Venvs hi-res stock photography and images

Venus, 1528, copperplate engraving, 2nd condition, sheet: 16.2 x 11.4 cm, inscribed in writing: VENVS LA TRESBELLE DEESSE, DAMOVRS, dated and monogrammed in the M.: 1528, L, Lucas van Leyden, Leiden 1494 (?) –1533 Leiden Stock Photo

RM2A2P1D5–Venus, 1528, copperplate engraving, 2nd condition, sheet: 16.2 x 11.4 cm, inscribed in writing: VENVS LA TRESBELLE DEESSE, DAMOVRS, dated and monogrammed in the M.: 1528, L, Lucas van Leyden, Leiden 1494 (?) –1533 Leiden

. 'Venus Anadyomène, ( 41 x 23 cm ) marble at the Vicgtoria and Albert Museum, London. Inscribed on base; NVDA VENVS MADDIDAS EXPRIMIT IMBRE COMAS. between 1480 and 1516. Antonio Lombardo (1458 - 1516) 5 1516 Antonio Lombardo - Venus Anadyomene Stock Photo

RMMW77NR–. 'Venus Anadyomène, ( 41 x 23 cm ) marble at the Vicgtoria and Albert Museum, London. Inscribed on base; NVDA VENVS MADDIDAS EXPRIMIT IMBRE COMAS. between 1480 and 1516. Antonio Lombardo (1458 - 1516) 5 1516 Antonio Lombardo - Venus Anadyomene

Orichalcum sestertius of Alexander Severus. Culture: Roman. Dimensions: 17.5g (17.5g). Date: A.D. 222-235. IVLIA MAMAEA AVGVSTA, draped bust of Iulia Mammaea (the emperor's mother) / VENVS FELIX S C, Venus seated, holding statuette and sceptre Rome. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANYBK–Orichalcum sestertius of Alexander Severus. Culture: Roman. Dimensions: 17.5g (17.5g). Date: A.D. 222-235. IVLIA MAMAEA AVGVSTA, draped bust of Iulia Mammaea (the emperor's mother) / VENVS FELIX S C, Venus seated, holding statuette and sceptre Rome. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Gold aureus of Septimius Severus, Mid Imperial, Severan, A.D. 193–196, Roman, Gold, 7.3g (7.3g), Coins, IVLIA DOMNA AVG, bust of Julia Domna, wife of Septimius Severus/VENVS GENETRIX, Venus seated on throne with Cupid at her feet Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWK9K–Art inspired by Gold aureus of Septimius Severus, Mid Imperial, Severan, A.D. 193–196, Roman, Gold, 7.3g (7.3g), Coins, IVLIA DOMNA AVG, bust of Julia Domna, wife of Septimius Severus/VENVS GENETRIX, Venus seated on throne with Cupid at her feet Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Kruik (schnelle) met Jupiter, Venus en Mars Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet en op de wand draairingen. Op de voorzijde van de kruik in reliëf driemaal een rechthoekig, gedrukt en opgelegd vak met in de middelste Venus met het opschrift 'VENVS', geflankeerd door Jupiter (IVPEDER) en Mars (MARS). In de voorstellingen van Venus en Jupiter de datum '1567'. Bevestigd aan het oor een tinnen montuur met deksel. In de deksel een onleesbaar merk. Siegburg. Manufacturer : modelmaker: Anno Knütgen (toegesc Stock Photo

RM2B70REH–Kruik (schnelle) met Jupiter, Venus en Mars Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet en op de wand draairingen. Op de voorzijde van de kruik in reliëf driemaal een rechthoekig, gedrukt en opgelegd vak met in de middelste Venus met het opschrift 'VENVS', geflankeerd door Jupiter (IVPEDER) en Mars (MARS). In de voorstellingen van Venus en Jupiter de datum '1567'. Bevestigd aan het oor een tinnen montuur met deksel. In de deksel een onleesbaar merk. Siegburg. Manufacturer : modelmaker: Anno Knütgen (toegesc

Orichalcum sestertius of Alexander Severus A.D. 222–235 Roman IVLIA MAMAEA AVGVSTA, draped bust of Iulia Mammaea (the emperor's mother) / VENVS FELIX S C, Venus seated, holding statuette and sceptreRome. Orichalcum sestertius of Alexander Severus. Roman. A.D. 222–235. Bronze. Late Imperial, Severan. Coins Stock Photo

RM2HGTXBD–Orichalcum sestertius of Alexander Severus A.D. 222–235 Roman IVLIA MAMAEA AVGVSTA, draped bust of Iulia Mammaea (the emperor's mother) / VENVS FELIX S C, Venus seated, holding statuette and sceptreRome. Orichalcum sestertius of Alexander Severus. Roman. A.D. 222–235. Bronze. Late Imperial, Severan. Coins

Kruik (schnelle) met Venus, Sol en Mercurius Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet. Op het lichaam in reliëf driemaal een gedrukt en opgelegd, langwerpig vak met daarin personificaties van Venus, 'VENVS', Sol, 'SOL' en Mercurius, 'MERCVRIVS 1591'. Aan de onderzijde van elk vak een wapen en het merk 'H.H.'. Bovenaan de vakken een mensfiguur omringd door bladranken. Aan het oor is een tinnen montuur met deksel bevestigd; aan de binnenzijde gemerkt in een schild met 'I.S.' boven een kroon. Siegburg. Manu Stock Photo

