The metamorphoses of ovid Stock Photos and Images
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The metamorphoses of ovid Stock Photos and Images
RM2BE108X–The Fall of Icarus, alternate title: Daedalus Icaro alta nimis ambienti orbatur. Etching appeared in: The Metamorphoses of Ovid, plate 75, second edition illustrated by Antonio Tempesta, published 1606. Icarus was the son of Daedalus who dared to fly too near the sun on wings of feathers and wax. Daedalus had been imprisoned by King Minos of Crete within the walls of his own invention, the Labyrinth. But the great craftsman's genius would not suffer captivity. He made two pairs of wings by adhering feathers to a wooden frame with wax. Giving one pair to his son, he cautioned him that flying to
RMKC8429–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer
RF2HKATAJ–Inspired by Acis and Galatea Listening to the Song of Polyphemus, Acis and Galatea Listening to the Song of Polyphemus, The Metamorphoses of Ovid, Tapestry depicting Acis and Galatea listening to Polyphemus' song (Ovid, Metamorphoses, book XIII), from a series of tapestries with representations, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPAKRC9–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3). Artist: Godfried Maes (Antwerp 1649-1700 Antwerp). Dimensions: each sheet: 6 1/2 x 8 11/16 in. (16.5 x 22 cm). Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMC4G24G–Publius Ovidius Naso (43 B.C.-17/18 A.C.), known as Ovid. Roman poet. The Metamorphoses. Frankfurt, 1601.
RMMMY7C7–English: Illustrations to the Metamorphoses of Ovid, The Flaying of Marsyas . between 1664 and 1700. Godfried Maes - Illustrations to the Metamorphoses of Ovid, The Flaying of Marsyas
RMENT9P0–Venus conducted by Love alongside with dead Adonis, mortally wounded by a boar because of Diana anger (Metamorphoses by Ovid) 26/09/2013 - 16th century Collection
RMT2ME6P–The Nuptials of Thetis and Peleus or The Feast of the Gods ( Metamorphoses by the Latin poet Ovid 1st Century AD ) by Hendrick De Clerck 1570-1629, Belgian, Belgium, Flemish.
RMERH9C3–Ovid's Metamorphoses (French edition), 1557. From woodcut of page by Bernard Salomon. Showing Erysichthon, King of Thessaly,
RM2W96XR6–Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74 1935 by Willem Jansz.
RM2B6G7RP–Ceyx comes from a shipwreck Metamorphoses of Ovid (series title) Alcyone mourns her beloved Ceyx, who drowned after a shipwreck. In the margin of a four-line signature, in two columns, in the Latijn. Manufacturer : print maker: Crispijn of de Passe (I) Place manufacture: Cologne Date: 1602 - 1607 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: sheet: h 86 mm × W 132 mm Subject: Ceyx shipwrecked and drowned at sea
RM2X418E0–POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) Landscape with Polyphemus 1648 Oil on canvas, 150 x 199 cm The Hermitage, St. Petersburg This picture marks the beginning of Poussin's final period, that in which poetry rises to an all-embracing feeling for the world - still, however, interpreted through a mythological guise. The subject was borrowed from 'Metamorphoses' by Ovid. A terrible one-eyed giant Polyphemus anamoured of nymph Galathea is singing of his love on a pipe. --- Keywords: -------------- Author: POUSSIN, Nicolas Title: Landscape with Polyphemus Time-line: 1601-
RM2T86E6K–Petrus Clouwet (Engraver) Venus und Adonis; Du Ryer, Pierre: The metamorphoses of Ovid (Buchillustration). Copper engraving, etching 1635-1670 , 1635/1670
RMCR60W3–Ovid (Publius Ovidius Naso), 43 BC - 17 AD, Roman author / writer, works, 'Metamorphoses', 'Pyramus and ,
RM2BE0HJP–The Fall of Icarus, alternate title: Daedalus Icaro alta nimis ambienti orbatur. Etching appeared in: The Metamorphoses of Ovid, plate 75, second edition illustrated by Antonio Tempesta, published 1606. Icarus was the son of Daedalus who dared to fly too near the sun on wings of feathers and wax. Daedalus had been imprisoned by King Minos of Crete within the walls of his own invention, the Labyrinth. But the great craftsman's genius would not suffer captivity. He made two pairs of wings by adhering feathers to a wooden frame with wax. Giving one pair to his son, he cautioned him that flying to
RMKC8427–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer
RF2HKAT7H–Inspired by Pan and Syrinx, Pan and Syrinx, The Metamorphoses of Ovid, Tapestry with Pan pursuing Syrinx (Ovid, Metamorphoses, book I), from a series of tapestries with representations borrowed from Ovid's Metamorphoses., Manufacture Royale des Gobelins (workshop of), Jan Janss, Paris, c. 1680 - c, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRFD9XW–Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione, from a series illustrating 'The Metamorphoses' of Ovid. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 4 3/4 x 5 1/4 in. (12 x 13.4 cm) Plate: 4 1/8 x 4 11/16 in. (10.5 x 11.9 cm). Date: 1606. Museum: Metropolitan Museum of Art, New York, USA.
