RMD2TNF4–CUSTOMS OF THE THIRTEENTH CENTURY. THE SOLEMN AND FESTIVE PROCESSION OF THE CRANE.
RMRYA9DN–Customs of the Thirteenth Century. The Solemn and Festive Procession of the Crane
RMW58F5G–Dante and Catholic philosophy in the thirteenth century : Ozanam, Frédéric, 1813-1853
RMW58E2F–The children's crusade; an episode of the thirteenth century : Gray, George Zabriskie, 1838-1889
RMW58JN9–A history of money and prices, being an inquiry into their relations from the thirteenth century to the present time : Schoenhof, Jacob, 1839-1903
RMW58WDJ–Robert Grosseteste, Biship of Lincoln : a contribution to the religious, political and intellectual history of the thirteenth century : Stevenson, Francis Seymour, 1862
RMW58WDG–Robert Grosseteste, bishop of Lincoln; a contribution to the religious, political and intellectual history of the thirteenth century : Stevenson, Francis Seymour, 1862-1938
RM2B0FGTC–Sphere jar on barely waved high foot, with squeezed spout of hard-baked, dark brown earthenware with white speckles, twelfth or thirteenth century., cup, earthenware, proto-stoneware, h: 9 cm, diam: 7, 7 cm, lmeb 1200-1400 AD, The Netherlands, Gelderland, unknown, unknown
RM2DT2G9E–Artist: Master of Saints Cosmas and Damian, Italian, Pisa, active Siena, 3rd quarter thirteenth century, Saint Mary Magdalen, ca. 1270, Tempera on panel, 34.6 × 27.6 cm (13 5/8 × 10 7/8 in.), On view*, Italian, Tuscan, 13th century, Paintings
RMR74BHF–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHR–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BJ0–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHJ–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BH9–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHE–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHT–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHA–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHC–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHN–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RMR74BHP–Umbria Perugia Citta della Pieve Madonna della Fatima, this is my Italy, the italian country of visual history, Exterior views of the thirteenth-century facade and cloister. Interior views of the domed interior, frescoed pendentives, and baroque altarpieces. The Santuario della Madonna di Fatima was previously the church of S. Francesco. Photo 1982
RM2DT2YBC–Artist: Magdalen Master, Italian, Florence, active ca. 1270–ca. 1310, Virgin and Child Enthroned with Saints Leonard and Peter and Scenes from the Life of Saint Peter, ca. 1280, Tempera on panel, framed: 106 × 160.2 cm (41 3/4 × 63 1/16 in.), This is a rare surviving example of a complete thirteenth-century altarpiece. The scenes at the sides, drawn from the legend of Saint Peter, read from left to right across the panel, starting from the top: Christ Calling Peter, Christ’s Charge to Peter, the Fall of Simon Magus, Peter Healing a Crippled Man, the Liberation of Peter, and the Martyrdoms
RMD2YE32–THE THIRTEENTH AND FOURTEENTH CENTURY COLLEGES OF OXFORD UNIVERSITY
RMRYBF25–The Thirteenth and Fourteenth Century Colleges of Oxford University: 1. University College 2. Queen's College and Chapel 3. New College Chapel 4. Oriel College and Chapel 5. Merton Chapel 6. Balliol Old Hall and New Library 7. Exeter College
RMRY4672–Page from Tales of a Parrot (Tuti-nama): Thirteenth night: The parrot addresses Khujasta at the beginning of the thirteenth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper
RMRY467A–Page from Tales of a Parrot (Tuti-nama): Thirteenth night: The infant son of the king of Isfahan responds to music, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper
RMRY54PM–Page from Tales of a Parrot (Tuti-nama): Eighth night: The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century. Opaque watercolor, ink, and gold on paper
RMKC694D–Shaffron (Horse's Head Defense), early 16th century
RMKC69E9–Bracelet, 14th–16th century or later, Attributed to Egypt or Palestine, Glass, Max. diam. 2 1/2 in. (6.4 cm), Glass, The earlies
RMKC762C–Incense Burner, late 13th–early 14th century, Attributed to Syria, Damascus, Brass; cast with handle made of separately hammered
RMKC4D42–Black and Blue Painted Bowl, early 13th century, Made in Iran, probably Kashan, Stonepaste; polychrome painted under transparent
RMKCDNDN–Fragment, 13th century, From Spain, Palencia, Silk, gold wrapped silk and undyed linen, Textile: L. 11 3/4 in. (29.8 cm
RMKC47GM–Water Pot with Boys, Qing dynasty (1644–1911), 18th century, China, Porcelain (Fujian ware), H. 2 3/4 in. (7 cm); W. 2 1/2 in
RMKC4DYJ–Coat of Arms, late 13th–early 14th century, Made in Languedoc, France, French, Stone, Overall: 14 1/8 x 12 3/4 x 4 3/4 in. (35.9
RMKC82T1–Dish with Two Birds and Peonies, early 15th century
