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Triglyph frieze Stock Photos and Images
Top row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening with an entablature including a triglyph frieze. Outline of a door opening. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1786-1790. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/top-row-roughly-outlined-sketch-with-measurements-an-arched-door-opening-bottom-row-an-arched-door-opening-with-an-entablature-including-a-triglyph-frieze-outline-of-a-door-opening-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-date-1786-1790-museum-cooper-hewitt-smithsonian-design-museum-image554741534.htmlRM2R6EJDJ–Top row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening with an entablature including a triglyph frieze. Outline of a door opening. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1786-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.
Design for a Mausoleum, Pen and ink, brush and watercolor, graphite on paper, A flight of steps leads to the closed folding door which is flanked by pairs of embedded of Doric columns. A rustic wall and a triglyph frieze. A circular pediment flanked by pedestals with pairs of urns and topped by an escutcheon for two coats of arms., France, 1790, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-mausoleum-pen-and-ink-brush-and-watercolor-graphite-on-paper-a-flight-of-steps-leads-to-the-closed-folding-door-which-is-flanked-by-pairs-of-embedded-of-doric-columns-a-rustic-wall-and-a-triglyph-frieze-a-circular-pediment-flanked-by-pedestals-with-pairs-of-urns-and-topped-by-an-escutcheon-for-two-coats-of-arms-france-1790-drawing-image391314543.htmlRM2DMHWKB–Design for a Mausoleum, Pen and ink, brush and watercolor, graphite on paper, A flight of steps leads to the closed folding door which is flanked by pairs of embedded of Doric columns. A rustic wall and a triglyph frieze. A circular pediment flanked by pedestals with pairs of urns and topped by an escutcheon for two coats of arms., France, 1790, Drawing
The White House Clifton, Yoprk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-white-house-clifton-yoprk-image478944937.htmlRM2JR5R49–The White House Clifton, Yoprk
Four doorframes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening with an entablature including a triglyph frieze. Outline of a door opening., Rome, Italy, 1786–1790, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-doorframes-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-top-row-roughly-outlined-sketch-with-measurements-an-arched-door-opening-bottom-row-an-arched-door-opening-with-an-entablature-including-a-triglyph-frieze-outline-of-a-door-opening-rome-italy-17861790-architecture-drawing-image391160653.htmlRM2DMAWB9–Four doorframes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening with an entablature including a triglyph frieze. Outline of a door opening., Rome, Italy, 1786–1790, architecture, Drawing
Holy Trinity Church Leeds West Yorkshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-trinity-church-leeds-west-yorkshire-image226753754.htmlRMR4WEMA–Holy Trinity Church Leeds West Yorkshire
Elevation of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Flights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph frieze and triangular pediment. Seven windows in the top floor. Right top corner: '11', vertically. Possibly for the Villa Poniatowsky., Rome, Italy, 1792–1794, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-villa-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-flights-of-stairs-flanked-by-windows-of-the-basement-lead-to-the-portico-of-four-columns-with-a-triglyph-frieze-and-triangular-pediment-seven-windows-in-the-top-floor-right-top-corner-11-vertically-possibly-for-the-villa-poniatowsky-rome-italy-17921794-architecture-drawing-image391134336.htmlRM2DM9KRC–Elevation of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Flights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph frieze and triangular pediment. Seven windows in the top floor. Right top corner: '11', vertically. Possibly for the Villa Poniatowsky., Rome, Italy, 1792–1794, architecture, Drawing
Former Customs House in Glasgow, entrance for new hotel complex Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/former-customs-house-in-glasgow-entrance-for-new-hotel-complex-image395968511.htmlRM2E05WTF–Former Customs House in Glasgow, entrance for new hotel complex
Gate of a town, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Low arched door opening, topped by an inscription tablet.. Rustic pilasters support a triglyph frieze and a triangular pediment in which an escutcheon is shown laterally round towers in the height of the bottom of the pedestal. The gateway is topped by a tower. Colored background., Rome, Italy, 1780–1790, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gate-of-a-town-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-low-arched-door-opening-topped-by-an-inscription-tablet-rustic-pilasters-support-a-triglyph-frieze-and-a-triangular-pediment-in-which-an-escutcheon-is-shown-laterally-round-towers-in-the-height-of-the-bottom-of-the-pedestal-the-gateway-is-topped-by-a-tower-colored-background-rome-italy-17801790-architecture-drawing-image391192721.htmlRM2DMCA8H–Gate of a town, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Low arched door opening, topped by an inscription tablet.. Rustic pilasters support a triglyph frieze and a triangular pediment in which an escutcheon is shown laterally round towers in the height of the bottom of the pedestal. The gateway is topped by a tower. Colored background., Rome, Italy, 1780–1790, architecture, Drawing
Four doorframes. Research in ProgressTop row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening with an entablature including a triglyph frieze. Outline of a door opening. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-doorframes-research-in-progresstop-row-roughly-outlined-sketch-with-measurements-an-arched-door-opening-bottom-row-an-arched-door-opening-with-an-entablature-including-a-triglyph-frieze-outline-of-a-door-opening-image359535009.htmlRM2BTX6G1–Four doorframes. Research in ProgressTop row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening with an entablature including a triglyph frieze. Outline of a door opening.
Gate of a barracks, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by captives and topped by an escutcheon among weapons, on top. Trophies flank the opening on pedestals. Railings and guardhouses behind posts and chains, laterally before the wall., Rome, Italy, 1780–1790, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gate-of-a-barracks-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-pylon-shaped-opening-is-out-in-a-projecting-part-of-a-wall-triglyph-frieze-inscription-tablet-flanked-by-captives-and-topped-by-an-escutcheon-among-weapons-on-top-trophies-flank-the-opening-on-pedestals-railings-and-guardhouses-behind-posts-and-chains-laterally-before-the-wall-rome-italy-17801790-architecture-drawing-image391105220.htmlRM2DM8AKG–Gate of a barracks, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by captives and topped by an escutcheon among weapons, on top. Trophies flank the opening on pedestals. Railings and guardhouses behind posts and chains, laterally before the wall., Rome, Italy, 1780–1790, architecture, Drawing
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architect: Iktinos and Callicrates. Sculptor Phidias. Frieze decorated with triglyphs and metopes. Detail, relief depicting a Lapith fighting a centaur. Replica. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architect-iktinos-and-callicrates-sculptor-phidias-frieze-decorated-with-triglyphs-and-metopes-detail-relief-depicting-a-lapith-fighting-a-centaur-replica-image220892794.htmlRMPRAF0A–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architect: Iktinos and Callicrates. Sculptor Phidias. Frieze decorated with triglyphs and metopes. Detail, relief depicting a Lapith fighting a centaur. Replica.