RMEWFG2H–Ovid (Publius Ovidius Naso) (43 BC-17 AD). Latin poet. Metamorphoses 2-8 AD. Book IV. Engraving depicting the death of Pyramus and Thisbe. Italian edition. Venice, 1584.
RMMMY7C4–English: Illustrations to the Metamorphoses of Ovid, Jupiter and Io (1) . between 1664 and 1700. Godfried Maes - Illustrations to the Metamorphoses of Ovid, Jupiter and Io (1)
RM2T7WA1C–Greek tale of the flood. Deucalion and Pyrrha alighting from the chest. By Donn Philip Crane (1878-1944). The flood in the time of Deucalion was caused by the anger of Zeus. Deucalion, with the aid of his father Prometheus, was saved from this deluge by building a chest. He used this device to survive the great flood with his wife, Pyrrha. When the waters receded after nine days, he and his wife Pyrrha were the one surviving pair of humans.
RMT2ME85–The Nuptials of Thetis and Peleus or The Feast of the Gods ( Metamorphoses by the Latin poet Ovid 1st Century AD ) by Hendrick De Clerck 1570-1629, Belgian, Belgium, Flemish.
RMERH9HP–Ovid's Metamorphoses (French edition), 1557. From woodcut of page by Bernard Salomon. Showing Erysichthon, King of Thessaly,
RM2W96XTW–Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64 1935 by Willem Jansz.
RM2B6B32N–Apollo Chasing Daphne Metamorphoses of Ovid (series title) Apollo was in love at the hands of Cupid with the nymph Daphne and chases her. She prays for her father to save Where: after laurel branches sprout from her arms raised and a tree verandert. Manufacturer : printmaker: Crispijn of Passe (I) (listed building) printmaker: Magdalena van de Passe (rejected attribution) publisher: Crispijn of Passe (I) (attributed to) publisher: Crispijn of Passe (II) (attributed to) Date: ca. 1636 - 1670 Physical features: engra; proofing material: paper Technique: engra (printing process) Dimensions: h 173
RFC376K4–Pygmalion was a sculptor who carved a statue of a female figure out of ivory and fell in love with it as he carved it.
RM2HJ35C4–Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64 Published after 1606 Antonio Tempesta Italian. Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64 402157
RMCR60T5–Ovid (Publius Ovidius Naso), 43 BC - 17 AD, Roman author / writer, works, 'Metamorphoses', 'Pyramus and Thisbe', coloured woodcut, Pellerin, Epinal, circa 1840, private collection, ,
RMM07PCP–Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64 MET DP267520
RMKC8428–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer
RF2HKXB1N–Art inspired by Acis and Galatea Listening to the Song of Polyphemus, Acis and Galatea Listening to the Song of Polyphemus, The Metamorphoses of Ovid (series title), Tapestry depicting Acis and Galatea listening to Polyphemus' song (Ovid, Metamorphoses, book XIII), from a series of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFD9N1–Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm) plate: 5 7/8 x 4 1/2 in. (15 x 11.5 cm). Publisher: Willem Jansz. (Dutch, active Amsterdam ?1605-20). Series/Portfolio: The Metamorphoses of Ovid. Date: Published after 1606. Museum: Metropolitan Museum of Art, New York, USA.