RM2B70RDY–Kruik (schnelle) met Venus, Sol en Mercurius Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet. Op het lichaam in reliëf driemaal een gedrukt en opgelegd, langwerpig vak met daarin personificaties van Venus, 'VENVS', Sol, 'SOL' en Mercurius, 'MERCVRIVS 1591'. Aan de onderzijde van elk vak een wapen en het merk 'H.H.'. Bovenaan de vakken een mensfiguur omringd door bladranken. Aan het oor is een tinnen montuur met deksel bevestigd; aan de binnenzijde gemerkt in een schild met 'I.S.' boven een kroon. Siegburg. Manu

RF2B933B7–Venus, 1528, copperplate engraving, 2nd condition, sheet: 16.2 x 11.4 cm, inscribed in writing: VENVS LA TRESBELLE DEESSE, DAMOVRS, dated and monogrammed in the M.: 1528, L, Lucas van Leyden, Leiden 1494 (?) –1533 Leiden, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

The story of the sun, moon, and stars . enus travel roundthe sun—as do all the planets—in the same direction.But as Venuss pathway is shorter than ours, and asher speed is greater, she is much the quickest abouther yearly journey, and she overtakes us again andagain at different points of our orbit in turn. At one timeshe comes be-tween us andthe sun. Thatis her nearestposition to us,and she is thenonly abouttwenty-five mill- PHASES OF VENVS. iotlS of DlileS dis- tant. A beautiful sight she would be, but unfortu-nately her bright side is entirely turned away, andonly her dark side is turned to Stock Photo

RM2AWJXRA–The story of the sun, moon, and stars . enus travel roundthe sun—as do all the planets—in the same direction.But as Venuss pathway is shorter than ours, and asher speed is greater, she is much the quickest abouther yearly journey, and she overtakes us again andagain at different points of our orbit in turn. At one timeshe comes be-tween us andthe sun. Thatis her nearestposition to us,and she is thenonly abouttwenty-five mill- PHASES OF VENVS. iotlS of DlileS dis- tant. A beautiful sight she would be, but unfortu-nately her bright side is entirely turned away, andonly her dark side is turned to

Venus, after 1603, etching on paper, foliage: approx. 24.1 x 24.3 cm, O. M. inscribed: VENVS, u, ., l, ., signed: M de Vos figli, below the image text box, Marten de Vos, (Kopie nach / copy after), Inventor, Antwerpen 1532–1603 Antwerpen, Johannes Sadeler I, (Kopie nach / copy after), Stecher, Brüssel 1550–1600 Venedig Stock Photo

RM2A2P0BK–Venus, after 1603, etching on paper, foliage: approx. 24.1 x 24.3 cm, O. M. inscribed: VENVS, u, ., l, ., signed: M de Vos figli, below the image text box, Marten de Vos, (Kopie nach / copy after), Inventor, Antwerpen 1532–1603 Antwerpen, Johannes Sadeler I, (Kopie nach / copy after), Stecher, Brüssel 1550–1600 Venedig

RMMX30YX–. 'Venus Anadyomène, ( 41 x 23 cm ) marble at the Vicgtoria and Albert Museum, London. Inscribed on base; NVDA VENVS MADDIDAS EXPRIMIT IMBRE COMAS. between 1480 and 1516. Antonio Lombardo (1458 - 1516) 5 1516 Antonio Lombardo - Venus Anadyomene

Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus'. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 3 13/16 × 15/16 in. (9.7 × 2.4 cm). Date: 1580-1600. Panel with a knife handle design with the inscription SINE CERERE ET BACCHO FRIGET VENVS (Without Ceres and Bacchus, Venus Would Freeze) around a scene depicting a female and male figure walking left. Below, an oval with a female figure surrounded by children. On a blackwork background with grotesques. From a series of twelve plates. Museum: Metropolitan Museum of Art, Ne Stock Photo

RMRFCAMK–Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus'. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 3 13/16 × 15/16 in. (9.7 × 2.4 cm). Date: 1580-1600. Panel with a knife handle design with the inscription SINE CERERE ET BACCHO FRIGET VENVS (Without Ceres and Bacchus, Venus Would Freeze) around a scene depicting a female and male figure walking left. Below, an oval with a female figure surrounded by children. On a blackwork background with grotesques. From a series of twelve plates. Museum: Metropolitan Museum of Art, Ne

Gold aureus of Septimius Severus A.D. 193–196 Roman IVLIA DOMNA AVG, bust of Julia Domna, wife of Septimius Severus/VENVS GENETRIX, Venus seated on throne with Cupid at her feetRome. Gold aureus of Septimius Severus. Roman. A.D. 193–196. Gold. Mid Imperial, Severan. Coins Stock Photo

RM2HH086F–Gold aureus of Septimius Severus A.D. 193–196 Roman IVLIA DOMNA AVG, bust of Julia Domna, wife of Septimius Severus/VENVS GENETRIX, Venus seated on throne with Cupid at her feetRome. Gold aureus of Septimius Severus. Roman. A.D. 193–196. Gold. Mid Imperial, Severan. Coins

Vulcan met Hamers en aambeeld, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Vulcanus as a god of fire with tools from his blacksmith, hammers and anvil. The Latin text under the show refers to his wife, the Golden Venus: Avrea Mi Conivnx Venvs Est Satvrnia Mater. Copy to a print by Jacopo Giovanni Caraglio. Germany paper engraving (story of) Vulcan (Hephaestus) Stock Photo

RM2WE5Y20–Vulcan met Hamers en aambeeld, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Vulcanus as a god of fire with tools from his blacksmith, hammers and anvil. The Latin text under the show refers to his wife, the Golden Venus: Avrea Mi Conivnx Venvs Est Satvrnia Mater. Copy to a print by Jacopo Giovanni Caraglio. Germany paper engraving (story of) Vulcan (Hephaestus)

