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Thomas worlidge Stock Photos and Images
RMEX27CJ–Hercules, Greek mythical hero, slaying the Nemean lion. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMMW50EH–. English: William Legge, 4th Earl of Dartmouth (1784-1853) . 1831. Thomas Worlidge 17 4thEarlOfDartmouth
RM2M7KPRJ–King George II of England 1683 to 1760. After the print by RIchard Houston, from the painting by Thomas Worlidge.
RMP7DKB7–Hercules, Greek mythical hero, slaying the Nemean lion. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2R7WAPB–1556 , ITALY : The italian Renaissance woman painter SOFONISBA ANGUISSOLA ( 1532 – 1625 ). XVIII Century print engraving ( possible by Thomas Worlidge ) from original self-portrait by Anguissola painted in 1556 , today at Lancut Castle , Poland . - AUTORITRATTO - Sophonisba Angussola or Anguisciola - PORTRAIT - RITRATTO - SELFPORTRAIT - ARTE - VISUAL ARTS - ARTI VISIVE - PITTORE - engraving - incisione - illustration - illustratore - PAINTER - RINASCIMENTO - RENAISSANCE - PITTRICE - cavalletto - tripode - Angusciola --- ARCHIVIO GBB
RMHKRWB7–Daniel Finch (1689-1769), 8th Earl of Winchilsea, 3rd Earl of Nottingham, by Thomas Worlidge
![MARCUS TULLIUS CICERO, is Humbly Dedicated to the Right Honble. the Countess of Pomfret, by her Most Obedt. Humble Servant Thos. Worlidge Author Worlidge, T. 35.19.f. Place of publication: [London?] Publisher: [Thomas Worlidge] Date of publication: [around 1750?] Item type: 1 print Medium: etching on mezzotint Dimensions: sheet 48.8 x 33.5 cm (trimmed below platemark, except along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HN4T/marcus-tullius-cicero-is-humbly-dedicated-to-the-right-honble-the-countess-of-pomfret-by-her-most-obedt-humble-servant-thos-worlidge-author-worlidge-t-3519f-place-of-publication-london-publisher-thomas-worlidge-date-of-publication-around-1750-item-type-1-print-medium-etching-on-mezzotint-dimensions-sheet-488-x-335-cm-trimmed-below-platemark-except-along-the-bottom-edge-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HN4T.jpg "MARCUS TULLIUS CICERO, is Humbly Dedicated to the Right Honble. the Countess of Pomfret, by her Most Obedt. Humble Servant Thos. Worlidge Author Worlidge, T. 35.19.f. Place of publication: [London?] Publisher: [Thomas Worlidge] Date of publication: [around 1750?] Item type: 1 print Medium: etching on mezzotint Dimensions: sheet 48.8 x 33.5 cm (trimmed below platemark, except along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HN4T–MARCUS TULLIUS CICERO, is Humbly Dedicated to the Right Honble. the Countess of Pomfret, by her Most Obedt. Humble Servant Thos. Worlidge Author Worlidge, T. 35.19.f. Place of publication: [London?] Publisher: [Thomas Worlidge] Date of publication: [around 1750?] Item type: 1 print Medium: etching on mezzotint Dimensions: sheet 48.8 x 33.5 cm (trimmed below platemark, except along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820
RF2B9371F–Thomas Worlidge, English, 1700-1766, William Freind D. D. Dean of Canterbury, 18th century, etching printed in black ink on laid paper, Plate: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HCXJYD–Rembrandt, Thomas Worlidge, 1720-1766, etching after an anonymous portrait, 213 by 161 mm.
RM2AHRA14–Thomas Worlidge. The Death of the Virgin. 1720–1766. England. Etching in black on cream laid paper
RM2DJ13D3–Bruce Castle, Tottenham, Middlesex, unknown artist, after Thomas Worlidge, 1700–1766, British, 1794, Engraving
RMEX27C9–Carving of a lion, on beryl, from Lord Clanbrassill's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMMY6DYJ–. English: William Legge, 4th Earl of Dartmouth (1784-1853) . 1831. Thomas Worlidge 15 4thEarlOfDartmouth
RMP7C5AA–Carving of a lion, on beryl, from Lord Clanbrassill's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RF2B8YH1B–Sir Peter Paul Rubens, 1757, Thomas Worlidge (English, 1700-1766), after Peter Paul Rubens (Flemish, 1577-1640), England, Etching in black on ivory laid paper, 137 × 94 mm (image), 141 × 96 mm (plate), 143 × 100 (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AHWK9E–Thomas Worlidge. Sir Peter Paul Rubens. 1757. England. Etching in black on ivory laid paper
RM2DJ3E7J–Head of a Young Woman, Thomas Worlidge, 1700–1766, British, after Thomas Worlidge, 1700–1766, British, 1751
RMEX2809–Portrait of an ancient Greek Philosopher on amethyst from Matthew Duane's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMMX1RAJ–. English: William Legge, 4th Earl of Dartmouth (1784-1853) . 1831. Thomas Worlidge 17 4thEarlOfDartmouth
RMP7DRK3–Portrait of an ancient Greek Philosopher on amethyst from Matthew Duane's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMMMKW5J–. English: John Lindsay, 20th Earl of Crawford (1702-1749) by Thomas Worlidge, etching, published 1753 20thEarlOfCrawford