Design for an Elevation and Plan of a Doorway Leading into a Park, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and black ink, brush and gray watercolor on laid paper, Vertical rectangle. At top, the elevation of a doorway. The doorframe is oblong; door opening has shape of semicircle. The entablature with a triglyph frieze projects laterally and is supported by an embedded column and pilaster on each side. The supports are Doric and consist of blocks and points. Above is an attic with a papal escutcheon in front of its central part with view of the park. Plan depicted at bottom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-elevation-and-plan-of-a-doorway-leading-into-a-park-filippo-marchionni-italian-17321805-graphite-pen-and-black-ink-brush-and-gray-watercolor-on-laid-paper-vertical-rectangle-at-top-the-elevation-of-a-doorway-the-doorframe-is-oblong-door-opening-has-shape-of-semicircle-the-entablature-with-a-triglyph-frieze-projects-laterally-and-is-supported-by-an-embedded-column-and-pilaster-on-each-side-the-supports-are-doric-and-consist-of-blocks-and-points-above-is-an-attic-with-a-papal-escutcheon-in-front-of-its-central-part-with-view-of-the-park-plan-depicted-at-bottom-image391501825.htmlRM2DMXCG1–Design for an Elevation and Plan of a Doorway Leading into a Park, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and black ink, brush and gray watercolor on laid paper, Vertical rectangle. At top, the elevation of a doorway. The doorframe is oblong; door opening has shape of semicircle. The entablature with a triglyph frieze projects laterally and is supported by an embedded column and pilaster on each side. The supports are Doric and consist of blocks and points. Above is an attic with a papal escutcheon in front of its central part with view of the park. Plan depicted at bottom
Urn tomb entryway with a metope-triglyph frieze featuring decorative mouldings and triangular pediment, Petra, Jordan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/urn-tomb-entryway-with-a-metope-triglyph-frieze-featuring-decorative-mouldings-and-triangular-pediment-petra-jordan-image432273630.htmlRM2G37NBX–Urn tomb entryway with a metope-triglyph frieze featuring decorative mouldings and triangular pediment, Petra, Jordan
Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The base is a square plinth, with candelabra at the corners. Above it stands on top of some circular steps a circular building, with slightly projecting doorcases, like the ends of cross arms. Above is an entablature with a triglyph frieze. Inside is the motif of the crown sketched. Above the entablature rise circular steps of diminishing diameters. On top is a pedestal with the figure of a standing woman raising something Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funeral-decorations-for-king-louis-xvi-of-france-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-lined-off-white-laid-paper-the-base-is-a-square-plinth-with-candelabra-at-the-corners-above-it-stands-on-top-of-some-circular-steps-a-circular-building-with-slightly-projecting-doorcases-like-the-ends-of-cross-arms-above-is-an-entablature-with-a-triglyph-frieze-inside-is-the-motif-of-the-crown-sketched-above-the-entablature-rise-circular-steps-of-diminishing-diameters-on-top-is-a-pedestal-with-the-figure-of-a-standing-woman-raising-something-image391199957.htmlRM2DMCKF1–Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The base is a square plinth, with candelabra at the corners. Above it stands on top of some circular steps a circular building, with slightly projecting doorcases, like the ends of cross arms. Above is an entablature with a triglyph frieze. Inside is the motif of the crown sketched. Above the entablature rise circular steps of diminishing diameters. On top is a pedestal with the figure of a standing woman raising something
Triglyph frieze with fighting figures, detail from the Temple of Hephaestus, Theseion, Agora, Athens, Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triglyph-frieze-with-fighting-figures-detail-from-the-temple-of-hephaestus-theseion-agora-athens-greece-image609400373.htmlRM2XBCGB1–Triglyph frieze with fighting figures, detail from the Temple of Hephaestus, Theseion, Agora, Athens, Greece
Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, A variation of the design -1058. The colonnade in the ground floor is the Doric order. Second story: A colonnade of Ionic order, with closed arches except for door openings. The pedestals are connected by balustrades. Top story: Corinthian order. Windows of the third and of a mandsard story are in each bay. Entablature with a triglyph frieze. Scale in the first arch of the colonnade. Probably for the Palazzo Braschi Alle Convertite., Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-town-mansion-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-graphite-on-lined-off-white-laid-paper-a-variation-of-the-design-1058-the-colonnade-in-the-ground-floor-is-the-doric-order-second-story-a-colonnade-of-ionic-order-with-closed-arches-except-for-door-openings-the-pedestals-are-connected-by-balustrades-top-story-corinthian-order-windows-of-the-third-and-of-a-mandsard-story-are-in-each-bay-entablature-with-a-triglyph-frieze-scale-in-the-first-arch-of-the-colonnade-probably-for-the-palazzo-braschi-alle-convertite-rome-italy-image391149927.htmlRM2DMABM7–Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, A variation of the design -1058. The colonnade in the ground floor is the Doric order. Second story: A colonnade of Ionic order, with closed arches except for door openings. The pedestals are connected by balustrades. Top story: Corinthian order. Windows of the third and of a mandsard story are in each bay. Entablature with a triglyph frieze. Scale in the first arch of the colonnade. Probably for the Palazzo Braschi Alle Convertite., Rome, Italy
The Palais de Justice Tours Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palais-de-justice-tours-image484689478.htmlRM2K4FEAE–The Palais de Justice Tours
Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The base is similar to 1938-88-1319. The structure is a round tower in freestone work. At the front is a doorcase, with an entablature which is supported by consoles. Above it is an oblong block with a putto crouching upon it, carrying probably a crozier and another stick. Laterally are more projecting and more detailed doorcases, with putti similarly disposed. Above is a band with a triglyph frieze. On top is one of those variations Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funeral-decorations-for-king-louis-xvi-of-france-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-lined-off-white-laid-paper-the-base-is-similar-to-1938-88-1319-the-structure-is-a-round-tower-in-freestone-work-at-the-front-is-a-doorcase-with-an-entablature-which-is-supported-by-consoles-above-it-is-an-oblong-block-with-a-putto-crouching-upon-it-carrying-probably-a-crozier-and-another-stick-laterally-are-more-projecting-and-more-detailed-doorcases-with-putti-similarly-disposed-above-is-a-band-with-a-triglyph-frieze-on-top-is-one-of-those-variations-image391118948.htmlRM2DM905T–Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The base is similar to 1938-88-1319. The structure is a round tower in freestone work. At the front is a doorcase, with an entablature which is supported by consoles. Above it is an oblong block with a putto crouching upon it, carrying probably a crozier and another stick. Laterally are more projecting and more detailed doorcases, with putti similarly disposed. Above is a band with a triglyph frieze. On top is one of those variations
Doric columns and frieze of a classical style building, photographed in black and white Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/doric-columns-and-frieze-of-a-classical-style-building-photographed-in-black-and-white-image352731371.htmlRF2BDT8CY–Doric columns and frieze of a classical style building, photographed in black and white
Flights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph frieze and triangular pediment. Seven windows in the top floor. Right top corner: '11', vertically. Possibly for the Villa Poniatowsky. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1792-1794. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flights-of-stairs-flanked-by-windows-of-the-basement-lead-to-the-portico-of-four-columns-with-a-triglyph-frieze-and-triangular-pediment-seven-windows-in-the-top-floor-right-top-corner-11-vertically-possibly-for-the-villa-poniatowsky-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-date-1792-1794-museum-cooper-hewitt-smithsonian-design-museum-image554746774.htmlRM2R6EW4P–Flights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph frieze and triangular pediment. Seven windows in the top floor. Right top corner: '11', vertically. Possibly for the Villa Poniatowsky. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1792-1794. Museum: Cooper Hewitt, Smithsonian Design Museum.
