan-or-brown-paper-as-seen-here-duprxe9x2019s-special-interest-in-atmospheric-conditions-is-apparent-in-the-luminosity-of-the-sky-and-the-reflected-light-on-the-surrounding-landscape-image330070978.htmlRM2A500W6–A Seated Shepherdess, 1800s. One of the most influential landscape painters of the 1830s, Dupré was among the leaders of the Barbizon school, a group of artists who painted the landscape and rural subjects in and around the Forest of Fontainebleau, about 40 miles southeast of Paris. He frequently made drawings in black chalk heightened with white chalk or pastel on tan or brown paper, as seen here. Dupré’s special interest in atmospheric conditions is apparent in the luminosity of the sky and the reflected light on the surrounding landscape.
Abstract Flat Nature Plants Growth Graphic Design Background, Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-flat-nature-plants-growth-graphic-design-background-illustration-image386512582.htmlRF2DCR4MP–Abstract Flat Nature Plants Growth Graphic Design Background, Illustration
plant in a pot Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-plant-in-a-pot-122510423.htmlRFH38R87–plant in a pot
Design for an Ornament, Black chalk, white heightening on paper, Asymmetrical ornament with an entablature, scrolls and a shell., Italy, 18th century, ornament, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-ornament-black-chalk-white-heightening-on-paper-asymmetrical-ornament-with-an-entablature-scrolls-and-a-shell-italy-18th-century-ornament-drawing-image391344033.htmlRM2DMK78H–Design for an Ornament, Black chalk, white heightening on paper, Asymmetrical ornament with an entablature, scrolls and a shell., Italy, 18th century, ornament, Drawing
Art inspired by Deathbed Scene, 17th century, Brush and brown ink, brown wash, white heightening on brown prepared paper., 9 1/4 x 6 11/16 in. (23.5 x 17 cm), Drawings, Anonymous, Flemish, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-deathbed-scene-17th-century-brush-and-brown-ink-brown-wash-white-heightening-on-brown-prepared-paper-9-14-x-6-1116-in-235-x-17-cm-drawings-anonymous-flemish-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800340.htmlRF2HTXAFG–Art inspired by Deathbed Scene, 17th century, Brush and brown ink, brown wash, white heightening on brown prepared paper., 9 1/4 x 6 11/16 in. (23.5 x 17 cm), Drawings, Anonymous, Flemish, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Road at left, with fields on both sides. Windmill in distance, to the right of the road. Date: ca. 1895. Black crayon and white heightening on blue-grey paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/road-at-left-with-fields-on-both-sides-windmill-in-distance-to-the-right-of-the-road-date-ca-1895-black-crayon-and-white-heightening-on-blue-grey-paper-museum-cooper-hewitt-smithsonian-design-museum-image554739357.htmlRM2R6EFKW–Road at left, with fields on both sides. Windmill in distance, to the right of the road. Date: ca. 1895. Black crayon and white heightening on blue-grey paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Johann Herman Carmiencke - 'View of the Shawangunke Mountains', graphite with white heightening on paper, 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johann-herman-carmiencke-view-of-the-shawangunke-mountains-graphite-132851988.htmlRMHM3X1T–Johann Herman Carmiencke - 'View of the Shawangunke Mountains', graphite with white heightening on paper, 1865
Paul Gavarni (French, 1804-1866). 'Indecision,' 1859-1865. watercolor with graphite underdrawing and white heightening on cream, thick, slightly textured wove paper. Walters Art Museum (37.1494): Acquired by William T. Walters, 1862. 37.1494 966 Paul Gavarni - Indecision - Walters 371494 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-french-1804-1866-indecision-1859-1865-watercolor-with-graphite-underdrawing-and-white-heightening-on-cream-thick-slightly-textured-wove-paper-walters-art-museum-371494-acquired-by-william-t-walters-1862-371494-966-paul-gavarni-indecision-walters-371494-image185540329.htmlRMMNT2G9–Paul Gavarni (French, 1804-1866). 'Indecision,' 1859-1865. watercolor with graphite underdrawing and white heightening on cream, thick, slightly textured wove paper. Walters Art Museum (37.1494): Acquired by William T. Walters, 1862. 37.1494 966 Paul Gavarni - Indecision - Walters 371494
William Stanley Haseltine - 'West Island', graphite with white heightening on blue paper, 1863. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-stanley-haseltine-west-island-graphite-with-white-heightening-on-blue-paper-1863-image589259496.htmlRM2W6K2E0–William Stanley Haseltine - 'West Island', graphite with white heightening on blue paper, 1863.
