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Velasquez paintings Stock Photos and Images
Catalogue of a collection of paintings and some art objects .. . 8lO PEDRO ORRENTE 308. 8l2 VELASQUEZ (?) 309 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-a-collection-of-paintings-and-some-art-objects-8lo-pedro-orrente-308-8l2-velasquez-309-image343005946.htmlRM2AX17GA–Catalogue of a collection of paintings and some art objects .. . 8lO PEDRO ORRENTE 308. 8l2 VELASQUEZ (?) 309
Catalogue of a collection of paintings and some art objects .. . 8l2 VELASQUEZ (?) 309. SI 3 VELASQUEZ (?) 3IO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-a-collection-of-paintings-and-some-art-objects-8l2-velasquez-309-si-3-velasquez-3io-image343005240.htmlRM2AX16K4–Catalogue of a collection of paintings and some art objects .. . 8l2 VELASQUEZ (?) 309. SI 3 VELASQUEZ (?) 3IO
Catalogue of a collection of paintings and some art objects .. . SI 3 VELASQUEZ (?) 3IO. Si 5 JUAN BATTISTA DEL MAZO 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-a-collection-of-paintings-and-some-art-objects-si-3-velasquez-3io-si-5-juan-battista-del-mazo-3-image343004504.htmlRM2AX15MT–Catalogue of a collection of paintings and some art objects .. . SI 3 VELASQUEZ (?) 3IO. Si 5 JUAN BATTISTA DEL MAZO 3
How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods . on in which gods andgoddesses and allegorical figures mingle with the actualpersonages. Velasquez, on the contrary, while keepingin mind the decorative necessities of the canvas, kepthimself also to the simple and very touching circum-stances of the incident. Even in the enthusiasm ofpainting a great decoration, he preserved his regard fortruth. So it was not because of ignorance of what ot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/how-to-study-pictures-by-means-of-a-series-of-comparisons-of-paintings-and-painters-from-cimabue-to-monet-with-historical-and-biographical-summaries-and-appreciations-of-the-painters-motives-and-methods-on-in-which-gods-andgoddesses-and-allegorical-figures-mingle-with-the-actualpersonages-velasquez-on-the-contrary-while-keepingin-mind-the-decorative-necessities-of-the-canvas-kepthimself-also-to-the-simple-and-very-touching-circum-stances-of-the-incident-even-in-the-enthusiasm-ofpainting-a-great-decoration-he-preserved-his-regard-fortruth-so-it-was-not-because-of-ignorance-of-what-ot-image340054292.htmlRM2AN6PM4–How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods . on in which gods andgoddesses and allegorical figures mingle with the actualpersonages. Velasquez, on the contrary, while keepingin mind the decorative necessities of the canvas, kepthimself also to the simple and very touching circum-stances of the incident. Even in the enthusiasm ofpainting a great decoration, he preserved his regard fortruth. So it was not because of ignorance of what ot
Catalogue of the Ehrich Galleries collection of valuable paintings : by the masters of the classic Italian, Dutch, Flemish, English, Spanish, and French schools . the strength and robustness of his style, in which quali-ties Velasquez alone surpasses him. DIOGENES IN HIS TUB Unusually splendid example. It is a more pleasing subjectthan the martyrs beloved by Ribera, for though Diogenes was acynic who growled at everything, at least he was not contortedby suffering. On the contrary, the painter has shown the contentwhich Diogenes felt or at least expressed at abnegation of allordinary comforts. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-the-ehrich-galleries-collection-of-valuable-paintings-by-the-masters-of-the-classic-italian-dutch-flemish-english-spanish-and-french-schools-the-strength-and-robustness-of-his-style-in-which-quali-ties-velasquez-alone-surpasses-him-diogenes-in-his-tub-unusually-splendid-example-it-is-a-more-pleasing-subjectthan-the-martyrs-beloved-by-ribera-for-though-diogenes-was-acynic-who-growled-at-everything-at-least-he-was-not-contortedby-suffering-on-the-contrary-the-painter-has-shown-the-contentwhich-diogenes-felt-or-at-least-expressed-at-abnegation-of-allordinary-comforts-image340262211.htmlRM2ANG7WR–Catalogue of the Ehrich Galleries collection of valuable paintings : by the masters of the classic Italian, Dutch, Flemish, English, Spanish, and French schools . the strength and robustness of his style, in which quali-ties Velasquez alone surpasses him. DIOGENES IN HIS TUB Unusually splendid example. It is a more pleasing subjectthan the martyrs beloved by Ribera, for though Diogenes was acynic who growled at everything, at least he was not contortedby suffering. On the contrary, the painter has shown the contentwhich Diogenes felt or at least expressed at abnegation of allordinary comforts.