Gateways to a prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top left: gaines of captives, shown in profile, support the entablature of the oblong opening. Pylons with lion masks project from the lateral wall panels. Straight entablature at right. The right half of a variation of a design, top left. The pylons are shaped differently; triglyph frieze; triangular pediment. Bottom left: an elevation of a similar design as at right. Bottom center: a left beveled top corner of the opening. Colored background., Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gateways-to-a-prison-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-top-left-gaines-of-captives-shown-in-profile-support-the-entablature-of-the-oblong-opening-pylons-with-lion-masks-project-from-the-lateral-wall-panels-straight-entablature-at-right-the-right-half-of-a-variation-of-a-design-top-left-the-pylons-are-shaped-differently-triglyph-frieze-triangular-pediment-bottom-left-an-elevation-of-a-similar-design-as-at-right-bottom-center-a-left-beveled-top-corner-of-the-opening-colored-background-rome-italy-image391193499.htmlRM2DMCB8B–Gateways to a prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top left: gaines of captives, shown in profile, support the entablature of the oblong opening. Pylons with lion masks project from the lateral wall panels. Straight entablature at right. The right half of a variation of a design, top left. The pylons are shaped differently; triglyph frieze; triangular pediment. Bottom left: an elevation of a similar design as at right. Bottom center: a left beveled top corner of the opening. Colored background., Rome, Italy
particular architecture, frame of a neoclassical building with exposed bricks, with pilasters, frieze, pediment, and gutter. facade of historic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/particular-architecture-frame-of-a-neoclassical-building-with-exposed-bricks-with-pilasters-frieze-pediment-and-gutter-facade-of-historic-image597373497.htmlRF2WKTKYN–particular architecture, frame of a neoclassical building with exposed bricks, with pilasters, frieze, pediment, and gutter. facade of historic
Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink (bistre), brush and brown wash on lined off-white laid paper, Main design: a variation of 1938-88-1235. The walls and entablatures of the lateral sections are undecorated. The central door stands in a niche. The attic is divided into five panels. A circular window is in the central one; oblong windows in the lateral ones. In the lower left corner, in small scale: four columns support the entablature with a triglyph frieze and a triangular pediment. A central high and lateral lower doorways are shown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-church-giuseppe-barberi-italian-17461809-pen-and-brown-ink-bistre-brush-and-brown-wash-on-lined-off-white-laid-paper-main-design-a-variation-of-1938-88-1235-the-walls-and-entablatures-of-the-lateral-sections-are-undecorated-the-central-door-stands-in-a-niche-the-attic-is-divided-into-five-panels-a-circular-window-is-in-the-central-one-oblong-windows-in-the-lateral-ones-in-the-lower-left-corner-in-small-scale-four-columns-support-the-entablature-with-a-triglyph-frieze-and-a-triangular-pediment-a-central-high-and-lateral-lower-doorways-are-shown-image391140109.htmlRM2DM9Y5H–Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink (bistre), brush and brown wash on lined off-white laid paper, Main design: a variation of 1938-88-1235. The walls and entablatures of the lateral sections are undecorated. The central door stands in a niche. The attic is divided into five panels. A circular window is in the central one; oblong windows in the lateral ones. In the lower left corner, in small scale: four columns support the entablature with a triglyph frieze and a triangular pediment. A central high and lateral lower doorways are shown
Triglyph is an ornament on a Doric frieze, consisting of three square projections, parallel nicks, supposed to represent the ends of beams, vintage Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triglyph-is-an-ornament-on-a-doric-frieze-consisting-of-three-square-projections-parallel-nicks-supposed-to-represent-the-ends-of-beams-vintage-image348627160.htmlRF2B759E0–Triglyph is an ornament on a Doric frieze, consisting of three square projections, parallel nicks, supposed to represent the ends of beams, vintage
Project for a wallpaper frieze, Pen and ink, brush and gouache, oxydized white on paper, The repeat consists of group of three girls and a boy, dancing, and two boys playing marbles. Trees, plants. At lower margin is frieze transposing the triglyph motif into rail and garland., France, 1780–1800, wallpaper designs, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/project-for-a-wallpaper-frieze-pen-and-ink-brush-and-gouache-oxydized-white-on-paper-the-repeat-consists-of-group-of-three-girls-and-a-boy-dancing-and-two-boys-playing-marbles-trees-plants-at-lower-margin-is-frieze-transposing-the-triglyph-motif-into-rail-and-garland-france-17801800-wallpaper-designs-drawing-image391494214.htmlRM2DMX2T6–Project for a wallpaper frieze, Pen and ink, brush and gouache, oxydized white on paper, The repeat consists of group of three girls and a boy, dancing, and two boys playing marbles. Trees, plants. At lower margin is frieze transposing the triglyph motif into rail and garland., France, 1780–1800, wallpaper designs, Drawing
Detail on Parthenon s frieze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-on-parthenon-s-frieze-image1491047.htmlRMAPC068–Detail on Parthenon s frieze
Design for Wallpaper Frieze, Pen and ink, brush and gouache, oxydized white, black on paper, Repeat consists of group of three girls and boy, dancing, and two boys playing marbles. Trees, plants. Lower margin, frieze transposing triglyph motif into rail and garland., France and USA, 1780–1800, wallpaper designs, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-wallpaper-frieze-pen-and-ink-brush-and-gouache-oxydized-white-black-on-paper-repeat-consists-of-group-of-three-girls-and-boy-dancing-and-two-boys-playing-marbles-trees-plants-lower-margin-frieze-transposing-triglyph-motif-into-rail-and-garland-france-and-usa-17801800-wallpaper-designs-drawing-image391295916.htmlRM2DMH1X4–Design for Wallpaper Frieze, Pen and ink, brush and gouache, oxydized white, black on paper, Repeat consists of group of three girls and boy, dancing, and two boys playing marbles. Trees, plants. Lower margin, frieze transposing triglyph motif into rail and garland., France and USA, 1780–1800, wallpaper designs, Drawing
Gate of a town. Research in ProgressLow arched door opening, topped by an inscription tablet.. Rustic pilasters support a triglyph frieze and a triangular pediment in which an escutcheon is shown laterally round towers in the height of the bottom of the pedestal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gate-of-a-town-research-in-progresslow-arched-door-opening-topped-by-an-inscription-tablet-rustic-pilasters-support-a-triglyph-frieze-and-a-triangular-pediment-in-which-an-escutcheon-is-shown-laterally-round-towers-in-the-height-of-the-bottom-of-the-pedestal-image359535465.htmlRM2BTX749–Gate of a town. Research in ProgressLow arched door opening, topped by an inscription tablet.. Rustic pilasters support a triglyph frieze and a triangular pediment in which an escutcheon is shown laterally round towers in the height of the bottom of the pedestal.
Dado, Block-printed on handmade paper, Repeating motif of a large-scale draped urn, which is set upon a laurel branch on a lambrequin, located within an arched niche. The niche is outlined in pink. A band of bead and real runs along underneath the urns. Doric columns support the triglyph and metope frieze., H# 635, France, 1815–35, Wallcoverings, Dado Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dado-block-printed-on-handmade-paper-repeating-motif-of-a-large-scale-draped-urn-which-is-set-upon-a-laurel-branch-on-a-lambrequin-located-within-an-arched-niche-the-niche-is-outlined-in-pink-a-band-of-bead-and-real-runs-along-underneath-the-urns-doric-columns-support-the-triglyph-and-metope-frieze-h-635-france-181535-wallcoverings-dado-image391732580.htmlRM2DN8XW8–Dado, Block-printed on handmade paper, Repeating motif of a large-scale draped urn, which is set upon a laurel branch on a lambrequin, located within an arched niche. The niche is outlined in pink. A band of bead and real runs along underneath the urns. Doric columns support the triglyph and metope frieze., H# 635, France, 1815–35, Wallcoverings, Dado
Design for an Elevation and Plan of a Doorway Leading into a Park. Vertical rectangle. At top, the elevation of a doorway. The doorframe is oblong; door opening has shape of semicircle. The entablature with a triglyph frieze projects laterally and is supported by an embedded column and pilaster on each side. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-elevation-and-plan-of-a-doorway-leading-into-a-park-vertical-rectangle-at-top-the-elevation-of-a-doorway-the-doorframe-is-oblong-door-opening-has-shape-of-semicircle-the-entablature-with-a-triglyph-frieze-projects-laterally-and-is-supported-by-an-embedded-column-and-pilaster-on-each-side-image353501574.htmlRM2BF3AT6–Design for an Elevation and Plan of a Doorway Leading into a Park. Vertical rectangle. At top, the elevation of a doorway. The doorframe is oblong; door opening has shape of semicircle. The entablature with a triglyph frieze projects laterally and is supported by an embedded column and pilaster on each side.
