RMPPXA46–Bell Murray; Thomas Rodger, Scottish, 1832 - 1883, about 1862; Albumen silver print
RF2HKDMW3–Inspired by Portrait of George Bruce, writing at a table, George Bruce, Thomas Rodger, Sawyer's, c. 1866 - in or before 1876, paper, collotype, height 130 mm × width 95 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMW52NWN–Marjory Murray, Thomas Rodger (Scottish, 1832 - 1883), about 1862, Albumen silver print
RMPMD48P–St. Salvator's College Chapel from the Southeast. Date/Period: 1842. Print. Salt, from a calotype negative. Height: 84 mm (3.30 in); Width: 83 mm (3.26 in). Author: Robert Adamson. Attributed to Thomas Rodger.
RMJ96GW1–Thomas Rodger
RMHRCWPK–Attributed to Thomas Rodger (Scottish, active St. Andrews, Scotland 1830s) - Captain Hawkes and his Daughters. - Google Art Project
RMMYWWFK–. Captain Hawkes and his Daughters. about 1850 12 Attributed to Thomas Rodger (Scottish, active St. Andrews, Scotland 1830s) - Captain Hawkes and his Daughters. - Google Art Project
RM2RPYJ7C–William Swan (June 21, 1791 – January 18, 1866) was a Scottish missionary in Siberia at Selenginsk near the border of China and was one of the translators (along with two others) of the entire Bible into Mongolian. Swan served with the London Missionary Society in Russia from 1818 through 1840, when the Russian government suppressed the Siberian mission and expelled the Swans and others. (Photo c1850 by Thomas Rodger.)
RMPG7C21–Attributed to Thomas Rodger (Scottish, active St. Andrews, Scotland 1830s) - Captain Hawkes and his Daughters. -
RM2E4M59K–Leicester City manager Brendan Rodgers (left) and Brentford manager Thomas Frank in discussion before the Emirates FA Cup fourth round match at the Brentford Community Stadium, London. Picture date: Sunday January 24, 2021.
RM2F5JPXX–Marjory Murray. Thomas Rodger (Scottish, 1832 - 1883)
RM2F7K0MA–WIMBLEDON 2010. 9th day. 30/6/2010. RODGER FEDERER V THOMAS BERDYCH. BERDYCH WINS. PICTURE DAVID ASHDOWN
RM2PFYATR–Thomas Rodger, 1833 - 1883. Memorial for the photographer in St Andrews - St Andrews, Scotland, UK
RM2WY6JKJ–617 SQUADRON (DAMBUSTERS) AT SCAMPTON, LINCOLNSHIRE, 22 JULY 1943 - Flight Lieutenant Harold Sydney Wilson and crew. They did not fly on the Dams raid owing to illness. Left to right: Flight Sergeant Trevor H Payne, front gunner; Pilot Officer Thomas W Johnson, flight engineer; Sergeant Eric Hornby, rear gunner; Sergeant Lloyd G Mieyette, wireless operator; Pilot Officer George H Coles, bomb-aimer; Flying Officer James A Rodger, navigator; and Flight Lieutenant Harold S Wilson. All were killed when their Lancaster was shot down on the night of 15 /16 September 1943 during the raid on the Dortm
RM2AJ7B03–Churches of Aberdeen : Historical and Descriptive . me ofthose taking the leading part had heldoffice for many years through variouschanges, among the oldest being Mr.Robert Tait, wholesale hardware merchant,the session clerk and deacons court clerk ;Mr. Thomas Brown, shoemaker, and Mr.James Fyfe, sen., painter. The Presbyteryconsented to the continuance of Union as aseparate congregation, although tem-porarily reducing its status from that of aregular sanctioned charge. About this time there had come under the notice ofthe office-bearers the name of Rev. Alex-ander Rodger, of Tarbolton, who a
RF2HKDMWC–Inspired by View of Saint Andrews, The city of St. Andrews, Thomas Rodger, Sawyer's, Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 95 mm × width 129 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMW52NWR–Two unidentified girls, standing, Thomas Rodger (Scottish, 1832 - 1883), about 1862, Albumen silver print
RMPMD41C–The South Entrance to St. Salvator's College Chapel, St. Andrews. Date/Period: 1842 - 1843. Print. Salt, from a calotype negative. Height: 97 mm (3.81 in); Width: 100 mm (3.93 in). Author: Attributed to Dr. John Adamson. Thomas Rodger.
