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Sumizuri e Stock Photos and Images
Standing Courtesan, 1710s, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 54.0 x 29.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-courtesan-1710s-okumura-masanobu-japanese-1686-1764-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-540-x-293-cm-image328626610.htmlRM2A2J6GJ–Standing Courtesan, 1710s, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 54.0 x 29.3 cm
Inspired by Ehon Folio: Lovers Gazing into a Well, Woodblock print sumizuri-e, Japan, 18th century, Edo Period, 14 1/2 x 11 1/2 in., framed, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-ehon-folio-lovers-gazing-into-a-well-woodblock-print-sumizuri-e-japan-18th-century-edo-period-14-12-x-11-12-in-framed-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459245551.htmlRF2HK4CAR–Inspired by Ehon Folio: Lovers Gazing into a Well, Woodblock print sumizuri-e, Japan, 18th century, Edo Period, 14 1/2 x 11 1/2 in., framed, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Standing Beauty. Kaigetsudo Anchi; Japanese, active c. 1704-16. Date: 1709-1716. Dimensions: 22 1/4 × 12 1/2 in. Woodblock print; sumizuri-e, vertical o-oban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-beauty-kaigetsudo-anchi-japanese-active-c-1704-16-date-1709-1716-dimensions-22-14-12-12-in-woodblock-print-sumizuri-e-vertical-o-oban-origin-japan-museum-the-chicago-art-institute-image239864066.htmlRMRX6N1P–Standing Beauty. Kaigetsudo Anchi; Japanese, active c. 1704-16. Date: 1709-1716. Dimensions: 22 1/4 × 12 1/2 in. Woodblock print; sumizuri-e, vertical o-oban. Origin: Japan. Museum: The Chicago Art Institute.
. Bijin (美人, 'beauty'). sumizuri-e (meaning only the black lines are printed), with red and tan applied by hand. Printed on paper (as all Japanese woodcut prints). circa 1710s. Kaigetsudō Dohan 333 Kaigetsudo Dohan - bijin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bijin-beauty-sumizuri-e-meaning-only-the-black-lines-are-printed-with-red-and-tan-applied-by-hand-printed-on-paper-as-all-japanese-woodcut-prints-circa-1710s-kaigetsud-dohan-333-kaigetsudo-dohan-bijin-image188326075.htmlRMMXAYR7–. Bijin (美人, 'beauty'). sumizuri-e (meaning only the black lines are printed), with red and tan applied by hand. Printed on paper (as all Japanese woodcut prints). circa 1710s. Kaigetsudō Dohan 333 Kaigetsudo Dohan - bijin
Sugimura Jihei. Dalliance. 1680–1690. Japan. Hand-colored woodblock print; oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugimura-jihei-dalliance-16801690-japan-hand-colored-woodblock-print-oban-sumizuri-e-image337950698.htmlRM2AHPYFP–Sugimura Jihei. Dalliance. 1680–1690. Japan. Hand-colored woodblock print; oban, sumizuri-e
Artiste s'installant pour peindre le mont Fuji - Hokusai sumizuri-e Guimet 1. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artiste-sinstallant-pour-peindre-le-mont-fuji-hokusai-sumizuri-e-guimet-1-image595562591.htmlRM2WGX64F–Artiste s'installant pour peindre le mont Fuji - Hokusai sumizuri-e Guimet 1.
Falcon on pine tree branch, sumizuri-e (monochromatic woodblock print) with grey tones (usuzumi). Utamaro, Kitagawa (1753-1806), school Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/falcon-on-pine-tree-branch-sumizuri-e-monochromatic-woodblock-print-with-grey-tones-usuzumi-utamaro-kitagawa-1753-1806-school-image480378225.htmlRM2JWF395–Falcon on pine tree branch, sumizuri-e (monochromatic woodblock print) with grey tones (usuzumi). Utamaro, Kitagawa (1753-1806), school
Lovers Leaving a Room, c. 1684/98. Attributed to Sugimura Jihei. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovers-leaving-a-room-c-168498-attributed-to-sugimura-jihei-image457029008.htmlRM2HFFD4G–Lovers Leaving a Room, c. 1684/98. Attributed to Sugimura Jihei.
Ehon Folio: Lovers Gazing into a Well , 18th century. Woodblock print sumizuri-e, 14 1/2 x 11 1/2 in. (framed). Asian Art 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ehon-folio-lovers-gazing-into-a-well-18th-century-woodblock-print-sumizuri-e-14-12-x-11-12-in-framed-asian-art-18th-century-image504721916.htmlRM2M941XM–Ehon Folio: Lovers Gazing into a Well , 18th century. Woodblock print sumizuri-e, 14 1/2 x 11 1/2 in. (framed). Asian Art 18th century
Woodblock print of actor Nakamura Denkuro I in a tiger-skin robe, attributed to Torii Kiyonobu I from around 1700. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woodblock-print-of-actor-nakamura-denkuro-i-in-a-tiger-skin-robe-attributed-to-torii-kiyonobu-i-from-around-1700-image609254922.htmlRM2XB5XTA–Woodblock print of actor Nakamura Denkuro I in a tiger-skin robe, attributed to Torii Kiyonobu I from around 1700.