Greece. Athens. Acropolis. Parthenon. The Doric order. Architectural detail. Entablature: cornice (pediment and raking cornice), frieze (trygliphs and metopes), architrave and capitals (Abacus and echinus). 5th century BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-the-doric-order-architectural-detail-entablature-cornice-pediment-and-raking-cornice-frieze-trygliphs-and-metopes-architrave-and-capitals-abacus-and-echinus-5th-century-bc-image221013814.htmlRMPRG1AE–Greece. Athens. Acropolis. Parthenon. The Doric order. Architectural detail. Entablature: cornice (pediment and raking cornice), frieze (trygliphs and metopes), architrave and capitals (Abacus and echinus). 5th century BC.
Elevation of a villa. Research in ProgressFlights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph frieze and triangular pediment. Seven windows in the top floor. Right top corner: '11', vertically. Possibly for the Villa Poniatowsky. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-villa-research-in-progressflights-of-stairs-flanked-by-windows-of-the-basement-lead-to-the-portico-of-four-columns-with-a-triglyph-frieze-and-triangular-pediment-seven-windows-in-the-top-floor-right-top-corner-11-vertically-possibly-for-the-villa-poniatowsky-image359533959.htmlRM2BTX56F–Elevation of a villa. Research in ProgressFlights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph frieze and triangular pediment. Seven windows in the top floor. Right top corner: '11', vertically. Possibly for the Villa Poniatowsky.
The Yorkshire Museum, York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-yorkshire-museum-york-image263598317.htmlRMW8RX9H–The Yorkshire Museum, York
Gate of a barracks. Research in ProgressPylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by captives and topped by an escutcheon among weapons, on top. Trophies flank the opening on pedestals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gate-of-a-barracks-research-in-progresspylon-shaped-opening-is-out-in-a-projecting-part-of-a-wall-triglyph-frieze-inscription-tablet-flanked-by-captives-and-topped-by-an-escutcheon-among-weapons-on-top-trophies-flank-the-opening-on-pedestals-image359535469.htmlRM2BTX74D–Gate of a barracks. Research in ProgressPylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by captives and topped by an escutcheon among weapons, on top. Trophies flank the opening on pedestals.
Triglyph frieze with remains of a heroic figure, detail from the Temple of Hephaestus, Theseion, Agora, Athens, Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triglyph-frieze-with-remains-of-a-heroic-figure-detail-from-the-temple-of-hephaestus-theseion-agora-athens-greece-image609400363.htmlRM2XBCGAK–Triglyph frieze with remains of a heroic figure, detail from the Temple of Hephaestus, Theseion, Agora, Athens, Greece
Design for a Mausoleum. A flight of steps leads to the closed folding door which is flanked by pairs of embedded of Doric columns. A rustic wall and a triglyph frieze. A circular pediment flanked by pedestals with pairs of urns and topped by an escutcheon for two coats of arms. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-mausoleum-a-flight-of-steps-leads-to-the-closed-folding-door-which-is-flanked-by-pairs-of-embedded-of-doric-columns-a-rustic-wall-and-a-triglyph-frieze-a-circular-pediment-flanked-by-pedestals-with-pairs-of-urns-and-topped-by-an-escutcheon-for-two-coats-of-arms-image353499915.htmlRM2BF38MY–Design for a Mausoleum. A flight of steps leads to the closed folding door which is flanked by pairs of embedded of Doric columns. A rustic wall and a triglyph frieze. A circular pediment flanked by pedestals with pairs of urns and topped by an escutcheon for two coats of arms.
Museum Gardens York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-gardens-york-image185836103.htmlRMMP9FRK–Museum Gardens York
Design for a Sepulchral Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, The base has some steps, with small lateral parts in masonry. The structure has an oblong sockle and a rededing upper round tower-like part. At the front is a doorcase upon whose entablature lean two women - the left one is seen in front, the right in profile - beside an urn with a flame. They stand upon the sockle. Corresponding laterally are women standing beside a similar urn standing upon what seems to be a balustrade. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-sepulchral-monument-of-king-louis-xvi-of-france-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-the-base-has-some-steps-with-small-lateral-parts-in-masonry-the-structure-has-an-oblong-sockle-and-a-rededing-upper-round-tower-like-part-at-the-front-is-a-doorcase-upon-whose-entablature-lean-two-women-the-left-one-is-seen-in-front-the-right-in-profile-beside-an-urn-with-a-flame-they-stand-upon-the-sockle-corresponding-laterally-are-women-standing-beside-a-similar-urn-standing-upon-what-seems-to-be-a-balustrade-image391123339.htmlRM2DM95PK–Design for a Sepulchral Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, The base has some steps, with small lateral parts in masonry. The structure has an oblong sockle and a rededing upper round tower-like part. At the front is a doorcase upon whose entablature lean two women - the left one is seen in front, the right in profile - beside an urn with a flame. They stand upon the sockle. Corresponding laterally are women standing beside a similar urn standing upon what seems to be a balustrade.
Pylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by captives and topped by an escutcheon among weapons, on top. Trophies flank the opening on pedestals. Railings and guardhouses behind posts and chains, laterally before the wall. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pylon-shaped-opening-is-out-in-a-projecting-part-of-a-wall-triglyph-frieze-inscription-tablet-flanked-by-captives-and-topped-by-an-escutcheon-among-weapons-on-top-trophies-flank-the-opening-on-pedestals-railings-and-guardhouses-behind-posts-and-chains-laterally-before-the-wall-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-date-1780-1790-museum-cooper-hewitt-smithsonian-design-museum-image554748406.htmlRM2R6EY72–Pylon-shaped opening is out in a projecting part of a wall. Triglyph frieze. Inscription tablet flanked by captives and topped by an escutcheon among weapons, on top. Trophies flank the opening on pedestals. Railings and guardhouses behind posts and chains, laterally before the wall. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.
