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Townscapes Stock Photos and Images

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Townscapes Stock Photos and Images

The Fairy Tree at Colinton. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Dimensions: 20.8 x 15 cm (8 3/16 x 5 7/8 in.). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1846. Although Hill was primarily a painter of land- and townscapes, he and Adamson made few photographs of those subjects. In several cases where they did, the choice of subject is understandable: their photograph of the sixteenth-century house of John Knox, founding force and passi Stock Photo
RMRFG7WX–The Fairy Tree at Colinton. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Dimensions: 20.8 x 15 cm (8 3/16 x 5 7/8 in.). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1846. Although Hill was primarily a painter of land- and townscapes, he and Adamson made few photographs of those subjects. In several cases where they did, the choice of subject is understandable: their photograph of the sixteenth-century house of John Knox, founding force and passi
Embroidered Sampler. Culture: American. Dimensions: 25 x 21 1/2 in. (63.5 x 54.6 cm). Maker: Sophia Dyer (born 1805). Date: 1819. Portland, Maine schoolgirls produced a distinctive group of genealogical samplers. Following a prescribed format, these samplers list the birth and marriage dates of the parents; and the name and birth date of each of their children. Also characteristic are townscapes with white clapboard Federal houses and elegant borders of roses, rosebuds and leafy vines. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPARARD–Embroidered Sampler. Culture: American. Dimensions: 25 x 21 1/2 in. (63.5 x 54.6 cm). Maker: Sophia Dyer (born 1805). Date: 1819. Portland, Maine schoolgirls produced a distinctive group of genealogical samplers. Following a prescribed format, these samplers list the birth and marriage dates of the parents; and the name and birth date of each of their children. Also characteristic are townscapes with white clapboard Federal houses and elegant borders of roses, rosebuds and leafy vines. Museum: Metropolitan Museum of Art, New York, USA.
View of Poestenkill, New York. Artist: Joseph H. Hidley (1830-1872). Dimensions: 19 3/4 x 28 in. (50.2 x 71.1 cm). Date: ca. 1870. Hidley worked in Poestenkill, New York, as a house painter, a handyman, an artist, and served as sexton of the Evangelical Lutheran Church. He painted a series of townscapes of Poestenkill and the surrounding villages, applying an aerial view and incorporating clearly defined, recognizable buildings in his compositions. Here, the aforementioned church, next to which Hidley lived, is the most prominent structure. Poesten Kill--'kill,' from the Dutch, means 'creek'- Stock Photo
RMPAM1BN–View of Poestenkill, New York. Artist: Joseph H. Hidley (1830-1872). Dimensions: 19 3/4 x 28 in. (50.2 x 71.1 cm). Date: ca. 1870. Hidley worked in Poestenkill, New York, as a house painter, a handyman, an artist, and served as sexton of the Evangelical Lutheran Church. He painted a series of townscapes of Poestenkill and the surrounding villages, applying an aerial view and incorporating clearly defined, recognizable buildings in his compositions. Here, the aforementioned church, next to which Hidley lived, is the most prominent structure. Poesten Kill--'kill,' from the Dutch, means 'creek'-
Wooded Landscape with a Peasant Resting. Date/Period: 1747. Painting. Oil paint on canvas. Width: 781 mm. Height: 625 mm. Author: Thomas Gainsborough. GAINSBOROUGH, THOMAS. Stock Photo
RMPNDTDB–Wooded Landscape with a Peasant Resting. Date/Period: 1747. Painting. Oil paint on canvas. Width: 781 mm. Height: 625 mm. Author: Thomas Gainsborough. GAINSBOROUGH, THOMAS.