Courtesan ca. 1714 Kaigetsud? Anchi Japanese. Courtesan. Kaigetsud? Anchi (Japanese, active 1714). Japan. ca. 1714. Monochrome woodblock print (sumizuri-e); ink on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtesan-ca-1714-kaigetsud-anchi-japanese-courtesan-kaigetsud-anchi-japanese-active-1714-japan-ca-1714-monochrome-woodblock-print-sumizuri-e-ink-on-paper-edo-period-16151868-prints-image458586445.htmlRM2HJ2BK9–Courtesan ca. 1714 Kaigetsud? Anchi Japanese. Courtesan. Kaigetsud? Anchi (Japanese, active 1714). Japan. ca. 1714. Monochrome woodblock print (sumizuri-e); ink on paper. Edo period (1615–1868). Prints
Behind the Screen, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.2 x 38.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/behind-the-screen-c-167381-hishikawa-moronobu-japanese-1694-japan-woodblock-print-sumizuri-e-oban-yoko-e-272-x-384-cm-image328646987.htmlRM2A2K4GB–Behind the Screen, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.2 x 38.4 cm
Art inspired by Ehon Folio: Lovers Gazing into a Well, Woodblock print sumizuri-e, Japan, 18th century, Edo Period, 14 1/2 x 11 1/2 in., framed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ehon-folio-lovers-gazing-into-a-well-woodblock-print-sumizuri-e-japan-18th-century-edo-period-14-12-x-11-12-in-framed-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562768.htmlRF2HKJW00–Art inspired by Ehon Folio: Lovers Gazing into a Well, Woodblock print sumizuri-e, Japan, 18th century, Edo Period, 14 1/2 x 11 1/2 in., framed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints. Okumura Masanobu; Japanese, 1686-1764. Date: 1703-1713. Dimensions: 26.6 x 36.9 cm. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtesan-plying-shojo-with-sake-no-4-from-a-series-of-12-prints-okumura-masanobu-japanese-1686-1764-date-1703-1713-dimensions-266-x-369-cm-woodblock-print-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240066171.htmlRMRXFXRR–Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints. Okumura Masanobu; Japanese, 1686-1764. Date: 1703-1713. Dimensions: 26.6 x 36.9 cm. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Art inspired by Courtesan for the Fifth Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 22 3/4 x 12 3/4 in. (57.8 x 32.4 cm), Prints, Kaigetsudo Anchi (Japanese, active 1714, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-courtesan-for-the-fifth-month-edo-period-16151868-ca-1714-japan-polychrome-woodblock-print-sumizuri-e-ink-and-color-on-paper-22-34-x-12-34-in-578-x-324-cm-prints-kaigetsudo-anchi-japanese-active-1714-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910014.htmlRF2HW3ACE–Art inspired by Courtesan for the Fifth Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 22 3/4 x 12 3/4 in. (57.8 x 32.4 cm), Prints, Kaigetsudo Anchi (Japanese, active 1714, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Bijin (美人, 'beauty'). sumizuri-e (meaning only the black lines are printed), with red and tan applied by hand. Printed on paper (as all Japanese woodcut prints). circa 1710s. Kaigetsudō Dohan 332 Kaigetsudo Dohan - bijin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bijin-beauty-sumizuri-e-meaning-only-the-black-lines-are-printed-with-red-and-tan-applied-by-hand-printed-on-paper-as-all-japanese-woodcut-prints-circa-1710s-kaigetsud-dohan-332-kaigetsudo-dohan-bijin-image187811004.htmlRMMWFERT–. Bijin (美人, 'beauty'). sumizuri-e (meaning only the black lines are printed), with red and tan applied by hand. Printed on paper (as all Japanese woodcut prints). circa 1710s. Kaigetsudō Dohan 332 Kaigetsudo Dohan - bijin
Furuyama Moroshige. Reading a Letter. 1683–1693. Japan. Woodblock print; oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/furuyama-moroshige-reading-a-letter-16831693-japan-woodblock-print-oban-sumizuri-e-image337950702.htmlRM2AHPYFX–Furuyama Moroshige. Reading a Letter. 1683–1693. Japan. Woodblock print; oban, sumizuri-e
Standing Figure of a Woman, c. 1715. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-figure-of-a-woman-c-1715-image457037819.htmlRM2HFFTB7–Standing Figure of a Woman, c. 1715.
Courtesan Placing a Hairpin in Her Hair ca. 1714 Kaigetsud? Anchi Japanese. Courtesan Placing a Hairpin in Her Hair. Kaigetsud? Anchi (Japanese, active 1714). Japan. ca. 1714. Monochrome woodblock print (sumizuri-e); ink on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtesan-placing-a-hairpin-in-her-hair-ca-1714-kaigetsud-anchi-japanese-courtesan-placing-a-hairpin-in-her-hair-kaigetsud-anchi-japanese-active-1714-japan-ca-1714-monochrome-woodblock-print-sumizuri-e-ink-on-paper-edo-period-16151868-prints-image458136048.htmlRM2HH9W5M–Courtesan Placing a Hairpin in Her Hair ca. 1714 Kaigetsud? Anchi Japanese. Courtesan Placing a Hairpin in Her Hair. Kaigetsud? Anchi (Japanese, active 1714). Japan. ca. 1714. Monochrome woodblock print (sumizuri-e); ink on paper. Edo period (1615–1868). Prints
Courtesan ca. 1714 Kaigetsudō Dohan Japanese Most of the school's works are of a single, standing courtesan dressed in voluminous robes with bold designs. Like other early woodblock prints, they were printed in ink alone (sumizuri-e), with colors occasionally added by hand. Among the twelve known print designs by Dohan, to our knowledge this one is known only through this impression. Especially characteristic of Kaigetsudō beauties are the bold lines of the swirling robe, effectively accented here by the black hair.. Courtesan 45056 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtesan-ca-1714-kaigetsud-dohan-japanese-most-of-the-schools-works-are-of-a-single-standing-courtesan-dressed-in-voluminous-robes-with-bold-designs-like-other-early-woodblock-prints-they-were-printed-in-ink-alone-sumizuri-e-with-colors-occasionally-added-by-hand-among-the-twelve-known-print-designs-by-dohan-to-our-knowledge-this-one-is-known-only-through-this-impression-especially-characteristic-of-kaigetsud-beauties-are-the-bold-lines-of-the-swirling-robe-effectively-accented-here-by-the-black-hair-courtesan-45056-image458083983.htmlRM2HH7EP7–Courtesan ca. 1714 Kaigetsudō Dohan Japanese Most of the school's works are of a single, standing courtesan dressed in voluminous robes with bold designs. Like other early woodblock prints, they were printed in ink alone (sumizuri-e), with colors occasionally added by hand. Among the twelve known print designs by Dohan, to our knowledge this one is known only through this impression. Especially characteristic of Kaigetsudō beauties are the bold lines of the swirling robe, effectively accented here by the black hair.. Courtesan 45056
Three Courtesans with a Client. Okumura Masanobu (Japanese, 1686-1764). Color woodblock print; sheet: 26.5 x 37.7 cm (10 7/16 x 14 13/16 in.). This double-page book illustration is called a sumizuri (meaning to print with sumi ink on paper). It may be an adaptation of a picture book by Kiyonobu I titled Keisei ehon, or Illustrated Book of Courtesans, portraying the most glamorous people in the ukiyo-e world. Masanobu had the greatest influence on the development of the ukiyo-e style during the first half of the 1700s. A publisher, print designer, and painter, he initiated new genres of prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-courtesans-with-a-client-okumura-masanobu-japanese-1686-1764-color-woodblock-print-sheet-265-x-377-cm-10-716-x-14-1316-in-this-double-page-book-illustration-is-called-a-sumizuri-meaning-to-print-with-sumi-ink-on-paper-it-may-be-an-adaptation-of-a-picture-book-by-kiyonobu-i-titled-keisei-ehon-or-illustrated-book-of-courtesans-portraying-the-most-glamorous-people-in-the-ukiyo-e-world-masanobu-had-the-greatest-influence-on-the-development-of-the-ukiyo-e-style-during-the-first-half-of-the-1700s-a-publisher-print-designer-and-painter-he-initiated-new-genres-of-prints-image448066780.htmlRM2H0Y5N0–Three Courtesans with a Client. Okumura Masanobu (Japanese, 1686-1764). Color woodblock print; sheet: 26.5 x 37.7 cm (10 7/16 x 14 13/16 in.). This double-page book illustration is called a sumizuri (meaning to print with sumi ink on paper). It may be an adaptation of a picture book by Kiyonobu I titled Keisei ehon, or Illustrated Book of Courtesans, portraying the most glamorous people in the ukiyo-e world. Masanobu had the greatest influence on the development of the ukiyo-e style during the first half of the 1700s. A publisher, print designer, and painter, he initiated new genres of prints
Flirting Lovers, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.1 x 38.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flirting-lovers-c-167381-hishikawa-moronobu-japanese-1694-japan-woodblock-print-sumizuri-e-oban-yoko-e-271-x-384-cm-image328646989.htmlRM2A2K4GD–Flirting Lovers, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.1 x 38.4 cm
Flirting Lovers. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1668-1686. Dimensions: 27.1 x 38.4 cm. Woodblock print; sumizuri-e, oban yoko-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flirting-lovers-hishikawa-moronobu-japanese-1694-date-1668-1686-dimensions-271-x-384-cm-woodblock-print-sumizuri-e-oban-yoko-e-origin-japan-museum-the-chicago-art-institute-image239889510.htmlRMRX7WEE–Flirting Lovers. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1668-1686. Dimensions: 27.1 x 38.4 cm. Woodblock print; sumizuri-e, oban yoko-e. Origin: Japan. Museum: The Chicago Art Institute.