Apollo and Daphne; Jan Boeckhorst (German, about 1604 - 1668); about 1640; Black chalk, pen and brown ink, watercolor, and white gouache heightening; 22.1 x 23.2 cm (8 11/16 x 9 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-and-daphne-jan-boeckhorst-german-about-1604-1668-about-1640-black-chalk-pen-and-brown-ink-watercolor-and-white-gouache-heightening-221-x-232-cm-8-1116-x-9-18-in-image333547697.htmlRF2AAJBDN–Apollo and Daphne; Jan Boeckhorst (German, about 1604 - 1668); about 1640; Black chalk, pen and brown ink, watercolor, and white gouache heightening; 22.1 x 23.2 cm (8 11/16 x 9 1/8 in.)
Design for a Book Illustration MET DP804096 381807 Artist: Anonymous, German, 19th century, Illustrator: Illustrated by Paul Gillard, French, born 1846, Design for a Book Illustration, 19th century, Pen and black ink, brush and gray wash, white heightening, sheet: 3 3/8 x 2 3/16 in. (8.6 x 5.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund,, 1952 (52.567.8) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-book-illustration-met-dp804096-381807-artist-anonymous-168358546.htmlRMKNWB16–Design for a Book Illustration MET DP804096 381807 Artist: Anonymous, German, 19th century, Illustrator: Illustrated by Paul Gillard, French, born 1846, Design for a Book Illustration, 19th century, Pen and black ink, brush and gray wash, white heightening, sheet: 3 3/8 x 2 3/16 in. (8.6 x 5.5 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund,, 1952 (52.567.8)
Félicien Rops. First Step. 1883. Belgium. Heliogravure, with drypoint, white heightening and hand-coloring, on ivory wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flicien-rops-first-step-1883-belgium-heliogravure-with-drypoint-white-heightening-and-hand-coloring-on-ivory-wove-paper-image337976458.htmlRM2AHT4BP–Félicien Rops. First Step. 1883. Belgium. Heliogravure, with drypoint, white heightening and hand-coloring, on ivory wove paper
Charles Angrand, The Seamstresses, c. 1891, black conté crayon with white heightening on light gray paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-angrand-the-seamstresses-c-1891-black-cont-crayon-with-white-heightening-on-light-gray-paper-image537637498.htmlRM2P6KE36–Charles Angrand, The Seamstresses, c. 1891, black conté crayon with white heightening on light gray paper.
Drawing, Study: Hands; Italy; charcoal and white heightening on blue paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-hands-italy-charcoal-and-white-heightening-on-blue-paper-image546100894.htmlRM2PMD17A–Drawing, Study: Hands; Italy; charcoal and white heightening on blue paper
Studies of Young Women in Profile 1490s by Ambrogio De Predis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-of-young-women-in-profile-1490s-by-ambrogio-de-predis-image574011876.htmlRM2T9TE04–Studies of Young Women in Profile 1490s by Ambrogio De Predis
Tree Study, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tree-study-19th-century-image330131822.htmlRM2A52PE6–Tree Study, 19th century.