Portrait of a man, 1524, oil on oak wood, 55.1 x 38.8 cm, inscription on the dagger handle: DRVC LIDEN HI SMACT THE IVNO NET VENVS SCICHT GERAECHT (Violent suffering tastes that the Junos, not Venus' arrow meets ev. Also ..., meets the Iuno with the arrow of Venus), Antwerpener Meister, 16. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B92MAP–Portrait of a man, 1524, oil on oak wood, 55.1 x 38.8 cm, inscription on the dagger handle: DRVC LIDEN HI SMACT THE IVNO NET VENVS SCICHT GERAECHT (Violent suffering tastes that the Junos, not Venus' arrow meets ev. Also ..., meets the Iuno with the arrow of Venus), Antwerpener Meister, 16. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Le romant des chevaliers de la gloire, : contenant plvsievrs ..aduentures des princes ..qui parurent aux courses faictes à la Place royale pour la feste des alliances de France & d'EspagneAvec la description de levrs entrees, equipages, habits, machines, deuises, armes & blasons de leurs maisons. . DESCRIPTION DV PALAIS DE VENVS.Chapitre II. E Palais de Venus eft en Amathonte. Lencrée en eft deffendue aux mortels. Medéequiparla force de fescharmesar- reftcle cours du Soleil & de la Lune, ôccontraint les fleuues à retourner vers leurs fources,fe fit porter par fes Dragons volants en ccft agréab Stock Photo

RM2AWNBB0–Le romant des chevaliers de la gloire, : contenant plvsievrs ..aduentures des princes ..qui parurent aux courses faictes à la Place royale pour la feste des alliances de France & d'EspagneAvec la description de levrs entrees, equipages, habits, machines, deuises, armes & blasons de leurs maisons. . DESCRIPTION DV PALAIS DE VENVS.Chapitre II. E Palais de Venus eft en Amathonte. Lencrée en eft deffendue aux mortels. Medéequiparla force de fescharmesar- reftcle cours du Soleil & de la Lune, ôccontraint les fleuues à retourner vers leurs fources,fe fit porter par fes Dragons volants en ccft agréab

RM2A2NW02–Portrait of a man, 1524, oil on oak wood, 55.1 x 38.8 cm, inscription on the dagger handle: DRVC LIDEN HI SMACT THE IVNO NET VENVS SCICHT GERAECHT (Violent suffering tastes that the Junos, not Venus' arrow meets ev. Also ..., meets the Iuno with the arrow of Venus), Antwerpener Meister, 16. Jh

RMMY90KF–. 'Venus Anadyomène, ( 41 x 23 cm ) marble at the Vicgtoria and Albert Museum, London. Inscribed on base; NVDA VENVS MADDIDAS EXPRIMIT IMBRE COMAS. between 1480 and 1516. Antonio Lombardo (1458 - 1516) 4 1516 Antonio Lombardo - Venus Anadyomene

Ornament for Knife Handle. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Theodor De Bry. Stock Photo

RMR32GMH–Ornament for Knife Handle. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Theodor De Bry.

RM2TDK5AT–Tankard (schnelle) with Jupiter, Venus and Mars, Anno Knütgen (attributed to workshop of), c. 1567 - c. 1580 Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall rings. On the front of the jug in relief three times a rectangular, printed and imposed course with in the middle Venus with the inscription 'Venvs', flanked by Jupiter (IVPeder) and Mars (Mars). In the performances of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable brand in the lid. Siegburg. Siegburg Stone

RF2B930PD–Venus, after 1603, etching on paper, foliage: approx. 24.1 x 24.3 cm, O. M. inscribed: VENVS, u, ., l, ., signed: M de Vos figli, below the image text box, Marten de Vos, (Kopie nach / copy after), Inventor, Antwerpen 1532–1603 Antwerpen, Johannes Sadeler I, (Kopie nach / copy after), Stecher, Brüssel 1550–1600 Venedig (?), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus' 1580–1600 Johann Theodor de Bry Netherlandish Panel with a knife handle design with the inscription SINE CERERE ET BACCHO FRIGET VENVS (Without Ceres and Bacchus, Venus Would Freeze) around a scene depicting a female and male figure walking left. Below, an oval with a female figure surrounded by children. On a blackwork background with grotesques. From a series of twelve plates.. Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus' 425020 Stock Photo

RM2HHXBD8–Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus' 1580–1600 Johann Theodor de Bry Netherlandish Panel with a knife handle design with the inscription SINE CERERE ET BACCHO FRIGET VENVS (Without Ceres and Bacchus, Venus Would Freeze) around a scene depicting a female and male figure walking left. Below, an oval with a female figure surrounded by children. On a blackwork background with grotesques. From a series of twelve plates.. Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus' 425020

Le romant des chevaliers de la gloire . DESCRIPTION DV PALAIS DE VENVS.Chapitre II. E Palais de Venu* cft en Amathonte.Lentrée en eft deffendue aux mortels^Medéecjui par la force de (es charmesar-rcltcle cours du Soleil &: de la Lune, &contramel: lesfleuues à retourner vers leurs fources,£è fit porter par fes Dragons volants en ccfl: agréablefejour, pour cueuillirau jardin delàDeeffe lesher-bes,& les racines rdont elle vouloir rajeunir le pèrede Iafon. Ceft délie de qui je tiens la deferiptionque je vais vous en faire. Le plan de celte fuperbe & magnifique demeureeft de forme quarrée. Il eit c Stock Photo