Art inspired by Courtesan for the Fifth Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 24 1/8 x 12 1/2 in. (61.3 x 31.8 cm), Prints, Kaigetsudō Dohan (active 1710–16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-courtesan-for-the-fifth-month-edo-period-16151868-ca-1714-japan-polychrome-woodblock-print-sumizuri-e-ink-and-color-on-paper-24-18-x-12-12-in-613-x-318-cm-prints-kaigetsud-dohan-active-171016-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910010.htmlRF2HW3ACA–Art inspired by Courtesan for the Fifth Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 24 1/8 x 12 1/2 in. (61.3 x 31.8 cm), Prints, Kaigetsudō Dohan (active 1710–16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Bijin (美人, 'beauty'). sumizuri-e (meaning only the black lines are printed), with red and tan applied by hand. Printed on paper (as all Japanese woodcut prints). circa 1710s. Kaigetsudō Dohan 289 Kaigetsudo Dohan - bijin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bijin-beauty-sumizuri-e-meaning-only-the-black-lines-are-printed-with-red-and-tan-applied-by-hand-printed-on-paper-as-all-japanese-woodcut-prints-circa-1710s-kaigetsud-dohan-289-kaigetsudo-dohan-bijin-image189109305.htmlRMMYJJRN–. Bijin (美人, 'beauty'). sumizuri-e (meaning only the black lines are printed), with red and tan applied by hand. Printed on paper (as all Japanese woodcut prints). circa 1710s. Kaigetsudō Dohan 289 Kaigetsudo Dohan - bijin
Art inspired by Courtesan for the Ninth Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 23 1/2 x 12 1/2 in. (59.7 x 31.8 cm), Prints, Kaigetsudō Doshin (Japanese, active 1711–1736, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-courtesan-for-the-ninth-month-edo-period-16151868-ca-1714-japan-polychrome-woodblock-print-sumizuri-e-ink-and-color-on-paper-23-12-x-12-12-in-597-x-318-cm-prints-kaigetsud-doshin-japanese-active-17111736-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910040.htmlRF2HW3ADC–Art inspired by Courtesan for the Ninth Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 23 1/2 x 12 1/2 in. (59.7 x 31.8 cm), Prints, Kaigetsudō Doshin (Japanese, active 1711–1736, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Italiano: Omori Yoshikiyo Un uomo e una donna durante il corteggiamento. Shidare yanagi (Il salice piangente). 1725 c. Orihon. Sumizuri-e. Collezione privata. circa 1725. Omori Yoshikiyo 398 Omori Yoshikiyo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-omori-yoshikiyo-un-uomo-e-una-donna-durante-il-corteggiamento-shidare-yanagi-il-salice-piangente-1725-c-orihon-sumizuri-e-collezione-privata-circa-1725-omori-yoshikiyo-398-omori-yoshikiyo-image188812402.htmlRMMY5442–. Italiano: Omori Yoshikiyo Un uomo e una donna durante il corteggiamento. Shidare yanagi (Il salice piangente). 1725 c. Orihon. Sumizuri-e. Collezione privata. circa 1725. Omori Yoshikiyo 398 Omori Yoshikiyo
The Full Moon. 1701–1800. Japan. Hand-colored woodblock print; o-oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-full-moon-17011800-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-image337950766.htmlRM2AHPYJ6–The Full Moon. 1701–1800. Japan. Hand-colored woodblock print; o-oban, sumizuri-e
Back to back, from a series of 12 prints, c. 1700. Attributed to Furuyama Moroshige. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/back-to-back-from-a-series-of-12-prints-c-1700-attributed-to-furuyama-moroshige-image457028822.htmlRM2HFFCWX–Back to back, from a series of 12 prints, c. 1700. Attributed to Furuyama Moroshige.
