Artist: Theodore van Thulden, Flemish, 1606–1669, After: Francesco Primaticcio, Italian, 1504–1570, Ulysses receives the Homage of the Loyal Serving-Women, ca. 1632, Black chalk, Sheet: 17.8 × 30.5 cm (7 × 12in.); Framed: 39.37 × 52.07 cm (15 1/2 × 20 1/2in.), This is one of Theodoor van Thulden’s preparatory studies for his set of prints after Francesco Primaticcio’s frescoes in the Gallery of Ulysses at Fontainebleau, which was published in multiple editions by various publishers between 1633 and 1640. This drawing depicts three episodes from Ulysses’ return home Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-theodore-van-thulden-flemish-16061669-after-francesco-primaticcio-italian-15041570-ulysses-receives-the-homage-of-the-loyalserving-women-ca1632-black-chalk-sheet-178-305-cm-7-12in-framed-3937-5207-cm-15-12-2012in-this-is-one-of-theodoor-van-thuldens-preparatory-studies-for-his-set-of-prints-after-francesco-primaticcios-frescoes-in-the-gallery-of-ulysses-at-fontainebleau-which-was-published-in-multiple-editions-by-various-publishers-between-1633-and-1640-this-drawing-depicts-three-episodes-from-ulysses-return-home-image392961461.html
RM2DR8X9W–Artist: Theodore van Thulden, Flemish, 1606–1669, After: Francesco Primaticcio, Italian, 1504–1570, Ulysses receives the Homage of the Loyal Serving-Women, ca. 1632, Black chalk, Sheet: 17.8 × 30.5 cm (7 × 12in.); Framed: 39.37 × 52.07 cm (15 1/2 × 20 1/2in.), This is one of Theodoor van Thulden’s preparatory studies for his set of prints after Francesco Primaticcio’s frescoes in the Gallery of Ulysses at Fontainebleau, which was published in multiple editions by various publishers between 1633 and 1640. This drawing depicts three episodes from Ulysses’ return home
Artist: Theodore van Thulden, Flemish, 1606–1669, After: Francesco Primaticcio, Italian, 1504–1570, The Companions of Ulysses Opening the Bag of Winds, ca. 1632, Black chalk, Sheet: 21.5 × 33 cm (8 7/16 × 13in.); Framed: 39.37 × 52.07 cm (15 1/2 × 20 1/2in.), Theodoor van Thulden was trained in Antwerp, and his early Mannerist style was reinforced by his journey to the French royal palace at Fontainebleau, where he made drawings after the frescoes by the Italian Francesco Primaticcio, chief artist for King Francis I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-theodore-van-thulden-flemish-16061669-after-francesco-primaticcio-italian-15041570-the-companions-of-ulysses-opening-the-bag-ofwinds-ca1632-black-chalk-sheet-215-33-cm-8-716-13in-framed-3937-5207-cm-15-12-2012in-theodoor-van-thulden-was-trained-in-antwerp-and-his-early-mannerist-style-was-reinforced-by-his-journey-to-the-french-royal-palace-at-fontainebleau-where-he-made-drawings-after-the-frescoes-by-the-italian-francesco-primaticcio-chief-artist-for-king-francis-i-image392961465.html
RM2DR8XA1–Artist: Theodore van Thulden, Flemish, 1606–1669, After: Francesco Primaticcio, Italian, 1504–1570, The Companions of Ulysses Opening the Bag of Winds, ca. 1632, Black chalk, Sheet: 21.5 × 33 cm (8 7/16 × 13in.); Framed: 39.37 × 52.07 cm (15 1/2 × 20 1/2in.), Theodoor van Thulden was trained in Antwerp, and his early Mannerist style was reinforced by his journey to the French royal palace at Fontainebleau, where he made drawings after the frescoes by the Italian Francesco Primaticcio, chief artist for King Francis I.
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