RMPPX8CX–Captain Hawkes and his Daughters; Attributed to Thomas Rodger, Scottish, 1832 - 1883, about 1850; Salted paper print
RMHRE621–Thomas Rodger (Scottish, active St. Andrews, Scotland 1830s) - Group portrait with Sir David Brewster, Mrs. Jones, and Brigadier Gnereal Colin Mackenzie. - Google Art Project
RMP00YYG–. Group portrait with Sir David Brewster, Mrs. Jones, and Brigadier Gnereal Colin Mackenzie. about 1850 99 Thomas Rodger (Scottish, active St. Andrews, Scotland 1830s) - Group portrait with Sir David Brewster, Mrs. Jones, and Brigadier Gnereal Colin Mackenzie. - Google Art Project
RM2RPYJ7H–William Swan (June 21, 1791 – January 18, 1866) was a Scottish missionary in Siberia at Selenginsk near the border of China and was one of the translators (along with two others) of the entire Bible into Mongolian. Swan served with the London Missionary Society in Russia from 1818 through 1840, when the Russian government suppressed the Siberian mission and expelled the Swans and others. (Photo c1850 by Thomas Rodger.)
RM2JPY6FK–Thomas Rodger
RM2E4M57K–Leicester City manager Brendan Rodgers (left) and Brentford manager Thomas Frank in discussion before the Emirates FA Cup fourth round match at the Brentford Community Stadium, London. Picture date: Sunday January 24, 2021.
RM2F5KEN3–Bell Murray. Thomas Rodger (Scottish, 1832 - 1883)
RM2F36MJ9–WIMBLEDON 2010. 9th day. 30/6/2010. RODGER FEDERER V THOMAS BERDYCH. BERDYCH WINS. PICTURE DAVID ASHDOWN
RMG4JN48–The first ever conference of judges from the United Kingdom's three seperate legal systems to discuss the implications of devolution for the courts and the judiciary at The Liberal Club in London. * Sir Robert Carswell, Lord Chief Justice of Northern Ireland (far left), Lord (Derry) Irvine of Lairg, the Lord Chancellor (centre front), Lord (Alan) Rodger of Earlsferry, Lord Justice-General of Scotland and Lord President of the Court of Session (far right), Lord (Tom) Bingham of Cornhill, Lord Chief Justice of England and Wales (rear left) and Mr Justice (Sir John) Thomas, High Court Judge,
RM2FM5MJ5–WIMBLEDON 2010. 9th day. 30/6/2010. RODGER FEDERER V THOMAS BERDYCH. BERDYCH WINS. PICTURE DAVID ASHDOWN
RM2AWP007–The Dual city blue book . urling: Club —Pres., H. W. Cory; Vice Pres., Wm. Rodger; Treas.,D.C.Murray; Sec, Alex. McCulloch. St. Paul Gun Club —134 E. Third. Pres., John Pfister; Vice Pres., Dr. Wm.Richeson ; Sec, B. F. Schurmeier; Treas., R. S. Kennedy. St. Paul Press Club —39 W. Fifth. Pres., A. E. Chantler; 1st Vice Pres.,C. Niehausen ; 2d Vice Pres., Mrs. Ruth Gardiner; Sec, A. B. Wood; Fin. Sec, F. A. [Johnson ; Treas., T. J. Price. St. Paul Cycle Club — Fourth, s. e. cor. Robert. Pres., Dr. C. B. Cornwell;Sec, 0. M. Hokinson; Treas., C. C. Townsend ; Capt., Thomas Bird. Standard Club —Eig
RF2HKDMY5–Inspired by View of the ruins of Saint Andrews Cathedral, Ruins of St. Andrews Cathedral, Thomas Rodger, Sawyer's, Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 97 mm × width 130 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPPX8CR–Captain Hawkes and his Daughters; Attributed to Thomas Rodger, Scottish, 1832 - 1883, about 1850; Salted paper print
RM2JPY6FT–Thomas Rodger (Scottish, active St. Andrews, Scotland 1830s) - Group portrait with Sir David Brewster, Mrs. Jones, and Brigadier Gnereal Colin Mackenzie.