Elevation of an altar retable for a project, Incised lines; black chalk, pen, ink, brush, yellow, grayish brown water colors on paper, Intended to be executed in stone, probably in gilt bronze parts. The mensa is outlined. The retable has a dado below with projecting lateral parts. The three main sections show framings of panels. Four fluted Doric pilasters at left support the the entablature. In the central interval is a niche with a standing shell in the concha. In the lateral intervals are what are probably smaller niches, with decorated dados below; with cherubim in panels above them Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-an-altar-retable-for-a-project-incised-lines-black-chalk-pen-ink-brush-yellow-grayish-brown-water-colors-on-paper-intended-to-be-executed-in-stone-probably-in-gilt-bronze-parts-the-mensa-is-outlined-the-retable-has-a-dado-below-with-projecting-lateral-parts-the-three-main-sections-show-framings-of-panels-four-fluted-doric-pilasters-at-left-support-the-the-entablature-in-the-central-interval-is-a-niche-with-a-standing-shell-in-the-concha-in-the-lateral-intervals-are-what-are-probably-smaller-niches-with-decorated-dados-below-with-cherubim-in-panels-above-them-image391571170.htmlRM2DN1H0J–Elevation of an altar retable for a project, Incised lines; black chalk, pen, ink, brush, yellow, grayish brown water colors on paper, Intended to be executed in stone, probably in gilt bronze parts. The mensa is outlined. The retable has a dado below with projecting lateral parts. The three main sections show framings of panels. Four fluted Doric pilasters at left support the the entablature. In the central interval is a niche with a standing shell in the concha. In the lateral intervals are what are probably smaller niches, with decorated dados below; with cherubim in panels above them
particular architecture, frame of a neoclassical building with exposed bricks, with pilasters, frieze, pediment, and gutter. facade of historic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/particular-architecture-frame-of-a-neoclassical-building-with-exposed-bricks-with-pilasters-frieze-pediment-and-gutter-facade-of-historic-image597373558.htmlRF2WKTM1X–particular architecture, frame of a neoclassical building with exposed bricks, with pilasters, frieze, pediment, and gutter. facade of historic
Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Facade of a small church, showing the use of the doric order. Divided into three projecting parts horizontally, into two stories and a pediment, vertically. Laterally are the farthest receding parts with a window in either story; a door and a window are in the stories of the next section respectively; the central section consists of three panels framed by embedded Doric columns; in the central intercolumniations stand statues upon pedestals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-church-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-lined-off-white-laid-paper-facade-of-a-small-church-showing-the-use-of-the-doric-order-divided-into-three-projecting-parts-horizontally-into-two-stories-and-a-pediment-vertically-laterally-are-the-farthest-receding-parts-with-a-window-in-either-story-a-door-and-a-window-are-in-the-stories-of-the-next-section-respectively-the-central-section-consists-of-three-panels-framed-by-embedded-doric-columns-in-the-central-intercolumniations-stand-statues-upon-pedestals-image391111996.htmlRM2DM8K9G–Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Facade of a small church, showing the use of the doric order. Divided into three projecting parts horizontally, into two stories and a pediment, vertically. Laterally are the farthest receding parts with a window in either story; a door and a window are in the stories of the next section respectively; the central section consists of three panels framed by embedded Doric columns; in the central intercolumniations stand statues upon pedestals
Columns and several windows in a row on the facade of the urban historic apartment building front view, Saint Petersburg, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/columns-and-several-windows-in-a-row-on-the-facade-of-the-urban-historic-apartment-building-front-view-saint-petersburg-russia-image468094901.htmlRF2J5FFR1–Columns and several windows in a row on the facade of the urban historic apartment building front view, Saint Petersburg, Russia
Details of Tholos of ancient Greek goddess Athena Pronaia in Delphi, Greece. Relieves of Amazon and Centaur battle on frieze on three Doric columns Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-of-tholos-of-ancient-greek-goddess-athena-pronaia-in-delphi-greece-relieves-of-amazon-and-centaur-battle-on-frieze-on-three-doric-columns-image387111074.htmlRF2DDPC3E–Details of Tholos of ancient Greek goddess Athena Pronaia in Delphi, Greece. Relieves of Amazon and Centaur battle on frieze on three Doric columns
Capital and Entablature Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/capital-and-entablature-image184245112.htmlRMMKN2EG–Capital and Entablature
Tuscan order entablature, column and plinth. See description for more information. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tuscan-order-entablature-column-and-plinth-see-description-for-more-75982731.htmlRMEBH8MY–Tuscan order entablature, column and plinth. See description for more information.
Cyclopedia of architecture, carpentry, and building : a general reference work . pylaea at Athens (Fig. 88), where, in order to get the width neces-sary for such an important entrance way, the two center columns aregiven this wide spacing. The Greeks, as has already been said,placed the triglyph at the very corner of the frieze; and, as the metopeis invariably square, it then becomes impossible for the center of thetriglyph to come over the center of the column in either elevation, as X47 15() STUDY OF THE ORDERS the placing of the latter in relation to and in plane with the face of thefrieze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cyclopedia-of-architecture-carpentry-and-building-a-general-reference-work-pylaea-at-athens-fig-88-where-in-order-to-get-the-width-neces-sary-for-such-an-important-entrance-way-the-two-center-columns-aregiven-this-wide-spacing-the-greeks-as-has-already-been-saidplaced-the-triglyph-at-the-very-corner-of-the-frieze-and-as-the-metopeis-invariably-square-it-then-becomes-impossible-for-the-center-of-thetriglyph-to-come-over-the-center-of-the-column-in-either-elevation-as-x47-15-study-of-the-orders-the-placing-of-the-latter-in-relation-to-and-in-plane-with-the-face-of-thefrieze-image339893565.htmlRM2AMYDKW–Cyclopedia of architecture, carpentry, and building : a general reference work . pylaea at Athens (Fig. 88), where, in order to get the width neces-sary for such an important entrance way, the two center columns aregiven this wide spacing. The Greeks, as has already been said,placed the triglyph at the very corner of the frieze; and, as the metopeis invariably square, it then becomes impossible for the center of thetriglyph to come over the center of the column in either elevation, as X47 15() STUDY OF THE ORDERS the placing of the latter in relation to and in plane with the face of thefrieze
531 Red brick facade with fluted frieze and flower medallions decoration of AD1928 heritage building in The Corso-Manly suburb. Sydney-Australia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/531-red-brick-facade-with-fluted-frieze-and-flower-medallions-decoration-of-ad1928-heritage-building-in-the-corso-manly-suburb-sydney-australia-image538171939.htmlRF2P7FRPB–531 Red brick facade with fluted frieze and flower medallions decoration of AD1928 heritage building in The Corso-Manly suburb. Sydney-Australia.
Portal in neoclassical style isolated on white with doric column and tympanon - 3d rendering Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portal-in-neoclassical-style-isolated-on-white-with-doric-column-and-tympanon-3d-rendering-image245851012.htmlRFT7YDD8–Portal in neoclassical style isolated on white with doric column and tympanon - 3d rendering
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-sculptor-phidias-pediment-establature-with-frieze-triglyph-metope-architrave-capital-and-columns-architectural-detail-image220892791.htmlRMPRAF07–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail.
Detail of Parthenon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-parthenon-image1491092.htmlRMAPC095–Detail of Parthenon
Italy, Sicily, Segesta, ancient Greek Doric temple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-sicily-segesta-ancient-greek-doric-temple-26498695.htmlRMBF339Y–Italy, Sicily, Segesta, ancient Greek Doric temple
Judges' Lodgings and Covell Cross in Lancaster, England. A museum of childhood and Gillow furniture collection are in the Judges' Lodgings town house. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/judges-lodgings-and-covell-cross-in-lancaster-england-a-museum-of-childhood-and-gillow-furniture-collection-are-in-the-judges-lodgings-town-house-image188778242.htmlRMMY3GG2–Judges' Lodgings and Covell Cross in Lancaster, England. A museum of childhood and Gillow furniture collection are in the Judges' Lodgings town house.
