Surrey's Nadeem Shahid top edges Yorkshire's Darren Lehmann delivery to be caught for 21 during their Cheltenham & Gloucester trophy semi-final match at Headingley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-surreys-nadeem-shahid-top-edges-yorkshires-darren-lehmann-delivery-107703125.html
RMG768C5–Surrey's Nadeem Shahid top edges Yorkshire's Darren Lehmann delivery to be caught for 21 during their Cheltenham & Gloucester trophy semi-final match at Headingley.
Art inspired by The Resurrection of Christ, 1585, Pen and brown ink, brush and brown wash; graphite framing lines at left and top edges, 16 13/16 x 11 in. (42.7 x 28.0 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel 1564–1609 Prague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-resurrection-of-christ-1585-pen-and-brown-ink-brush-and-brown-wash-graphite-framing-lines-at-left-and-top-edges-16-1316-x-11-in-427-x-280-cm-drawings-joseph-heintz-the-elder-swiss-basel-15641609-prague-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946843.html
RF2HW51BR–Art inspired by The Resurrection of Christ, 1585, Pen and brown ink, brush and brown wash; graphite framing lines at left and top edges, 16 13/16 x 11 in. (42.7 x 28.0 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel 1564–1609 Prague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The object with a pyramid shape and a flattened top. The edges of the base are rounded. The color is light gray with some white spots. A hole has been made in the top. On one of the sides, damage can be seen at the bottom., Varia, weight, earthenware, L 6.8 cm, W 7.1 cm, H 10.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-object-with-a-pyramid-shape-and-a-flattened-top-the-edges-of-the-base-are-rounded-the-color-is-light-gray-with-some-white-spots-a-hole-has-been-made-in-the-top-on-one-of-the-sides-damage-can-be-seen-at-the-bottom-varia-weight-earthenware-l-68-cm-w-71-cm-h-101-cm-image344517290.html
RM2B0E38X–The object with a pyramid shape and a flattened top. The edges of the base are rounded. The color is light gray with some white spots. A hole has been made in the top. On one of the sides, damage can be seen at the bottom., Varia, weight, earthenware, L 6.8 cm, W 7.1 cm, H 10.1 cm
. English: Shows magisterial districts and names of some residents. Relief shown by hachures. 'Eng. by Worley & Bracher.' 'Entered according to Act of Congress in the year 1875 by G. Peyton in the of the Librarian of Congress at Washington.' Available also through the Library of Congress Web site as a raster image. Includes 'Table of distances,' statistical information, and ill. LC copy imperfect: Discoloration throughout. Losses along top edges, sectioned to 4 sheets, hemmed along outer sheet edges. . A map of Albemarle County, Virginia. 1875. Peyton, G. (Green Peyton); Worley & Bracher; Pey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-shows-magisterial-districts-and-names-of-some-residents-relief-shown-by-hachures-eng-by-worley-bracher-entered-according-to-act-of-congress-in-the-year-1875-by-g-peyton-in-the-of-the-librarian-of-congress-at-washington-available-also-through-the-library-of-congress-web-site-as-a-raster-image-includes-table-of-distances-statistical-information-and-ill-lc-copy-imperfect-discoloration-throughout-losses-along-top-edges-sectioned-to-4-sheets-hemmed-along-outer-sheet-edges-a-map-of-albemarle-county-virginia-1875-peyton-g-green-peyton-worley-bracher-pey-image206725155.html
RMP09417–. English: Shows magisterial districts and names of some residents. Relief shown by hachures. 'Eng. by Worley & Bracher.' 'Entered according to Act of Congress in the year 1875 by G. Peyton in the of the Librarian of Congress at Washington.' Available also through the Library of Congress Web site as a raster image. Includes 'Table of distances,' statistical information, and ill. LC copy imperfect: Discoloration throughout. Losses along top edges, sectioned to 4 sheets, hemmed along outer sheet edges. . A map of Albemarle County, Virginia. 1875. Peyton, G. (Green Peyton); Worley & Bracher; Pey
Jan. 1, 1970 - In one of the narrow ''streets: inside the fortress Berber Tibesman arrive to visit their caves to examine Barber tribesman arrive to visit to their caves to examine their stocks. The dives go up to the very top edges of the walls and wooden beams are projected to hoist up of the walls wooden beams are projected to hoist up their harvest. The great jar in the foreground is for storing Olive Oil. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1-1970-in-one-of-the-narrow-streets-inside-the-fortress-berber-image69446389.html
RME0YFG5–Jan. 1, 1970 - In one of the narrow ''streets: inside the fortress Berber Tibesman arrive to visit their caves to examine Barber tribesman arrive to visit to their caves to examine their stocks. The dives go up to the very top edges of the walls and wooden beams are projected to hoist up of the walls wooden beams are projected to hoist up their harvest. The great jar in the foreground is for storing Olive Oil.
Bonnet veil. Repeat of floral, fruit and vine motif along lower section of piece. Bottom edge scalloped with elements of this motif set into each curve. Sides and top edges also scalloped but on a smaller scale with smaller motif inset. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonnet-veil-repeat-of-floral-fruit-and-vine-motif-along-lower-section-of-piece-bottom-edge-scalloped-with-elements-of-this-motif-set-into-each-curve-sides-and-top-edges-also-scalloped-but-on-a-smaller-scale-with-smaller-motif-inset-image353555002.html
RM2BF5R0A–Bonnet veil. Repeat of floral, fruit and vine motif along lower section of piece. Bottom edge scalloped with elements of this motif set into each curve. Sides and top edges also scalloped but on a smaller scale with smaller motif inset.
Daytona, United States. 17th Feb, 2020. Denny Hamlin (top) edges Ryan Blaney (12) to win the 62nd Daytona 500, on Monday, February 17, 2020 in Daytona, Florida. Photo by Edwin Locke/UPI Credit: UPI/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daytona-united-states-17th-feb-2020-denny-hamlin-top-edges-ryan-blaney-12-to-win-the-62nd-daytona-500-on-monday-february-17-2020-in-daytona-florida-photo-by-edwin-lockeupi-credit-upialamy-live-news-image344206346.html
RM2AYYXKP–Daytona, United States. 17th Feb, 2020. Denny Hamlin (top) edges Ryan Blaney (12) to win the 62nd Daytona 500, on Monday, February 17, 2020 in Daytona, Florida. Photo by Edwin Locke/UPI Credit: UPI/Alamy Live News
Chester le Street, UK. 1st July 2019. Sri Lanka's Kusal Perera top edges a hook shot for four runs during the ICC Cricket World Cup 2019 match between Sri Lanka and West Indies at Emirates Riverside, Chester le Street on Monday 1st July 2019. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chester-le-street-uk-1st-july-2019-sri-lankas-kusal-perera-top-edges-a-hook-shot-for-four-runs-during-the-icc-cricket-world-cup-2019-match-between-sri-lanka-and-west-indies-at-emirates-riverside-chester-le-street-on-monday-1st-july-2019-image258967383.html
RMW18YF3–Chester le Street, UK. 1st July 2019. Sri Lanka's Kusal Perera top edges a hook shot for four runs during the ICC Cricket World Cup 2019 match between Sri Lanka and West Indies at Emirates Riverside, Chester le Street on Monday 1st July 2019.
California: c. 1930 The padres taught the Indians to make the adobe bricks used in the building of the missions. When the mold was full the mud was patted smooth and level with the top edges of the mold. Any extra mud was placed on the ground where the next brick was to be formed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/california-c-1930-the-padres-taught-the-indians-to-make-the-adobe-bricks-used-in-the-building-of-the-missions-when-the-mold-was-full-the-mud-was-patted-smooth-and-level-with-the-top-edges-of-the-mold-any-extra-mud-was-placed-on-the-ground-where-the-next-brick-was-to-be-formed-image560164639.html
RM2RF9KKY–California: c. 1930 The padres taught the Indians to make the adobe bricks used in the building of the missions. When the mold was full the mud was patted smooth and level with the top edges of the mold. Any extra mud was placed on the ground where the next brick was to be formed.
GRCA Collapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grca-collapsable-canvas-canoe-catalog-grca-83613-object-canoe-description-175640613.html
RMM5N3B1–GRCA Collapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI
Gothic Architecture Ornaments Wall Moulding, found on top edges, classical architecture, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gothic-architecture-ornaments-wall-moulding-found-on-top-edges-classical-architecture-vintage-line-drawing-or-engraving-illustration-image244565666.html
RFT5TX02–Gothic Architecture Ornaments Wall Moulding, found on top edges, classical architecture, vintage line drawing or engraving illustration.