RM2F5P27J–Mr. Talbot. Thomas Rodger (Scottish, 1832 - 1883)
RMG4JN46–LEGAL Conference/Portrait
RM2FM5MHM–WIMBLEDON 2010. 9th day. 30/6/2010. RODGER FEDERER V THOMAS BERDYCH. BERDYCH WINS.. PICTURE DAVID ASHDOWN
RM2AGD9JH–. Trow's general directory of the boroughs of Manhattan and Bronx, city of New York. rucks 87 Thomas h 101 W 78th—Robt C coffee 119 Front h 509 Jeff av Bklyn—Robt C & Co coffee 119 Front — ltobt G electrician h 511 Lenox av—Robt G sail eng 20 Broad R 1902 u 005 V 137th — Robt J broker h 304 W 111th — ltobt J watchman h 001 E 10th—Robt O Ins 135 Bway R 403 h Plalnfleld N J —Robt S fireman h T55 H 103d —Rodger P clerk h 11G E lOTth —S (Inc) coal ft E 2Sth —S II Gardyne hanker 43 Exch pi R2003 h N Y Yacht Club —Saml foreman h ISIS Madison av —Sam I nhvslcian 7 W 15th —Saml D broker 43 Exch pi R
RF2HKDMWB–Inspired by by Samuel Bough, depicting a ceremony in Holyrood Park, Edinburgh, The Scottish volunteer review, Thomas Rodger, Sawyer's, c. 1866 - in or before 1876, paper, collotype, height 95 mm × width 143 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPR0MY4–The Links and West Sands, St. Andrews; Thomas Rodger, Scottish, 1832 - 1883, Scotland; 1866; Albumen silver print
RMW52PMR–Unidentified bearded British soldier with sword under his left arm, standing, Thomas Rodger (Scottish, 1832 - 1883), 1865–1870, Albumen silver print
RM2F5HKH8–Portrait of a man. Thomas Rodger (Scottish, 1832 - 1883)
RM2F8531R–WIMBLEDON 2010. 9th day. 30/6/2010. RODGER FEDERER V THOMAS BERDYCH. FERERER AFTER HIS DEFEET. PICTURE DAVID ASHDOWN
RM2CET4EJ–. Illinois in the World War; an illustrated record prepared with the coöperation and under the direction of the leaders in the state's military and civilian organizations. FIRST LIEUTENANTS OF THE 124TH FIELD ARTILLERYTop row: Clayton A. Beall, William C. Dunham, Elmer Erickson, Ivan L. Foster (captain).Second row: Stanley G. Harris, Stevenson P. Lewis, Thomas D Mackie.Third row: Ray E. Mever, E. S. Montague, Miles M. Parmely, F. W. Patton.Bottom row L H. Pratt, L. E. Richardson, William A. Rodger, Orrm R. Smith. . H Oo O> o mH
RF2HKDMYM–Inspired by View of the ruins of Saint Andrews Castle and the coast, Ruins of St. Andrews Castle, Thomas Rodger, Sawyer's, Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 93 mm × width 130 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMW52PWX–Unidentified man wearing a dress uniform, standing, holding a hat with his sword under his arm, Thomas Rodger (Scottish, 1832 - 1883), 1865–1875, Albumen silver print
RM2F5MY7J–Captain Hawkes and his Daughters.. Attributed to Thomas Rodger (Scottish, 1832 - 1883)
RM2CET4J1–. Illinois in the World War; an illustrated record prepared with the coöperation and under the direction of the leaders in the state's military and civilian organizations. red M. Broiling, V. C. Michael Cody, Jr. John E. Dowling George B. Ferree H. O. Gedicks Jesse R. Gibson Roy L. Hammond Clarence H. Hauss Julian C. Jaeckel Robert F. Jones William A. Laflin Hobart A. Lawton (deceased) O^a E. McKenzie George I. Moseley Richard F. Nedrow Malcolm R. Rodger, Jr. William M. Sealy Frank J. Sweeney Carl B. Thompson Thomas D. Tifft Joseph W. Timmons, M. C. Charles A. Wagner Raymond L. Wamester Harry