RMKC762D–Square Tray with Recessed Medallion, early 13th century
RMKC7XR1–Cup with Eight Daoist Immortals, late 18th–19th century
RMKC82RT–元 朱面剔犀劍環紋漆盒, Box with pommel scroll design, 14th century
RMKC82NW–Seal Box with Hunters on Horseback, 17th–18th century
RMKCDTAJ–Ewer, 12th–13th century, Attributed to Iran, Rayy, Stonepaste; luster-painted on opaque white glaze, Ceramics, Some of the
RMKC6E7E–Beaker with Fish Motifs, 13th–14th century, Attributed to Syria, Glass, colorless with yellow tinge; blown, applied ring foot
RMKC7JF6–Ceramic Bowl, 12th century, Attributed to Syria, probably Raqqa, Stonepaste; underglaze-painted, glazed (transparent colorless
RMKCDG10–Bowl with Central Pentagon Motifs, 14th century, Made in Syria, Stonepaste; polychrome painted under transparent glaze, Diam. 9
RMKCD7RG–明 佚名 羅漢圖 軸, The Arhat Vajraputra, Unidentified Artist Sino-Tibetan, 15th century, 15th century
RMKCC7F0–Plate, 14th century, Attributed to Syria, Glass; free blown, enameled and gilded; tooled on the pontil, H. 7/8 in. (2.2 cm
RMKC6THB–Hanging Lamp, 10th–11th century, Probably made in Iran, Glass, colorless with green tinge; blown, applied handles, H. 4 3/16 in
RMKC794G–Tile with Image of Phoenix, late 13th century, From Iran, probably Takht-i Sulaiman, Stonepaste; modeled, underglaze painted in
RMKC6MA6–Casket with Figural Imagery, mid-13th century, Attributed to Iran, Brass; worked metal sheet inlaid with silver, H. 5 1/2 in. (1
RMKC5AAT–Jar with Four Faces, mid-13th–mid-15th century, Mexico, Mesoamerica, Chihuahua, Casas Grandes, Ceramic, H. 8 11/16 in. (22.1 cm
RMKC5YWF–Candlestick, 15th century, German, Copper alloy, Overall: 9 1/4 x Diam. of base 4 1/4 in. (23.5 x 10.8 cm), Metalwork-Bronze
RMKCDC00–Plaque, second quarter 13th century, Made in Limoges, France, French, Champlevé enamel, copper, Overall: 5 1/4 x 5 1/4 x 1/16
RMKC61G4–Bottle, 15th–17th century, United States, Arkansas, Caddoan, Ceramic, pigment, H. 8 3/4 x Diam. 6 in. (22.2 x 15.2 cm), Ceramics
RMKC4D63–Tabernacle or Folding Shrine, 14th century, French, Ivory with metal mounts, Overall: 9 9/16 x 8 1/2 x 1 3/4 in. (24.3 x 21.6 x
RMKCDP86–Textile Fragment from the Tomb of Don Felipe, second half 13th century
RMKC62E2–Altarcloth, Sophia, Hadewigis, and Lucardis, second half 14th century
RMKC7CC3–元 剔黑高士圖撞盒, Tiered Box with Scholar-Official in a Landscape, late 14th century
RMKC7H1Y–Candi Jago plaque of the Bodhisattva Amoghapasa, late 13th century, probably 1286–92
RMKC49JG–Bottle with Coiling Dragon, Ming dynasty (1368–1644), Wanli period (1573–1620), late 16th century, China, Porcelain
RMKC77M0–Buddhist Monk Budai, Qing dynasty (1644–1911), 17th century, China, Porcelain with clear glaze (Fujian Province; Dehua ware), H
RMKCD1J2–Traveling Box, Ming dynasty (1368–1644), early 15th century, China, Leather, wood, iron, gold, and pigment, H. 21 in. (53.3 cm
RM2DT20D2–Artist: Wang Mian, Chinese, died 1359, Ink Plum, ca. 1350s, Hanging scroll: ink on paper; with ivory rollers, without mounting: 45 3/16 × 10 1/4 in. (114.8 × 26 cm), The plum, blooming in isolation at the end of winter when it is still often surrounded by snow, became a symbol of regeneration and of endurance under adversity. Paintings of plums executed in ink only developed as a genre of painting, particularly associated with scholars and scholar painting, during the late Northern Song period at the end of the eleventh and beginning of the twelfth century. The literary and pictorial
RMKCD1F0–中亞或華北(十三世紀) 蓮池水禽紋緙絲, Textile with Aquatic Birds and Recumbent Animal, 13th century
RMKCC6DG–Water jar with spout (vase à bec), second half 16th century
RMKC3M89–南宋† 銅琮式瓶, Quadrangular tube in the form of a cong, 12th–13th century
RMKC79MW–元 朱面剔犀香草紋漆盒, Incense box with “fragrant grass” design, 14th century
RMKC79P9–南宋/元 剔犀劍環紋香盒, Incense Box with Pommel Scroll Design, 13th–14th century
RMKC68RN–南宋 佚名 春山曛暮圖 團扇, Early spring landscape, Unidentified Artist, mid-13th century
RMKC50X3–Vase with Peony Scrolls, Yuan dynasty (1271–1368), mid-14th century, China, Porcelain with molded decoration under celadon
RMKC7NWH–北宋 定窯白釉玉壺春瓶, Bottle, Northern Song dynasty (960–1127), 10th–11th century, China, Porcelain with ivory glaze (Ding ware), H. 9 5
RM2DT43NB–Maker: Peter Van Dyck, American, 1684–1751, Caster, ca. 1705–15, Silver, 7 1/2 × 3 1/4 in. (19 × 8.26 cm, 374 g), The original owners of this caster were Colonel Myndert and Rachel (Cuyler) Schuyler, who were married in 1693. Schuyler was the thirteenth mayor of Albany, New York, and a member of one of the prominent land-owning families of New York and New Jersey. The Schuylers also owned a silver tankard by Peter Van Dyck, and other members of the family owned a pear-shaped teapot by Van Dyck and a substantial tray by John Heath.