Ben Stokes of England top edges a delivery from Chris Morris of South Africa during day two of the third Investec Test match between England and South Africa at The Oval in London. 28 Jul 2017 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ben-stokes-of-england-top-edges-a-delivery-from-chris-morris-of-south-africa-during-day-two-of-the-third-investec-test-match-between-england-and-south-africa-at-the-oval-in-london-28-jul-2017-image354937351.html
RM2BHCP5Y–Ben Stokes of England top edges a delivery from Chris Morris of South Africa during day two of the third Investec Test match between England and South Africa at The Oval in London. 28 Jul 2017
Edgbaston, Birmingham, UK. 14th Sep, 2024. Vitality Blast T20 League Cricket Finals Day; Semi Final, Surrey, Somerset; Lewis Gregory of Somerset top edges the ball for 6 to win the match Credit: Action Plus Sports/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edgbaston-birmingham-uk-14th-sep-2024-vitality-blast-t20-league-cricket-finals-day-semi-final-surrey-somerset-lewis-gregory-of-somerset-top-edges-the-ball-for-6-to-win-the-match-credit-action-plus-sportsalamy-live-news-image621983588.html
RM2Y3WPBG–Edgbaston, Birmingham, UK. 14th Sep, 2024. Vitality Blast T20 League Cricket Finals Day; Semi Final, Surrey, Somerset; Lewis Gregory of Somerset top edges the ball for 6 to win the match Credit: Action Plus Sports/Alamy Live News
12 September, 2022. London, UK. Glamorgan’s James Harris top edges one over the slips off the bowling of Middlesex’s Ethan Bamber as Middlesex take on Glamorgan on day one of the County Championship match at Lords. David Rowe/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/12-september-2022-london-uk-glamorgans-james-harris-top-edges-one-over-the-slips-off-the-bowling-of-middlesexs-ethan-bamber-as-middlesex-take-on-glamorgan-on-day-one-of-the-county-championship-match-at-lords-david-rowealamy-live-news-image482330353.html
RM2K0M181–12 September, 2022. London, UK. Glamorgan’s James Harris top edges one over the slips off the bowling of Middlesex’s Ethan Bamber as Middlesex take on Glamorgan on day one of the County Championship match at Lords. David Rowe/Alamy Live News
Adelaide, Australia, 11 February, 2024. Glenn Maxwell of Australia top edges the ball during the second match of the T20 International Series between Australia and West Indies at the Adelaide Oval on February 11, 2024 in Adelaide, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adelaide-australia-11-february-2024-glenn-maxwell-of-australia-top-edges-the-ball-during-the-second-match-of-the-t20-international-series-between-australia-and-west-indies-at-the-adelaide-oval-on-february-11-2024-in-adelaide-australia-credit-santanu-banikspeed-mediaalamy-live-news-image596197438.html
RM2WHY3WJ–Adelaide, Australia, 11 February, 2024. Glenn Maxwell of Australia top edges the ball during the second match of the T20 International Series between Australia and West Indies at the Adelaide Oval on February 11, 2024 in Adelaide, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News
Drawing, Unfinished design for a Waistcoat; France; pencil and various gouaches on paper; Left/bottom edges: 15 × 25.7 cm (5 7/8 × 10 1/8 in.) Right/top edges: 14 × 31.5 cm (5 1/2 × 12 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-unfinished-design-for-a-waistcoat-france-pencil-and-various-gouaches-on-paper-leftbottom-edges-15-257-cm-5-78-10-18-in-righttop-edges-14-315-cm-5-12-12-38-in-image546116892.html
RM2PMDNJM–Drawing, Unfinished design for a Waistcoat; France; pencil and various gouaches on paper; Left/bottom edges: 15 × 25.7 cm (5 7/8 × 10 1/8 in.) Right/top edges: 14 × 31.5 cm (5 1/2 × 12 3/8 in.)
The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vietnam-veterans-memorial-washington-dc-usa-92006-the-memorial-is-composed-of-two-adjoining-walls-each-wall-is-246-feet-9-inches-7521-m-long-and-is-composed-of-72-black-granite-panels-that-are-polished-to-a-high-finish-seventy-of-the-panels-on-each-wall-are-inscribed-with-the-names-of-the-men-and-women-being-honored-the-walls-taper-from-8-inches-200-mm-tall-at-their-extremities-to-101-feet-31-m-tall-at-the-apex-where-they-meet-their-bottom-edges-descending-below-the-level-of-the-surrounding-earth-while-their-top-edges-stay-level-image552690162.html
RM2R355XA–The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level.
Babyschoen, Anonymous, c. 1877 - c. 1878 Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges with a pleated bright blue ribbon drilled off. With bow. Amsterdam pique. Ribbon (material) Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges wit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babyschoen-anonymous-c-1877-c-1878-baby-shoe-from-piqu-and-blue-ribbon-low-boot-with-rounded-cover-shaft-and-sewn-sole-of-the-same-fabric-closure-in-the-middle-with-hook-and-trensje-the-fabric-is-covered-with-white-soutache-in-a-winding-pattern-the-top-edges-with-a-pleated-bright-blue-ribbon-drilled-off-with-bow-amsterdam-pique-ribbon-material-baby-shoe-from-piqu-and-blue-ribbon-low-boot-with-rounded-cover-shaft-and-sewn-sole-of-the-same-fabric-closure-in-the-middle-with-hook-and-trensje-the-fabric-is-covered-with-white-soutache-in-a-winding-pattern-the-top-edges-wit-image576361294.html
RM2TDKEKX–Babyschoen, Anonymous, c. 1877 - c. 1878 Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges with a pleated bright blue ribbon drilled off. With bow. Amsterdam pique. Ribbon (material) Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges wit
Closeup of Green Cactus With Pink Top Edges Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closeup-of-green-cactus-with-pink-top-edges-image181183069.html
RFMENGRW–Closeup of Green Cactus With Pink Top Edges
England's Anthony McGrath top edges a reverse sweep off the bowling of Pakistan's Shoaib Malik caught by Mohammed Sami (not pictured) for 33 runs during the first NatWest Challenge match at Old Trafford. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-englands-anthony-mcgrath-top-edges-a-reverse-sweep-off-the-bowling-107743842.html
RMG784AA–England's Anthony McGrath top edges a reverse sweep off the bowling of Pakistan's Shoaib Malik caught by Mohammed Sami (not pictured) for 33 runs during the first NatWest Challenge match at Old Trafford.
Art inspired by Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19.5, 32.3 x 20.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-biedermeier-frame-183040-german-munich-pine-with-satinwood-cross-grain-veneer-on-top-and-back-edges-351-x-237-31-x-195-323-x-207-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826660.html
RF2HTYG3G–Art inspired by Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19.5, 32.3 x 20.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cricket cage, Ivory, silk (cord and tassel), Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspended in cage. Orange silk cord attached to ring at top of cage, and decorated with orange and black tassel, flat ivory bird (b), and knotted green bands near tassel., Japan, India, late 19th century, containers, Decorative Arts, Cricket cage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cricket-cage-ivory-silk-cord-and-tassel-rectangular-cage-a-with-turned-corner-posts-terminating-in-pointed-finials-at-top-ball-feet-pierced-gallery-around-top-edges-hinged-door-at-one-side-rectangular-partitioned-food-trough-in-cage-next-to-door-two-red-and-orange-ivory-birds-sit-on-flat-green-perch-suspended-in-cage-orange-silk-cord-attached-to-ring-at-top-of-cage-and-decorated-with-orange-and-black-tassel-flat-ivory-bird-b-and-knotted-green-bands-near-tassel-japan-india-late-19th-century-containers-decorative-arts-cricket-cage-image391596949.html
RM2DN2NW9–Cricket cage, Ivory, silk (cord and tassel), Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspended in cage. Orange silk cord attached to ring at top of cage, and decorated with orange and black tassel, flat ivory bird (b), and knotted green bands near tassel., Japan, India, late 19th century, containers, Decorative Arts, Cricket cage
. English: Nawaz letter with seal, 300s or 400s. Letter written on parchment in the 4th or 5th century in the northern Hindu Kush region (in modern Afghanistan). 10 lines of Bactrian language in Greek cursive script in which Nawaz instructs Ram-yol, the recipient, to give good treatment to a third individual named Siz-bur. The letter is a palimpsest, written over an earlier, illegible document, with lines of the earlier writing visible in the margins on the left and bottom edges (no margins on right and top edges); writing is also visible on the verso. A strip almost cut away along the bottom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-nawaz-letter-with-seal-300s-or-400s-letter-written-on-parchment-in-the-4th-or-5th-century-in-the-northern-hindu-kush-region-in-modern-afghanistan-10-lines-of-bactrian-language-in-greek-cursive-script-in-which-nawaz-instructs-ram-yol-the-recipient-to-give-good-treatment-to-a-third-individual-named-siz-bur-the-letter-is-a-palimpsest-written-over-an-earlier-illegible-document-with-lines-of-the-earlier-writing-visible-in-the-margins-on-the-left-and-bottom-edges-no-margins-on-right-and-top-edges-writing-is-also-visible-on-the-verso-a-strip-almost-cut-away-along-the-bottom-image187828402.html