RM2AM5BF0–Le romant des chevaliers de la gloire . DESCRIPTION DV PALAIS DE VENVS.Chapitre II. E Palais de Venu* cft en Amathonte.Lentrée en eft deffendue aux mortels^Medéecjui par la force de (es charmesar-rcltcle cours du Soleil &: de la Lune, &contramel: lesfleuues à retourner vers leurs fources,£è fit porter par fes Dragons volants en ccfl: agréablefejour, pour cueuillirau jardin delàDeeffe lesher-bes,& les racines rdont elle vouloir rajeunir le pèrede Iafon. Ceft délie de qui je tiens la deferiptionque je vais vous en faire. Le plan de celte fuperbe & magnifique demeureeft de forme quarrée. Il eit c

RM2TDJ18H–Tankard (schnelle) with Venus, Sol and Mercury, anonymous, c. 1591 - c. 1610 Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot. On the body in relief three times a printed and imposed, elongated box containing personifications by Venus, 'Venvs', Sol, 'Sol' and Mercury, 'Mercvrivs 1591'. At the bottom of each box a weapon and the brand 'H.H.'. At the top of the subjects a human figure surrounded by leaf vines. A pewter frame with lid is attached to the ear; marked on the inside in a shield with 'i.s.' Above a crown. Siegburg.

Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands 1580–1600 Johann Theodor de Bry Netherlandish Panel with two knife handle designs, both with scenes with two figures under arches at top. The design at left bears the inscription SINE CERERE ET BACCHO FRIGET VENVS, (Without Ceres and Bacchus, Venus Would Freeze) around a scene depicting a female and male figure walking left. Below, an oval with a female figure surrounded by children. The design at right shows a male and female holding hands over a basin, while a putti pours water over their joined han Stock Photo

RM2HHXBB3–Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands 1580–1600 Johann Theodor de Bry Netherlandish Panel with two knife handle designs, both with scenes with two figures under arches at top. The design at left bears the inscription SINE CERERE ET BACCHO FRIGET VENVS, (Without Ceres and Bacchus, Venus Would Freeze) around a scene depicting a female and male figure walking left. Below, an oval with a female figure surrounded by children. The design at right shows a male and female holding hands over a basin, while a putti pours water over their joined han

Gods discover guilty lovers. unknown c. 1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French Royal coll. (Garde-meuble de la Couronne). Sold at Hôtel Drouot (Paris), 5/23/1887, lot 4 (withdrawn because it didn't meet its reserve, per margin notes in catalog). Asheville, Biltmore House; Vanderbilt coll. Inscriptions: Inscription in L border: VTO[?] CETANDV PATVIT CVILE PRODITVR STVPRV PESONAT CACHINVS TALITER PRENDI TACITE PEREBAT PAIS BONA DIVVM Inscriptions: Inscription in R border: DILIGVNI CASTI THAIAMOS FIDELES NEC VENVS DEFIT SOBO Stock Photo

RM2WTBE4T–Gods discover guilty lovers. unknown c. 1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French Royal coll. (Garde-meuble de la Couronne). Sold at Hôtel Drouot (Paris), 5/23/1887, lot 4 (withdrawn because it didn't meet its reserve, per margin notes in catalog). Asheville, Biltmore House; Vanderbilt coll. Inscriptions: Inscription in L border: VTO[?] CETANDV PATVIT CVILE PRODITVR STVPRV PESONAT CACHINVS TALITER PRENDI TACITE PEREBAT PAIS BONA DIVVM Inscriptions: Inscription in R border: DILIGVNI CASTI THAIAMOS FIDELES NEC VENVS DEFIT SOBO

Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c Stock Photo

RMW56G4H–Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c

RMMMNT6H–. 'Venus Anadyomène, ( 41 x 23 cm ) marble at the Vicgtoria and Albert Museum, London. Inscribed on base; NVDA VENVS MADDIDAS EXPRIMIT IMBRE COMAS. . between 1480 and 1516. Antonio Lombardo (1458 - 1516) 5 1516 Antonio Lombardo - Venus Anadyomene

RF2B9ATKH–Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c. 1

Le vray et methodique cours de la physique resolutiue, vulgairement dite chymie : representé par figures generales & particulieres : pour connoistre la theotechnie ergocosmique, c'est à dire, l'art de Dieu, en l'ouurage de l'vniuers . DES M E T A. V X. FIGVRE III- ARS, OV FER , VENVS,MatkKs; O V CVIVRE. DISSOLUTION,. DISTILL^TIONyo^nticm^Stratification, Calcinatton^ Sublimation >& Lotion. Efprits Acides,Chaux, Fleurs, & Poudres. Produ&ions;. EXPLIGA TION. E Nombre i. <±Au bout droit de laTable y faitne Courge y posée futfin valet yauec fa Chappe^ Recipiant«^fffa^de y erre y dans laquel Stock Photo

RM2AN772E–Le vray et methodique cours de la physique resolutiue, vulgairement dite chymie : representé par figures generales & particulieres : pour connoistre la theotechnie ergocosmique, c'est à dire, l'art de Dieu, en l'ouurage de l'vniuers . DES M E T A. V X. FIGVRE III- ARS, OV FER , VENVS,MatkKs; O V CVIVRE. DISSOLUTION,. DISTILL^TIONyo^nticm^Stratification, Calcinatton^ Sublimation >& Lotion. Efprits Acides,Chaux, Fleurs, & Poudres. Produ&ions;. EXPLIGA TION. E Nombre i. <±Au bout droit de laTable y faitne Courge y posée futfin valet yauec fa Chappe^ Recipiant«^fffa^de y erre y dans laquel

scene. unknown c. 1560-1580 Tapestry Dimensions: H 10'2' x W 11' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard, left Inscriptions: Inscription in upper boarder cartouche: ESAV SVCCVMBIT REMAN.. Inscriptions: Inscriptions in borders, identifying figures (clockwise, top right): IVNO, DIANA, FLORA, VENVS, PALLAS In landscape, 2 figures kneeling before Jacob (?); soldiers stand behind; siege on city in background (BRD) segmented border with allegorical figures standing beneath arches; garlands Stock Photo