A Parade of Courtesans, c. 1690, Attributed to Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, kakemono yoko-e, 31.0 x 68.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-parade-of-courtesans-c-1690-attributed-to-hishikawa-moronobu-japanese-1694-japan-woodblock-print-sumizuri-e-kakemono-yoko-e-310-x-680-cm-image328626568.htmlRM2A2J6F4–A Parade of Courtesans, c. 1690, Attributed to Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, kakemono yoko-e, 31.0 x 68.0 cm
Standing Courtesan. Okumura Masanobu; Japanese, 1686-1764. Date: 1710-1719. Dimensions: 54.0 x 29.3 cm. Hand-colored woodblock print; o-oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-courtesan-okumura-masanobu-japanese-1686-1764-date-1710-1719-dimensions-540-x-293-cm-hand-colored-woodblock-print-o-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image239912121.htmlRMRX8XA1–Standing Courtesan. Okumura Masanobu; Japanese, 1686-1764. Date: 1710-1719. Dimensions: 54.0 x 29.3 cm. Hand-colored woodblock print; o-oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Art inspired by Actor Sawamura Kodenji as a Woman at the Time of the Tanabata Festival, Edo period (1615–1868), 1698, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 23 1/4 x 12 1/2 in. (59.1 x 31.8 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-actor-sawamura-kodenji-as-a-woman-at-the-time-of-the-tanabata-festival-edo-period-16151868-1698-japan-polychrome-woodblock-print-sumizuri-e-ink-and-color-on-paper-23-14-x-12-12-in-591-x-318-cm-prints-torii-kiyonobu-japanese-16641729-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910042.htmlRF2HW3ADE–Art inspired by Actor Sawamura Kodenji as a Woman at the Time of the Tanabata Festival, Edo period (1615–1868), 1698, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 23 1/4 x 12 1/2 in. (59.1 x 31.8 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Italiano: Omori Yoshikiyo Un uomo e una donna durante il corteggiamento. Shidare yanagi (Il salice piangente). 1725 c. Orihon. Sumizuri-e. Collezione privata. circa 1725. Omori Yoshikiyo 455 Omori Yoshikiyo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-omori-yoshikiyo-un-uomo-e-una-donna-durante-il-corteggiamento-shidare-yanagi-il-salice-piangente-1725-c-orihon-sumizuri-e-collezione-privata-circa-1725-omori-yoshikiyo-455-omori-yoshikiyo-image187536651.htmlRMMW30WF–. Italiano: Omori Yoshikiyo Un uomo e una donna durante il corteggiamento. Shidare yanagi (Il salice piangente). 1725 c. Orihon. Sumizuri-e. Collezione privata. circa 1725. Omori Yoshikiyo 455 Omori Yoshikiyo
Sugimura Jihei. An Interrupted Embrace. 1680–1690. Japan. Hand-colored woodblock print; oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugimura-jihei-an-interrupted-embrace-16801690-japan-hand-colored-woodblock-print-oban-sumizuri-e-image337940043.htmlRM2AHPDY7–Sugimura Jihei. An Interrupted Embrace. 1680–1690. Japan. Hand-colored woodblock print; oban, sumizuri-e
Reading a Letter in Front of a Screen, from an untitled series of 12 prints, c. 1710. Attributed to Torii Kiyonobu I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reading-a-letter-in-front-of-a-screen-from-an-untitled-series-of-12-prints-c-1710-attributed-to-torii-kiyonobu-i-image457029065.htmlRM2HFFD6H–Reading a Letter in Front of a Screen, from an untitled series of 12 prints, c. 1710. Attributed to Torii Kiyonobu I.
A Courtesan with Her Child Attendant, c. 1715, Torii Kiyonobu I, Japanese, 1664–1729, Japan, Woodblock print, o-oban, sumizuri-e, 23 x 12 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-courtesan-with-her-child-attendant-c-1715-torii-kiyonobu-i-japanese-16641729-japan-woodblock-print-o-oban-sumizuri-e-23-x-12-14-in-image328626574.htmlRM2A2J6FA–A Courtesan with Her Child Attendant, c. 1715, Torii Kiyonobu I, Japanese, 1664–1729, Japan, Woodblock print, o-oban, sumizuri-e, 23 x 12 1/4 in
Dalliance. Attributed to Sugimura Jihei; Japanese, active c. 1681-98. Date: 1680-1690. Dimensions: 25.7 x 36.0 cm. Hand-colored woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dalliance-attributed-to-sugimura-jihei-japanese-active-c-1681-98-date-1680-1690-dimensions-257-x-360-cm-hand-colored-woodblock-print-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240099730.htmlRMRXHDJA–Dalliance. Attributed to Sugimura Jihei; Japanese, active c. 1681-98. Date: 1680-1690. Dimensions: 25.7 x 36.0 cm. Hand-colored woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Art inspired by Courtesan for the Third Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 22 1/4 x 12 in. (56.5 x 30.5 cm), Prints, Kaigetsudō Dohan (active 1710–16), Several artists with the surname Kaigetsudō were pupils, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-courtesan-for-the-third-month-edo-period-16151868-ca-1714-japan-polychrome-woodblock-print-sumizuri-e-ink-and-color-on-paper-22-14-x-12-in-565-x-305-cm-prints-kaigetsud-dohan-active-171016-several-artists-with-the-surname-kaigetsud-were-pupils-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910026.htmlRF2HW3ACX–Art inspired by Courtesan for the Third Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 22 1/4 x 12 in. (56.5 x 30.5 cm), Prints, Kaigetsudō Dohan (active 1710–16), Several artists with the surname Kaigetsudō were pupils, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Italiano: Omori Yoshikiyo Un uomo e una donna durante il corteggiamento. Shidare yanagi (Il salice piangente). 1725 c. Orihon. Sumizuri-e. Collezione privata. circa 1725. Omori Yoshikiyo 456 Omori Yoshikiyo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-omori-yoshikiyo-un-uomo-e-una-donna-durante-il-corteggiamento-shidare-yanagi-il-salice-piangente-1725-c-orihon-sumizuri-e-collezione-privata-circa-1725-omori-yoshikiyo-456-omori-yoshikiyo-image188027678.htmlRMMWWB66–. Italiano: Omori Yoshikiyo Un uomo e una donna durante il corteggiamento. Shidare yanagi (Il salice piangente). 1725 c. Orihon. Sumizuri-e. Collezione privata. circa 1725. Omori Yoshikiyo 456 Omori Yoshikiyo
Art inspired by Courtesan with Poetry Card (Tanzaku) at New Year, 短冊持立美人図, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 23 1/2 x 12 1/2 in. (59.7 x 31.8 cm), Prints, Kaigetsudō Dohan (active 1710–16), This series of prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-courtesan-with-poetry-card-tanzaku-at-new-year-edo-period-16151868-ca-1714-japan-polychrome-woodblock-print-sumizuri-e-ink-and-color-on-paper-23-12-x-12-12-in-597-x-318-cm-prints-kaigetsud-dohan-active-171016-this-series-of-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761546.htmlRF2HTTH22–Art inspired by Courtesan with Poetry Card (Tanzaku) at New Year, 短冊持立美人図, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 23 1/2 x 12 1/2 in. (59.7 x 31.8 cm), Prints, Kaigetsudō Dohan (active 1710–16), This series of prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kaigetsudo Anchi. Standing Beauty. 1709–1716. Japan. Woodblock print; sumizuri-e, vertical o-oban Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kaigetsudo-anchi-standing-beauty-17091716-japan-woodblock-print-sumizuri-e-vertical-o-oban-image337955813.htmlRM2AHR62D–Kaigetsudo Anchi. Standing Beauty. 1709–1716. Japan. Woodblock print; sumizuri-e, vertical o-oban
Art inspired by よしわらの躰 揚屋町入り口, The Entrance to Ageya-machi, from the series Scenes in the Yoshiwara (Yoshiwara no tei), Edo period (1615–1868), 1681–84, Japan, Woodblock print (sumizuri-e); ink on paper, 10 1/8 x 15 1/5 in. (25.7 x 38.6 cm), Prints, Hishikawa Moronobu (Japanese, died, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-entrance-to-ageya-machi-from-the-series-scenes-in-the-yoshiwara-yoshiwara-no-tei-edo-period-16151868-168184-japan-woodblock-print-sumizuri-e-ink-on-paper-10-18-x-15-15-in-257-x-386-cm-prints-hishikawa-moronobu-japanese-died-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906423.htmlRF2HW35T7–Art inspired by よしわらの躰 揚屋町入り口, The Entrance to Ageya-machi, from the series Scenes in the Yoshiwara (Yoshiwara no tei), Edo period (1615–1868), 1681–84, Japan, Woodblock print (sumizuri-e); ink on paper, 10 1/8 x 15 1/5 in. (25.7 x 38.6 cm), Prints, Hishikawa Moronobu (Japanese, died, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Playbill for the Ichimura Theater, 1715. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-playbill-for-the-ichimura-theater-1715-image457037824.htmlRM2HFFTBC–A Playbill for the Ichimura Theater, 1715.