RF2HKDN04–Inspired by Portrait of Tom Morris Sr and Tom Morris Jr with a golf club, Old and young Tom Morris, Thomas Rodger, Sawyer's, Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 111 mm × width 84 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMW52XKY–North Street, St. Andrews, from the Episcopal Church to the Cathedral, from St. Salvator's College Chapel Tower, Thomas Rodger (Scottish, 1832 - 1883), Scotland, about 1865, Albumen silver print, 16.1 × 22.8 cm (6 5/16 × 9 in
RM2F5HC78–Two unidentified girls, standing. Thomas Rodger (Scottish, 1832 - 1883)
RF2HKDMY7–Inspired by View of Saint Salvator's College and Saint Salvator's Chapel in Saint Andrews, St. Salvadors Church and College, Thomas Rodger, Sawyer's, Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 91 mm × width 139 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2HB7ADK–Portrait of George Bruce, writing at a table, George Bruce, Thomas Rodger, Sawyer's, (mentioned on object), c. 1866 - in or before 1876, paper, collotype, height 130 mm × width 95 mm
RM2F5H063–The Links and West Sands, St. Andrews. Thomas Rodger (Scottish, 1832 - 1883)
RFRAFEXK–Bell Murray, Thomas Rodger (Scottish, 1832 - 1883), about 1862, Albumen silver print. Reimagined by Gibon. Classic reimagined
RM2HB7AEF–View of Saint Andrews, The city of St. Andrews, Thomas Rodger, Sawyer's, (mentioned on object), Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 95 mm × width 129 mm
RM2F5K0KD–Unidentified bearded man standing, holding a walking stick. Thomas Rodger (Scottish, 1832 - 1883)
RFRAFDDC–Captain Hawkes and his Daughters, Attributed to Thomas Rodger (Scottish, 1832 - 1883), about 1850, Salted paper print reimagined
RM2HB7AEM–View of the ruins of Saint Andrews Cathedral, Ruins of St. Andrews Cathedral, Thomas Rodger, Sawyer's, (mentioned on object), Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 97 mm × width 130 mm
RM2F5JGNM–Unidentified woman wearing a long dark dress, standing. Thomas Rodger (Scottish, 1832 - 1883)
RFRAFDDD–Captain Hawkes and his Daughters, Attributed to Thomas Rodger (Scottish, 1832 - 1883), about 1850, Salted paper print reimagined
RM2HB7AEW–View of the ruins of Saint Andrews Castle and the coast, Ruins of St. Andrews Castle, Thomas Rodger, Sawyer's, (mentioned on object), Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 93 mm × width 130 mm
RM2F5J11W–Unidentified bearded British soldier with sword under his left arm, standing. Thomas Rodger (Scottish, 1832 - 1883)
RFRAFKBN–The Links and West Sands, St. Andrews, Thomas Rodger (Scottish, 1832 - 1883), Scotland, 1866, Albumen silver print reimagined
RM2HB7AF4–Photoreproduction of a painting by Samuel Bough, depicting a ceremony in Holyrood Park, Edinburgh, The Scottish volunteer review, Thomas Rodger, Sawyer's, (mentioned on object), c. 1866 - in or before 1876, paper, collotype, height 95 mm × width 143 mm
RM2F5MEXN–Group portrait with Sir David Brewster, Mrs. Jones, and Brigadier General Colin Mackenzie.. Thomas Rodger (Scottish, 1832 - 1883)
RF2B98525–Marjory Murray, Thomas Rodger (Scottish, 1832 - 1883), about 1862, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HB7AFA–View of Saint Salvator's College and Saint Salvator's Chapel in Saint Andrews, St. Salvadors Church and College, Thomas Rodger, Sawyer's, (mentioned on object), Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 91 mm × width 139 mm
RM2F5HP87–Unidentified elderly man seated with a book in his lap, finger holding its place. Thomas Rodger (Scottish, 1832 - 1883)