RM2WTFWGH–scene. unknown c. 1560-1580 Tapestry Dimensions: H 10'2' x W 11' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard, left Inscriptions: Inscription in upper boarder cartouche: ESAV SVCCVMBIT REMAN.. Inscriptions: Inscriptions in borders, identifying figures (clockwise, top right): IVNO, DIANA, FLORA, VENVS, PALLAS In landscape, 2 figures kneeling before Jacob (?); soldiers stand behind; siege on city in background (BRD) segmented border with allegorical figures standing beneath arches; garlands

RMW55RDN–Tankard (schnelle) with Venus, Sol and Mercury, Jug (schnelle) of stoneware with a cylindrical, tapered body and C-shaped ear. Profiles below the edge and above the foot. On the body in relief three times a printed and imposed elongated box containing personifications of Venus, 'VENVS', Sol, 'SOL' and Mercury, 'MERCVRIVS 1591'. At the bottom of each box a weapon and the brand 'H.H.'. At the top of the boxes is a human figure surrounded by leaf vines. A pewter frame with lid is attached to the ear, marked on the inside in a shield with 'I.S.' above a crown. Siegburg., anonymous, Siegburg, c

Vulcan, Mythological Gods and Goddesses, 1526, print, copperplate engraving, sheet: 21.8 × 11.4 cm, base inscription 'AVREA. WED. CONIVNX. VENVS. EST. SATVRNIA. MATER', inverted N, l.u. '19 Stock Photo

RM2T8KTY8–Vulcan, Mythological Gods and Goddesses, 1526, print, copperplate engraving, sheet: 21.8 × 11.4 cm, base inscription 'AVREA. WED. CONIVNX. VENVS. EST. SATVRNIA. MATER', inverted N, l.u. '19

RF2B9A9R0–Tankard (schnelle) with Venus, Sol and Mercury, Jug (schnelle) of stoneware with a cylindrical, tapered body and C-shaped ear. Profiles below the edge and above the foot. On the body in relief three times a printed and imposed elongated box containing personifications of Venus, 'VENVS', Sol, 'SOL' and Mercury, 'MERCVRIVS 1591'. At the bottom of each box a weapon and the brand 'H.H.'. At the top of the boxes is a human figure surrounded by leaf vines. A pewter frame with lid is attached to the ear, marked on the inside in a shield with 'I.S.' above a crown. Siegburg., anonymous, Siegburg, c. 15

Art inspired by Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands, 1580–1600, Engraving and blackwork, Sheet: 5 1/4 × 4 in. (13.4 × 10.2 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with two knife, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8C0R–Art inspired by Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands, 1580–1600, Engraving and blackwork, Sheet: 5 1/4 × 4 in. (13.4 × 10.2 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with two knife, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Mikrokósmos = Paruus mundus. Mores hommum mendacluyy^f.ne ho ndve: 0- confidjio illornmcum i^fisfmemtermtpone. Eccajlxfi,2 oj. DVlcemelosrcfonantcithara?,curifquere!t61:is>acnficant genio^dy que deasque fimul^neadum genitrix numeros bene faltac in aptos, Exaltatamanus floreacertaeerit.Totacohorsdmumchoreasvno ordinelaudant; L^tiCi.* que leues euge triumphe canunt: Nefcioqnidiolusvoluitreprehendere Momus: Sandaiium Venerisclamitatefreloquax. Sli^E CERERE ET BACCIIO FRIGET VENVS. J/. ;::r--....„.....i,lf5BD»»P! -^ SApcns cer ^ intelligihile Ahflt^-ehit feapeccAtls (^ in oteriht^siujliUAfuc Stock Photo

RM2CEJHYX–. Mikrokósmos = Paruus mundus. Mores hommum mendacluyy^f.ne ho ndve: 0- confidjio illornmcum i^fisfmemtermtpone. Eccajlxfi,2 oj. DVlcemelosrcfonantcithara?,curifquere!t61:is>acnficant genio^dy que deasque fimul^neadum genitrix numeros bene faltac in aptos, Exaltatamanus floreacertaeerit.Totacohorsdmumchoreasvno ordinelaudant; L^tiCi.* que leues euge triumphe canunt: Nefcioqnidiolusvoluitreprehendere Momus: Sandaiium Venerisclamitatefreloquax. Sli^E CERERE ET BACCIIO FRIGET VENVS. J/. ;::r--....„.....i,lf5BD»»P! -^ SApcns cer ^ intelligihile Ahflt^-ehit feapeccAtls (^ in oteriht^siujliUAfuc

Meleager and Atalanta hunting. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] c. 1610 Tapestry Dimensions: H 11'7' x W 15'6' Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Inscriptions: City mark on lower guard, left [not visible in photograph]; weaver mark on right guard, bottom [not visible in photograph] Inscriptions: Woven signature in lower inner guard, center: FRANCISCVS SPIRINGIVUS Inscriptions: Below pairs of figures in border corners: (L) MARS ET VENVS, (R) HERCVR[IV]S ET HERSE Meleager & Atalanta hunting (L foreground); Atalanta aims arrow at w Stock Photo

RM2WT2ATC–Meleager and Atalanta hunting. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] c. 1610 Tapestry Dimensions: H 11'7' x W 15'6' Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Inscriptions: City mark on lower guard, left [not visible in photograph]; weaver mark on right guard, bottom [not visible in photograph] Inscriptions: Woven signature in lower inner guard, center: FRANCISCVS SPIRINGIVUS Inscriptions: Below pairs of figures in border corners: (L) MARS ET VENVS, (R) HERCVR[IV]S ET HERSE Meleager & Atalanta hunting (L foreground); Atalanta aims arrow at w