Standing Courtesan, 1710s, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 54.0 x 29.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-courtesan-1710s-okumura-masanobu-japanese-1686-1764-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-540-x-293-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349688045.htmlRF2B8WJJN–Standing Courtesan, 1710s, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 54.0 x 29.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Dalliance, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 25.7 x 36.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dalliance-c-1685-attributed-to-sugimura-jihei-japanese-active-c-1681-98-japan-hand-colored-woodblock-print-oban-sumizuri-e-257-x-360-cm-image328626560.htmlRM2A2J6ET–Dalliance, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 25.7 x 36.0 cm
A Courtesan with Her Child Attendant. Torii Kiyonobu I; Japanese, 1664-1729. Date: 1710-1720. Dimensions: 23 x 12 1/4 in. Woodblock print; o-oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-courtesan-with-her-child-attendant-torii-kiyonobu-i-japanese-1664-1729-date-1710-1720-dimensions-23-x-12-14-in-woodblock-print-o-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image239936288.htmlRMRXA154–A Courtesan with Her Child Attendant. Torii Kiyonobu I; Japanese, 1664-1729. Date: 1710-1720. Dimensions: 23 x 12 1/4 in. Woodblock print; o-oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Hishikawa Moronobu. Flirting Lovers. 1668–1686. Japan. Woodblock print; sumizuri-e, oban yoko-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hishikawa-moronobu-flirting-lovers-16681686-japan-woodblock-print-sumizuri-e-oban-yoko-e-image337935881.htmlRM2AHP8JH–Hishikawa Moronobu. Flirting Lovers. 1668–1686. Japan. Woodblock print; sumizuri-e, oban yoko-e
Lovers, a Cat, and a Mouse in front of a Folding Screen, c. 1684/98. Attributed to Sugimura Jihei. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovers-a-cat-and-a-mouse-in-front-of-a-folding-screen-c-168498-attributed-to-sugimura-jihei-image457028991.htmlRM2HFFD3Y–Lovers, a Cat, and a Mouse in front of a Folding Screen, c. 1684/98. Attributed to Sugimura Jihei.
Behind the Screen, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.2 x 38.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/behind-the-screen-c-167381-hishikawa-moronobu-japanese-1694-japan-woodblock-print-sumizuri-e-oban-yoko-e-272-x-384-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349724359.htmlRF2B8Y8YK–Behind the Screen, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.2 x 38.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Reading a Letter, c. 1688, Furuyama Moroshige, Japanese, active c. 1684-1704, Japan, Woodblock print, oban, sumizuri-e, 10 3/4 x 14 5/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reading-a-letter-c-1688-furuyama-moroshige-japanese-active-c-1684-1704-japan-woodblock-print-oban-sumizuri-e-10-34-x-14-54-in-image328626562.htmlRM2A2J6EX–Reading a Letter, c. 1688, Furuyama Moroshige, Japanese, active c. 1684-1704, Japan, Woodblock print, oban, sumizuri-e, 10 3/4 x 14 5/4 in
A Parade of Courtesans. Attributed to Hishikawa Moronobu; Japanese, (?)-1694. Date: 1685-1694. Dimensions: 31.0 x 68.0 cm. Woodblock print; sumizuri-e, kakemono yoko-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-parade-of-courtesans-attributed-to-hishikawa-moronobu-japanese-1694-date-1685-1694-dimensions-310-x-680-cm-woodblock-print-sumizuri-e-kakemono-yoko-e-origin-japan-museum-the-chicago-art-institute-image239919478.htmlRMRX97MP–A Parade of Courtesans. Attributed to Hishikawa Moronobu; Japanese, (?)-1694. Date: 1685-1694. Dimensions: 31.0 x 68.0 cm. Woodblock print; sumizuri-e, kakemono yoko-e. Origin: Japan. Museum: The Chicago Art Institute.
Okumura Masanobu. Happy Ending. 1710–1720. Japan. Woodblock print; oban yoko-e, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/okumura-masanobu-happy-ending-17101720-japan-woodblock-print-oban-yoko-e-sumizuri-e-image337971134.htmlRM2AHRWHJ–Okumura Masanobu. Happy Ending. 1710–1720. Japan. Woodblock print; oban yoko-e, sumizuri-e
Announcement of a performance at the Morita Theater, 1856. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/announcement-of-a-performance-at-the-morita-theater-1856-image457038027.htmlRM2HFFTJK–Announcement of a performance at the Morita Theater, 1856.
