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The glasgow four Stock Photos and Images
RF2HTXJ23–Art inspired by Black Lion Wharf, 1859, Etching; fourth state of four (Glasgow), Sheet: 11 7/16 × 16 1/8 in. (29 × 41 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), When he moved to London in 1859, Whistler lodged near the Thames in the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ2X–Art inspired by The Little Lagoon, 1879–80, Etching and drypoint; third state of four (Glasgow); printed in dark brown ink on medium-light weight ivory laid paper, Plate: 9 × 6 in. (22.9 × 15.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64NE–Art inspired by Old Hungerford Bridge, 1861, Etching and drypoint; third state of four (Glasgow); printed in black ink on medium weight cream laid paper, plate: 5 3/8 x 8 1/4 in. (13.7 x 21 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ22–Art inspired by Street at Saverne, 1858, Etching and open bite or sandpaper ground; fourth state of four (Glasgow); printed in black ink on buff colored Japan paper, Plate: 8 1/8 × 6 1/4 in. (20.7 × 15.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6515–Art inspired by La Vieille aux loques, 1858, Etching and drypoint; third state of four (Glasgow); printed in black ink on fibrous cream laid Japan paper, Plate: 8 1/4 x 5 13/16 in. (21 x 14.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHW6–Art inspired by Street at Saverne, 1858, Etching and open bite or sandpaper ground; third state of four (Glasgow); blue chine on off-white wove paper (chine collé), Plate: 8 3/16 × 6 1/4 in. (20.8 × 15.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64W7–Art inspired by Lobster Pots (Lobster Pots – Selsea Bill), 1880–81, Etching; second state of four (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 4 5/8 × 7 7/8 in. (11.7 × 20 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHT1–Art inspired by La Mère Gérard, 1858, Etching; fourth state of four (Glasgow); printed in black ink on brownish-gray chine on off-white wove paper (chine collé), Plate: 5 × 3 9/16 in. (12.7 × 9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHT7–Art inspired by Street at Saverne, 1858, Etching; third state of four (Glasgow); printed in black ink on heavy pale gray textured paper with (faded) blue fibers, Plate: 8 1/8 × 6 1/8 in. (20.6 × 15.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW650K–Art inspired by The Unsafe Tenement (The Old Farm), 1858, Etching; fourth state of four (Glasgow); printed in black ink on medium weight tan antique laid paper, Plate: 6 1/4 × 8 7/8 in. (15.8 × 22.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6551–Art inspired by The Unsafe Tenement (The Old Farm), 1858, Etching; fourth state of four (Glasgow); Printed in black ink on on modern medium weight dark cream laid paper, Plate: 6 3/16 × 8 3/4 in. (15.7 × 22.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW654X–Art inspired by La Vieille aux Loques, 1858, Etching and drypoint; fourth state of four (Glasgow); a late impression printed in black ink on cream wove paper, Plate: 8 3/16 × 5 13/16 in. (20.8 × 14.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64K1–Art inspired by The Unsafe Tenement (The Old Farm), 1858, Etching; third state of four (Glasgow); printed in black ink on tan chine on white wove (chine collé), Plate: 6 1/8 × 8 7/8 in. (15.6 × 22.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHRB–Art inspired by Little Arthur, 1857–58, Etching; fourth state of four (Glasgow); printed in black ink on tan (darkened) chine on white wove paper (chine collé), Plate: 2 5/16 x 1 15/16 in. (5.9 x 4.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHT5–Art inspired by La Vielle aux Loques, 1858, Etching and drypoint; third state of four (Glasgow); printed in black ink on gray chine on off-white wove paper (chine collé), Plate: 8 3/16 × 5 13/16 in. (20.8 × 14.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64ND–Art inspired by The Unsafe Tenement (The Old Farm), 1858, Etching; third state of four (Glasgow), printed in black ink on gray chine on white wove paper (chine collé), plate: 6 1/8 x 8 7/8 in. (15.6 x 22.