Vulcan, mythological gods and goddesses, 1526-1624, print, copperplate engraving, sheet: 21.4 × 11 cm, base inscription 'AVREA. WED. CONIVNX. VENVS. EST. SATVRNIA. MATER', inverted N, l.u. '19 Stock Photo

RM2T8KW3E–Vulcan, mythological gods and goddesses, 1526-1624, print, copperplate engraving, sheet: 21.4 × 11 cm, base inscription 'AVREA. WED. CONIVNX. VENVS. EST. SATVRNIA. MATER', inverted N, l.u. '19

Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, Venus and Cupid, origin of the print: 1528, copperplate engraving, sheet size: 16.3 x 11.7 cm plate margin: 16.1 x 11.5 cm, upper left inscribed on writing band 'VENVS LA TRESBELLE DEESSE, DAMOVRS' and below dated and Stock Photo

RM2T8G241–Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, Venus and Cupid, origin of the print: 1528, copperplate engraving, sheet size: 16.3 x 11.7 cm plate margin: 16.1 x 11.5 cm, upper left inscribed on writing band 'VENVS LA TRESBELLE DEESSE, DAMOVRS' and below dated and

. Minerua Britanna, or, A garden of heroical deuises, furnished, and adorned with emblemes and impresa's of sundry natures : newly devised, moralized, and published . Nec XP5 Nee in funtifede moYAntur,. ^T^ HE awfiill Scepter though it can compcll■■ By powerfull might, greatft Monarches to obay: Lone, where he Ufteth, liketh beft to dwell, And take abroade his fortune as he may: Ne might, or gold, can winne him thence away ,Whereto he is through ftrong aife^ion led,Be it a Pailace, or the fimplelfc fhedde • But VENVS Infant 5 dred of all beneath,Imperious feare from my f^A/eete Saint remooue,A Stock Photo

RM2CPFD9E–. Minerua Britanna, or, A garden of heroical deuises, furnished, and adorned with emblemes and impresa's of sundry natures : newly devised, moralized, and published . Nec XP5 Nee in funtifede moYAntur,. ^T^ HE awfiill Scepter though it can compcll■■ By powerfull might, greatft Monarches to obay: Lone, where he Ufteth, liketh beft to dwell, And take abroade his fortune as he may: Ne might, or gold, can winne him thence away ,Whereto he is through ftrong aife^ion led,Be it a Pailace, or the fimplelfc fhedde • But VENVS Infant 5 dred of all beneath,Imperious feare from my f^A/eete Saint remooue,A

Arrival of Aeneas at Dido's court and other scenes. unknown c. 1500-1525 Tapestry Dimensions: H 13'8' x W 16'3' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Morgan Coll. of Tapestries (from Knole Coll.) 8/15/1916; sold to W. H. Smith 1/1/1920 [SS 7031]. French & Co. received from W. Hickle Smith, invoiced 2/20/1932; 'A' returned 11/9/1939 [SS 17528]. Inscriptions: Inscription in central field, identifying figure [on hem of skirt; partially legible in photograph]: VENVS Group of courtiers, young beard Stock Photo

RM2WTGA0T–Arrival of Aeneas at Dido's court and other scenes. unknown c. 1500-1525 Tapestry Dimensions: H 13'8' x W 16'3' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Morgan Coll. of Tapestries (from Knole Coll.) 8/15/1916; sold to W. H. Smith 1/1/1920 [SS 7031]. French & Co. received from W. Hickle Smith, invoiced 2/20/1932; 'A' returned 11/9/1939 [SS 17528]. Inscriptions: Inscription in central field, identifying figure [on hem of skirt; partially legible in photograph]: VENVS Group of courtiers, young beard

Venus with constellations bull and scales; VENVS; Seven planets and constellations .. Stock Photo

RM2F283TM–Venus with constellations bull and scales; VENVS; Seven planets and constellations ..

Venus; VENVS; Gods that sit on the seven planets. Venus in a drapery, in her one hand she holds a burning heart, in the other an arrow. Stock Photo

RM2G3E4MA–Venus; VENVS; Gods that sit on the seven planets. Venus in a drapery, in her one hand she holds a burning heart, in the other an arrow.

Vulcanus with hammers and anvil; Gods and Goddesses. Vulcanus like God from the fire with tools from his mouth, hammers and anvil. The Latin text under the show refers to his wife, the Golden Venus: Avrea mi conivnx venvs est satvrnia mater. Copy to a picture of Jacopo Giovanni Caraglio. Stock Photo

RM2G00G07–Vulcanus with hammers and anvil; Gods and Goddesses. Vulcanus like God from the fire with tools from his mouth, hammers and anvil. The Latin text under the show refers to his wife, the Golden Venus: Avrea mi conivnx venvs est satvrnia mater. Copy to a picture of Jacopo Giovanni Caraglio.