A Parade of Courtesans, c. 1690, Attributed to Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, kakemono yoko-e, 31.0 x 68.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-parade-of-courtesans-c-1690-attributed-to-hishikawa-moronobu-japanese-1694-japan-woodblock-print-sumizuri-e-kakemono-yoko-e-310-x-680-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687881.htmlRF2B8WJCW–A Parade of Courtesans, c. 1690, Attributed to Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, kakemono yoko-e, 31.0 x 68.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Standing Beauty, c. 1714, Kaigetsudo Anchi, Japanese, active c. 1704–16, Japan, Woodblock print, sumizuri-e, vertical o-oban, 22 1/4 × 12 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-beauty-c-1714-kaigetsudo-anchi-japanese-active-c-170416-japan-woodblock-print-sumizuri-e-vertical-o-oban-22-14-12-12-in-image328627464.htmlRM2A2J7K4–Standing Beauty, c. 1714, Kaigetsudo Anchi, Japanese, active c. 1704–16, Japan, Woodblock print, sumizuri-e, vertical o-oban, 22 1/4 × 12 1/2 in
Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.1 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-of-a-daimyo-hishikawa-moronobu-japanese-1694-date-1676-1689-dimensions-272-x-381-cm-hand-colored-woodblock-print-oban-yoko-e-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image239874632.htmlRMRX76F4–Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.1 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Hishikawa Moronobu. Behind the Screen. 1668–1686. Japan. Woodblock print; sumizuri-e, oban yoko-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hishikawa-moronobu-behind-the-screen-16681686-japan-woodblock-print-sumizuri-e-oban-yoko-e-image337972118.htmlRM2AHRXTP–Hishikawa Moronobu. Behind the Screen. 1668–1686. Japan. Woodblock print; sumizuri-e, oban yoko-e
Shoki (Chinese: Zhong Kui), the demon queller, standing on a bridge, c. 1765/70. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shoki-chinese-zhong-kui-the-demon-queller-standing-on-a-bridge-c-176570-image457037263.htmlRM2HFFRKB–Shoki (Chinese: Zhong Kui), the demon queller, standing on a bridge, c. 1765/70.
Flirting Lovers, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.1 x 38.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flirting-lovers-c-167381-hishikawa-moronobu-japanese-1694-japan-woodblock-print-sumizuri-e-oban-yoko-e-271-x-384-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349724362.htmlRF2B8Y8YP–Flirting Lovers, c. 1673/81, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, sumizuri-e, oban yoko-e, 27.1 x 38.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Treasure Ship, c. 1712, Attributed to Furuyama Moromasa, Japanese, c. 1712-1772, Japan, Hand-colored woodblock print, horizontal o-oban, sumizuri-e, 12 x 22 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-treasure-ship-c-1712-attributed-to-furuyama-moromasa-japanese-c-1712-1772-japan-hand-colored-woodblock-print-horizontal-o-oban-sumizuri-e-12-x-22-12-in-image328626608.htmlRM2A2J6GG–The Treasure Ship, c. 1712, Attributed to Furuyama Moromasa, Japanese, c. 1712-1772, Japan, Hand-colored woodblock print, horizontal o-oban, sumizuri-e, 12 x 22 1/2 in
Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.5 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-of-a-daimyo-hishikawa-moronobu-japanese-1694-date-1676-1689-dimensions-272-x-385-cm-hand-colored-woodblock-print-oban-yoko-e-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image239892105.htmlRMRX80R5–Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.5 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Sugimura Jihei. Lovers Leaving a Room. 1679–1703. Japan. Woodblock print; oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugimura-jihei-lovers-leaving-a-room-16791703-japan-woodblock-print-oban-sumizuri-e-image337950981.htmlRM2AHPYWW–Sugimura Jihei. Lovers Leaving a Room. 1679–1703. Japan. Woodblock print; oban, sumizuri-e
The actor Yamanaka Heikuro I as a demon, c. 1706. Attributed to Torii Kiyonobu I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-yamanaka-heikuro-i-as-a-demon-c-1706-attributed-to-torii-kiyonobu-i-image457029064.htmlRM2HFFD6G–The actor Yamanaka Heikuro I as a demon, c. 1706. Attributed to Torii Kiyonobu I.
A Courtesan with Her Child Attendant, c. 1715, Torii Kiyonobu I, Japanese, 1664–1729, Japan, Woodblock print, o-oban, sumizuri-e, 23 x 12 1/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-courtesan-with-her-child-attendant-c-1715-torii-kiyonobu-i-japanese-16641729-japan-woodblock-print-o-oban-sumizuri-e-23-x-12-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687886.htmlRF2B8WJD2–A Courtesan with Her Child Attendant, c. 1715, Torii Kiyonobu I, Japanese, 1664–1729, Japan, Woodblock print, o-oban, sumizuri-e, 23 x 12 1/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
A Beauty Walking, 17th century, Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 56.8 × 27.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-beauty-walking-17th-century-sugimura-jihei-japanese-active-c-1681-98-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-568-279-cm-image328644726.htmlRM2A2K1KJ–A Beauty Walking, 17th century, Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 56.8 × 27.9 cm
The Crossing of the Tanabata Boat (Tanabata no towataru fune). Okumura Masanobu; Japanese, 1686-1764. Date: 1710-1720. Dimensions: 26.7 x 38.4 cm. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crossing-of-the-tanabata-boat-tanabata-no-towataru-fune-okumura-masanobu-japanese-1686-1764-date-1710-1720-dimensions-267-x-384-cm-woodblock-print-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240048237.htmlRMRXF3Y9–The Crossing of the Tanabata Boat (Tanabata no towataru fune). Okumura Masanobu; Japanese, 1686-1764. Date: 1710-1720. Dimensions: 26.7 x 38.4 cm. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Okumura Masanobu. Standing Courtesan. 1710–1719. Japan. Hand-colored woodblock print; o-oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/okumura-masanobu-standing-courtesan-17101719-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-image337950942.htmlRM2AHPYTE–Okumura Masanobu. Standing Courtesan. 1710–1719. Japan. Hand-colored woodblock print; o-oban, sumizuri-e
A Poster for the Ichimura Theatre (Ichimuraza tsuji banzuke), c. 1715. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-poster-for-the-ichimura-theatre-ichimuraza-tsuji-banzuke-c-1715-image457037812.htmlRM2HFFTB0–A Poster for the Ichimura Theatre (Ichimuraza tsuji banzuke), c. 1715.
Dalliance, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 25.7 x 36.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dalliance-c-1685-attributed-to-sugimura-jihei-japanese-active-c-1681-98-japan-hand-colored-woodblock-print-oban-sumizuri-e-257-x-360-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687873.htmlRF2B8WJCH–Dalliance, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 25.7 x 36.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
An Interrupted Embrace, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 10 5/8 x 14 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-interrupted-embrace-c-1685-attributed-to-sugimura-jihei-japanese-active-c-1681-98-japan-hand-colored-woodblock-print-oban-sumizuri-e-10-58-x-14-78-in-image328626555.htmlRM2A2J6EK–An Interrupted Embrace, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 10 5/8 x 14 7/8 in
Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.4 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-of-a-daimyo-hishikawa-moronobu-japanese-1694-date-1676-1689-dimensions-272-x-384-cm-hand-colored-woodblock-print-oban-yoko-e-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240111215.htmlRMRXJ08F–Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.4 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Torii Kiyonobu I. The Actor Nakamura Denkuro I. 1695–1705. Japan. Woodblock print; hosoban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torii-kiyonobu-i-the-actor-nakamura-denkuro-i-16951705-japan-woodblock-print-hosoban-sumizuri-e-image338002414.htmlRM2AHW9EP–Torii Kiyonobu I. The Actor Nakamura Denkuro I. 1695–1705. Japan. Woodblock print; hosoban, sumizuri-e
Flirtation under the Cherry Tree, c. 1684/98. Attributed to Sugimura Jihei. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flirtation-under-the-cherry-tree-c-168498-attributed-to-sugimura-jihei-image457029014.htmlRM2HFFD4P–Flirtation under the Cherry Tree, c. 1684/98. Attributed to Sugimura Jihei.