RMEYG8DJ–Ovid (Publius Ovidius Naso) (43 BC-17 AD). Latin poet. Metamorphoses 2-8 AD. Book IV. Engraving depicting the death of Pyramus and Thisbe. Italian edition. Venice, 1584. Colored.
RMMMY7C5–English: Illustrations to the Metamorphoses of Ovid, Minerva at the House of Envy . between 1664 and 1700. Godfried Maes - Illustrations to the Metamorphoses of Ovid, Minerva at the House of Envy
RMG16A7M–15th century French illuminated manuscript from Ovid Moralise, Metamorphoses, translated by Chretien Legouais. The Metamorphoses (Books of Transformations) is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen bo
RM2H6E4AE–Perseus liberates Andromeda 1575-1580 by Passerotti Bartolomeo, 1529/1592, Italy, Italian, ( Perseus Freeing Andromeda , Liberation of Andromeda Myth of Perseus, the demi-god, who slays the sea monster and saves the beautiful Andromeda, Roman writer Ovid, Metamorphoses, Perseus, Freeing, Andromeda, )
RMFXMDJB–Publius Ovidius Naso or Ovid, 43 BC - 17, a Roman poet, Publius Ovidius Naso oder Ovid, 43 v. Chr. - 17 n. Chr., ein römischer D
RM2W96XYP–Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20 1935 by Willem Jansz.
RM2B6JPJF–Diana discovers the pregnancy of Callisto Metamorphoses of Ovid (series title) Diana discovers the pregnancy CallistoMetamorfosen Ovid (series title) Property Type: picture Item number: RP-P-2013-10-4Catalogusreferentie: Hollstein Dutch 236-ad Inscriptions / Brands: number, verso, black chalk: '18 'Description: In her cave Diana accusingly pointing to her nymph Callisto, of whom: the clothes are pulled aside by other nymphs to onthullen. Manufacturer her pregnancy: printmaker: Theodor Mathamnaar design: Moses van Uyttenbroeck (attributed to) Dirck van der Lisse (attributed to) publisher: Cris
RMERHCW5–Pyramus and Thisbe, woodcut by Urs Graf c 1506-7. Story taken from Ovid 's Metamorphoses. Thisbe stands under the mulberry tree, contemplating the figure of Pyramus who has fallen on his sword. In the distance on the right is the lioness Pyramus had wrongly suspected of killing Thisbe, the cause of his grief. Behind Thisbe is the tomb of Ninus, with Hebrew writing to indicate the ancient origin of the legend. Next to Thisbe the moon is reflected in the pool of a fountain. On top of the fountain sits a peasant.
RM2CGX9TR–French women's costumes of the 13th century. From a manuscript in Rouen Library, the Metamorphosis of Ovid. Costumes de femmes du XIIIe siecle (Bib. des M. de Rouen, Metamorphoses d’Ovide). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829.
RM2HHXX8B–Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20 Published after 1606 Antonio Tempesta Italian. Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20 402056
RMCR60PG–Ovid (Publius Ovidius Naso), 43 BC - 17 AD, Roman author / writer, works, 'Metamorphoses', 'Pyramus and Thisbe', coloured woodcut, Dembour et Gangel, Metz, 1840/1852, Metken Collection, Munich, ,
RMM06EN8–Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20 MET DP339103
RM2B0KKEK–Antonio Tempesta, Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74, The Metamorphoses of Ovid, Antonio Tempesta (Italian, Florence 1555–1630 Rome), Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), plate: 5 7/8 x 4 1/2 in. (15 x 11.5 cm), Prints
RF2HKXB1H–Art inspired by Pan and Syrinx, Pan and Syrinx, The Metamorphoses of Ovid (series title), Tapestry with Pan pursuing Syrinx (Ovid, Metamorphoses, book I), from a series of tapestries with representations borrowed from Ovid's Metamorphoses., Manufacture Royale des Gobelins (workshop of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP9CEBX–Frontispiece with Portrait of Ovid, Metamorphoses, Oxford, 1632. Museum: PRIVATE COLLECTION.