Vulcan as god of fire with tools from his forge, hammers and anvil. The Latin text below the representation refers to his wife, the golden Venus: AVREA MI CONIVNX VENVS EST SATVRNIA MATER. Copy after a print by Jacopo Giovanni Caraglio, Vulcan with hammers and anvil Gods and Goddesses (series title)., print maker: Jacob Binck, Giovanni Jacopo Caraglio, Germany, 1530, paper, engraving, h 212 mm × w 108 mm Stock Photo

RM2JE58WY–Vulcan as god of fire with tools from his forge, hammers and anvil. The Latin text below the representation refers to his wife, the golden Venus: AVREA MI CONIVNX VENVS EST SATVRNIA MATER. Copy after a print by Jacopo Giovanni Caraglio, Vulcan with hammers and anvil Gods and Goddesses (series title)., print maker: Jacob Binck, Giovanni Jacopo Caraglio, Germany, 1530, paper, engraving, h 212 mm × w 108 mm

. Discours de la religion des anciens Romains : de la castrametation & discipline militaire d'iceux. Des bains & antiques exercitations grecques & romaines ... . T^euers. FOECVNDITAS AVGVST^. 173 SEVERINA. TÇeuers. CONCORDA MILITVM. it MACNVRBICA. Tuners. VENVS VICTRIX. Il6 Manille £A«relia Quirina frettalis. 41 Médailley oud s deux cotiez, font ivfculpcesles mains dextrts. x6 Medmllf, au reuers de laquelle f-, voit vn temple. 134 F I N. C E QJf E LE PRVDENT LECTEVRpourra corriger en ce prefenc œuure. Lefteur, tu ne te doibs esbairyfi Vauteur de ceprefent œuure a fouuentesfois<vfc du propre Stock Photo

RM2CH9X2W–. Discours de la religion des anciens Romains : de la castrametation & discipline militaire d'iceux. Des bains & antiques exercitations grecques & romaines ... . T^euers. FOECVNDITAS AVGVST^. 173 SEVERINA. TÇeuers. CONCORDA MILITVM. it MACNVRBICA. Tuners. VENVS VICTRIX. Il6 Manille £A«relia Quirina frettalis. 41 Médailley oud s deux cotiez, font ivfculpcesles mains dextrts. x6 Medmllf, au reuers de laquelle f-, voit vn temple. 134 F I N. C E QJf E LE PRVDENT LECTEVRpourra corriger en ce prefenc œuure. Lefteur, tu ne te doibs esbairyfi Vauteur de ceprefent œuure a fouuentesfois<vfc du propre

Judgment of Paris; QVANTVM FORMA / FVGAX, QVANTVM / VENVS IMPROBA POS (...); Comperimentorum quod vocant plywood genus .... Paris judgment in a frame of rollerwork with female hermen, mascarons, putti and garlands. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken. Stock Photo

RM2FYY8KR–Judgment of Paris; QVANTVM FORMA / FVGAX, QVANTVM / VENVS IMPROBA POS (...); Comperimentorum quod vocant plywood genus .... Paris judgment in a frame of rollerwork with female hermen, mascarons, putti and garlands. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Agostino Carracci (1557 - 1602), artist Hendrick Goltzius (1558 - 1617), after, Sine Cerere et Bacchio Friget Venus Venus and Cupid in a Landscape, print date: 1599, copperplate engraving, sheet size: 21.8 x 14.7 cm, inscribed at bottom 'SINE CERERE ET BACCHO FRIGET VENVS', pen-and-ink drawing in black on verso priest in front of an altar with three altar boys Stock Photo

RM2T8G7MY–Agostino Carracci (1557 - 1602), artist Hendrick Goltzius (1558 - 1617), after, Sine Cerere et Bacchio Friget Venus Venus and Cupid in a Landscape, print date: 1599, copperplate engraving, sheet size: 21.8 x 14.7 cm, inscribed at bottom 'SINE CERERE ET BACCHO FRIGET VENVS', pen-and-ink drawing in black on verso priest in front of an altar with three altar boys

Gold aureus of Septimius Severus, Mid Imperial, Severan, A.D. 193–196, Roman, Gold, 7.3g (7.3g), Coins, IVLIA DOMNA AVG, bust Stock Photo

RMKC5BE1–Gold aureus of Septimius Severus, Mid Imperial, Severan, A.D. 193–196, Roman, Gold, 7.3g (7.3g), Coins, IVLIA DOMNA AVG, bust

Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands, Johann Theodor de Bry, 1580–1600 Stock Photo

RMKCBY84–Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands, Johann Theodor de Bry, 1580–1600

. Amorum emblemata, figuris aeneis incisa . ire, Vel temere quouis te injìnuare, liber.^ullatum Vitare gregem y vitare fenìlem ^racipio frontem ((sr trijìe fupercUtwni]^ec grauium curas interpellare Virorum : jÌujlera ^ah minime tu facis adjludia.jid iuuenes age, carpe Viam lepidajque puellas : Hos decet ingenium nojfe,Cupido ^tuum:Hos artes ajlufque tuos, quibus omnia late Stò^cis feU cetra tocco le molti corde:<^oJi tutrk li grauituoi lauori^er refptrar rimembri i primi ardori. Petro Benedetti, Prohqvanta potentia regni est Venvs alma tvI.. ^lrLcrr repiM tcnet picr^ viviiifis,Svinila niii Stock Photo

RM2CPHPXD–. Amorum emblemata, figuris aeneis incisa . ire, Vel temere quouis te injìnuare, liber.^ullatum Vitare gregem y vitare fenìlem ^racipio frontem ((sr trijìe fupercUtwni]^ec grauium curas interpellare Virorum : jÌujlera ^ah minime tu facis adjludia.jid iuuenes age, carpe Viam lepidajque puellas : Hos decet ingenium nojfe,Cupido ^tuum:Hos artes ajlufque tuos, quibus omnia late Stò^cis feU cetra tocco le molti corde:<^oJi tutrk li grauituoi lauori^er refptrar rimembri i primi ardori. Petro Benedetti, Prohqvanta potentia regni est Venvs alma tvI.. ^lrLcrr repiM tcnet picr^ viviiifis,Svinila niii