RMMP3C0N–NPG D3477; William Kenrick . English: Engraving of William Kenrick . 1766. Thomas Worlidge 1266 William Kenrick
RM2RDWCE7–Memorial to Thomas Clarke and wife Sarah and Thomas Worlidge from Fulham Church between 1796 and 1811 by Daniel Lysons
RMMMM2HN–Daniel Finch (1689-1769), 8th Earl of Winchilsea, 3rd Earl of No . before 1766. Thomas Worlidge (1700–1766) Alternative names Thomas Warledge; Thomas Worledge; Mr. Worlidge; Worlidge; Tho. Worlidge; Warledge; Worledge Description English painter and engraver Date of birth/death 1700 1766 Location of birth Peterborough Work location Birmingham (1736 - 1740); London (1740 - 1741); Bath (1741 - 1763) Authority control : Q7795306 VIAF:?18381265 ULAN:?500031623 LCCN:?n87926886 WGA:?WORLIDGE, Thomas GND:?132310317 WorldCat Daniel Finch (1689-1769), 8th Earl of Winchilsea, 3rd Earl of Not
RF2B9371E–Thomas Worlidge, English, 1700-1766, after Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Aeneas Sylvius, 18th century, etching printed in black ink on wove paper, Plate: 6 1/2 × 4 1/4 inches (16.5 × 10.8 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DJ26WR–Self-portrait in Soft Cap, as an Etcher, Thomas Worlidge, 1700–1766, British, after Thomas Worlidge, 1700–1766, British, 1754, Etching and drypoint
RMEX26N0–Portrait of Vitellius, Roman Emperor, on cornelian, in the collection of Mr Stanley. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMP7DXGE–Portrait of Horace, Roman poet, on beryl from Lord Grey's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2P6CP0G–Thomas Worlidge, Variation on 'Jan Six': Portrait of Edward Astley, 1762, etching and drypoint on paper.
RM2DJ48A3–Portrait of Sir Edward Astley, Thomas Worlidge, 1700–1766, British, after Rembrandt van Rijn, 1606–1669, Dutch, 1762, Etching on silk
RMEX27YA–Carving of a bull drinking, on cornelian from the Duke of Devonshire's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMP7DJWR–Portrait of a lion's head, on amethyst in Lord Montague's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2E47D9A–Thomas Worlidge, 1700–1766, British, Self Portrait, 1752. Etching and drypoint. Public Domain
RM2DHTRWY–An Old Woman Smoking a Pipe, Thomas Worlidge, 1700–1766, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm
RMEX26PN–Portrait of Socrates, Greek philosopher, on cornelian from the Duchess of Portland's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2B0JX4T–Thomas Worlidge, Portrait of a Gentleman Dressed in Furs, Thomas Worlidge (British, Peterborough 1700–1766 Hammersmith), 1760, Graphite on vellum, Sheet: 7 3/16 × 5 7/8 in. (18.2 × 15 cm), Drawings
RM2J04MX5–Portrait of Peter Paul Reubens. Thomas Worlidge (England, Peterborough, 1700-1766). England, 1757. Prints; etchings. Drypoint
RMP7EWPC–Portrait of Socrates, Greek philosopher, on cornelian from the Duchess of Portland's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMEX27CB–Portrait of a lion's head, on amethyst in Lord Montague's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2B0GN4N–Thomas Worlidge, British, 1700–1766, After Rembrandt van Rijn, (Dutch, 1606–1669), Saint Jerome Reading, 1762, Etching and drypoint on paper, 3 7/16 x 3 3/8 in. (8.7 x 8.6 cm
RM2J04MNC–Portrait of Anthony Van Dyck. Thomas Worlidge (England, Peterborough, 1700-1766). England, 1757. Prints; etchings. Drypoint
RMP7DGJW–Carving of a bull drinking, on cornelian from the Duke of Devonshire's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2E47D9K–Thomas Worlidge, 1700–1766, British, Portrait of Sir Edward Astley, 1762. Etching on silk. Public Domain
RMEX26ND–Portrait of Horace, Roman poet, on beryl from Lord Grey's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2A2P2PT–Thomas Worlidge, English, 1700-1766, William Freind D. D. Dean of Canterbury, 18th century, etching printed in black ink on laid paper, Plate: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm
RM2DHTTRX–Rembrandt in a fur hat, Thomas Worlidge, 1700–1766, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 7 inches (16.8 × 17.8 cm), figure study, fur, hat, portrait
RMP7F0N5–Portrait of a Satyr, with goat horns and pointed ears, on Florentine cornelian. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2E47D99–Thomas Worlidge, 1700–1766, British, Self-portrait in Soft Cap, as an Etcher, 1754. Etching and drypoint. Public Domain
RM2WFN0YD–Portrait of George II, King of Great Britain, Richard Houston, After Thomas Worlidge, 1753 - 1775 print paper historical persons. king
RM2E429FD–Thomas Worlidge, 1700–1766, British, An Old Woman Smoking a Pipe, undated. Graphite on medium, slightly textured, cream laid paper.