Abstract Flat Nature Plants Growth Graphic Design Background, Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-flat-nature-plants-growth-graphic-design-background-illustration-image386512580.htmlRF2DCR4MM–Abstract Flat Nature Plants Growth Graphic Design Background, Illustration
Dêbut de la manoeuvre de la Marne, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and black ink and brown and white heightening Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dbut-de-la-manoeuvre-de-la-marne-1914-auguste-louis-lepre-french-1849-1918-brush-and-black-ink-and-brown-and-white-heightening-image240485387.htmlRMRY71FR–Dêbut de la manoeuvre de la Marne, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and black ink and brown and white heightening
Art inspired by Illustration for Civic Celebration (?), 19th century, Graphite, brush and gray wash with white heightening., 5 9/16 x 9 5/8 in. (14.1 x 24.4 cm), Drawings, Anonymous, German, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-illustration-for-civic-celebration-19th-century-graphite-brush-and-gray-wash-with-white-heightening-5-916-x-9-58-in-141-x-244-cm-drawings-anonymous-german-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947953.htmlRF2HW52RD–Art inspired by Illustration for Civic Celebration (?), 19th century, Graphite, brush and gray wash with white heightening., 5 9/16 x 9 5/8 in. (14.1 x 24.4 cm), Drawings, Anonymous, German, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Man mowing the lawn in front of a Victorian house. Trees at right, and driveway in front. Date: 1881. Graphite and white heightening on brown paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-mowing-the-lawn-in-front-of-a-victorian-house-trees-at-right-and-driveway-in-front-date-1881-graphite-and-white-heightening-on-brown-paper-museum-cooper-hewitt-smithsonian-design-museum-image554746502.htmlRM2R6ETR2–Man mowing the lawn in front of a Victorian house. Trees at right, and driveway in front. Date: 1881. Graphite and white heightening on brown paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Paul Gavarni (French, 1804-1866). 'The Barmaid,' 1847-1851. watercolor, crayon, and graphite with white heightening and gum heightening on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1442): Acquired by William T. Walters, 1865. 37.1442 966 Paul Gavarni - The Barmaid - Walters 371442 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-french-1804-1866-the-barmaid-1847-1851-watercolor-crayon-and-graphite-with-white-heightening-and-gum-heightening-on-cream-moderately-thick-slightly-textured-wove-paper-walters-art-museum-371442-acquired-by-william-t-walters-1865-371442-966-paul-gavarni-the-barmaid-walters-371442-image185540376.htmlRMMNT2J0–Paul Gavarni (French, 1804-1866). 'The Barmaid,' 1847-1851. watercolor, crayon, and graphite with white heightening and gum heightening on cream, moderately thick, slightly textured wove paper. Walters Art Museum (37.1442): Acquired by William T. Walters, 1865. 37.1442 966 Paul Gavarni - The Barmaid - Walters 371442
Merlin; Falco aesalon; Falco columbarius Linnaeus by Joseph Wolf (1820-1899), Pencil and watercolor heightened with bodycolor, white heightening and gum arabic. c. 1862-73, Arader Galleries, New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/merlin-falco-aesalon-falco-columbarius-linnaeus-by-joseph-wolf-1820-1899-pencil-and-watercolor-heightened-with-bodycolor-white-heightening-and-gum-arabic-c-1862-73-arader-galleries-new-york-city-image589134857.htmlRM2W6DBEH–Merlin; Falco aesalon; Falco columbarius Linnaeus by Joseph Wolf (1820-1899), Pencil and watercolor heightened with bodycolor, white heightening and gum arabic. c. 1862-73, Arader Galleries, New York City.
Bartolomeo Biscaino (Italian, 1632 - 1657 ), Christ Appearing to the Three Marys Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bartolomeo-biscaino-italian-1632-1657-christ-appearing-to-the-three-50866298.htmlRFCXN4DE–Bartolomeo Biscaino (Italian, 1632 - 1657 ), Christ Appearing to the Three Marys
A Man Resting on a Staff MET DP800156 380569 Artist: Paolo Farinati, Italian, Verona 1524?1606 Verona, A Man Resting on a Staff, n.d., Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk, sheet: 15 5/16 x 6 5/8 in. (38.9 x 16.8 cm). The Metropolitan Museum of Art, New York. Joseph F. McCrindle Collection, Bequest of Joseph F. McCrindle, 2008 (2009.31.6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-man-resting-on-a-staff-met-dp800156-380569-artist-paolo-farinati-168354024.htmlRMKNW57M–A Man Resting on a Staff MET DP800156 380569 Artist: Paolo Farinati, Italian, Verona 1524?1606 Verona, A Man Resting on a Staff, n.d., Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk, sheet: 15 5/16 x 6 5/8 in. (38.9 x 16.8 cm). The Metropolitan Museum of Art, New York. Joseph F. McCrindle Collection, Bequest of Joseph F. McCrindle, 2008 (2009.31.6)
Lodovico Carracci. The Adoration of the Shepherds. 1611–1612. Bologna. Pen and brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lodovico-carracci-the-adoration-of-the-shepherds-16111612-bologna-pen-and-brown-ink-with-white-heightening-on-ivory-laid-paper-prepared-with-rust-brown-wash-partially-incised-for-transfer-image337945073.htmlRM2AHPMAW–Lodovico Carracci. The Adoration of the Shepherds. 1611–1612. Bologna. Pen and brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer
Eugène Charles François Guérard, Two Women, 1831–1866, watercolor with touches of white heightening, over pencil on paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eugne-charles-franois-gurard-two-women-18311866-watercolor-with-touches-of-white-heightening-over-pencil-on-paper-image537444150.htmlRM2P6AKDX–Eugène Charles François Guérard, Two Women, 1831–1866, watercolor with touches of white heightening, over pencil on paper.