Metope, in Architecture, at the Parthenon, in Athens, Greece, vintage engraved illustration. Dictionary of Words and Things - Larive and Fleury - 1895 Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-metope-in-architecture-at-the-parthenon-in-athens-greece-vintage-engraved-84424098.htmlRFEW9RPA–Metope, in Architecture, at the Parthenon, in Athens, Greece, vintage engraved illustration. Dictionary of Words and Things - Larive and Fleury - 1895
View of the Colonade of the Parthenon in vertical format Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-colonade-of-the-parthenon-in-vertical-format-image384706311.htmlRF2D9TTR3–View of the Colonade of the Parthenon in vertical format
The Parthenon on the Acropolis, Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-on-the-acropolis-athens-image568684338.htmlRM2T15PJX–The Parthenon on the Acropolis, Athens
San Francisco City Hall beaux-arts dome seen from the main square in front of the building, in San Francisco, California, United States of America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/san-francisco-city-hall-beaux-arts-dome-seen-from-the-main-square-in-front-of-the-building-in-san-francisco-california-united-states-of-america-image515418394.htmlRF2MXF9BP–San Francisco City Hall beaux-arts dome seen from the main square in front of the building, in San Francisco, California, United States of America
The base is a square plinth, with candelabra at the corners. Above it stands on top of some circular steps a circular building, with slightly projecting doorcases, like the ends of cross arms. Above is an entablature with a triglyph frieze. Inside is the motif of the crown sketched. Above the entablature rise circular steps of diminishing diameters. On top is a pedestal with the figure of a standing woman raising something with her left arm. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-base-is-a-square-plinth-with-candelabra-at-the-corners-above-it-stands-on-top-of-some-circular-steps-a-circular-building-with-slightly-projecting-doorcases-like-the-ends-of-cross-arms-above-is-an-entablature-with-a-triglyph-frieze-inside-is-the-motif-of-the-crown-sketched-above-the-entablature-rise-circular-steps-of-diminishing-diameters-on-top-is-a-pedestal-with-the-figure-of-a-standing-woman-raising-something-with-her-left-arm-date-1793-pen-and-brown-ink-brush-and-brown-wash-on-lined-off-white-laid-paper-museum-cooper-hewitt-smithsonian-design-museum-image554745174.htmlRM2R6ER3J–The base is a square plinth, with candelabra at the corners. Above it stands on top of some circular steps a circular building, with slightly projecting doorcases, like the ends of cross arms. Above is an entablature with a triglyph frieze. Inside is the motif of the crown sketched. Above the entablature rise circular steps of diminishing diameters. On top is a pedestal with the figure of a standing woman raising something with her left arm. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Parthenon, Acropolis of Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenon-acropolis-of-athens-image266050050.htmlRMWCRHFE–Parthenon, Acropolis of Athens
particular architecture, gable facade of a neo-classical building with exposed brick, with cornice, shelves and decorations. facade historic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/particular-architecture-gable-facade-of-a-neo-classical-building-with-exposed-brick-with-cornice-shelves-and-decorations-facade-historic-image597373510.htmlRF2WKTM06–particular architecture, gable facade of a neo-classical building with exposed brick, with cornice, shelves and decorations. facade historic
Greece, Delphi, detail of the tholos in the sanctuary of Athena Pronaia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-delphi-detail-of-the-tholos-in-the-sanctuary-of-athena-pronaia-image257031219.htmlRFTX4NXB–Greece, Delphi, detail of the tholos in the sanctuary of Athena Pronaia
Columns and several windows in a row on the facade of the urban historic apartment building front view, Saint Petersburg, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/columns-and-several-windows-in-a-row-on-the-facade-of-the-urban-historic-apartment-building-front-view-saint-petersburg-russia-image468095225.htmlRF2J5FG6H–Columns and several windows in a row on the facade of the urban historic apartment building front view, Saint Petersburg, Russia
Portal in neoclassical style isolated on white with doric column and tympanon - 3d rendering Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portal-in-neoclassical-style-isolated-on-white-with-doric-column-and-tympanon-3d-rendering-image358441885.htmlRF2BR4C7W–Portal in neoclassical style isolated on white with doric column and tympanon - 3d rendering
Knutsford Drive entrance to Tatton Park, Knutsford, Cheshire, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knutsford-drive-entrance-to-tatton-park-knutsford-cheshire-england-image328552057.htmlRM2A2ERE1–Knutsford Drive entrance to Tatton Park, Knutsford, Cheshire, England
Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-doric-order-columns-with-the-pediment-triglyph-and-metope-at-the-sanctuary-of-athena-pronaia-the-sacred-archaeological-site-of-delphi-greece-image441796273.htmlRF2GJNFJ9–Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece.
Shaw's Civil architecture; being a complete theoretical and practical system of building, containing the fundamental principles of the art . t minutes, having the otheredge of the triglyph dncctly at the angle of thebuilding; and make the distance between thetriglyph, or width of the metopes, equal to the heightof the frieze, forty-two minutes; place all the col-umns between the two extreme ones directly underthe middle of the triglyphs. Make the height of thetenia one tenth of the height of the epistilium; andthe height of the regula, together with tlic guttae,equal to the height of the tenia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shaws-civil-architecture-being-a-complete-theoretical-and-practical-system-of-building-containing-the-fundamental-principles-of-the-art-t-minutes-having-the-otheredge-of-the-triglyph-dncctly-at-the-angle-of-thebuilding-and-make-the-distance-between-thetriglyph-or-width-of-the-metopes-equal-to-the-heightof-the-frieze-forty-two-minutes-place-all-the-col-umns-between-the-two-extreme-ones-directly-underthe-middle-of-the-triglyphs-make-the-height-of-thetenia-one-tenth-of-the-height-of-the-epistilium-andthe-height-of-the-regula-together-with-tlic-guttaeequal-to-the-height-of-the-tenia-image342928068.htmlRM2AWWM70–Shaw's Civil architecture; being a complete theoretical and practical system of building, containing the fundamental principles of the art . t minutes, having the otheredge of the triglyph dncctly at the angle of thebuilding; and make the distance between thetriglyph, or width of the metopes, equal to the heightof the frieze, forty-two minutes; place all the col-umns between the two extreme ones directly underthe middle of the triglyphs. Make the height of thetenia one tenth of the height of the epistilium; andthe height of the regula, together with tlic guttae,equal to the height of the tenia
533 Red brick facade with fluted frieze-flower medallions-rusty leader head decoration-AD1928 heritage building in The Corso-Manly suburb. Sydney-AUS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/533-red-brick-facade-with-fluted-frieze-flower-medallions-rusty-leader-head-decoration-ad1928-heritage-building-in-the-corso-manly-suburb-sydney-aus-image538171997.htmlRF2P7FRTD–533 Red brick facade with fluted frieze-flower medallions-rusty leader head decoration-AD1928 heritage building in The Corso-Manly suburb. Sydney-AUS.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-sculptor-phidias-pediment-establature-with-frieze-triglyph-metope-architrave-capital-and-columns-architectural-detail-image220892790.htmlRMPRAF06–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail.
