RM2K8RWDK–Virgin of the Pear 1526 by Albrecht Dürer 1471 - 1528 German Germany, ( Madonna, deprived of her veil, in her arms the Child, who clutches a daisy, symbol mystical marriage with his mother, therefore of Jesus with the Church, identified with Mary, offers him a pear, symbol of original Sin, and his, redemption of the world. ) Florence, Italy.
RM2RHABWB–Herman ten Kate - Anno 1809. Lodewijk Napoleon defends Dutch independence against Napoleon Dutch, The Netherlands, HollandLouis Bonaparte, Napoleon's favorite brother, had personally raised and formed. The expectations of the French emperor were therefore high when he placed him on the throne of the newly created Kingdom of Holland in June 1806 as Lodewijk Napoleon. he disappoints him. Louis refused to be Napoleon's stooge. Seeing how detrimental the French military, financial and economic demands were to Holland, he tried to withstand and mitigate them. .
RM2RHABTP–Herman ten Kate - Anno 1809. Lodewijk Napoleon defends Dutch independence against Napoleon Dutch, The Netherlands, HollandLouis Bonaparte, Napoleon's favorite brother, had personally raised and formed. The expectations of the French emperor were therefore high when he placed him on the throne of the newly created Kingdom of Holland in June 1806 as Lodewijk Napoleon. he disappoints him. Louis refused to be Napoleon's stooge. Seeing how detrimental the French military, financial and economic demands were to Holland, he tried to withstand and mitigate them. .
RMP8WDD4–Louis of France , also called the Great Dolphin ( 1661 - 1711 ), was the firstborn and therefore the heir of King Louis XIV of France and Queen Maria Theresa . by French unknown painter 16th Century France
RM2CTWPEA–The Wolf and the Goat, anonymous, c. 1530 - c. 1560, The Netherlands, Dutch, depicted: the wolf is a doctor here and his victim is an unsuspecting goat. In 1923, F.G. Waller donated to the Rijksmuseum Amsterdam, his unique print from Antwerp is one of the earliest examples and therefore an important addition to the Waller collection.
RM2CTWPEG–The Wolf and the Goat, anonymous, c. 1530 - c. 1560, The Netherlands, Dutch, depicted: the wolf is a doctor here and his victim is an unsuspecting goat. In 1923, F.G. Waller donated to the Rijksmuseum Amsterdam, his unique print from Antwerp is one of the earliest examples and therefore an important addition to the Waller collection.
RMW9ERX4–Moucharabieh 18th century Egypt Turned wood Ottoman Egypt, 1516-1882 In the Arab provinces of the Empire, local architectural traditions continue. The Ottoman influence is primarily present in the decorative vocabulary, such as floral ornaments in stained glass or furniture. The moucharabiehs are a characteristic of Egyptian architecture. These skylights of turned wood allow both to ventilate the interiors while filtering the light and therefore the heat, and also to see without being seen.
RMW9ERWR–Moucharabieh 18th century Egypt Turned wood Ottoman Egypt, 1516-1882 In the Arab provinces of the Empire, local architectural traditions continue. The Ottoman influence is primarily present in the decorative vocabulary, such as floral ornaments in stained glass or furniture. The moucharabiehs are a characteristic of Egyptian architecture. These skylights of turned wood allow both to ventilate the interiors while filtering the light and therefore the heat, and also to see without being seen.
RM2RH5GKF–Minerva in Her Study, 1635 by Rembrandt Harmensz (Harmenszoon) van Rijn 1606–1669 17th Century The Netherlands Dutch Holland, Minerva had various functions and attributes. She was the virgin goddess of war, but unlike her counterparts Mars or Bellona, she was neither belligerent nor cruel. Her inventive strategy led to victory and she was therefore, paradoxically, also the goddess of peace. She was also the goddess of wisdom, art, poetry, medicine and crafts, especially those of spinning and weaving.
RM2RH5GJW–Minerva in Her Study, 1635 by Rembrandt Harmensz (Harmenszoon) van Rijn 1606–1669 17th Century The Netherlands Dutch Holland, Minerva had various functions and attributes. She was the virgin goddess of war, but unlike her counterparts Mars or Bellona, she was neither belligerent nor cruel. Her inventive strategy led to victory and she was therefore, paradoxically, also the goddess of peace. She was also the goddess of wisdom, art, poetry, medicine and crafts, especially those of spinning and weaving.
RM2RH5GDM–Minerva in Her Study, 1635 by Rembrandt Harmensz (Harmenszoon) van Rijn 1606–1669 17th Century The Netherlands Dutch Holland, Minerva had various functions and attributes. She was the virgin goddess of war, but unlike her counterparts Mars or Bellona, she was neither belligerent nor cruel. Her inventive strategy led to victory and she was therefore, paradoxically, also the goddess of peace. She was also the goddess of wisdom, art, poetry, medicine and crafts, especially those of spinning and weaving.
RM2RH5GK5–Minerva in Her Study, 1635 by Rembrandt Harmensz (Harmenszoon) van Rijn 1606–1669 17th Century The Netherlands Dutch Holland, Minerva had various functions and attributes. She was the virgin goddess of war, but unlike her counterparts Mars or Bellona, she was neither belligerent nor cruel. Her inventive strategy led to victory and she was therefore, paradoxically, also the goddess of peace. She was also the goddess of wisdom, art, poetry, medicine and crafts, especially those of spinning and weaving.
RM2RH5GJD–Minerva in Her Study, 1635 by Rembrandt Harmensz (Harmenszoon) van Rijn 1606–1669 17th Century The Netherlands Dutch Holland, Minerva had various functions and attributes. She was the virgin goddess of war, but unlike her counterparts Mars or Bellona, she was neither belligerent nor cruel. Her inventive strategy led to victory and she was therefore, paradoxically, also the goddess of peace. She was also the goddess of wisdom, art, poetry, medicine and crafts, especially those of spinning and weaving.
RMFJPKR5–13th STATION Jesus is taken from the cross. Powerless are the hands of the living and the dead. 'Therefore, I can only weep.' KI.1.16. - Stations of the Cross ( St. Bernulphuskerk te Oosterbeek ) Jan Toorop ( Johannes Theodorus Toorop ) 1858 – 1928 Symbolism - Art Nouveau - Pointillism painter Dutch Netherlands
RMA16AX8–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AY3–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AYD–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AY1–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16BG1–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AXD–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16BG3–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AYF–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AXA–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AXF–Pretoria Tswane South Africa Paul Kruger Parliament buildings
RMA16AX6–Pretoria South Africa Paul Kruger Parliament buildings
RMAPTTKD–Pretoria South Africa African Capital Town City