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHRG–Art inspired by La Vielle aux Loques, 1858, Etching and drypoint; third state of four (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), Plate: 8 3/16 × 5 3/4 in. (20.8 × 14.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHT0–Art inspired by Street at Saverne, 1858, Etching and open bite or sandpaper ground; third state of four (Glasgow); printed in black ink on ivory chine on off-white wove paper (chine collé), Plate: 8 3/16 x 6 1/4 in. (20.8 x 15.8 cm), Prints, James McNeill Whistler (American, Lowell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64TF–Art inspired by The Riva, No. 1 (The Riva), 1879–80, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 7 15/16 × 11 5/8 in. (20.1 × 29.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTX182–Art inspired by Four Officers, ca. 1864, Albumen silver print from glass negative, Image: 17.8 x 22.8 cm (7 x 9 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Gardner was an expert in the new wet-collodion-on-glass-plate process of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW4K3D–Art inspired by Execution of the Conspirators, July 7, 1865, Albumen silver print from glass negative, Image: 16.8 x 24.2 cm (6 5/8 x 9 1/2 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Alexander Gardner's intimate involvement in the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW4K44–Art inspired by Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold, April 20, 1865, Ink on paper with three albumen silver prints from glass negatives, Sheet: 60.5 x 31.3 cm (23 13/16 x 12 5/16 in.), Collages, Alexander Gardner (American, Glasgow, Scotland, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ36–Art inspired by Arthur Haden, 1859, Drypoint; fourth state of four (Glasgow); printed in black ink on ivory Japan tissue, Plate: 8 7/8 in. × 6 in. (22.5 × 15.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ0K–Art inspired by Longshore Men, 1859, Etching and drypoint; third state of four (Glasgow); black ink on medium weight, Plate: 5 7/8 × 8 15/16 in. (15 × 22.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ2C–Art inspired by Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 5 3/8 x 7 7/8 in. (13.6 x 20 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHRX–Art inspired by La Vielle aux Loques, 1858, Etching and drypoint; fourth state of four (Glasgow); printed in black ink, Plate: 8 1/4 × 5 13/16 in. (20.9 × 14.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ2M–Art inspired by Mairie, Loches, 1888, Etching and drypoint; first state of four (Glasgow); printed in black ink on fine ivory laid paper, Plate: 8 5/8 × 5 in. (21.9 × 12.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ21–Art inspired by La Vielle aux loques, 1858, Etching and drypoint; fourth state of four (Glasgow); printed in black ink, Plate: 8 1/4 x 5 13/16 in. (21 x 14.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHYY–Art inspired by Quiet Canal, 1879–80, Etching and drypoint; fourth state of four (Glasgow); brown ink on very fine laid paper, Plate: 8 7/8 × 6 in. (22.5 × 15.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ1R–Art inspired by Quiet Canal, 1879–80, Etching and drypoint; fourth state of four (Glasgow); brown ink on very fine laid paper, Plate: 8 3/4 × 6 in. (22.3 × 15.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXDY1–Art inspired by Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, image: 5 7/16 x 7 15/16 in. (13.8 x 20.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ10–Art inspired by La Mère Gérard, 1858, Etching; fourth state of four (Glasgow); printed in black ink on antique cream laid paper, plate: 5 x 3 1/2 in. (12.7 x 8.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64MN–Art inspired by Old Westminster Bridge, 1859, Etching and drypoint; third state of four (Glasgow); black ink on fine fibrous laid Japan paper, plate: 3 x 7 7/8 in. (7.6 x 20 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ3Y–Art inspired by Longshore Men, 1859, Etching and drypoint; fourth state of four (Glasgow); black ink on medium weight ivory laid paper, Plate: 6 x 8 13/16 in. (15.2 x 22.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHTC–Art inspired by The Music Room, 1859, Etching; second state of four (Glasgow); Fine antique laid paper with a greenish cast, Plate: 5 11/16 x 8 1/2 in. (14.4 x 21.