. The Netherland galleries : being a history of the Dutch school of painting, illuminated and demonstrated by critical descriptions of the great paintings in the many galleries. His pastels in theMauritshuis are exceedingly amusing. CHAPTER VI THE LANDSCAPE PAINTERS The first view we have of landscape art pureand simple, the faithful transcription of natural ob-jects, is given us by the Dutch landscape paintersof the 17th century. Even Claude Lorrain, whorescued landscape painting from being made a back-ground accessory, as it had been done from thedays of van Eyck to Velasquez and by all the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherland-galleries-being-a-history-of-the-dutch-school-of-painting-illuminated-and-demonstrated-by-critical-descriptions-of-the-great-paintings-in-the-many-galleries-his-pastels-in-themauritshuis-are-exceedingly-amusing-chapter-vi-the-landscape-painters-the-first-view-we-have-of-landscape-art-pureand-simple-the-faithful-transcription-of-natural-ob-jects-is-given-us-by-the-dutch-landscape-paintersof-the-17th-century-even-claude-lorrain-whorescued-landscape-painting-from-being-made-a-back-ground-accessory-as-it-had-been-done-from-thedays-of-van-eyck-to-velasquez-and-by-all-the-image336876145.htmlRM2AG20XW–. The Netherland galleries : being a history of the Dutch school of painting, illuminated and demonstrated by critical descriptions of the great paintings in the many galleries. His pastels in theMauritshuis are exceedingly amusing. CHAPTER VI THE LANDSCAPE PAINTERS The first view we have of landscape art pureand simple, the faithful transcription of natural ob-jects, is given us by the Dutch landscape paintersof the 17th century. Even Claude Lorrain, whorescued landscape painting from being made a back-ground accessory, as it had been done from thedays of van Eyck to Velasquez and by all the
The Vienna galleries : giving a brief history of the public and private galleries of Vienna ; with a critical description of the paintings therein contained . nity. The successor of Velasquez in court-favour,Carreno de Miranda, is represented by a large com-position (No. 511), a sketch for the Foundingof the Order of Trinitarians, which he paintedlater as an altarpiece in the church of Pamplona.It is broadly handled, and the light-effects are wellindicated. A Christ among the Doctors (No. 512) is ofartistic value, but nothing is known of its reputedauthor Mathias de Torres. It is an unusual pr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-vienna-galleries-giving-a-brief-history-of-the-public-and-private-galleries-of-vienna-with-a-critical-description-of-the-paintings-therein-contained-nity-the-successor-of-velasquez-in-court-favourcarreno-de-miranda-is-represented-by-a-large-com-position-no-511-a-sketch-for-the-foundingof-the-order-of-trinitarians-which-he-paintedlater-as-an-altarpiece-in-the-church-of-pamplonait-is-broadly-handled-and-the-light-effects-are-wellindicated-a-christ-among-the-doctors-no-512-is-ofartistic-value-but-nothing-is-known-of-its-reputedauthor-mathias-de-torres-it-is-an-unusual-pr-image338224954.htmlRM2AJ7DAJ–The Vienna galleries : giving a brief history of the public and private galleries of Vienna ; with a critical description of the paintings therein contained . nity. The successor of Velasquez in court-favour,Carreno de Miranda, is represented by a large com-position (No. 511), a sketch for the Foundingof the Order of Trinitarians, which he paintedlater as an altarpiece in the church of Pamplona.It is broadly handled, and the light-effects are wellindicated. A Christ among the Doctors (No. 512) is ofartistic value, but nothing is known of its reputedauthor Mathias de Torres. It is an unusual pr
The Vienna galleries : giving a brief history of the public and private galleries of Vienna ; with a critical description of the paintings therein contained . thatit is impossible to say who else could havepainted it. This picture is the Laughing Boy (No. 613.Plate IX), one of those strongly characteristic typeswhich the master loved to paint when not occupiedwith his royal commissions. The portraits by Velasquez baffle description andpraise. When we gaze upon these paintings welook into a room, into the reflection of a mirror, intoopen space — and we see a human being, alive,breathing, real. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-vienna-galleries-giving-a-brief-history-of-the-public-and-private-galleries-of-vienna-with-a-critical-description-of-the-paintings-therein-contained-thatit-is-impossible-to-say-who-else-could-havepainted-it-this-picture-is-the-laughing-boy-no-613plate-ix-one-of-those-strongly-characteristic-typeswhich-the-master-loved-to-paint-when-not-occupiedwith-his-royal-commissions-the-portraits-by-velasquez-baffle-description-andpraise-when-we-gaze-upon-these-paintings-welook-into-a-room-into-the-reflection-of-a-mirror-intoopen-space-and-we-see-a-human-being-alivebreathing-real-image338231992.htmlRM2AJ7PA0–The Vienna galleries : giving a brief history of the public and private galleries of Vienna ; with a critical description of the paintings therein contained . thatit is impossible to say who else could havepainted it. This picture is the Laughing Boy (No. 613.Plate IX), one of those strongly characteristic typeswhich the master loved to paint when not occupiedwith his royal commissions. The portraits by Velasquez baffle description andpraise. When we gaze upon these paintings welook into a room, into the reflection of a mirror, intoopen space — and we see a human being, alive,breathing, real.