RM2MXATHA–Room of Ovid or the Metamorphoses, Anselmo Guazzi and Agostino da Mozzanica, 1527, Palazzo Te, pleasure palace, Mantua, Lombardy, Italy, Mantua
RMEWFG2F–Ovid (Publius Ovidius Naso) (43 BC-17 AD). Latin poet. Metamorphoses 2-8 AD. Book I. Engraving depicting The Creation, The Battle of the Giants, Decaulion and Pyrrha and Apollo and the serpent. Italian edition. Venice, 1584.
RMMMY7C0–English: Illustrations to the Metamorphoses of Ovid, Juno in Hades . between 1664 and 1700. Godfried Maes - Illustrations to the Metamorphoses of Ovid, Juno in Hades
RM2HNCBFM–Giandomenico Tiepolo (1727-1804). The Apotheosis of Hercules. ca. 1765. Oil on canvas. 101.3 x 85.5 cm. Giandomenico Tiepolo was an Italian Rococo pa
RMT6C886–Round Platter. The abduction of Europa after an engraving by François Chauveau1674 after an engraving by François Chauveau after an engraving by François Chauveau France, French, (Metamorphoses, the Roman poet Ovid (43 BCE - 17 CE) tells how Zeus, who had taken on the shape of a bull, had abducted the Phoenician princess, who was to be the mother of Minos and Sarpedon )
RM2TCWKJH–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) 2002 by Godfried Maes
RM2B6JPR5–Diana Actaeon turns into a stag Metamorphoses of Ovid (series title) Prince Actaeon discovered during the hunt the grotto of Diana and her nymphs bathing at the time. Diana then changed his punishment in a deer, Where: after he by his own dogs is aangevallen. Manufacturer : printmaker: Crispijn of Passe (II) for painting by Rembrandt van Rijn Publisher: Crispijn of Passe (I) (attributed to ) Date: ca. 1636 - 1670 Physical features: engra; proofing material: paper Technique: engra (printing process) Dimensions: h 163 mm × W 219 mmToelichtingDe ambitious set according to designs by, inter alia,
RMJXD8M7–Vertumnus and Pomona-In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. The tale of Vertumnus and Pomona has been called the only purely Latin tale Ovid's Metamorphoses.
RM2CGX9TA–French knights in armour wearing shoulderplates or ailettes with coat of arms, 13th century.. They wear chainmail armour, tunic, helmet, and the horse is clothed with an armorial caparison. From a manuscript in Rouen library, the Metamorphosis by Ovid. .Chevaliers du XIIIe siecle (Bib. des M. de Rouen, Metamorphoses d’Ovide). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz
RM2HJ4NRX–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) late 17th century Godfried Maes Flemish. Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) 358167
RMEJXT96–ActiveMuseum 0005975.jpg / The sacrifice of Polyxena at the tomb of Achilles, taken from the Iliad in the version given by Ovid in his Metamorphoses illustrating the Trojan princess who was beloved of Achilles and the Greeks invaders, who ask her sacrifice. She is sacrificed by Neoptolemus ( Achilles' son ) on the tomb of Achilles. 05/12/2013 - / 17th century Collection / Active Museum
RMM07GG7–Illustrations to the Metamorphoses of Ovid- Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) MET DP802220
RMW57Y1C–Apotheosis of Hercules Metamorphoses of Ovid (series title), After his death Hercules is taken up in the wagon of Minerva to Jupiter, to take his place among the twelve gods of the Olympus. Right in the background Hercules at the stake. In the margin a four-line caption, in two columns, in Latin, apotheosis of Hercules: he is borne to heaven in a four-horse chariot and reconciled with Juno, Hercules has himself carried to Mount Oeta and placed on a pyre, Crispijn van de Passe (I), Keulen, 1602 - 1607, paper, engraving, h 84 mm × w 133 mm
RF2HW7J4F–Art inspired by Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20, Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), Prints, Antonio Tempesta (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNX4BW–Ovid (Publius Ovidius Naso) (43 BC-17 AD). Latin poet. Metamorphoses 2-8 AD. Book IV. Engraving depicting the death of Pyramus and Thisbe. Italian edition. Venice, 1584.