Reading a Letter, c. 1688, Furuyama Moroshige, Japanese, active c. 1684-1704, Japan, Woodblock print, oban, sumizuri-e, 10 3/4 x 14 5/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reading-a-letter-c-1688-furuyama-moroshige-japanese-active-c-1684-1704-japan-woodblock-print-oban-sumizuri-e-10-34-x-14-54-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687875.htmlRF2B8WJCK–Reading a Letter, c. 1688, Furuyama Moroshige, Japanese, active c. 1684-1704, Japan, Woodblock print, oban, sumizuri-e, 10 3/4 x 14 5/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Actor as a Standing Beauty, c. 1712, Torii Kiyomasu I, Japanese, active c. 1704-18 (?), Japan, Woodblock print, vertical o-oban, sumizuri-e, 21 x 11 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/actor-as-a-standing-beauty-c-1712-torii-kiyomasu-i-japanese-active-c-1704-18-japan-woodblock-print-vertical-o-oban-sumizuri-e-21-x-11-12-in-image328626597.htmlRM2A2J6G5–Actor as a Standing Beauty, c. 1712, Torii Kiyomasu I, Japanese, active c. 1704-18 (?), Japan, Woodblock print, vertical o-oban, sumizuri-e, 21 x 11 1/2 in
Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.3 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-of-a-daimyo-hishikawa-moronobu-japanese-1694-date-1676-1689-dimensions-272-x-383-cm-hand-colored-woodblock-print-oban-yoko-e-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image239952579.htmlRMRXANXY–Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.3 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Torii Kiyomitsu II (Kiyomine). Announcement of a performance at the Morita Theater. 1856. Japan. Woodblock print; sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torii-kiyomitsu-ii-kiyomine-announcement-of-a-performance-at-the-morita-theater-1856-japan-woodblock-print-sumizuri-e-image337962297.htmlRM2AHREA1–Torii Kiyomitsu II (Kiyomine). Announcement of a performance at the Morita Theater. 1856. Japan. Woodblock print; sumizuri-e
The Actor Nakamura Gentaro as a woman playing battledore and shuttlecock, c. 1704. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-nakamura-gentaro-as-a-woman-playing-battledore-and-shuttlecock-c-1704-image457037810.htmlRM2HFFTAX–The Actor Nakamura Gentaro as a woman playing battledore and shuttlecock, c. 1704.
The Treasure Ship, c. 1712, Attributed to Furuyama Moromasa, Japanese, c. 1712-1772, Japan, Hand-colored woodblock print, horizontal o-oban, sumizuri-e, 12 x 22 1/2 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-treasure-ship-c-1712-attributed-to-furuyama-moromasa-japanese-c-1712-1772-japan-hand-colored-woodblock-print-horizontal-o-oban-sumizuri-e-12-x-22-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349688043.htmlRF2B8WJJK–The Treasure Ship, c. 1712, Attributed to Furuyama Moromasa, Japanese, c. 1712-1772, Japan, Hand-colored woodblock print, horizontal o-oban, sumizuri-e, 12 x 22 1/2 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Full Moon, 18th century, Japanese, 18th century, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 52.7 x 18.9 cm (20 5/8 x 7 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-full-moon-18th-century-japanese-18th-century-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-527-x-189-cm-20-58-x-7-58-in-image328626563.htmlRM2A2J6EY–The Full Moon, 18th century, Japanese, 18th century, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 52.7 x 18.9 cm (20 5/8 x 7 5/8 in
Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.3 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-of-a-daimyo-hishikawa-moronobu-japanese-1694-date-1676-1689-dimensions-272-x-383-cm-hand-colored-woodblock-print-oban-yoko-e-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240046442.htmlRMRXF1K6–Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.3 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Nishimura Shigenaga. Yokihi (Chinese Yang Guifei) with attendant. 1697–1756. Japan. Woodblock print; hosoban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nishimura-shigenaga-yokihi-chinese-yang-guifei-with-attendant-16971756-japan-woodblock-print-hosoban-sumizuri-e-image337989672.htmlRM2AHTN7M–Nishimura Shigenaga. Yokihi (Chinese Yang Guifei) with attendant. 1697–1756. Japan. Woodblock print; hosoban, sumizuri-e
Dalliance, c. 1685. Attributed to Sugimura Jihei. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dalliance-c-1685-attributed-to-sugimura-jihei-image457029007.htmlRM2HFFD4F–Dalliance, c. 1685. Attributed to Sugimura Jihei.
A Beauty Walking, 17th century, Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 56.8 × 27.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-beauty-walking-17th-century-sugimura-jihei-japanese-active-c-1681-98-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-568-279-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349719372.htmlRF2B8Y2HG–A Beauty Walking, 17th century, Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 56.8 × 27.9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Young Woman and Hotei, c. 1741, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Hand-colored woodblock print, wide hashira-e, sumizuri-e, 70.9 x 15.9 cm (27 3/4 x 6 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-and-hotei-c-1741-ishikawa-toyonobu-japanese-1711-1785-japan-hand-colored-woodblock-print-wide-hashira-e-sumizuri-e-709-x-159-cm-27-34-x-6-14-in-image328627353.htmlRM2A2J7F5–Young Woman and Hotei, c. 1741, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Hand-colored woodblock print, wide hashira-e, sumizuri-e, 70.9 x 15.9 cm (27 3/4 x 6 1/4 in
Reading a Letter. Furuyama Moroshige; Japanese, active c. 1684-1704. Date: 1683-1693. Dimensions: 10 3/4 x 14 5/4 in. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reading-a-letter-furuyama-moroshige-japanese-active-c-1684-1704-date-1683-1693-dimensions-10-34-x-14-54-in-woodblock-print-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240056515.htmlRMRXFEEY–Reading a Letter. Furuyama Moroshige; Japanese, active c. 1684-1704. Date: 1683-1693. Dimensions: 10 3/4 x 14 5/4 in. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Sugimura Jihei. Flirtation under the Cherry Tree. 1679–1703. Japan. Woodblock print; o-oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugimura-jihei-flirtation-under-the-cherry-tree-16791703-japan-woodblock-print-o-oban-sumizuri-e-image337950725.htmlRM2AHPYGN–Sugimura Jihei. Flirtation under the Cherry Tree. 1679–1703. Japan. Woodblock print; o-oban, sumizuri-e
The Actor Nakamura Denkuro I, c. 1700. Attributed to Torii Kiyonobu I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-nakamura-denkuro-i-c-1700-attributed-to-torii-kiyonobu-i-image457029110.htmlRM2HFFD86–The Actor Nakamura Denkuro I, c. 1700. Attributed to Torii Kiyonobu I.
Standing Beauty, c. 1714, Kaigetsudo Anchi, Japanese, active c. 1704–16, Japan, Woodblock print, sumizuri-e, vertical o-oban, 22 1/4 × 12 1/2 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-beauty-c-1714-kaigetsudo-anchi-japanese-active-c-170416-japan-woodblock-print-sumizuri-e-vertical-o-oban-22-14-12-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349689195.htmlRF2B8WM3R–Standing Beauty, c. 1714, Kaigetsudo Anchi, Japanese, active c. 1704–16, Japan, Woodblock print, sumizuri-e, vertical o-oban, 22 1/4 × 12 1/2 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Standing Figure of a Woman, c. 1715, Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Woodblock print, o-oban, sumizuri-e, 57.8 x 31.3 cm (22 3/4 x 12 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-figure-of-a-woman-c-1715-torii-kiyomasu-i-japanese-active-c-170418-japan-woodblock-print-o-oban-sumizuri-e-578-x-313-cm-22-34-x-12-12-in-image328626596.htmlRM2A2J6G4–Standing Figure of a Woman, c. 1715, Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Woodblock print, o-oban, sumizuri-e, 57.8 x 31.3 cm (22 3/4 x 12 1/2 in
Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.3 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/procession-of-a-daimyo-hishikawa-moronobu-japanese-1694-date-1676-1689-dimensions-272-x-383-cm-hand-colored-woodblock-print-oban-yoko-e-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240096212.htmlRMRXH94M–Procession of a Daimyo. Hishikawa Moronobu; Japanese, (?)-1694. Date: 1676-1689. Dimensions: 27.2 x 38.3 cm. Hand-colored woodblock print; oban yoko-e, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Nishimura Shigenaga. Man in Thatched Hut Viewing the Moon. 1740–1749. Japan. Woodblock print; hosoban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nishimura-shigenaga-man-in-thatched-hut-viewing-the-moon-17401749-japan-woodblock-print-hosoban-sumizuri-e-image337985108.htmlRM2AHTFCM–Nishimura Shigenaga. Man in Thatched Hut Viewing the Moon. 1740–1749. Japan. Woodblock print; hosoban, sumizuri-e
Actor as a Standing Beauty, c. 1712. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/actor-as-a-standing-beauty-c-1712-image457037820.htmlRM2HFFTB8–Actor as a Standing Beauty, c. 1712.
The Full Moon, 18th century, Japanese, 18th century, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 52.7 x 18.9 cm (20 5/8 x 7 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-full-moon-18th-century-japanese-18th-century-japan-hand-colored-woodblock-print-o-oban-sumizuri-e-527-x-189-cm-20-58-x-7-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687876.htmlRF2B8WJCM–The Full Moon, 18th century, Japanese, 18th century, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 52.7 x 18.9 cm (20 5/8 x 7 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arrival-of-the-korean-embassy-in-edo-c-1709-torii-kiyonobu-i-japanese-1664-1729-japan-woodblock-print-oban-sumizuri-e-1-of-6-sheets-from-a-12-sheet-composition-see-19252334a-f-28-x-365-cm-11-124-x-14-38-in-image328627472.htmlRM2A2J7KC–Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in
Lovers Leaving a Room. Attributed to Sugimura Jihei; Japanese, active c. 1681-1698. Date: 1679-1703. Dimensions: 25.4 x 36.2 cm. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovers-leaving-a-room-attributed-to-sugimura-jihei-japanese-active-c-1681-1698-date-1679-1703-dimensions-254-x-362-cm-woodblock-print-oban-sumizuri-e-origin-japan-museum-the-chicago-art-institute-image240065033.htmlRMRXFWB5–Lovers Leaving a Room. Attributed to Sugimura Jihei; Japanese, active c. 1681-1698. Date: 1679-1703. Dimensions: 25.4 x 36.2 cm. Woodblock print; oban, sumizuri-e. Origin: Japan. Museum: The Chicago Art Institute.
Torii Kiyonobu I. A Courtesan with Her Child Attendant. 1710–1720. Japan. Woodblock print; o-oban, sumizuri-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torii-kiyonobu-i-a-courtesan-with-her-child-attendant-17101720-japan-woodblock-print-o-oban-sumizuri-e-image337950799.htmlRM2AHPYKB–Torii Kiyonobu I. A Courtesan with Her Child Attendant. 1710–1720. Japan. Woodblock print; o-oban, sumizuri-e
An Interrupted Embrace, c. 1685. Attributed to Sugimura Jihei. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-interrupted-embrace-c-1685-attributed-to-sugimura-jihei-image457028998.htmlRM2HFFD46–An Interrupted Embrace, c. 1685. Attributed to Sugimura Jihei.
Actor as a Standing Beauty, c. 1712, Torii Kiyomasu I, Japanese, active c. 1704-18 (?), Japan, Woodblock print, vertical o-oban, sumizuri-e, 21 x 11 1/2 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/actor-as-a-standing-beauty-c-1712-torii-kiyomasu-i-japanese-active-c-1704-18-japan-woodblock-print-vertical-o-oban-sumizuri-e-21-x-11-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349688029.htmlRF2B8WJJ5–Actor as a Standing Beauty, c. 1712, Torii Kiyomasu I, Japanese, active c. 1704-18 (?), Japan, Woodblock print, vertical o-oban, sumizuri-e, 21 x 11 1/2 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arrival-of-the-korean-embassy-in-edo-c-1709-torii-kiyonobu-i-japanese-1664-1729-japan-woodblock-print-oban-sumizuri-e-1-of-6-sheets-from-a-12-sheet-composition-see-19252334a-f-28-x-365-cm-11-124-x-14-38-in-image328627477.htmlRM2A2J7KH–Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in
Search Results for Sumizuri e Stock Photos and Images (518)
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