RMKCC75D–Terracotta askos (vessel) in the form of a fish, ca. 1200–1175 B.C
RMKC876P–Lake Albano and Castel Gandolfo, Camille Corot, 1826–27
RMKCDBAT–Virgin and Child, ca. 1250, North French, Ivory, Overall (without modern base): 11 5/8 x 4 3/4 x 4 1/16 in. (29.5 x 12.1 x 10.3
RMKCD5JX–Saint Margaret of Cortona, Gaspare Traversi, ca. 1758
RMKC880X–Saint Dominic in Penitence, Filippo Tarchiani, ca. 1607
RMKCDA18–Crucified Christ, ca. 1260–80, Made in Paris, France, French, Elephant ivory, traces of polychromy, Overall: 6 5/8 x 1 11/16 x 1
RMKC86J6–Chartres, 1850–52, Salted paper print from paper negative, Sheet: 10 13/16 × 8 1/2 in. (27.4 × 21.6 cm), Photographs, Pierre
RMKC3WYM–Catapult Projectile from Montfort (Starkenberg) Castle, ca. 1250
RMKC4DMC–Angel, ca5, Northeast French, Copper Alloy with mercury gilding, Overall: 2 3/8 x 11/16 x 1/2 in. (6 x 1.7 x 1.2 cm), Metalwork
RMKC91M1–Standing Woman Looking to Left Background, Francesco Vanni, 1596–98
RMKC8MKC–Saint John the Evangelist with Acteus and Eugenius, Francescuccio Ghissi, ca. 1370
RMKC8JAB–Dirham of Nasir al-Din Mahmud (r. 1201–22): Double-Headed Bird of Prey, dated A.H. 615/ A.D. 1218–19
RMKC5AKE–Head of an Angel (?), ca. 1250, Made in Paris, France, French, Limestone, paint, 9 5/8 × 6 3/4 × 5 13/16 in. (24.5 × 17.2 × 14.8
RMKC5AJT–Chalice, 1222, Made in possibly Meuse Valley, Northern Europe, Northern European, Silver and silver gilt, Overall: 7 1/2 x 5 3/8
RMKC3MPX–Head of a Bearded Man, ca. 1160–70, Made in Saint-Denis, France, French, Limestone, Overall: 5 7/8 x 4 3/4 x 4in. (15 x 12 x 10
RMKC6JKM–Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World, Kitagawa Utamaro, ca. 1800
RMKC7B12–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, ca. 1525–35
RMKC6KTA–Baptismal Font, ca. 1155–70, Made in Liège, South Netherlands, South Netherlandish, Dark calciferous limestone, 15 1/2 x 51 in
RMKC7THC–Panel from a table carpet showing the Four Continents, the Seasons, and Four Planets, between 1662 and 1680
RMKC6MY8–Design for medallion window for the American College of Surgeons, Chicago, IL, Tiffany Studios, 1923–26
RMKCDB7T–Virgin and Child, ca. 1270–1300, Made in Limoges, France, French, Copper: repoussé, engraved, gilt, cut out and nailed
RMKCC5R8–Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini
RMKC8MKK–Saint John the Evangelist Causes a Pagan Temple to Collapse, Francescuccio Ghissi, ca. 1370
RMKC6T35–Gemellion with Coronation Scene, ca. 1250–75, Made in Limousin, France, French, Copper, wrought, gilt and Champlevé enamel
RMKC7THB–Panel from a table carpet showing the Four Continents, the Seasons, and Four Planets, between 1662 and 1680
RMKCD7AJ–元 佚名 蓮花圖 軸, Lotus and waterbirds, Unidentified Artist, active ca. 13, ca. 1300
RMKCC42Y–Bifolium with the Decretals of Gratian, Style of Master Honore, ca. 1290
RMKC8MMC–Saint John the Evangelist Raises Satheus to Life, Francescuccio Ghissi, ca. 1370
RMKCE3AR–Chasse with the Life of Christ, ca. 1235–45, Made in Limoges, France, French, Copper (plaques): engraved, stamped, and gilt
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