RM2MXATH8–Room of Ovid or the Metamorphoses, Anselmo Guazzi and Agostino da Mozzanica, 1527, Palazzo Te, pleasure palace, Mantua, Lombardy, Italy, Mantua
RMF4WCWF–Ovid (Publius Ovidius Naso) (43 BC-17 AD). Latin poet. Metamorphoses 2-8 AD. Book I. Engraving depicting The Creation, The Battle of the Giants, Decaulion and Pyrrha and Apollo and the serpent. Italian edition. Venice, 1584. Colored.
RMMMY7BY–English: Illustrations to the Metamorphoses of Ovid, Apollo seducing Leucothoe . between 1664 and 1700. Godfried Maes - Illustrations to the Metamorphoses of Ovid, Apollo seducing Leucothoe
RMFFD98K–PHAETON AND APOLLO. /nPhaeton goes to find his father Apollo. Copper engraving from an 18th century English edition of Ovid's 'Metamorphoses.'
RMT6C889–Round Platter. The abduction of Europa after an engraving by François Chauveau1674 after an engraving by François Chauveau after an engraving by François Chauveau France, French, (Metamorphoses, the Roman poet Ovid (43 BCE - 17 CE) tells how Zeus, who had taken on the shape of a bull, had abducted the Phoenician princess, who was to be the mother of Minos and Sarpedon )
RM2TCWKJJ–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) 2002 by Godfried Maes
RM2B6JPEK–Diana kills Chione Metamorphoses of Ovid (series title) Chione by killed Diana. The two children she had with Apollo and Mercury, which were both in love with her, watching. Mercury left back stroking Chione's eyes along with his staff, Where: on it falls asleep. Right background Daedalion, the father of Chione which spingt of Parnassus and is changed by Apollo into a bird. In the margin of a four-line signature, in two columns, in the Latijn. Manufacturer : print maker: Crispijn of de Passe (I) writer, John PosthiusPlaats manufacture: Cologne Date: 1602 - 1607 Physical characteristics: engra
RMJR465X–Pyramus and Thisbe. Scene from the Metamorphoses by Roman poet Ovid depicted in the Renaissance relief on the Hauenschild Palace (Hauenschildův palác) in Lower Square (Dolní náměstí) in Olomouc, Czech Republic.
RM2HHC5A2–Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) late 17th century Godfried Maes Flemish. Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) 358946
RM2M98YDB–Circe transforming Picus into a woodpecker as punishment for rejecting her love, as described in Ovid's Metamorphoses.
RMM07GG8–Illustrations to the Metamorphoses of Ovid- Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) MET DP802218
RMW54K89–Cup Cup with representations from the Metamorphoses of Ovid, Cup of gold, completely enameled on a white background. The base of the cup, with a flat ring with diamond pattern, is shaped like a hill with a gnarled tree trunk at the top, which serves as the trunk of the cup. Enameled gold figures are attached to the foot completely covered with enamel. Orpheus sits against the tree trunk, playing on his viola. At his feet are amors, mermaids and many birds, including a peacock, a rooster, a parrot, two swans and two eagles. The top of the tree trunk is surrounded by amors and red enameled
RF2HW7J4D–Art inspired by Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64, Published after 1606, Etching, sheet: 6 7/8 x 7 7/8 in. (17.5 x 20 cm), Prints, Antonio Tempesta (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for The metamorphoses of ovid Stock Photos and Images (3,061)
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