RMMWG916–. English: Nawaz letter with seal, 300s or 400s. Letter written on parchment in the 4th or 5th century in the northern Hindu Kush region (in modern Afghanistan). 10 lines of Bactrian language in Greek cursive script in which Nawaz instructs Ram-yol, the recipient, to give good treatment to a third individual named Siz-bur. The letter is a palimpsest, written over an earlier, illegible document, with lines of the earlier writing visible in the margins on the left and bottom edges (no margins on right and top edges); writing is also visible on the verso. A strip almost cut away along the bottom
A screw top bottle, German, presumably Saxon, dated 1681 Six-sided, screw top, embossed copper bottle. The body rests on six ball feet. The edges are corded. The flats display embossed representations of birds, griffons, and flowers, along with a depiction of a miner with a hammer. Stepped shoulders with grooved decoration. Screw lid with a moveable carrying ring. Height without ring 29 cm. historic, historical, 17th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, vessel, vessels, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-screw-top-bottle-german-presumably-saxon-dated-1681-six-sided-screw-19830968.html
RMB47AGT–A screw top bottle, German, presumably Saxon, dated 1681 Six-sided, screw top, embossed copper bottle. The body rests on six ball feet. The edges are corded. The flats display embossed representations of birds, griffons, and flowers, along with a depiction of a miner with a hammer. Stepped shoulders with grooved decoration. Screw lid with a moveable carrying ring. Height without ring 29 cm. historic, historical, 17th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, vessel, vessels,
Cricket cage. Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspende Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cricket-cage-rectangular-cage-a-with-turned-corner-posts-terminating-in-pointed-finials-at-top-ball-feet-pierced-gallery-around-top-edges-hinged-door-at-one-side-rectangular-partitioned-food-trough-in-cage-next-to-door-two-red-and-orange-ivory-birds-sit-on-flat-green-perch-suspende-image353486218.html
RM2BF2K7P–Cricket cage. Rectangular cage (a) with turned corner posts terminating in pointed finials at top, ball feet; pierced gallery around top edges; hinged door at one side; rectangular, partitioned 'food trough' in cage, next to door; two red and orange ivory birds sit on flat green perch suspende
Close-up of euro notes top edges. Variety of denominations Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-close-up-of-euro-notes-top-edges-variety-of-denominations-48245522.html
RFCPDNJA–Close-up of euro notes top edges. Variety of denominations
CHESTER LE STREET, ENGLAND 3rd JULY New Zealand's Tom Latham top edges a delivery from Liam Plunkett to Jos Buttler during the ICC Cricket World Cup 2019 match between England and New Zealand at Emirates Riverside, Chester le Street on Wednesday 3rd July 2019. (Credit: Mark Fletcher | MI News) Credit: MI News & Sport /Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chester-le-street-england-3rd-july-new-zealands-tom-latham-top-edges-a-delivery-from-liam-plunkett-to-jos-buttler-during-the-icc-cricket-world-cup-2019-match-between-england-and-new-zealand-at-emirates-riverside-chester-le-street-on-wednesday-3rd-july-2019-credit-mark-fletcher-mi-news-credit-mi-news-sport-alamy-live-news-image259277099.html
RMW1R2GB–CHESTER LE STREET, ENGLAND 3rd JULY New Zealand's Tom Latham top edges a delivery from Liam Plunkett to Jos Buttler during the ICC Cricket World Cup 2019 match between England and New Zealand at Emirates Riverside, Chester le Street on Wednesday 3rd July 2019. (Credit: Mark Fletcher | MI News) Credit: MI News & Sport /Alamy Live News
Wedding dinner table reception. White plate on top of a wildcard with golden edges. In a white plate there is a napkin, a knife, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wedding-dinner-table-reception-white-plate-on-top-of-a-wildcard-with-golden-edges-in-a-white-plate-there-is-a-napkin-a-knife-image449878953.html
RF2H3WN5D–Wedding dinner table reception. White plate on top of a wildcard with golden edges. In a white plate there is a napkin, a knife,
GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grca-grand-canyon-historical-boat-collectioncollapsable-canvas-canoe-175640616.html
RMM5N3B4–GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI
A top high-angle of sharp rock edges on Navagio beach Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-top-high-angle-of-sharp-rock-edges-on-navagio-beach-image513841297.html
RF2MRYDPW–A top high-angle of sharp rock edges on Navagio beach
The fenced off cliff top at Birling Gap due to coastal erosion east Sussex England UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fenced-off-cliff-top-at-birling-gap-due-to-coastal-erosion-east-sussex-england-uk-image372287110.html
RM2CHK406–The fenced off cliff top at Birling Gap due to coastal erosion east Sussex England UK
Edgbaston, Birmingham, UK. 14th Sep, 2024. Vitality Blast T20 League Cricket Finals Day; Semi Final, Surrey, Somerset; Lewis Gregory of Somerset top edges the ball for 6 to win the match Credit: Action Plus Sports/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edgbaston-birmingham-uk-14th-sep-2024-vitality-blast-t20-league-cricket-finals-day-semi-final-surrey-somerset-lewis-gregory-of-somerset-top-edges-the-ball-for-6-to-win-the-match-credit-action-plus-sportsalamy-live-news-image621983585.html
RM2Y3WPBD–Edgbaston, Birmingham, UK. 14th Sep, 2024. Vitality Blast T20 League Cricket Finals Day; Semi Final, Surrey, Somerset; Lewis Gregory of Somerset top edges the ball for 6 to win the match Credit: Action Plus Sports/Alamy Live News
Japan, Koyasan, Okunoin cemetery. Child's Heian period type orange cloth kimono left on memorial gravestone as offering. Some snow on top edges. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-japan-koyasan-okunoin-cemetery-childs-heian-period-type-orange-cloth-125890362.html
RMH8PPCA–Japan, Koyasan, Okunoin cemetery. Child's Heian period type orange cloth kimono left on memorial gravestone as offering. Some snow on top edges.
Melbourne, Australia, 29 December, 2023. Mohammad Rizwan of Pakistan top edges a ball during Day 4 of the Boxing Day Test - Day 4 match between Australia and Pakistan at the Melbourne Cricket Ground on December 29, 2023 in Melbourne, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/melbourne-australia-29-december-2023-mohammad-rizwan-of-pakistan-top-edges-a-ball-during-day-4-of-the-boxing-day-test-day-4-match-between-australia-and-pakistan-at-the-melbourne-cricket-ground-on-december-29-2023-in-melbourne-australia-credit-santanu-banikspeed-mediaalamy-live-news-image591182795.html
RM2W9PKK7–Melbourne, Australia, 29 December, 2023. Mohammad Rizwan of Pakistan top edges a ball during Day 4 of the Boxing Day Test - Day 4 match between Australia and Pakistan at the Melbourne Cricket Ground on December 29, 2023 in Melbourne, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News
Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 32 × 26.6 cm (12 5/8 × 10 1/2 in.) Right and bottom edges: 137 × 18.7 cm (53 15/16 × 7 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-woven-fabric-fragment-france-gouache-on-oily-tracing-paper-mounted-left-and-top-edges-32-266-cm-12-58-10-12-in-right-and-bottom-edges-137-187-cm-53-1516-7-38-in-image546227112.html
RM2PMJP74–Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 32 × 26.6 cm (12 5/8 × 10 1/2 in.) Right and bottom edges: 137 × 18.7 cm (53 15/16 × 7 3/8 in.)
The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vietnam-veterans-memorial-washington-dc-usa-92006-the-memorial-is-composed-of-two-adjoining-walls-each-wall-is-246-feet-9-inches-7521-m-long-and-is-composed-of-72-black-granite-panels-that-are-polished-to-a-high-finish-seventy-of-the-panels-on-each-wall-are-inscribed-with-the-names-of-the-men-and-women-being-honored-the-walls-taper-from-8-inches-200-mm-tall-at-their-extremities-to-101-feet-31-m-tall-at-the-apex-where-they-meet-their-bottom-edges-descending-below-the-level-of-the-surrounding-earth-while-their-top-edges-stay-level-image552688824.html
RM2R3546G–The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level.