Drawing, A Grotesque Beast; Italy; red chalk, white heightening on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-a-grotesque-beast-italy-red-chalk-white-heightening-on-paper-image546168994.htmlRM2PMG43E–Drawing, A Grotesque Beast; Italy; red chalk, white heightening on paper
Reading the News at the Weavers' Cottage 1673 by Adriaen van Ostade Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reading-the-news-at-the-weavers-cottage-1673-by-adriaen-van-ostade-image561531378.htmlRM2RHFY02–Reading the News at the Weavers' Cottage 1673 by Adriaen van Ostade
![Sarah Bernhardt Reclining on a Divan, Reading, c. 1885-1890. Perhaps the most famous actress in the history of the theater, Sarah Bernhardt (1844-1923) was one of the most magnetic personalities of her time and was known by her adoring fans as "the Divine Sarah." Jules Clairin was the favored portraitist of the actress, and depicted her in various roles in more than 100 paintings. In this intimate drawing, the international idol is depicted off stage, probably in her exotically decorated Parisian atelier that overflowed with lush palms, patterned carpets, fringed throws, and Asian bi Stock Photo](https://c8.alamy.com/comp/2A52393/sarah-bernhardt-reclining-on-a-divan-reading-c-1885-1890-perhaps-the-most-famous-actress-in-the-history-of-the-theater-sarah-bernhardt-1844-1923-was-one-of-the-most-magnetic-personalities-of-her-time-and-was-known-by-her-adoring-fans-as-quotthe-divine-sarahquot-jules-clairin-was-the-favored-portraitist-of-the-actress-and-depicted-her-in-various-roles-in-more-than-100-paintings-in-this-intimate-drawing-the-international-idol-is-depicted-off-stage-probably-in-her-exotically-decorated-parisian-atelier-that-overflowed-with-lush-palms-patterned-carpets-fringed-throws-and-asian-bi-2A52393.jpg "Sarah Bernhardt Reclining on a Divan, Reading, c. 1885-1890. Perhaps the most famous actress in the history of the theater, Sarah Bernhardt (1844-1923) was one of the most magnetic personalities of her time and was known by her adoring fans as "the Divine Sarah." Jules Clairin was the favored portraitist of the actress, and depicted her in various roles in more than 100 paintings. In this intimate drawing, the international idol is depicted off stage, probably in her exotically decorated Parisian atelier that overflowed with lush palms, patterned carpets, fringed throws, and Asian bi Stock Photo")
Sarah Bernhardt Reclining on a Divan, Reading, c. 1885-1890. Perhaps the most famous actress in the history of the theater, Sarah Bernhardt (1844-1923) was one of the most magnetic personalities of her time and was known by her adoring fans as "the Divine Sarah." Jules Clairin was the favored portraitist of the actress, and depicted her in various roles in more than 100 paintings. In this intimate drawing, the international idol is depicted off stage, probably in her exotically decorated Parisian atelier that overflowed with lush palms, patterned carpets, fringed throws, and Asian bi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sarah-bernhardt-reclining-on-a-divan-reading-c-1885-1890-perhaps-the-most-famous-actress-in-the-history-of-the-theater-sarah-bernhardt-1844-1923-was-one-of-the-most-magnetic-personalities-of-her-time-and-was-known-by-her-adoring-fans-as-quotthe-divine-sarahquot-jules-clairin-was-the-favored-portraitist-of-the-actress-and-depicted-her-in-various-roles-in-more-than-100-paintings-in-this-intimate-drawing-the-international-idol-is-depicted-off-stage-probably-in-her-exotically-decorated-parisian-atelier-that-overflowed-with-lush-palms-patterned-carpets-fringed-throws-and-asian-bi-image330116783.htmlRM2A52393–Sarah