RM2E47D9W–Thomas Worlidge, 1700–1766, British, The Painter's Study. Etching and drypoint on moderately thick, lightly textured, white laid paper. Public Domain
RM2WE6TWN–Preaching Christ (the Hundred Guldenprent), Thomas Worlidge, After Rembrandt van Rijn, 1758 print London paper etching / drypoint Christ preaching or teaching (in general)
RMEX280C–Portrait of a Satyr, with goat horns and pointed ears, on Florentine cornelian. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2DJ3924–Young Man in a Feather Hat, Thomas Worlidge, 1700–1766, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 7 5/8 × 6 inches (19.4 × 15.2 cm), feathers, figure study, hat, man
RMP7F3RR–Portrait of Vitellius, Roman Emperor, on cornelian, in the collection of Mr Stanley. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2B0GX83–Thomas Worlidge, British, 1700–1766, After Rembrandt van Rijn, (Dutch, 1606–1669), The Hundred Guilder Print, 1758, Etching and drypoint on wove paper, image: 10 15/16 x 15 5/16 in. (27.8 x 38.9 cm
RM2WEKFFW–Man wearing a close cap: bust (the artist’s father?), Thomas Worlidge (possibly), after Rembrandt van Rijn, 1710 - 1766 print paper etching old man
RMEX26MP–Portrait of Tiberius Caesar, Roman Emperor, on cornelian in the collection of Lord Bessborough. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMP7CGP3–Portrait of Hercules, Greek mythical hero, on cornelian in the Duke of Marlborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2A2KXMM–The Death of the Virgin, 18th c., Thomas Worlidge (English, 1700-1766), after Rembrandt van Rijn (Dutch, 1606-1669), England, Etching in black on cream laid paper, 105 × 104 mm (image), 111 × 109 mm (sheet), trimmed within plate mark
RM2WDXYPA–Abraham Casting Out Hagar and Ishmael, Thomas Worlidge, After Rembrandt van Rijn, 1710 - 1766 print paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)
RM2E46YR0–Thomas Worlidge, 1700–1766, British, Young Man in a Feather Hat, undated. Graphite on medium, smooth, cream wove paper. feathers , figure study , hat , man
RM2WFM8E8–Portret van Mary Smith, James McArdell, after Thomas Worlidge, c. 1755 print London paper historical person (with NAME) - BB - woman - historical person (with NAME) portrayed alone
RMEX26MR–Portrait of Nero, Roman Emperor, in laurel wreath, engraved on Florentine cornelian. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMP7DN3A–Portrait of Epicurus, ancient Greek philosopher, on onyx in Dr. Chauncey's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2A2K929–Sir Peter Paul Rubens, 1757, Thomas Worlidge (English, 1700-1766), after Peter Paul Rubens (Flemish, 1577-1640), England, Etching in black on ivory laid paper, 137 × 94 mm (image), 141 × 96 mm (plate), 143 × 100 (sheet
RM2WECJN2–Self-portrait in a cap and scarf with the face dark: bust, Thomas Worlidge, after Rembrandt van Rijn, 1710 - 1766 print paper etching portrait, self-portrait of graphic artist
RMEX26MB–Portrait of Cleopatra, last Pharaoh of Egypt, from an intaglio in the collection of I. Tomlinson. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RMP7DPGY–Carving of Cupid and a wild boar, on amethyst in Thomas Dundass' collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2B0GN36–Thomas Worlidge, British, 1700–1766, After Rembrandt van Rijn, (Dutch, 1606–1669), Variation on 'Jan Six': Portrait of Edward Astley, 1762, Etching and drypoint on paper, image: 9 5/16 x 7 3/16 in. (23.6 x 18.3 cm
RM2WFMP59–Portrait of George II, King of Great Britain, Richard Houston, After Thomas Worlidge, 1753 - 1775 print Text in English in the lower margin. London paper etching historical persons. king
RMEX27CE–Portrait of Hercules, Greek mythical hero, on cornelian in the Duke of Marlborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2E47DA4–Print made by Thomas Worlidge, 1700–1766, British, Copy of Rembrandt Self-Portrait, ca. 1757. Etching on laid paper. portrait. Rembrandt van Rijn (1606-1669), Dutch painter, draftsman, and printmaker
RM2WE75B7–Portret van Mary Squires, Thomas Worlidge, after Richard Edgcumbe (2e Baron Edgcumbe), 1753 - 1755 print paper etching / drypoint historical person (with NAME) - BB - woman - historical person (with NAME) portrayed alone
RMP7CX70–Carving of a bull pawing the ground, on beryl in the collection of Lord Clanbrassill. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.
RM2A2P2PW–Thomas Worlidge, English, 1700-1766, after Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Aeneas Sylvius, 18th century, etching printed in black ink on wove paper, Plate: 6 1/2 × 4 1/4 inches (16.5 × 10.8 cm
Search Results for Thomas worlidge Stock Photos and Images (286)
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