Babyschoen, Anonymous, c. 1877 - c. 1878 Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges with a pleated bright blue ribbon drilled off. With bow. Amsterdam pique. Ribbon (material) Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges wit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babyschoen-anonymous-c-1877-c-1878-baby-shoe-from-piqu-and-blue-ribbon-low-boot-with-rounded-cover-shaft-and-sewn-sole-of-the-same-fabric-closure-in-the-middle-with-hook-and-trensje-the-fabric-is-covered-with-white-soutache-in-a-winding-pattern-the-top-edges-with-a-pleated-bright-blue-ribbon-drilled-off-with-bow-amsterdam-pique-ribbon-material-baby-shoe-from-piqu-and-blue-ribbon-low-boot-with-rounded-cover-shaft-and-sewn-sole-of-the-same-fabric-closure-in-the-middle-with-hook-and-trensje-the-fabric-is-covered-with-white-soutache-in-a-winding-pattern-the-top-edges-wit-image576361286.html
RM2TDKEKJ–Babyschoen, Anonymous, c. 1877 - c. 1878 Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges with a pleated bright blue ribbon drilled off. With bow. Amsterdam pique. Ribbon (material) Baby shoe from piqué and blue ribbon. Low boot, with rounded cover, shaft and sewn sole of the same fabric. Closure in the middle, with hook and trensje. The fabric is covered with white soutache in a winding pattern. The top edges wit
Sprinkling top-dressing along edges of freshly laid turf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sprinkling-top-dressing-along-edges-of-freshly-laid-turf-image508183857.html
RM2MENNKD–Sprinkling top-dressing along edges of freshly laid turf
(L-R) England's Geoff Boycott top edges the ball past India wicketkeeper Farokh Engineer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-l-r-englands-geoff-boycott-top-edges-the-ball-past-india-wicketkeeper-109706263.html
RMGADFCR–(L-R) England's Geoff Boycott top edges the ball past India wicketkeeper Farokh Engineer
Art inspired by Virgin with a Palm Branch, 17th century, Red chalk on light tan paper. Red chalk framing outlines at top, right, and bottom edges, 6-11/16 x 4-13/16 in. (17 x 12.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-virgin-with-a-palm-branch-17th-century-red-chalk-on-light-tan-paper-red-chalk-framing-outlines-at-top-right-and-bottom-edges-6-1116-x-4-1316-in-17-x-122-cm-drawings-anonymous-italian-roman-bolognese-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952911.html
RF2HW594F–Art inspired by Virgin with a Palm Branch, 17th century, Red chalk on light tan paper. Red chalk framing outlines at top, right, and bottom edges, 6-11/16 x 4-13/16 in. (17 x 12.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
bronze rim heel ax. The ax has high edges and a low cross ridge, which is located approximately in the middle of the ax. The cut is slightly damaged as well as the top. Also the edges are not entirely cool, ax, metal, bronze, 15.7 x 2.5 cm, prehistory -1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-rim-heel-ax-the-ax-has-high-edges-and-a-low-cross-ridge-which-is-located-approximately-in-the-middle-of-the-ax-the-cut-is-slightly-damaged-as-well-as-the-top-also-the-edges-are-not-entirely-cool-ax-metal-bronze-157-x-25-cm-prehistory-1600-image344559492.html
RM2B0G144–bronze rim heel ax. The ax has high edges and a low cross ridge, which is located approximately in the middle of the ax. The cut is slightly damaged as well as the top. Also the edges are not entirely cool, ax, metal, bronze, 15.7 x 2.5 cm, prehistory -1600
. English: Nawaz letter with seal, 300s or 400s. Letter written on parchment in the 4th or 5th century in the northern Hindu Kush region (in modern Afghanistan). 10 lines of Bactrian language in Greek cursive script in which Nawaz instructs Ram-yol, the recipient, to give good treatment to a third individual named Siz-bur. The letter is a palimpsest, written over an earlier, illegible document, with lines of the earlier writing visible in the margins on the left and bottom edges (no margins on right and top edges); writing is also visible on the verso. A strip almost cut away along the bottom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-nawaz-letter-with-seal-300s-or-400s-letter-written-on-parchment-in-the-4th-or-5th-century-in-the-northern-hindu-kush-region-in-modern-afghanistan-10-lines-of-bactrian-language-in-greek-cursive-script-in-which-nawaz-instructs-ram-yol-the-recipient-to-give-good-treatment-to-a-third-individual-named-siz-bur-the-letter-is-a-palimpsest-written-over-an-earlier-illegible-document-with-lines-of-the-earlier-writing-visible-in-the-margins-on-the-left-and-bottom-edges-no-margins-on-right-and-top-edges-writing-is-also-visible-on-the-verso-a-strip-almost-cut-away-along-the-bottom-image188360703.html
RMMXCFYY–. English: Nawaz letter with seal, 300s or 400s. Letter written on parchment in the 4th or 5th century in the northern Hindu Kush region (in modern Afghanistan). 10 lines of Bactrian language in Greek cursive script in which Nawaz instructs Ram-yol, the recipient, to give good treatment to a third individual named Siz-bur. The letter is a palimpsest, written over an earlier, illegible document, with lines of the earlier writing visible in the margins on the left and bottom edges (no margins on right and top edges); writing is also visible on the verso. A strip almost cut away along the bottom
A screw top bottle, German, presumably Saxon, dated 1681 Six-sided, screw top, embossed copper bottle. The body rests on six ball feet. The edges are corded. The flats display embossed representations of birds, griffons, and flowers, along with a depiction of a miner with a hammer. Stepped shoulders with grooved decoration. Screw lid with a moveable carrying ring. Height without ring 29 cm. historic, historical, 17th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, vessel, vessels, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-screw-top-bottle-german-presumably-saxon-dated-1681-six-sided-screw-19831176.html
RMB47AT8–A screw top bottle, German, presumably Saxon, dated 1681 Six-sided, screw top, embossed copper bottle. The body rests on six ball feet. The edges are corded. The flats display embossed representations of birds, griffons, and flowers, along with a depiction of a miner with a hammer. Stepped shoulders with grooved decoration. Screw lid with a moveable carrying ring. Height without ring 29 cm. historic, historical, 17th century, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, vessel, vessels,
Different quartz kitchen counter top samples on white polished countertop with precise processed edges. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/different-quartz-kitchen-counter-top-samples-on-white-polished-countertop-with-precise-processed-edges-image377557625.html
RF2CX76GW–Different quartz kitchen counter top samples on white polished countertop with precise processed edges.
Ben Stokes of England top edges a delivery from Chris Morris of South Africa during day two of the third Investec Test match between England and South Africa at The Oval in London. 28 Jul 2017 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ben-stokes-of-england-top-edges-a-delivery-from-chris-morris-of-south-161746460.html
RMKB4578–Ben Stokes of England top edges a delivery from Chris Morris of South Africa during day two of the third Investec Test match between England and South Africa at The Oval in London. 28 Jul 2017
Two tents with feather flags on top. The right one stands behind the left one and is only partly visible. Both have friezes of lambrequins with tassels and two entwined cords. The edges of the openings are fringed. The background and the interior of the tents are colored. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-tents-with-feather-flags-on-top-the-right-one-stands-behind-the-left-one-and-is-only-partly-visible-both-have-friezes-of-lambrequins-with-tassels-and-two-entwined-cords-the-edges-of-the-openings-are-fringed-the-background-and-the-interior-of-the-tents-are-colored-date-ca-1790-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-museum-cooper-hewitt-smithsonian-design-museum-image554750083.html
RM2R6F1AY–Two tents with feather flags on top. The right one stands behind the left one and is only partly visible. Both have friezes of lambrequins with tassels and two entwined cords. The edges of the openings are fringed. The background and the interior of the tents are colored. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.
Wedding dinner table reception. White plate on top of a wildcard with golden edges. In a white plate there is a napkin, a knife, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wedding-dinner-table-reception-white-plate-on-top-of-a-wildcard-with-golden-edges-in-a-white-plate-there-is-a-napkin-a-knife-image449878302.html
RF2H3WMA6–Wedding dinner table reception. White plate on top of a wildcard with golden edges. In a white plate there is a napkin, a knife,
GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grca-grand-canyon-historical-boat-collectioncollapsable-canvas-canoe-175640619.html
RMM5N3B7–GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI
A top closeup of a cup of cappuccino on a plate with brown edges and a little spoon near, white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-top-closeup-of-a-cup-of-cappuccino-on-a-plate-with-brown-edges-and-a-little-spoon-near-white-background-image490809974.html
RF2KEE93J–A top closeup of a cup of cappuccino on a plate with brown edges and a little spoon near, white background
The fenced off cliff top at Birling Gap due to coastal erosion east Sussex England UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fenced-off-cliff-top-at-birling-gap-due-to-coastal-erosion-east-sussex-england-uk-image372287506.html
RM2CHK4EA–The fenced off cliff top at Birling Gap due to coastal erosion east Sussex England UK
Kia Oval, London, UK. 8th Sep, 2024. 3rd Rothesay Cricket Test Match, Day Three, England versus Sri Lanka; Dhananjaya de Silva of Sri Lanka top edges the ball to Shoaib Bashir of England off the bowling of Josh Hull of England and is out for 69 with the score on 220 for 6 Credit: Action Plus Sports/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kia-oval-london-uk-8th-sep-2024-3rd-rothesay-cricket-test-match-day-three-england-versus-sri-lanka-dhananjaya-de-silva-of-sri-lanka-top-edges-the-ball-to-shoaib-bashir-of-england-off-the-bowling-of-josh-hull-of-england-and-is-out-for-69-with-the-score-on-220-for-6-credit-action-plus-sportsalamy-live-news-image622094563.html
RM2Y42RXY–Kia Oval, London, UK. 8th Sep, 2024. 3rd Rothesay Cricket Test Match, Day Three, England versus Sri Lanka; Dhananjaya de Silva of Sri Lanka top edges the ball to Shoaib Bashir of England off the bowling of Josh Hull of England and is out for 69 with the score on 220 for 6 Credit: Action Plus Sports/Alamy Live News
Horizontal close-up shot of the corners of two slices of whole wheat bread. White background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horizontal-close-up-shot-of-the-corners-of-two-slices-of-whole-wheat-bread-white-background-image246268349.html
RFT8JDP5–Horizontal close-up shot of the corners of two slices of whole wheat bread. White background.