Bernhardt Reclining on a Divan, Reading, c. 1885-1890. Perhaps the most famous actress in the history of the theater, Sarah Bernhardt (1844-1923) was one of the most magnetic personalities of her time and was known by her adoring fans as "the Divine Sarah." Jules Clairin was the favored portraitist of the actress, and depicted her in various roles in more than 100 paintings. In this intimate drawing, the international idol is depicted off stage, probably in her exotically decorated Parisian atelier that overflowed with lush palms, patterned carpets, fringed throws, and Asian bi
Abstract Flat Nature Plants Growth Graphic Design Background, Ve Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abstract-flat-nature-plants-growth-graphic-design-background-ve-126987514.htmlRFHAGNTA–Abstract Flat Nature Plants Growth Graphic Design Background, Ve
Three Brooches, Pen and ink, white heightening on paper, Each consisting of an escutchwon with a hanging pear-shaped pearl., Italy, 1825–50, jewelry, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-brooches-pen-and-ink-white-heightening-on-paper-each-consisting-of-an-escutchwon-with-a-hanging-pear-shaped-pearl-italy-182550-jewelry-drawing-image391108961.htmlRM2DM8FD5–Three Brooches, Pen and ink, white heightening on paper, Each consisting of an escutchwon with a hanging pear-shaped pearl., Italy, 1825–50, jewelry, Drawing
Art inspired by Forets et Montagnes, 1830–64, Graphite with white heightening., 14 13/16 x 11 5/16 in. (37.7 x 28.7 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-forets-et-montagnes-183064-graphite-with-white-heightening-14-1316-x-11-516-in-377-x-287-cm-drawings-alexandre-calame-swiss-vevey-18101864-menton-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800239.htmlRF2HTXABY–Art inspired by Forets et Montagnes, 1830–64, Graphite with white heightening., 14 13/16 x 11 5/16 in. (37.7 x 28.7 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The design is a variation of that of 1931-72-2, turned in the opposite direction. The handle has below two bearded masks. Date: 1850-1875. Graphite, brush and white heightening on brown paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-design-is-a-variation-of-that-of-1931-72-2-turned-in-the-opposite-direction-the-handle-has-below-two-bearded-masks-date-1850-1875-graphite-brush-and-white-heightening-on-brown-paper-museum-cooper-hewitt-smithsonian-design-museum-image554751313.htmlRM2R6F2XW–The design is a variation of that of 1931-72-2, turned in the opposite direction. The handle has below two bearded masks. Date: 1850-1875. Graphite, brush and white heightening on brown paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Jean Baptiste Edouard Detaille (French, 1848-1912). 'Ready to March,' 1874. watercolor with graphite underdrawing and white heightening on beige, moderately thick, heavily textured wove paper. Walters Art Museum (37.954): Acquired by William T. Walters. 48 Jean Baptiste Edouard Detaille - Ready to March - Walters 37954 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-edouard-detaille-french-1848-1912-ready-to-march-1874-watercolor-with-graphite-underdrawing-and-white-heightening-on-beige-moderately-thick-heavily-textured-wove-paper-walters-art-museum-37954-acquired-by-william-t-walters-48-jean-baptiste-edouard-detaille-ready-to-march-walters-37954-image214045596.htmlRMPC6H9G–Jean Baptiste Edouard Detaille (French, 1848-1912). 'Ready to March,' 1874. watercolor with graphite underdrawing and white heightening on beige, moderately thick, heavily textured wove paper. Walters Art Museum (37.954): Acquired by William T. Walters. 48 Jean Baptiste Edouard Detaille - Ready to March - Walters 37954