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ3T–Art inspired by Street at Saverne, 1858, Etching; fourth state of four (Glasgow), printed in black ink on machine-made cream laid paper, Plate: 8 3/16 × 6 5/16 in. (20.8 × 16 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ25–Art inspired by Little Arthur, 1857–58, Etching; fourth state of four (Glasgow); printed in dark brown ink on buff laid paper, Plate: 2 5/16 × 1 15/16 in. (5.8 × 5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXCFE–Art inspired by Balcony, Amsterdam, 1889, Etching and drypoint; fourth state of four (Glasgow); printed in dark brown ink on ivory Japan tissue, Plate: 10 3/4 × 6 5/8 in. (27.3 × 16.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHX0–Art inspired by St. James's Street, 1878, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 10 13/16 × 5 7/8 in. (27.4 × 15 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW650E–Art inspired by The Unsafe Tenement (The Old Farm), 1858, Etching; third state of four (Glasgow); printed in black ink on tan (darkened), Plate: 6 1/8 x 8 7/8 in. (15.6 x 22.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHWW–Art inspired by The Little Lagoon, 1879–80, Etching and drypoint; third state of four (Glasgow); printed in black ink on fine antique white laid paper, Plate: 8 15/16 in. × 6 in. (22.7 × 15.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ2F–Art inspired by Windsor (Memorial), 1887, Drypoint; third state of four (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 5 3/16 × 3 3/4 in. (13.2 × 9.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64MP–Art inspired by Little Wapping (The Little Rotherhithe), 1861, Etching; third state of four (Glasgow); printed in black ink on heavy off-white wove paper, Plate: 4 7/8 x 4 in. (12.4 x 10.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW652E–Art inspired by Steamboats off the Tower, 1875, Drypoint, third state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 6 1/16 × 8 7/8 in. (15.4 × 22.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64X3–Art inspired by Shipbuilder's Yard, Liverpool, 1875, Drypoint; first state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 10 13/16 x 5 7/8 in. (27.5 x 14.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ0P–Art inspired by The Music Room, 1859, Etching and drypoint; first state of four (Glasgow); black ink on medium weight cream laid paper, Plate: 5 11/16 x 8 3/8 in. (14.4 x 21.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHWH–Art inspired by Longshore Men, 1859, Etching and drypoint; second state of four (Glasgow); black ink on medium weight dark ivory laid paper, Plate: 5 15/16 x 8 7/8 in. (15.1 x 22.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJ24–Art inspired by Black Lion Wharf, 1859, Etching; fourth state of four (Glasgow), printed in black ink on fine off-white laid Japan paper, plate: 6 x 8 15/16 in. (15.2 x 22.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHYX–Art inspired by La Salute: Dawn, 1879–80, Etching and drypoint; fourth state of four (Glasgow); dark brown ink on fine ivory laid paper, plate: 4 7/8 x 7 15/16 in. (12.4 x 20.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW64RY–Art inspired by Glass Furnace: Murano (Murano – Glass Furnace), 1879–80, Etching and drypoint; first state of four (Glasgow); printed in brown ink on ivory laid paper, plate: 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHRM–Art inspired by Little Arthur, 1857–58, Etching; fourth state of four (Glasgow); printed in black ink on off-white chine mounted on off-white wove paper, Plate: 2 5/16 x 1 15/16 in. (5.9 x 4.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXHTA–Art inspired by La Mère Gérard, 1858, Etching; fourth state of four (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), plate: 5 x 3 1/2 in. (12.7 x 8.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7D6R–Art inspired by The Carselands (or The Carse), 1914, Etching; fourth state of four, Plate: 2 15/16 x 5 3/4 in. (7.4 x 14.6 cm), Prints, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for The glasgow four Stock Photos and Images (53)
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