Melbourne, Australia, 28 December, 2023. Shaheen Shah Afridi of Pakistan top edges a ball during Day 3 of the Boxing Day Test - Day 3 match between Australia and Pakistan at the Melbourne Cricket Ground on December 28, 2023 in Melbourne, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/melbourne-australia-28-december-2023-shaheen-shah-afridi-of-pakistan-top-edges-a-ball-during-day-3-of-the-boxing-day-test-day-3-match-between-australia-and-pakistan-at-the-melbourne-cricket-ground-on-december-28-2023-in-melbourne-australia-credit-santanu-banikspeed-mediaalamy-live-news-image591038820.html
RM2W9G418–Melbourne, Australia, 28 December, 2023. Shaheen Shah Afridi of Pakistan top edges a ball during Day 3 of the Boxing Day Test - Day 3 match between Australia and Pakistan at the Melbourne Cricket Ground on December 28, 2023 in Melbourne, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News
Drawing, Design for Parts of the Embroidery of a Man's Waistcoat; France; brush and watercolor, brush and white on paper; (Left and Top edges): 27.6 × 11 cm (10 7/8 × 4 5/16 in.) (Right and Bottom edges): 11.5 × 30.5 cm (4 1/2 in. × 12 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-parts-of-the-embroidery-of-a-mans-waistcoat-france-brush-and-watercolor-brush-and-white-on-paper-left-and-top-edges-276-11-cm-10-78-4-516-in-right-and-bottom-edges-115-305-cm-4-12-in-12-in-image546138750.html
RM2PMENFA–Drawing, Design for Parts of the Embroidery of a Man's Waistcoat; France; brush and watercolor, brush and white on paper; (Left and Top edges): 27.6 × 11 cm (10 7/8 × 4 5/16 in.) (Right and Bottom edges): 11.5 × 30.5 cm (4 1/2 in. × 12 in.)
The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vietnam-veterans-memorial-washington-dc-usa-92006-the-memorial-is-composed-of-two-adjoining-walls-each-wall-is-246-feet-9-inches-7521-m-long-and-is-composed-of-72-black-granite-panels-that-are-polished-to-a-high-finish-seventy-of-the-panels-on-each-wall-are-inscribed-with-the-names-of-the-men-and-women-being-honored-the-walls-taper-from-8-inches-200-mm-tall-at-their-extremities-to-101-feet-31-m-tall-at-the-apex-where-they-meet-their-bottom-edges-descending-below-the-level-of-the-surrounding-earth-while-their-top-edges-stay-level-image552689585.html
RM2R3555N–The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level.
Bidkleed, MELAS, , c. 1900 Bid rug, melas. Midfield: Narrow Oranjerode Mihrab in a congested gable and a flower stalk in white, brown, soft yellow, light blue and eggplant. Rows of sloping anjelieren or plate leaves are on white swallings that are floating above the gable top. Edges: double. On a very wide gold tube inner edge are diamond-shaped and four-part flowers, the one in eggplant, the other in light and dark red, white and light green. There is one outdoor zoom, in eggplant, with climbing carnations to the left and right. Midfield and outside zoom surrounded by interlocking triangles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bidkleed-melas-c-1900-bid-rug-melas-midfield-narrow-oranjerode-mihrab-in-a-congested-gable-and-a-flower-stalk-in-white-brown-soft-yellow-light-blue-and-eggplant-rows-of-sloping-anjelieren-or-plate-leaves-are-on-white-swallings-that-are-floating-above-the-gable-top-edges-double-on-a-very-wide-gold-tube-inner-edge-are-diamond-shaped-and-four-part-flowers-the-one-in-eggplant-the-other-in-light-and-dark-red-white-and-light-green-there-is-one-outdoor-zoom-in-eggplant-with-climbing-carnations-to-the-left-and-right-midfield-and-outside-zoom-surrounded-by-interlocking-triangles-image579364042.html
RM2TJG8MX–Bidkleed, MELAS, , c. 1900 Bid rug, melas. Midfield: Narrow Oranjerode Mihrab in a congested gable and a flower stalk in white, brown, soft yellow, light blue and eggplant. Rows of sloping anjelieren or plate leaves are on white swallings that are floating above the gable top. Edges: double. On a very wide gold tube inner edge are diamond-shaped and four-part flowers, the one in eggplant, the other in light and dark red, white and light green. There is one outdoor zoom, in eggplant, with climbing carnations to the left and right. Midfield and outside zoom surrounded by interlocking triangles.
Red Tarn viewed from the top of Helvellyn Cumbria Lake District England UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-tarn-viewed-from-the-top-of-helvellyn-cumbria-lake-district-england-image7648678.html
RMADDBP7–Red Tarn viewed from the top of Helvellyn Cumbria Lake District England UK
(L-R) England's Geoff Boycott top edges the ball past India wicketkeeper Farokh Engineer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-l-r-englands-geoff-boycott-top-edges-the-ball-past-india-wicketkeeper-109706272.html
RMGADFD4–(L-R) England's Geoff Boycott top edges the ball past India wicketkeeper Farokh Engineer
Art inspired by Archangel Drawing a Sword, 1825–86, Watercolor over black chalk, gold paint; framing line in black chalk with reddish-orange watercolor along the top and right edges; two arched lines impressed in paper, lower left, 17 15/16 x 14 5/8 in. (45.5 x 37.2 cm), Drawings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-archangel-drawing-a-sword-182586-watercolor-over-black-chalk-gold-paint-framing-line-in-black-chalk-with-reddish-orange-watercolor-along-the-top-and-right-edges-two-arched-lines-impressed-in-paper-lower-left-17-1516-x-14-58-in-455-x-372-cm-drawings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946986.html
RF2HW51GX–Art inspired by Archangel Drawing a Sword, 1825–86, Watercolor over black chalk, gold paint; framing line in black chalk with reddish-orange watercolor along the top and right edges; two arched lines impressed in paper, lower left, 17 15/16 x 14 5/8 in. (45.5 x 37.2 cm), Drawings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jug of light brown smooth-walled earthenware. Double ears and funnel-shaped rim. Type St. 129a. The bottom and top edges are damaged, in addition surface damage., Amphora, jug amphora, pottery, h: 37.5 cm, diam: 22.5 cm, Netherlands, Drenthe, unknown, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-of-light-brown-smooth-walled-earthenware-double-ears-and-funnel-shaped-rim-type-st-129a-the-bottom-and-top-edges-are-damaged-in-addition-surface-damage-amphora-jug-amphora-pottery-h-375-cm-diam-225-cm-netherlands-drenthe-unknown-unknown-image344566276.html
RM2B0G9PC–Jug of light brown smooth-walled earthenware. Double ears and funnel-shaped rim. Type St. 129a. The bottom and top edges are damaged, in addition surface damage., Amphora, jug amphora, pottery, h: 37.5 cm, diam: 22.5 cm, Netherlands, Drenthe, unknown, unknown
. English: Nawaz letter with seal, 300s or 400s. Letter written on parchment in the 4th or 5th century in the northern Hindu Kush region (in modern Afghanistan). 10 lines of Bactrian language in Greek cursive script in which Nawaz instructs Ram-yol, the recipient, to give good treatment to a third individual named Siz-bur. The letter is a palimpsest, written over an earlier, illegible document, with lines of the earlier writing visible in the margins on the left and bottom edges (no margins on right and top edges); writing is also visible on the verso. A strip almost cut away along the bottom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-nawaz-letter-with-seal-300s-or-400s-letter-written-on-parchment-in-the-4th-or-5th-century-in-the-northern-hindu-kush-region-in-modern-afghanistan-10-lines-of-bactrian-language-in-greek-cursive-script-in-which-nawaz-instructs-ram-yol-the-recipient-to-give-good-treatment-to-a-third-individual-named-siz-bur-the-letter-is-a-palimpsest-written-over-an-earlier-illegible-document-with-lines-of-the-earlier-writing-visible-in-the-margins-on-the-left-and-bottom-edges-no-margins-on-right-and-top-edges-writing-is-also-visible-on-the-verso-a-strip-almost-cut-away-along-the-bottom-image189105944.html
RMMYJEFM–. English: Nawaz letter with seal, 300s or 400s. Letter written on parchment in the 4th or 5th century in the northern Hindu Kush region (in modern Afghanistan). 10 lines of Bactrian language in Greek cursive script in which Nawaz instructs Ram-yol, the recipient, to give good treatment to a third individual named Siz-bur. The letter is a palimpsest, written over an earlier, illegible document, with lines of the earlier writing visible in the margins on the left and bottom edges (no margins on right and top edges); writing is also visible on the verso. A strip almost cut away along the bottom
Two very rare North Italian Gothic vambraces circa 1430-40. For the right and the left arm and each very similar, each comprising an open upper-cannon with turned top and bottom edges, the left upper-cannon with two indistinct maker´s marks each involving a split cross, the two upper-cannons each articulated, by two plates on the left and by a single plate on the right, to a bluntly-p middle ages, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-very-rare-north-italian-gothic-vambraces-circa-1430-40-for-the-right-and-the-left-arm-and-each-very-similar-each-comprising-an-open-upper-cannon-with-turned-top-and-bottom-edges-the-left-upper-cannon-with-two-indistinct-makers-marks-each-involving-a-split-cross-the-two-upper-cannons-each-articulated-by-two-plates-on-the-left-and-by-a-single-plate-on-the-right-to-a-bluntly-p-middle-ages-additional-rights-clearance-info-not-available-image243710635.html
RMT4DYB7–Two very rare North Italian Gothic vambraces circa 1430-40. For the right and the left arm and each very similar, each comprising an open upper-cannon with turned top and bottom edges, the left upper-cannon with two indistinct maker´s marks each involving a split cross, the two upper-cannons each articulated, by two plates on the left and by a single plate on the right, to a bluntly-p middle ages, Additional-Rights-Clearance-Info-Not-Available
A piece of craft paper with ragged edges lies on a yellow background. The view from the top. Mock up Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-piece-of-craft-paper-with-ragged-edges-lies-on-a-yellow-background-the-view-from-the-top-mock-up-image384278239.html
RF2D95APR–A piece of craft paper with ragged edges lies on a yellow background. The view from the top. Mock up
A close-up of raw filled pasta cut with textured edges scattered on a wooden counter top. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-close-up-of-raw-filled-pasta-cut-with-textured-edges-scattered-on-95292446.html
RMFF0XDJ–A close-up of raw filled pasta cut with textured edges scattered on a wooden counter top.