Jacob de Wit (Dutch, 1695 - 1754 ), The Four Fathers of the Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jacob-de-wit-dutch-1695-1754-the-four-fathers-of-the-church-50440256.htmlRFCX1N1M–Jacob de Wit (Dutch, 1695 - 1754 ), The Four Fathers of the Church
A Man Resting on a Staff MET DP800156 380569 Artist: Paolo Farinati, Italian, Verona 1524?1606 Verona, A Man Resting on a Staff, n.d., Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk, sheet: 15 5/16 x 6 5/8 in. (38.9 x 16.8 cm). The Metropolitan Museum of Art, New York. Joseph F. McCrindle Collection, Bequest of Joseph F. McCrindle, 2008 (2009.31.6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-man-resting-on-a-staff-met-dp800156-380569-artist-paolo-farinati-168497025.htmlRMKP3KJW–A Man Resting on a Staff MET DP800156 380569 Artist: Paolo Farinati, Italian, Verona 1524?1606 Verona, A Man Resting on a Staff, n.d., Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk, sheet: 15 5/16 x 6 5/8 in. (38.9 x 16.8 cm). The Metropolitan Museum of Art, New York. Joseph F. McCrindle Collection, Bequest of Joseph F. McCrindle, 2008 (2009.31.6)
Jean Louis André Théodore Géricault. Two Horses Walked by a Jockey. 1822. France. Lithograph in black with white heightening by hand on buff wove paper laid down on cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-louis-andr-thodore-gricault-two-horses-walked-by-a-jockey-1822-france-lithograph-in-black-with-white-heightening-by-hand-on-buff-wove-paper-laid-down-on-cream-wove-paper-image337998326.htmlRM2AHW48P–Jean Louis André Théodore Géricault. Two Horses Walked by a Jockey. 1822. France. Lithograph in black with white heightening by hand on buff wove paper laid down on cream wove paper
Claude Lorrain, An Offering to Ceres, 1663, Pen and brown ink, gray and brown wash, with white heightening and pen and brown ink framing lines. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-lorrain-an-offering-to-ceres-1663-pen-and-brown-ink-gray-and-brown-wash-with-white-heightening-and-pen-and-brown-ink-framing-lines-image537609214.htmlRM2P6J612–Claude Lorrain, An Offering to Ceres, 1663, Pen and brown ink, gray and brown wash, with white heightening and pen and brown ink framing lines.
Drawing, Study: A pair of hands; Italy; charcoal and white heightening on blue paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-a-pair-of-hands-italy-charcoal-and-white-heightening-on-blue-paper-image546081000.htmlRM2PMC3TT–Drawing, Study: A pair of hands; Italy; charcoal and white heightening on blue paper
Bust of a Man Wearing a Rolled-Up Cowl Hood c. 1485 by Lorenzo Di Credi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-a-man-wearing-a-rolled-up-cowl-hood-c-1485-by-lorenzo-di-credi-image573915596.htmlRM2T9M35G–Bust of a Man Wearing a Rolled-Up Cowl Hood c. 1485 by Lorenzo Di Credi
Windmills in a Landscape. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/windmills-in-a-landscape-image330135217.htmlRM2A52XRD–Windmills in a Landscape.