Thiseion Temple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thiseion-temple-image1491105.htmlRMAPC0A2–Thiseion Temple
Italy, Sicily, Segesta, ancient Greek Doric temple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-sicily-segesta-ancient-greek-doric-temple-26498684.htmlRMBF339G–Italy, Sicily, Segesta, ancient Greek Doric temple
Italy, Sicily, Agrigento - Temple of Castor and Pollux Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-sicily-agrigento-temple-of-castor-and-pollux-26498650.htmlRMBF338A–Italy, Sicily, Agrigento - Temple of Castor and Pollux
The Parthenon on the Acropolis, Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-on-the-acropolis-athens-image568684340.htmlRM2T15PK0–The Parthenon on the Acropolis, Athens
Facade of a small church, showing the use of the doric order. Divided into three projecting parts horizontally, into two stories and a pediment, vertically. Laterally are the farthest receding parts with a window in either story; a door and a window are in the stories of the next section respectively; the central section consists of three panels framed by embedded Doric columns; in the central intercolumniations stand statues upon pedestals; above are festoons in oblongs. A triglyph frieze is shown in the second and in the central sections; steps lead up to these. The pediment consists of an a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/facade-of-a-small-church-showing-the-use-of-the-doric-order-divided-into-three-projecting-parts-horizontally-into-two-stories-and-a-pediment-vertically-laterally-are-the-farthest-receding-parts-with-a-window-in-either-story-a-door-and-a-window-are-in-the-stories-of-the-next-section-respectively-the-central-section-consists-of-three-panels-framed-by-embedded-doric-columns-in-the-central-intercolumniations-stand-statues-upon-pedestals-above-are-festoons-in-oblongs-a-triglyph-frieze-is-shown-in-the-second-and-in-the-central-sections-steps-lead-up-to-these-the-pediment-consists-of-an-a-image554742004.htmlRM2R6EK2C–Facade of a small church, showing the use of the doric order. Divided into three projecting parts horizontally, into two stories and a pediment, vertically. Laterally are the farthest receding parts with a window in either story; a door and a window are in the stories of the next section respectively; the central section consists of three panels framed by embedded Doric columns; in the central intercolumniations stand statues upon pedestals; above are festoons in oblongs. A triglyph frieze is shown in the second and in the central sections; steps lead up to these. The pediment consists of an a
Parthenon, Acropolis of Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenon-acropolis-of-athens-image266049591.htmlRMWCRGY3–Parthenon, Acropolis of Athens
Several pilasters and windows in a row on the facade of the urban historic apartment building front view, Saint Petersburg, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/several-pilasters-and-windows-in-a-row-on-the-facade-of-the-urban-historic-apartment-building-front-view-saint-petersburg-russia-image468095282.htmlRF2J5FG8J–Several pilasters and windows in a row on the facade of the urban historic apartment building front view, Saint Petersburg, Russia
Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-doric-order-columns-with-the-pediment-triglyph-and-metope-at-the-sanctuary-of-athena-pronaia-the-sacred-archaeological-site-of-delphi-greece-image441796132.htmlRF2GJNFD8–Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece.
. An encyclopaedia of architecture, historical, theoretical, & practical. New ed., rev., portions rewritten, and with additions by Wyatt Papworth. ?A, m :;^IBii!iJiis? Fig. Chap. IV. SHADOWS. 829 If:.. •rr L. C ssa m N i i • ? < ; ? ? ; IN 1 1 i ||i^r^ ,i/i. 1 Mm kFig. 819.. Doric triglypli and frieze, with the usual acces-sories. AB gives the boundary of shadow onthe femora of the triglyph, AC the l)oundary ofshadow on tlie lijilit sides of the glyphs, and ADof the shadow of the corona on the frieze. i47fi. Fig. 849. is a skeleton representationof a three-ijuarter column, forming part Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-encyclopaedia-of-architecture-historical-theoretical-practical-new-ed-rev-portions-rewritten-and-with-additions-by-wyatt-papworth-a-m-ibii!ijiis-fig-chap-iv-shadows-829-if-rr-l-c-ssa-m-n-i-i-lt-in-1-1-i-ir-ii-1-mm-kfig-819-doric-triglypli-and-frieze-with-the-usual-acces-sories-ab-gives-the-boundary-of-shadow-onthe-femora-of-the-triglyph-ac-the-loundary-ofshadow-on-tlie-lijilit-sides-of-the-glyphs-and-adof-the-shadow-of-the-corona-on-the-frieze-i47fi-fig-849-is-a-skeleton-representationof-a-three-ijuarter-column-forming-part-image336892548.htmlRM2AG2NTM–. An encyclopaedia of architecture, historical, theoretical, & practical. New ed., rev., portions rewritten, and with additions by Wyatt Papworth. ?A, m :;^IBii!iJiis? Fig. Chap. IV. SHADOWS. 829 If:.. •rr L. C ssa m N i i • ? < ; ? ? ; IN 1 1 i ||i^r^ ,i/i. 1 Mm kFig. 819.. Doric triglypli and frieze, with the usual acces-sories. AB gives the boundary of shadow onthe femora of the triglyph, AC the l)oundary ofshadow on tlie lijilit sides of the glyphs, and ADof the shadow of the corona on the frieze. i47fi. Fig. 849. is a skeleton representationof a three-ijuarter column, forming part
532 Red brick facade with fluted frieze-flower medallions-wrought iron plate decoration-AD1928 heritage building in The Corso-Manly suburb. Sydney-AUS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/532-red-brick-facade-with-fluted-frieze-flower-medallions-wrought-iron-plate-decoration-ad1928-heritage-building-in-the-corso-manly-suburb-sydney-aus-image538171993.htmlRF2P7FRT9–532 Red brick facade with fluted frieze-flower medallions-wrought iron plate decoration-AD1928 heritage building in The Corso-Manly suburb. Sydney-AUS
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-sculptor-phidias-west-pediment-establature-with-frieze-triglyph-metope-architrave-capital-and-columns-architectural-detail-at-the-top-scultpure-depicting-kekrops-and-pandrosos-replica-image220892786.htmlRMPRAF02–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica.
Theseion Temple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theseion-temple-image1491107.htmlRMAPC0A4–Theseion Temple
The Parthenon on the Acropolis, Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-on-the-acropolis-athens-image568684307.htmlRM2T15PHR–The Parthenon on the Acropolis, Athens
Top left: gaines of captives, shown in profile, support the entablature of the oblong opening. Pylons with lion masks project from the lateral wall panels. Straight entablature at right. The right half of a variation of a design, top left. The pylons are shaped differently; triglyph frieze; triangular pediment. Bottom left: an elevation of a similar design as at right. Bottom center: a left beveled top corner of the opening. Colored background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/top-left-gaines-of-captives-shown-in-profile-support-the-entablature-of-the-oblong-opening-pylons-with-lion-masks-project-from-the-lateral-wall-panels-straight-entablature-at-right-the-right-half-of-a-variation-of-a-design-top-left-the-pylons-are-shaped-differently-triglyph-frieze-triangular-pediment-bottom-left-an-elevation-of-a-similar-design-as-at-right-bottom-center-a-left-beveled-top-corner-of-the-opening-colored-background-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-date-1780-1790-museum-cooper-hewitt-smithsonian-design-museum-image554748193.htmlRM2R6EXYD–Top left: gaines of captives, shown in profile, support the entablature of the oblong opening. Pylons with lion masks project from the lateral wall panels. Straight entablature at right. The right half of a variation of a design, top left. The pylons are shaped differently; triglyph frieze; triangular pediment. Bottom left: an elevation of a similar design as at right. Bottom center: a left beveled top corner of the opening. Colored background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.
Parthenon, Acropolis of Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenon-acropolis-of-athens-image266049411.htmlRMWCRGMK–Parthenon, Acropolis of Athens
Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-doric-order-columns-with-the-pediment-triglyph-and-metope-at-the-sanctuary-of-athena-pronaia-the-sacred-archaeological-site-of-delphi-greece-image441796253.htmlRF2GJNFHH–Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-sculptor-phidias-west-pediment-establature-with-frieze-triglyph-metope-architrave-capital-and-columns-architectural-detail-at-the-top-scultpure-depicting-kekrops-and-pandrosos-replica-image220892787.htmlRMPRAF03–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica.