A bridge leads to and passes under the arch. The fron shows below pairs of Doric columns supporting the lower entablature. Statues and relief medallions are shown in the intercolumniations. The arch is flanked by genii and oblong reliefs. A quadriga upon a pedestal is on top. Traces of framing lines at the edges. Date: 1800-1805. Pen and brown ink, brush and brown wash, graphite on blue-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-bridge-leads-to-and-passes-under-the-arch-the-fron-shows-below-pairs-of-doric-columns-supporting-the-lower-entablature-statues-and-relief-medallions-are-shown-in-the-intercolumniations-the-arch-is-flanked-by-genii-and-oblong-reliefs-a-quadriga-upon-a-pedestal-is-on-top-traces-of-framing-lines-at-the-edges-date-1800-1805-pen-and-brown-ink-brush-and-brown-wash-graphite-on-blue-white-laid-paper-museum-cooper-hewitt-smithsonian-design-museum-image554738874.html
RM2R6EF2J–A bridge leads to and passes under the arch. The fron shows below pairs of Doric columns supporting the lower entablature. Statues and relief medallions are shown in the intercolumniations. The arch is flanked by genii and oblong reliefs. A quadriga upon a pedestal is on top. Traces of framing lines at the edges. Date: 1800-1805. Pen and brown ink, brush and brown wash, graphite on blue-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
A rusty metal pipe sticks out over an iron fence. The top cut is uneven with very sharp and dangerous edges. Against the background of white snow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-rusty-metal-pipe-sticks-out-over-an-iron-fence-the-top-cut-is-uneven-with-very-sharp-and-dangerous-edges-against-the-background-of-white-snow-image418231125.html
RF2F8C21W–A rusty metal pipe sticks out over an iron fence. The top cut is uneven with very sharp and dangerous edges. Against the background of white snow.
GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grca-grand-canyon-historical-boat-collectioncollapsable-canvas-canoe-175640622.html
RMM5N3BA–GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI
A top closeup of a cup of cappuccino on a plate with brown edges and a little spoon near, white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-top-closeup-of-a-cup-of-cappuccino-on-a-plate-with-brown-edges-and-a-little-spoon-near-white-background-image490809967.html
RF2KEE93B–A top closeup of a cup of cappuccino on a plate with brown edges and a little spoon near, white background
Girl using thumb to pressing edges of pastry lid on top of apple pie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-using-thumb-to-pressing-edges-of-pastry-lid-on-top-of-apple-pie-image216234242.html
RMPFP8YE–Girl using thumb to pressing edges of pastry lid on top of apple pie
Kia Oval, London, UK. 8th Sep, 2024. 3rd Rothesay Cricket Test Match, Day Three, England versus Sri Lanka; Dhananjaya de Silva of Sri Lanka top edges the ball to Shoaib Bashir of England off the bowling of Josh Hull of England and is out for 69 with the score on 220 for 6 Credit: Action Plus Sports/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kia-oval-london-uk-8th-sep-2024-3rd-rothesay-cricket-test-match-day-three-england-versus-sri-lanka-dhananjaya-de-silva-of-sri-lanka-top-edges-the-ball-to-shoaib-bashir-of-england-off-the-bowling-of-josh-hull-of-england-and-is-out-for-69-with-the-score-on-220-for-6-credit-action-plus-sportsalamy-live-news-image622094788.html
RM2Y42T70–Kia Oval, London, UK. 8th Sep, 2024. 3rd Rothesay Cricket Test Match, Day Three, England versus Sri Lanka; Dhananjaya de Silva of Sri Lanka top edges the ball to Shoaib Bashir of England off the bowling of Josh Hull of England and is out for 69 with the score on 220 for 6 Credit: Action Plus Sports/Alamy Live News
Gray gradient background. Soft light at top. Smooth shading transition. Dark vignette edges. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gray-gradient-background-soft-light-at-top-smooth-shading-transition-dark-vignette-edges-image618933626.html
RF2XXXT4A–Gray gradient background. Soft light at top. Smooth shading transition. Dark vignette edges.
Melbourne, Australia, 26 December, 2023. Marnus Labuschagne of Australia top edges a ball for a boundary during Day 1 of the Boxing Day Test match between Australia and Pakistan at the Melbourne Cricket Ground on December 26, 2023 in Melbourne, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/melbourne-australia-26-december-2023-marnus-labuschagne-of-australia-top-edges-a-ball-for-a-boundary-during-day-1-of-the-boxing-day-test-match-between-australia-and-pakistan-at-the-melbourne-cricket-ground-on-december-26-2023-in-melbourne-australia-credit-santanu-banikspeed-mediaalamy-live-news-image590954263.html
RM2W9C85B–Melbourne, Australia, 26 December, 2023. Marnus Labuschagne of Australia top edges a ball for a boundary during Day 1 of the Boxing Day Test match between Australia and Pakistan at the Melbourne Cricket Ground on December 26, 2023 in Melbourne, Australia. Credit: Santanu Banik/Speed Media/Alamy Live News
Drawing, Design for a Woven Fabric, Fragment; France; yellow and lateritious gouache on oily tracing paper; Left and top edges: 9 × 2.3 cm (3 9/16 × 7/8 in.) Right and bottom edges: 13.4 × 2.7 cm (5 1/4 × 1 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-woven-fabric-fragment-france-yellow-and-lateritious-gouache-on-oily-tracing-paper-left-and-top-edges-9-23-cm-3-916-78-in-right-and-bottom-edges-134-27-cm-5-14-1-116-in-image546097909.html
RM2PMCWCN–Drawing, Design for a Woven Fabric, Fragment; France; yellow and lateritious gouache on oily tracing paper; Left and top edges: 9 × 2.3 cm (3 9/16 × 7/8 in.) Right and bottom edges: 13.4 × 2.7 cm (5 1/4 × 1 1/16 in.)
The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vietnam-veterans-memorial-washington-dc-usa-92006-the-memorial-is-composed-of-two-adjoining-walls-each-wall-is-246-feet-9-inches-7521-m-long-and-is-composed-of-72-black-granite-panels-that-are-polished-to-a-high-finish-seventy-of-the-panels-on-each-wall-are-inscribed-with-the-names-of-the-men-and-women-being-honored-the-walls-taper-from-8-inches-200-mm-tall-at-their-extremities-to-101-feet-31-m-tall-at-the-apex-where-they-meet-their-bottom-edges-descending-below-the-level-of-the-surrounding-earth-while-their-top-edges-stay-level-image552688465.html
RM2R353NN–The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level.