Abstract Flat Nature Plants Growth Graphic Design Background, Ve Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abstract-flat-nature-plants-growth-graphic-design-background-ve-126987519.htmlRFHAGNTF–Abstract Flat Nature Plants Growth Graphic Design Background, Ve
Sketches for Paintings, Pen and ink, brush and watercolor, white heightening on paper, At top, an expulsion. Below, a battle scene with an Amazon., Italy, ca. 1800, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketches-for-paintings-pen-and-ink-brush-and-watercolor-white-heightening-on-paper-at-top-an-expulsion-below-a-battle-scene-with-an-amazon-italy-ca-1800-figures-drawing-image391689252.htmlRM2DN6YHT–Sketches for Paintings, Pen and ink, brush and watercolor, white heightening on paper, At top, an expulsion. Below, a battle scene with an Amazon., Italy, ca. 1800, figures, Drawing
Art inspired by Knight on Horseback, ca. 1520, Pen and black ink and grey washes with white heightening, 8 3/8 x 7 3/16 in. (21.3 x 18.3 cm), Drawings, Anonymous, German, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-knight-on-horseback-ca-1520-pen-and-black-ink-and-grey-washes-with-white-heightening-8-38-x-7-316-in-213-x-183-cm-drawings-anonymous-german-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957543.htmlRF2HW5F1Y–Art inspired by Knight on Horseback, ca. 1520, Pen and black ink and grey washes with white heightening, 8 3/8 x 7 3/16 in. (21.3 x 18.3 cm), Drawings, Anonymous, German, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Letter above, flanked by intertwining rinceau. Greeks are seen assailing a fortress. Date: ca. 1830. Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letter-above-flanked-by-intertwining-rinceau-greeks-are-seen-assailing-a-fortress-date-ca-1830-graphite-pen-and-bistre-ink-brush-and-ink-wash-with-white-heightening-on-cream-paper-museum-cooper-hewitt-smithsonian-design-museum-image554751889.htmlRM2R6F3KD–Letter above, flanked by intertwining rinceau. Greeks are seen assailing a fortress. Date: ca. 1830. Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Paul Gavarni (French, 1804-1866). 'A Bon Vinaigre,' 1859. watercolor with graphite underdrawing and white heightening on cream, thick, slightly textured wove paper. Walters Art Museum (37.1462): Acquired by William T. Walters, 1884. 37.1462 966 Paul Gavarni - A Bon Vinaigre - Walters 371462 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-french-1804-1866-a-bon-vinaigre-1859-watercolor-with-graphite-underdrawing-and-white-heightening-on-cream-thick-slightly-textured-wove-paper-walters-art-museum-371462-acquired-by-william-t-walters-1884-371462-966-paul-gavarni-a-bon-vinaigre-walters-371462-image185540330.htmlRMMNT2GA–Paul Gavarni (French, 1804-1866). 'A Bon Vinaigre,' 1859. watercolor with graphite underdrawing and white heightening on cream, thick, slightly textured wove paper. Walters Art Museum (37.1462): Acquired by William T. Walters, 1884. 37.1462 966 Paul Gavarni - A Bon Vinaigre - Walters 371462
Robert Caney (British, 1847 - 1911 ), Fantastic Mountainous Landscape with a Starry Sky Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-caney-british-1847-1911-fantastic-mountainous-landscape-with-50440550.htmlRFCX1NC6–Robert Caney (British, 1847 - 1911 ), Fantastic Mountainous Landscape with a Starry Sky
Denis Auguste Marie Raffet. Expedition to Rome, 1849 Your reception is neither polite nor politic, from Souvenirs d’Italie Expédition de Rome. 1851. France. Lithograph in black with white heightening over a fawn tint on buff wove chine laid down on ivory wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denis-auguste-marie-raffet-expedition-to-rome-1849-your-reception-is-neither-polite-nor-politic-from-souvenirs-ditalie-expdition-de-rome-1851-france-lithograph-in-black-with-white-heightening-over-a-fawn-tint-on-buff-wove-chine-laid-down-on-ivory-wove-paper-image337937372.htmlRM2AHPAFT–Denis Auguste Marie Raffet. Expedition to Rome, 1849 Your reception is neither polite nor politic, from Souvenirs d’Italie Expédition de Rome. 1851. France. Lithograph in black with white heightening over a fawn tint on buff wove chine laid down on ivory wove paper
Standing Madonna with Nursing Child. Germany, circa 1485-1500. Drawings. Pen brown ink, graphite, and white heightening on prepared brown paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-madonna-with-nursing-child-germany-circa-1485-1500-drawings-pen-brown-ink-graphite-and-white-heightening-on-prepared-brown-paper-image464784893.htmlRM2J04NTD–Standing Madonna with Nursing Child. Germany, circa 1485-1500. Drawings. Pen brown ink, graphite, and white heightening on prepared brown paper
Search Results for White heightening Stock Photos and Images (2,100)
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