The Parthenon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-image1491093.htmlRMAPC096–The Parthenon
The Parthenon on the Acropolis, Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-on-the-acropolis-athens-image568684324.htmlRM2T15PJC–The Parthenon on the Acropolis, Athens
A variation of the design -1058. The colonnade in the ground floor is the Doric order. Second story: A colonnade of Ionic order, with closed arches except for door openings. The pedestals are connected by balustrades. Top story: Corinthian order. Windows of the third and of a mandsard story are in each bay. Entablature with a triglyph frieze. Scale in the first arch of the colonnade. Probably for the Palazzo Braschi Alle Convertite. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Date: ca. 1793-94. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-variation-of-the-design-1058-the-colonnade-in-the-ground-floor-is-the-doric-order-second-story-a-colonnade-of-ionic-order-with-closed-arches-except-for-door-openings-the-pedestals-are-connected-by-balustrades-top-story-corinthian-order-windows-of-the-third-and-of-a-mandsard-story-are-in-each-bay-entablature-with-a-triglyph-frieze-scale-in-the-first-arch-of-the-colonnade-probably-for-the-palazzo-braschi-alle-convertite-pen-and-brown-ink-brush-and-brown-wash-graphite-on-lined-off-white-laid-paper-date-ca-1793-94-museum-cooper-hewitt-smithsonian-design-museum-image554750114.htmlRM2R6F1C2–A variation of the design -1058. The colonnade in the ground floor is the Doric order. Second story: A colonnade of Ionic order, with closed arches except for door openings. The pedestals are connected by balustrades. Top story: Corinthian order. Windows of the third and of a mandsard story are in each bay. Entablature with a triglyph frieze. Scale in the first arch of the colonnade. Probably for the Palazzo Braschi Alle Convertite. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Date: ca. 1793-94. Museum: Cooper Hewitt, Smithsonian Design Museum.
Parthenon, Acropolis of Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenon-acropolis-of-athens-image266050536.htmlRMWCRJ4T–Parthenon, Acropolis of Athens
Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-doric-order-columns-with-the-pediment-triglyph-and-metope-at-the-sanctuary-of-athena-pronaia-the-sacred-archaeological-site-of-delphi-greece-image441796066.htmlRF2GJNFAX–Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor: Phidias. View of a pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-sculptor-phidias-view-of-a-pediment-establature-with-frieze-triglyph-metope-architrave-capital-and-columns-image220892792.htmlRMPRAF08–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor: Phidias. View of a pediment, establature with frieze, triglyph, metope, architrave, capital and columns.
The Parthenon on the Acropolis, Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-on-the-acropolis-athens-image568684322.htmlRM2T15PJA–The Parthenon on the Acropolis, Athens
The base has some steps, with small lateral parts in masonry. The structure has an oblong sockle and a rededing upper round tower-like part. At the front is a doorcase upon whose entablature lean two women - the left one is seen in front, the right in profile - beside an urn with a flame. They stand upon the sockle. Corresponding laterally are women standing beside a similar urn standing upon what seems to be a balustrade. Below the upper edge of the tower is a band with a triglyph frieze. On top is similar to 1938-88-1330. Date: 1795. Pen and brown ink, brush and brown wash. Museum: Cooper He Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-base-has-some-steps-with-small-lateral-parts-in-masonry-the-structure-has-an-oblong-sockle-and-a-rededing-upper-round-tower-like-part-at-the-front-is-a-doorcase-upon-whose-entablature-lean-two-women-the-left-one-is-seen-in-front-the-right-in-profile-beside-an-urn-with-a-flame-they-stand-upon-the-sockle-corresponding-laterally-are-women-standing-beside-a-similar-urn-standing-upon-what-seems-to-be-a-balustrade-below-the-upper-edge-of-the-tower-is-a-band-with-a-triglyph-frieze-on-top-is-similar-to-1938-88-1330-date-1795-pen-and-brown-ink-brush-and-brown-wash-museum-cooper-he-image554748763.htmlRM2R6EYKR–The base has some steps, with small lateral parts in masonry. The structure has an oblong sockle and a rededing upper round tower-like part. At the front is a doorcase upon whose entablature lean two women - the left one is seen in front, the right in profile - beside an urn with a flame. They stand upon the sockle. Corresponding laterally are women standing beside a similar urn standing upon what seems to be a balustrade. Below the upper edge of the tower is a band with a triglyph frieze. On top is similar to 1938-88-1330. Date: 1795. Pen and brown ink, brush and brown wash. Museum: Cooper He
Parthenon, Acropolis of Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenon-acropolis-of-athens-image266050655.htmlRMWCRJ93–Parthenon, Acropolis of Athens
Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-doric-order-columns-with-the-pediment-triglyph-and-metope-at-the-sanctuary-of-athena-pronaia-the-sacred-archaeological-site-of-delphi-greece-image441796068.htmlRF2GJNFB0–Ancient Doric order columns with the pediment, triglyph and metope at the sanctuary of Athena Pronaia the sacred archaeological site of Delphi Greece.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Ssculptor Phidias. Architectural detail. Pediment, entablature with frieze, triglyph, metope, architrave, columns and capital (abacus, echinus). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-athens-acropolis-parthenon-classical-temple-dedicated-to-athena-447-bc-432-bc-doric-order-architects-iktinos-and-callicrates-ssculptor-phidias-architectural-detail-pediment-entablature-with-frieze-triglyph-metope-architrave-columns-and-capital-abacus-echinus-image221013813.htmlRMPRG1AD–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Ssculptor Phidias. Architectural detail. Pediment, entablature with frieze, triglyph, metope, architrave, columns and capital (abacus, echinus).
Austria. Vienna. Saint Michael's Church. Statue of Archangel Michael, 1725, by Lorenzo Mattielli (1678/88-1748). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/austria-vienna-saint-michaels-church-statue-of-archangel-michael-1725-image61563264.htmlRMDG4CG0–Austria. Vienna. Saint Michael's Church. Statue of Archangel Michael, 1725, by Lorenzo Mattielli (1678/88-1748).
Italy. Paestum. Temple of Neptune, actually dedicated to the goddess Hera. Built around 450-460 BC. Doric style. Front. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-paestum-temple-of-neptune-actually-dedicated-to-the-goddess-image62342615.htmlRMDHBXHY–Italy. Paestum. Temple of Neptune, actually dedicated to the goddess Hera. Built around 450-460 BC. Doric style. Front.
The Parthenon on the Acropolis, Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parthenon-on-the-acropolis-athens-image568684310.htmlRM2T15PHX–The Parthenon on the Acropolis, Athens
Main design: a variation of 1938-88-1235. The walls and entablatures of the lateral sections are undecorated. The central door stands in a niche. The attic is divided into five panels. A circular window is in the central one; oblong windows in the lateral ones. In the lower left corner, in small scale: four columns support the entablature with a triglyph frieze and a triangular pediment. A central high and lateral lower doorways are shown in the intercolumniations. Two lateral receding sections and lower than the central one. They show a window in either story, each. Date: 1796. Pen and brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/main-design-a-variation-of-1938-88-1235-the-walls-and-entablatures-of-the-lateral-sections-are-undecorated-the-central-door-stands-in-a-niche-the-attic-is-divided-into-five-panels-a-circular-window-is-in-the-central-one-oblong-windows-in-the-lateral-ones-in-the-lower-left-corner-in-small-scale-four-columns-support-the-entablature-with-a-triglyph-frieze-and-a-triangular-pediment-a-central-high-and-lateral-lower-doorways-are-shown-in-the-intercolumniations-two-lateral-receding-sections-and-lower-than-the-central-one-they-show-a-window-in-either-story-each-date-1796-pen-and-brown-image554745899.htmlRM2R6ET1F–Main design: a variation of 1938-88-1235. The walls and entablatures of the lateral sections are undecorated. The central door stands in a niche. The attic is divided into five panels. A circular window is in the central one; oblong windows in the lateral ones. In the lower left corner, in small scale: four columns support the entablature with a triglyph frieze and a triangular pediment. A central high and lateral lower doorways are shown in the intercolumniations. Two lateral receding sections and lower than the central one. They show a window in either story, each. Date: 1796. Pen and brown
Search Results for Triglyph frieze Stock Photos and Images (374)
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