RF2B9E9M2–Bell Murray, Thomas Rodger (Scottish, 1832 - 1883), about 1862, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HB7AFM–Portrait of Tom Morris Sr and Tom Morris Jr with a golf club, Old and young Tom Morris, Thomas Rodger, Sawyer's, (mentioned on object), Saint Andrews, c. 1866 - in or before 1876, paper, collotype, height 111 mm × width 84 mm
RMPPYWX2–bearded man standing, holding a walking stick; Thomas Rodger, Scottish, 1832 - 1883, 1865 - 1870; Albumen silver print
RM2F5K4KW–Unidentified man wearing a dress uniform, standing, holding a hat with his sword under his arm. Thomas Rodger (Scottish, 1832 - 1883)
RF2B98524–Two unidentified girls, standing, Thomas Rodger (Scottish, 1832 - 1883), about 1862, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPPYY39–woman wearing a long dark dress, standing; Thomas Rodger, Scottish, 1832 - 1883, 1865 - 1870; Albumen silver print
RM2F5H7EC–North Street, St. Andrews, from the Episcopal Church to the Cathedral, from St. Salvator's College Chapel Tower. Thomas Rodger (Scottish, 1832 - 1883)
RF2B9EM2G–The Links and West Sands, St. Andrews, Thomas Rodger (Scottish, 1832 - 1883), Scotland, 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPR0MXN–John Adamson; Dr. John Adamson, Scottish, 1810 - 1870, or Thomas Rodger, Scottish, 1832 - 1883, Scotland; about 1867; Albumen
RM2W9EY4R–Portrait of George Bruce, writing at a table, Thomas Rodger, c. 1866 - in or before 1876 photomechanical print paper collotype writer, poet, author
RF2B9EC0R–woman wearing a long dark dress, standing, Thomas Rodger (Scottish, 1832 - 1883), 1865 - 1870, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPR0MX1–Portrait of Oswell Bell; Dr. John Adamson, Scottish, 1810 - 1870, or Thomas Rodger, Scottish, 1832 - 1883, Scotland; October
RM2W9NNC4–Portrait of Tom Morris Sr and Tom Morris JR with a golf club, Thomas Rodger, c. 1866 - in or before 1876 photomechanical print Saint Andrews paper collotype golf
RF2B9EAJA–bearded man standing, holding a walking stick, Thomas Rodger (Scottish, 1832 - 1883), 1865 - 1870, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPPYRBJ–Mr. Evelyn Denison; Attributed to Dr. John Adamson, Scottish, 1810 - 1870, or Thomas Rodger, Scottish, 1832 - 1883, about 1850
RM2W9T92G–View of the ruins of the Saint Andrews Cathedral, Thomas Rodger, c. 1866 - in or before 1876 photomechanical print Saint Andrews paper collotype ruin of church, monastery, etc. Saint Andrews Cathedral
RF2B9EM27–John Adamson, Dr. John Adamson (Scottish, 1810 - 1870), or Thomas Rodger (Scottish, 1832 - 1883), Scotland, about 1867, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPPYXMJ–elderly man seated with a book in his lap, finger holding its place; Thomas Rodger, Scottish, 1832 - 1883, 1864 - 1865; Albumen
RMW51WMD–Photographs. A.A. Bell. (cover title) Presentation album, mostly portraits and views at St. Andrews, Scotland, Dr. John Adamson (Scottish, 1810 - 1870), Possibly Thomas Rodger (Scottish, 1832 - 1883), Possibly George Washington Wilson (Scottish, 1823 - 1893), Unknown, Scotland, 1862 - 1867, Albumen silver print prints, salted paper prints, Closed: 23.5 × 27 × 2.5 cm (9 1/4 × 10 5/8 × 1 in
RM2W9R6R6–View of Saint Andrews, Thomas Rodger, c. 1866 - in or before 1876 photomechanical print Saint Andrews paper collotype city-view, and landscape with man-made constructions. ruin of church, monastery, etc. Saint Andrews