Two Salt Cellars, Manufactuur Oud-Loosdrecht, c. 1774 - c. 1778 Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top surface. Rocailles in gold on the sides and along the top edges. Loosdrecht porcelain Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top su Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-salt-cellars-manufactuur-oud-loosdrecht-c-1774-c-1778-porcelain-salt-barrel-on-six-legs-with-rocaille-foot-edge-on-one-side-in-the-middle-a-rocaille-in-relief-on-the-wall-painted-in-beet-red-figures-in-a-landscape-on-both-sides-on-both-sides-a-ground-with-trees-on-the-top-surface-rocailles-in-gold-on-the-sides-and-along-the-top-edges-loosdrecht-porcelain-porcelain-salt-barrel-on-six-legs-with-rocaille-foot-edge-on-one-side-in-the-middle-a-rocaille-in-relief-on-the-wall-painted-in-beet-red-figures-in-a-landscape-on-both-sides-on-both-sides-a-ground-with-trees-on-the-top-su-image576298269.html
RM2TDGJ91–Two Salt Cellars, Manufactuur Oud-Loosdrecht, c. 1774 - c. 1778 Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top surface. Rocailles in gold on the sides and along the top edges. Loosdrecht porcelain Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top su
A side profile of a young Caucasian woman wearing glasses and a blue top with ruffle details stands against a soft-focus background of a lush spring setting. Her hair is neatly tied back, and the sunlight gently highlights her facial features and the edges of her hair. The background suggests a tranquil park or garden path, contributing to the peaceful and reflective theme of the image. Spring Day Contemplation. High quality photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-side-profile-of-a-young-caucasian-woman-wearing-glasses-and-a-blue-top-with-ruffle-details-stands-against-a-soft-focus-background-of-a-lush-spring-setting-her-hair-is-neatly-tied-back-and-the-sunlight-gently-highlights-her-facial-features-and-the-edges-of-her-hair-the-background-suggests-a-tranquil-park-or-garden-path-contributing-to-the-peaceful-and-reflective-theme-of-the-image-spring-day-contemplation-high-quality-photo-image591513350.html
RF2WA9N8P–A side profile of a young Caucasian woman wearing glasses and a blue top with ruffle details stands against a soft-focus background of a lush spring setting. Her hair is neatly tied back, and the sunlight gently highlights her facial features and the edges of her hair. The background suggests a tranquil park or garden path, contributing to the peaceful and reflective theme of the image. Spring Day Contemplation. High quality photo
England's Douglas Jardine (second l) edges a ball from India's L Amar Singh (top r) past the slips Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-englands-douglas-jardine-second-l-edges-a-ball-from-indias-l-amar-109310620.html
RMG9REPM–England's Douglas Jardine (second l) edges a ball from India's L Amar Singh (top r) past the slips
Inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge different from the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-cartouche-rug-cartouche-rug-midfield-brownish-red-ground-with-double-cross-with-pointed-top-and-foot-in-cognac-color-with-green-outline-and-filled-with-two-blocks-fitted-with-hooks-outside-and-inside-with-concatenated-lozenges-edges-in-two-types-the-standing-edge-different-from-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459387870.html
RF2HKAWWJ–Inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge different from the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Silversmith: Rudolph Sondag, Silver bonbon basket, openwork wall with engraved representation of tea drinking Chinese, bonbon container tableware holder silver, cast sawn engraved Oval basket pivoting openwork wall cast upright leaves along bottom and top edges ending in braided handles and four legs bottom bottom (debossed) Martin Tucker Smith 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silversmith-rudolph-sondag-silver-bonbon-basket-openwork-wall-with-engraved-representation-of-tea-drinking-chinese-bonbon-container-tableware-holder-silver-cast-sawn-engraved-oval-basket-pivoting-openwork-wall-cast-upright-leaves-along-bottom-and-top-edges-ending-in-braided-handles-and-four-legs-bottom-bottom-debossed-martin-tucker-smith-1869-image228072018.html
RMR71G56–Silversmith: Rudolph Sondag, Silver bonbon basket, openwork wall with engraved representation of tea drinking Chinese, bonbon container tableware holder silver, cast sawn engraved Oval basket pivoting openwork wall cast upright leaves along bottom and top edges ending in braided handles and four legs bottom bottom (debossed) Martin Tucker Smith 1869
An etching from a painting of a slave auction, a black man stands next to a black woman holding her child on top of a raised platform, two other black men are seen leaning and sitting on the edges of the platform, a white auctioneer addresses the crowd of white men from the platform, the other men are standing and conversing throughout the room, Virginia, 1861. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-an-etching-from-a-painting-of-a-slave-auction-a-black-man-stands-next-166776444.html
RMKK991G–An etching from a painting of a slave auction, a black man stands next to a black woman holding her child on top of a raised platform, two other black men are seen leaning and sitting on the edges of the platform, a white auctioneer addresses the crowd of white men from the platform, the other men are standing and conversing throughout the room, Virginia, 1861. From the New York Public Library.
Two very rare North Italian Gothic vambraces circa 1430-40. For the right and the left arm and each very similar, each comprising an open upper-cannon with turned top and bottom edges, the left upper-cannon with two indistinct maker's marks each involving a split cross, the two upper-cannons each articulated, by two plates on the left and by a single plate on the right, to a bluntly-p middle ages, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-very-rare-north-italian-gothic-vambraces-circa-1430-40-for-the-right-and-the-left-arm-and-each-very-similar-each-comprising-an-open-upper-cannon-with-turned-top-and-bottom-edges-the-left-upper-cannon-with-two-indistinct-makers-marks-each-involving-a-split-cross-the-two-upper-cannons-each-articulated-by-two-plates-on-the-left-and-by-a-single-plate-on-the-right-to-a-bluntly-p-middle-ages-additional-rights-clearance-info-not-available-image246129536.html
RMT8C4MG–Two very rare North Italian Gothic vambraces circa 1430-40. For the right and the left arm and each very similar, each comprising an open upper-cannon with turned top and bottom edges, the left upper-cannon with two indistinct maker's marks each involving a split cross, the two upper-cannons each articulated, by two plates on the left and by a single plate on the right, to a bluntly-p middle ages, Additional-Rights-Clearance-Info-Not-Available
Top edges of a row of old dusty CD cases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-top-edges-of-a-row-of-old-dusty-cd-cases-51315666.html
RMCYDHJA–Top edges of a row of old dusty CD cases
Large wavy top fungi in forest on ground with white gills in wooded area. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-large-wavy-top-fungi-in-forest-on-ground-with-white-gills-in-wooded-97881164.html
RMFK6TBT–Large wavy top fungi in forest on ground with white gills in wooded area.
Blackwork Design for Goldsmithwork with Monkey, Birds, and Insects. Artist: Mathais Beitler (German, Ansbach, active ca. 1582-1616). Dimensions: Sheet: 1 9/16 × 2 5/16 in. (3.9 × 5.8 cm). Date: 1582-1616. Ornamental panel with a monkey facing to the right on a limb, surrounded by birds. At edges of the plate are various insects, including a spider, beetle and fly. At top center, a bat. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blackwork-design-for-goldsmithwork-with-monkey-birds-and-insects-artist-mathais-beitler-german-ansbach-active-ca-1582-1616-dimensions-sheet-1-916-2-516-in-39-58-cm-date-1582-1616-ornamental-panel-with-a-monkey-facing-to-the-right-on-a-limb-surrounded-by-birds-at-edges-of-the-plate-are-various-insects-including-a-spider-beetle-and-fly-at-top-center-a-bat-museum-metropolitan-museum-of-art-new-york-usa-image213146007.html
RMPANHWB–Blackwork Design for Goldsmithwork with Monkey, Birds, and Insects. Artist: Mathais Beitler (German, Ansbach, active ca. 1582-1616). Dimensions: Sheet: 1 9/16 × 2 5/16 in. (3.9 × 5.8 cm). Date: 1582-1616. Ornamental panel with a monkey facing to the right on a limb, surrounded by birds. At edges of the plate are various insects, including a spider, beetle and fly. At top center, a bat. Museum: Metropolitan Museum of Art, New York, USA.
Modern smart phone with round edges on white desk. Isolated screen for mockup. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/modern-smart-phone-with-round-edges-on-white-desk-isolated-screen-for-mockup-image215425070.html
RFPEDCTE–Modern smart phone with round edges on white desk. Isolated screen for mockup.
GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grca-grand-canyon-historical-boat-collectioncollapsable-canvas-canoe-175640614.html
RMM5N3B2–GRCA Grand Canyon Historical Boat CollectionCollapsable Canvas Canoe . Catalog # GRCA 83613 Object CANOE Description COLLAPSIBLE METAL ROD FRAME CANOE COVERED WITH DARK BROWN COATED CANVAS, SECURED TO TOP EDGES OF FRAME BY METAL RIVETS AND STAPLES. SOME OF THE METAL RODS HAVE COME LOOSE FROM THE FRAME, AND ARE HANGING UNATTACHED. THERE ARE ROPE RINGS AT THE BOW AND STERN. THE CANVAS IS SLIGHTLY WORN. THE BOAT IS LABELLED, ON THE INSIDE, FRONT AND BACK, AS BEI
A vertical shot of a round bowl with wooden edges, transparent middle part and metal feet with a granite round stones in and out of it Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-vertical-shot-of-a-round-bowl-with-wooden-edges-transparent-middle-part-and-metal-feet-with-a-granite-round-stones-in-and-out-of-it-image477925809.html
RF2JNFB6W–A vertical shot of a round bowl with wooden edges, transparent middle part and metal feet with a granite round stones in and out of it
Pile of folded red, blue, yellow and cream pieces of material, frayed edges, metal scissors lying on top. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pile-of-folded-red-blue-yellow-and-cream-pieces-of-material-frayed-edges-metal-scissors-lying-on-top-image216088344.html
RMPFFJTT–Pile of folded red, blue, yellow and cream pieces of material, frayed edges, metal scissors lying on top.