How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods . DESCENT FROM TPIE CROSS ANTWERP CATHEDRAL RUBENS. LAS MEMXAS (MAIDS OF HOXOK) IKADO ClALLKRV. MADKII) VELASQUEZ RUBENS-VELASQUEZ its surrounding objects. But if you compare that por-trait with Velasquezs picture, you will feel, I think, thatthe attention is scattered over Holbeins picture, whilein the case of Velasquezs the eye immediately takes itin as a whole. The little princess is the c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/how-to-study-pictures-by-means-of-a-series-of-comparisons-of-paintings-and-painters-from-cimabue-to-monet-with-historical-and-biographical-summaries-and-appreciations-of-the-painters-motives-and-methods-descent-from-tpie-cross-antwerp-cathedral-rubens-las-memxas-maids-of-hoxok-ikado-clallkrv-madkii-velasquez-rubens-velasquez-its-surrounding-objects-but-if-you-compare-that-por-trait-with-velasquezs-picture-you-will-feel-i-think-thatthe-attention-is-scattered-over-holbeins-picture-whilein-the-case-of-velasquezs-the-eye-immediately-takes-itin-as-a-whole-the-little-princess-is-the-c-image340053905.htmlRM2AN6P69–How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods . DESCENT FROM TPIE CROSS ANTWERP CATHEDRAL RUBENS. LAS MEMXAS (MAIDS OF HOXOK) IKADO ClALLKRV. MADKII) VELASQUEZ RUBENS-VELASQUEZ its surrounding objects. But if you compare that por-trait with Velasquezs picture, you will feel, I think, thatthe attention is scattered over Holbeins picture, whilein the case of Velasquezs the eye immediately takes itin as a whole. The little princess is the c
Famous painters and paintings . ied at court in 1662. VELASQUEZ. DIEGO RODRIGUEZ DE SILVA VELASQUEZ,one of the most celebrated Spanish painters, wasborn at Seville, in 1599, of a family of Portugueseorigin. His genius early showed itself, and he wassent to be educated in the studio of Francisco Herrerael Viego. He afterwards became the pupil of Fran-cisco Pacheco, who, though accomplished in theory, wasable to teach him but little. He had an attractivedaughter, however, whom Velasquez afterwards mar-ried. His chief education was self-acquired ; he paintedassiduously from life, selecting models Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/famous-painters-and-paintings-ied-at-court-in-1662-velasquez-diego-rodriguez-de-silva-velasquezone-of-the-most-celebrated-spanish-painters-wasborn-at-seville-in-1599-of-a-family-of-portugueseorigin-his-genius-early-showed-itself-and-he-wassent-to-be-educated-in-the-studio-of-francisco-herrerael-viego-he-afterwards-became-the-pupil-of-fran-cisco-pacheco-who-though-accomplished-in-theory-wasable-to-teach-him-but-little-he-had-an-attractivedaughter-however-whom-velasquez-afterwards-mar-ried-his-chief-education-was-self-acquired-he-paintedassiduously-from-life-selecting-models-image339957307.htmlRM2AN2B0B–Famous painters and paintings . ied at court in 1662. VELASQUEZ. DIEGO RODRIGUEZ DE SILVA VELASQUEZ,one of the most celebrated Spanish painters, wasborn at Seville, in 1599, of a family of Portugueseorigin. His genius early showed itself, and he wassent to be educated in the studio of Francisco Herrerael Viego. He afterwards became the pupil of Fran-cisco Pacheco, who, though accomplished in theory, wasable to teach him but little. He had an attractivedaughter, however, whom Velasquez afterwards mar-ried. His chief education was self-acquired ; he paintedassiduously from life, selecting models
Famous painters and paintings . 28.Vecellio, Tiziano, 81.Velasquez, Diego Rodriguez de Silva, 162.Velde, Adrian Van der, 210.Veneziano, Bonifazio, 110.Venusti, Marcello, 111.Verocchio, Andrea, 41.Vernet, Antoine Charles Horace, 278.Vernet, Claude Joseph, 278.Vernet, Emile Jean Horace, 278.Veronese, Paolo, 129.Vincent, 255.Vinci, Leonardo da, 53.Vinci, Pietro da, 53.Vien, 242.Vivarini, 35. Volterra, Dauiele da, 113.Vouet, Simon, 152.Waals, Godfrey, 168.Warren, Henry, 293.Watteau, Antoine, 215.Weenix, Jan Baptist, 201.West, Benjamin, 234.Weyden, Rogier Van der, 23.Weyden, Rogier Van der (the You Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/famous-painters-and-paintings-28vecellio-tiziano-81velasquez-diego-rodriguez-de-silva-162velde-adrian-van-der-210veneziano-bonifazio-110venusti-marcello-111verocchio-andrea-41vernet-antoine-charles-horace-278vernet-claude-joseph-278vernet-emile-jean-horace-278veronese-paolo-129vincent-255vinci-leonardo-da-53vinci-pietro-da-53vien-242vivarini-35-volterra-dauiele-da-113vouet-simon-152waals-godfrey-168warren-henry-293watteau-antoine-215weenix-jan-baptist-201west-benjamin-234weyden-rogier-van-der-23weyden-rogier-van-der-the-you-image339952105.htmlRM2AN24AH–Famous painters and paintings . 28.Vecellio, Tiziano, 81.Velasquez, Diego Rodriguez de Silva, 162.Velde, Adrian Van der, 210.Veneziano, Bonifazio, 110.Venusti, Marcello, 111.Verocchio, Andrea, 41.Vernet, Antoine Charles Horace, 278.Vernet, Claude Joseph, 278.Vernet, Emile Jean Horace, 278.Veronese, Paolo, 129.Vincent, 255.Vinci, Leonardo da, 53.Vinci, Pietro da, 53.Vien, 242.Vivarini, 35. Volterra, Dauiele da, 113.Vouet, Simon, 152.Waals, Godfrey, 168.Warren, Henry, 293.Watteau, Antoine, 215.Weenix, Jan Baptist, 201.West, Benjamin, 234.Weyden, Rogier Van der, 23.Weyden, Rogier Van der (the You
Giovanni Bellini . mbrandt, Paintings (643 pictures) .... III Titian (274 pictures) . IV Diirer (473 pictures) . .V Rubens (551 pictures) . VI Velasquez (172 pictures) VII Michelangelo (169 pictures) VIII Rembrandt, Etchings (402 pictures) .... IX Schwind (1,265 pictures) X Correggio (196 pictures) XI Donatello (277 pictures) XII Uhde(285 pictures) . XIII Van Dyck (537 pictures) XIV Memlinc (197 pictures) .XV Thoma (S74 pictures) . XVI Mantegna (270 pictures)XVII Rethel (280 pictures) $2.00, postage extra, 28 cents 3.50 x-752.503.00 1.751.50 2.00 3.751.752.002.503-751-753.752.002.25 50 28 38 4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-bellini-mbrandt-paintings-643-pictures-iii-titian-274-pictures-iv-diirer-473-pictures-v-rubens-551-pictures-vi-velasquez-172-pictures-vii-michelangelo-169-pictures-viii-rembrandt-etchings-402-pictures-ix-schwind-1265-pictures-x-correggio-196-pictures-xi-donatello-277-pictures-xii-uhde285-pictures-xiii-van-dyck-537-pictures-xiv-memlinc-197-pictures-xv-thoma-s74-pictures-xvi-mantegna-270-picturesxvii-rethel-280-pictures-200-postage-extra-28-cents-350-x-75250300-175150-200-3751752002503-751-75375200225-50-28-38-4-image340013896.htmlRM2AN4Y5C–Giovanni Bellini . mbrandt, Paintings (643 pictures) .... III Titian (274 pictures) . IV Diirer (473 pictures) . .V Rubens (551 pictures) . VI Velasquez (172 pictures) VII Michelangelo (169 pictures) VIII Rembrandt, Etchings (402 pictures) .... IX Schwind (1,265 pictures) X Correggio (196 pictures) XI Donatello (277 pictures) XII Uhde(285 pictures) . XIII Van Dyck (537 pictures) XIV Memlinc (197 pictures) .XV Thoma (S74 pictures) . XVI Mantegna (270 pictures)XVII Rethel (280 pictures) $2.00, postage extra, 28 cents 3.50 x-752.503.00 1.751.50 2.00 3.751.752.002.503-751-753.752.002.25 50 28 38 4
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