Old London Bridge. Date/Period: 1796-1897. Watercolor. Height: 26 cm (10.2 in); Width: 35.5 cm (13.9 in). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPNE49K–Old London Bridge. Date/Period: 1796-1897. Watercolor. Height: 26 cm (10.2 in); Width: 35.5 cm (13.9 in). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
Tivoli, the Cascatelle. Date/Period: Ca. 1827. Painting. Oil on canvas. Height: 607 cm (19.9 ft); Width: 777 cm (25.4 ft). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPNDYRE–Tivoli, the Cascatelle. Date/Period: Ca. 1827. Painting. Oil on canvas. Height: 607 cm (19.9 ft); Width: 777 cm (25.4 ft). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series 'Famous Views of the Eastern Capital (Toto Meisho)'. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1826-1836. Dimensions: 21.8 x 35.5 cm (8 3/4 x 14 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo
RMRXMH5M–Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series 'Famous Views of the Eastern Capital (Toto Meisho)'. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1826-1836. Dimensions: 21.8 x 35.5 cm (8 3/4 x 14 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Sketch of the city of Konstanz, 1842. Date/Period: 1842. Watercolor painting. Painting. Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPTNH6D–Sketch of the city of Konstanz, 1842. Date/Period: 1842. Watercolor painting. Painting. Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
The River Stour, from Various Subjects of English Landscape Scenery. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1830. Dimensions: 232 × 240 mm (plate); 305 × 465 mm (sheet). Mezzotint in black ink on heavy ivory wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photo
RMRXK6H9–The River Stour, from Various Subjects of English Landscape Scenery. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1830. Dimensions: 232 × 240 mm (plate); 305 × 465 mm (sheet). Mezzotint in black ink on heavy ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
Phryne besucht als Venus das öffentliche Bad: Demosthenes wird von Äschines getadelt. Date/Period: 1838. Painting. Oil on canvas. Height: 193 cm (75.9 in); Width: 165 cm (64.9 in). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPNE0FP–Phryne besucht als Venus das öffentliche Bad: Demosthenes wird von Äschines getadelt. Date/Period: 1838. Painting. Oil on canvas. Height: 193 cm (75.9 in); Width: 165 cm (64.9 in). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
The Dogano, San Giorgio, Citella, from the Steps of the Europa. Date/Period: 1842. Painting. Oil on canvas. Height: 616 cm (20.2 ft); Width: 927 cm (10.1 yd). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMR3CHFH–The Dogano, San Giorgio, Citella, from the Steps of the Europa. Date/Period: 1842. Painting. Oil on canvas. Height: 616 cm (20.2 ft); Width: 927 cm (10.1 yd). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
Bridge at Meulan. Date/Period: 1832. Painting. Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPNDEX4–Bridge at Meulan. Date/Period: 1832. Painting. Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
Caligula's Palace and Bridge. Date/Period: 1831. Painting. Oil on canvas. Height: 1,372 cm (15 yd); Width: 2,464 cm (26.9 yd). Author: J. M. W. Turner. Stock Photo
RMPNE9NP–Caligula's Palace and Bridge. Date/Period: 1831. Painting. Oil on canvas. Height: 1,372 cm (15 yd); Width: 2,464 cm (26.9 yd). Author: J. M. W. Turner.
Portrait of Henrietta and Mary Hyde. Date/Period: Ca. 1683-85. Painting. Oil on canvas. Height: 153 cm (60.2 in); Width: 112 cm (44 in). Author: Willem Wissing. Stock Photo
RMPNDTAC–Portrait of Henrietta and Mary Hyde. Date/Period: Ca. 1683-85. Painting. Oil on canvas. Height: 153 cm (60.2 in); Width: 112 cm (44 in). Author: Willem Wissing.
Samson and the Lion (Dalziels' Bible Gallery). Artist: After Frederic, Lord Leighton (British, Scarborough 1830-1896 London). Dimensions: Image: 7 1/4 × 7 1/4 in. (18.4 × 18.4 cm) India sheet: 9 7/16 × 9 1/4 in. (23.9 × 23.5 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1865-81. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPARYRY–Samson and the Lion (Dalziels' Bible Gallery). Artist: After Frederic, Lord Leighton (British, Scarborough 1830-1896 London). Dimensions: Image: 7 1/4 × 7 1/4 in. (18.4 × 18.4 cm) India sheet: 9 7/16 × 9 1/4 in. (23.9 × 23.5 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1865-81. Museum: Metropolitan Museum of Art, New York, USA.
Forum Romanum, for Mr Soane's Museum. Date/Period: 1826. Painting. Oil on canvas. Height: 1,457 cm (15.9 yd); Width: 2,363 cm (25.8 yd). Author: J. M. W. Turner. Stock Photo
RMPNEA3P–Forum Romanum, for Mr Soane's Museum. Date/Period: 1826. Painting. Oil on canvas. Height: 1,457 cm (15.9 yd); Width: 2,363 cm (25.8 yd). Author: J. M. W. Turner.
Venice, the Bridge of Sighs. Date/Period: 1840. Painting. Oil on canvas. Height: 686 cm (22.5 ft); Width: 914 cm (29.9 ft). Author: J. M. W. Turner. Stock Photo
RMPNEBH5–Venice, the Bridge of Sighs. Date/Period: 1840. Painting. Oil on canvas. Height: 686 cm (22.5 ft); Width: 914 cm (29.9 ft). Author: J. M. W. Turner.
London from Greenwich Park. Date/Period: 1809. Painting. Oil on canvas. Height: 902 cm (29.5 ft); Width: 120 cm (47.2 in). Author: J. M. W. Turner. William Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPNEAWE–London from Greenwich Park. Date/Period: 1809. Painting. Oil on canvas. Height: 902 cm (29.5 ft); Width: 120 cm (47.2 in). Author: J. M. W. Turner. William Turner. TURNER, JOSEPH MALLORD WILLIAM.
Hosannah! (Dalziels' Bible Gallery). Artist: Simeon Solomon (British, London 1840-1905 London). Dimensions: Image: 6 7/16 × 4 3/4 in. (16.3 × 12 cm) India sheet: 8 7/16 × 6 5/8 in. (21.4 × 16.8 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1863-81. In 1862 the Dalziel Brothers, prominent Victorian wood engravers, approached a group of British artists with plans for a lavishly illustrated Bible. Work began immediately, but the sixty- Stock Photo
RMRFJ2NB–Hosannah! (Dalziels' Bible Gallery). Artist: Simeon Solomon (British, London 1840-1905 London). Dimensions: Image: 6 7/16 × 4 3/4 in. (16.3 × 12 cm) India sheet: 8 7/16 × 6 5/8 in. (21.4 × 16.8 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1863-81. In 1862 the Dalziel Brothers, prominent Victorian wood engravers, approached a group of British artists with plans for a lavishly illustrated Bible. Work began immediately, but the sixty-
Bridge and Cows. Dated: published 1807. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photo
RMPM44HR–Bridge and Cows. Dated: published 1807. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner. TURNER, JOSEPH MALLORD WILLIAM.
Bridge and Cows, plate 2 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 182 × 263 mm (image); 207 × 288 mm (plate); 300 × 438.5 mm (sheet). Etching and engraving in brown on ivory paper. Origin: England. Museum: The Chicago Art Institute. Stock Photo
RMRXMD9D–Bridge and Cows, plate 2 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 182 × 263 mm (image); 207 × 288 mm (plate); 300 × 438.5 mm (sheet). Etching and engraving in brown on ivory paper. Origin: England. Museum: The Chicago Art Institute.
Windmill and Lock. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say. TURNER, JOSEPH MALLORD WILLIAM. Designed and etched by Joseph Mallord William Turner. Stock Photo
RMRFC7P7–Windmill and Lock. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say. TURNER, JOSEPH MALLORD WILLIAM. Designed and etched by Joseph Mallord William Turner.
Colinet's Journey: Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil. Artist: William Blake (British, London 1757-1827 London). Dimensions: block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPARW9Y–Colinet's Journey: Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil. Artist: William Blake (British, London 1757-1827 London). Dimensions: block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.
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