The Kia Oval, London, UK. 9th June, 2019. ICC Cricket World Cup, India versus Australia; Shikhar Dhawan of India top edges a ball into his shoulder Credit: Action Plus Sports/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-kia-oval-london-uk-9th-june-2019-icc-cricket-world-cup-india-versus-australia-shikhar-dhawan-of-india-top-edges-a-ball-into-his-shoulder-credit-action-plus-sportsalamy-live-news-image248787006.html
RMTCN6A6–The Kia Oval, London, UK. 9th June, 2019. ICC Cricket World Cup, India versus Australia; Shikhar Dhawan of India top edges a ball into his shoulder Credit: Action Plus Sports/Alamy Live News
Man polishing rounding off the edges of a marble slab that will be used in a floor or kitchen Breda the Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-man-polishing-rounding-off-the-edges-of-a-marble-slab-that-will-be-13328113.html
RMAD79JX–Man polishing rounding off the edges of a marble slab that will be used in a floor or kitchen Breda the Netherlands
Isolated top and bottom parts of grunge painted texture. Useful as mask in design-works. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-isolated-top-and-bottom-parts-of-grunge-painted-texture-useful-as-30939031.html
RFBP9B1B–Isolated top and bottom parts of grunge painted texture. Useful as mask in design-works.
Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 12.2 × 26.9 cm (4 13/16 × 10 9/16 in.) Right and bottom edges: 10.9 × 17.3 cm (4 5/16 × 6 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-woven-fabric-fragment-france-gouache-on-oily-tracing-paper-mounted-left-and-top-edges-122-269-cm-4-1316-10-916-in-right-and-bottom-edges-109-173-cm-4-516-6-1316-in-image546130053.html
RM2PMEACN–Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 12.2 × 26.9 cm (4 13/16 × 10 9/16 in.) Right and bottom edges: 10.9 × 17.3 cm (4 5/16 × 6 13/16 in.)
The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vietnam-veterans-memorial-washington-dc-usa-92006-the-memorial-is-composed-of-two-adjoining-walls-each-wall-is-246-feet-9-inches-7521-m-long-and-is-composed-of-72-black-granite-panels-that-are-polished-to-a-high-finish-seventy-of-the-panels-on-each-wall-are-inscribed-with-the-names-of-the-men-and-women-being-honored-the-walls-taper-from-8-inches-200-mm-tall-at-their-extremities-to-101-feet-31-m-tall-at-the-apex-where-they-meet-their-bottom-edges-descending-below-the-level-of-the-surrounding-earth-while-their-top-edges-stay-level-image552688112.html
RM2R35394–The Vietnam Veterans Memorial, Washington, D.C. USA 9/2006. The memorial is composed of two adjoining walls. Each wall is 246 feet 9 inches (75.21 m) long and is composed of 72 black granite panels that are polished to a high finish. Seventy of the panels on each wall are inscribed with the names of the men and women being honored. The walls taper from 8 inches (200 mm) tall at their extremities to 10.1 feet (3.1 m) tall at the apex where they meet, their bottom edges descending below the level of the surrounding earth while their top edges stay level.
Two Salt Cellars, Manufactuur Oud-Loosdrecht, c. 1774 - c. 1778 Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top surface. Rocailles in gold on the sides and along the top edges. Loosdrecht porcelain Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top su Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-salt-cellars-manufactuur-oud-loosdrecht-c-1774-c-1778-porcelain-salt-barrel-on-six-legs-with-rocaille-foot-edge-on-one-side-in-the-middle-a-rocaille-in-relief-on-the-wall-painted-in-beet-red-figures-in-a-landscape-on-both-sides-on-both-sides-a-ground-with-trees-on-the-top-surface-rocailles-in-gold-on-the-sides-and-along-the-top-edges-loosdrecht-porcelain-porcelain-salt-barrel-on-six-legs-with-rocaille-foot-edge-on-one-side-in-the-middle-a-rocaille-in-relief-on-the-wall-painted-in-beet-red-figures-in-a-landscape-on-both-sides-on-both-sides-a-ground-with-trees-on-the-top-su-image576295646.html
RM2TDGEYA–Two Salt Cellars, Manufactuur Oud-Loosdrecht, c. 1774 - c. 1778 Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top surface. Rocailles in gold on the sides and along the top edges. Loosdrecht porcelain Porcelain salt barrel on six legs, with rocaille foot edge. On one side in the middle a rocaille in relief on the wall. Painted in beet red: Figures in a landscape on both sides on both sides, a ground with trees on the top su
Top down view of an evergreen forest in early summer with a dirt road. New growth is visible on the outer edges of the trees Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-down-view-of-an-evergreen-forest-in-early-summer-with-a-dirt-road-new-growth-is-visible-on-the-outer-edges-of-the-trees-image452877749.html
RF2H8PA59–Top down view of an evergreen forest in early summer with a dirt road. New growth is visible on the outer edges of the trees
Cricket - The Ashes - First Test - Australia v England - Second Day. England's David Sheppard (top r) edges the ball through the slips Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cricket-the-ashes-first-test-australia-v-england-second-day-englands-109795652.html
RMGAHHD8–Cricket - The Ashes - First Test - Australia v England - Second Day. England's David Sheppard (top r) edges the ball through the slips
Art inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cartouche-rug-cartouche-rug-midfield-brownish-red-ground-with-double-cross-with-pointed-top-and-foot-in-cognac-color-with-green-outline-and-filled-with-two-blocks-fitted-with-hooks-outside-and-inside-with-concatenated-lozenges-edges-in-two-types-the-standing-edge-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459727879.html
RF2HKXBGR–Art inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for the Embroidery of a Man's Waistcoat of Pattern No. 10 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A left bottom corner. Garlands along the bottom and the rising edges; chain festoons fastened to the top edges with clusters of leaves crossing them. Stray flower boughs., France, ca. 1785, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-the-embroidery-of-a-mans-waistcoat-of-pattern-no-10-of-the-fabrique-de-st-ruf-fabrique-de-saint-ruf-lyon-france-graphite-brush-and-gouache-on-paper-a-left-bottom-corner-garlands-along-the-bottom-and-the-rising-edges-chain-festoons-fastened-to-the-top-edges-with-clusters-of-leaves-crossing-them-stray-flower-boughs-france-ca-1785-drawing-image391404740.html
RM2DMP0MM–Design for the Embroidery of a Man's Waistcoat of Pattern No. 10 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A left bottom corner. Garlands along the bottom and the rising edges; chain festoons fastened to the top edges with clusters of leaves crossing them. Stray flower boughs., France, ca. 1785, Drawing
White leather Masonic apron with blue accents around edges. Blue cord attached to top, each end of which has a tassel. Masonic eye on flap. Presentation under flap. Title: Masonic Apron with Blue Accents . 1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-leather-masonic-apron-with-blue-accents-around-edges-blue-cord-attached-to-top-each-end-of-which-has-a-tassel-masonic-eye-on-flap-presentation-under-flap-title-masonic-apron-with-blue-accents-1920-image178662767.html
RMMAJP53–White leather Masonic apron with blue accents around edges. Blue cord attached to top, each end of which has a tassel. Masonic eye on flap. Presentation under flap. Title: Masonic Apron with Blue Accents . 1920.
Two very rare North Italian Gothic vambraces circa 1430-40. For the right and the left arm and each very similar, each comprising an open upper-cannon with turned top and bottom edges, the left upper-cannon with two indistinct maker's marks each involving a split cross, the two upper-cannons each articulated, by two plates on the left and by a single plate on the right, to a bluntly-p middle ages, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-very-rare-north-italian-gothic-vambraces-circa-1430-40-for-the-right-and-the-left-arm-and-each-very-similar-each-comprising-an-open-upper-cannon-with-turned-top-and-bottom-edges-the-left-upper-cannon-with-two-indistinct-makers-marks-each-involving-a-split-cross-the-two-upper-cannons-each-articulated-by-two-plates-on-the-left-and-by-a-single-plate-on-the-right-to-a-bluntly-p-middle-ages-additional-rights-clearance-info-not-available-image246129537.html
RMT8C4MH–Two very rare North Italian Gothic vambraces circa 1430-40. For the right and the left arm and each very similar, each comprising an open upper-cannon with turned top and bottom edges, the left upper-cannon with two indistinct maker's marks each involving a split cross, the two upper-cannons each articulated, by two plates on the left and by a single plate on the right, to a bluntly-p middle ages, Additional-Rights-Clearance-Info-Not-Available
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