RM2FYYE01–Judgment of Paris; QVANTVM FORMA / FVGAX, QVANTVM / VENVS IMPROBA POS (...); Comperimentorum quod vocant plywood genus .... Paris judgment in a frame of rollerwork with female hermen, mascarons, putti and garlands. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

RM2CHKGHY–. Discours de la religion des anciens Romains : de la castrametation & discipline militaire d'iceux. Des bains & antiques exercitations grecques & romaines ... . uec eux. Eccn- LacûMw<cores que les anciens Grecs & Romains le nommâïfent F Urice. tiô DE LA RELIGION Vlteur & Propugnateur,ils le faifoyent toutesfois arméà lantique de toutes pièces, il fe treuue plufieurs autresfurnoms de ce Dieu Grecs & Latins , defquels pour leprefent ic ne feray aucune mention,referuât ce demeu-rant pour le liure fécond de mes Antiquitez de Rome.venvs. Et comme les Grecs & Romains nommèrent Iupi-Penus Vi- ter

Judgment of Paris in role frame; QVANTVM FORMA / FVGAX, QVANTVM / VENVS IMPROBA POS (...); Comperimentorum quod vocant plywood genus .... Paris judgment in a frame of rollerwork with female hermen, mascarons, putti and garlands. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken. Stock Photo

RM2FYYMTJ–Judgment of Paris in role frame; QVANTVM FORMA / FVGAX, QVANTVM / VENVS IMPROBA POS (...); Comperimentorum quod vocant plywood genus .... Paris judgment in a frame of rollerwork with female hermen, mascarons, putti and garlands. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Venus with constellation scales and bull in architectural picture frame; VENVS; Seven planets. The goddess Venus as a Personification of the planet Venus with a large arrow as an attribute and blanching on a ball in her hand is the god of love amor with arrow and bow .. At her feet lie the constellations Libra and bull, her planets children. She is decorated on a pedestal in an architectural picture frame with ornaments. In a medallion a star is shown in the Frisian at the bottom, it is flanked by playing putti. The print is printed with multiple logs. Stock Photo

RM2G14FE8–Venus with constellation scales and bull in architectural picture frame; VENVS; Seven planets. The goddess Venus as a Personification of the planet Venus with a large arrow as an attribute and blanching on a ball in her hand is the god of love amor with arrow and bow .. At her feet lie the constellations Libra and bull, her planets children. She is decorated on a pedestal in an architectural picture frame with ornaments. In a medallion a star is shown in the Frisian at the bottom, it is flanked by playing putti. The print is printed with multiple logs.

. Teatro d'imprese . detto Prvdens simplicitas. Due Colombe, che tirano vn carroconia face mimale iòpra,(ono figura dellamore, purità, e fede, che-»fi dee nel matrimonio ollcruare , onde vi fi leggeua Sit sine la-tamer. be fides. Vnfoldato innamorato per ifculàre quella fua dilòrdina-ta pallìone tolfe per Imprefi vna celata,in cui haueuano fatto il ni-UrcfiLb.3. do le Colombe animali amorofi, e dedicati à Venere col motto A mi-ca. Di Giouanni Ferro. 235 ca Venvs tolto col corpo dal Dittico di Petronio.Militts in galea nidumfecere columbi,Jffaret Marti quAmJtt amica Venus. c 0 l 0 n n *A. O l e Stock Photo

RM2CPCC9K–. Teatro d'imprese . detto Prvdens simplicitas. Due Colombe, che tirano vn carroconia face mimale iòpra,(ono figura dellamore, purità, e fede, che-»fi dee nel matrimonio ollcruare , onde vi fi leggeua Sit sine la-tamer. be fides. Vnfoldato innamorato per ifculàre quella fua dilòrdina-ta pallìone tolfe per Imprefi vna celata,in cui haueuano fatto il ni-UrcfiLb.3. do le Colombe animali amorofi, e dedicati à Venere col motto A mi-ca. Di Giouanni Ferro. 235 ca Venvs tolto col corpo dal Dittico di Petronio.Militts in galea nidumfecere columbi,Jffaret Marti quAmJtt amica Venus. c 0 l 0 n n *A. O l e

. Teatro d'imprese . ttore, e la loda, ma non £ap.ne sa ne il luogo,nela pcriona. Il Bargagli tolfèpervno finto pallore la.,Vipera, la quale nella maggior velocità del fuocorlo, vien raffrenata davii ramulcello di Faggio attrauerfitolc coli dauanti con la icnttura F v-ga ben ratta affrcna. Le V i pere male hio, e f emina congiunte Bir.i.per amore, doue la feniina mangiaua il capo al malchio, era largomen-to Venvs improba: Emblema per nullificare il danno, che proua- Camtr.no coloro, che feguo no le Domi e ini p*i dulie, dalle quali vien loro rofoi!capo,cioèleuatoilceruello,oltre allodinno dell Stock Photo

RM2CP9X3C–. Teatro d'imprese . ttore, e la loda, ma non £ap.ne sa ne il luogo,nela pcriona. Il Bargagli tolfèpervno finto pallore la.,Vipera, la quale nella maggior velocità del fuocorlo, vien raffrenata davii ramulcello di Faggio attrauerfitolc coli dauanti con la icnttura F v-ga ben ratta affrcna. Le V i pere male hio, e f emina congiunte Bir.i.per amore, doue la feniina mangiaua il capo al malchio, era largomen-to Venvs improba: Emblema per nullificare il danno, che proua- Camtr.no coloro, che feguo no le Domi e ini p*i dulie, dalle quali vien loro rofoi!capo,cioèleuatoilceruello,oltre allodinno dell

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