RF2B985M1–Unidentified bearded British soldier with sword under his left arm, standing, Thomas Rodger (Scottish, 1832 - 1883), 1865–1870, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMW51NGA–Brewster Codex: portraits, views, group portraits, etc. with drawings, compiled by Sir David Brewster., Sir David Brewster (Scottish, 1781 - 1868), William Henry Fox Talbot (English, 1800 - 1877), Robert Adamson (Scottish, 1821 - 1848), David Octavius Hill (Scottish, 1802 - 1870), Sir David Brewster (Scottish, 1781 - 1868), Sir David Brewster (Scottish, 1781 - 1868), Henry Collen (English, 1797 - 1879), George Dalrymple Monteith (British, active 1840s), Hill & Adamson (Scottish, active 1843 - 1848), Michael Pakenham Edgeworth (British, 1812 - 1881), Sir Hugh Lyon Playfair (British
RM2W9RMXJ–View of the ruins of the Saint Andrews Castle and the coast, Thomas Rodger, c. 1866 - in or before 1876 photomechanical print Saint Andrews paper collotype ruin of a dwelling, house, castle, etc.. coast Saint Andrews Castle
RF2B9EBE2–elderly man seated with a book in his lap, finger holding its place, Thomas Rodger (Scottish, 1832 - 1883), 1864 - 1865, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2W9RWY9–Photo production of a painting by Samuel Bough, representing a ceremony in the Holyrood Park in Edinburgh, Thomas Rodger, after Sam Bough, c. 1866 - in or before 1876 photomechanical print paper collotype picture, painting
RF2B9EM1G–Portrait of Oswell Bell, Dr. John Adamson (Scottish, 1810 - 1870), or Thomas Rodger (Scottish, 1832 - 1883), Scotland, October 29, 1867, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2W9MA92–View of Saint Salvator's College and Saint Salvator's Chapel in Saint Andrews, Thomas Rodger, c. 1866 - in or before 1876 photomechanical print Saint Andrews paper collotype university building, college. parts of church exterior and annexes: chapel Saint Andrews
RM2WT1882–Fifeshire Militia in formation. Possibly Thomas Rodger, photographer (Scottish, 1832 - 1883) about 1870–1871 A distant view of the Fifeshire Militia in formation. The men are standing in six equal rows in a field. (Verso, mount) upper right, pencil: '25';
RF2B985NH–Unidentified man wearing a dress uniform, standing, holding a hat with his sword under his arm, Thomas Rodger (Scottish, 1832 - 1883), 1865–1875, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2WTCT8H–R. E. Curwen. Thomas Rodger, photographer (Scottish, 1832 - 1883) about 1857 A portrait of Robert Ewing Curwen as a young man. (Recto, print) lower left, pencil: 'R.E. Curwen/taken by T Rodger about 1857'; (Verso, mount) upper right, pencil: '30';
RM2WT2FXR–Mr. Cunningham. Probably Thomas Rodger, photographer (Scottish, 1832 - 1883) about 1850–1859 A portrait of a seated man holding a cane. A top hat is resting on a small table beside him. (Recto, mount) lower right, pencil: 'Mr Cunningham'; (Verso, mount) upper right, pencil: '31';
RM2WT1372–Fifeshire Artillery Militia assembling cannon. Possibly Thomas Rodger, photographer (Scottish, 1832 - 1883) about 1860s–1870s Members of the Fifeshire Artillery Militia gathered around a large tripod which is suspending a cannon. The cannon is held by ropes and a pulley attached to the center of the tripod. (Verso, mount) upper right, pencil: '20';
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation