Sultan Muhammad Nur, Page of Calligraphy, Non-illustrated album leaf, early 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sultan-muhammad-nur-page-of-calligraphy-non-illustrated-album-leaf-early-16th-century-attributed-to-iran-ink-opaque-watercolor-and-gold-on-paper-codices-image344665496.html
RM2B0MTA0–Sultan Muhammad Nur, Page of Calligraphy, Non-illustrated album leaf, early 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices
. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-date-ah-931ad-152425-geography-present-day-afghanistan-herat-classification-codices-this-artwork-is-not-on-display-ah-931ad-152425-sultan-muhammad-nur-ca-1472ca-1536-75-battle-between-alexander-and-darius-image188239561.html
RMMX71DD–. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius
Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472-1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558-60; borders added probably 1700s. The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would chase the prey and bring it down. From childhood Akbar loved hunting, and this painting may be a rare depiction of Akbar as a youth at the lower left, with the black feather in his white turban. The fal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-with-falcons-in-a-landscape-verso-calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-sultan-muhammad-nur-persian-c-1472-1536-and-mirza-muhammad-probably-persian-active-c-1520s-c-1558-60-borders-added-probably-1700s-the-mughals-hunted-on-horseback-with-falcons-the-hunting-party-would-ride-out-into-the-wild-and-flush-the-prey-then-its-hood-removed-the-falcon-would-chase-the-prey-and-bring-it-down-from-childhood-akbar-loved-hunting-and-this-painting-may-be-a-rare-depiction-of-akbar-as-a-youth-at-the-lower-left-with-the-black-feather-in-his-white-turban-the-fal-image330136808.html
RM2A530T8–Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472-1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558-60; borders added probably 1700s. The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would chase the prey and bring it down. From childhood Akbar loved hunting, and this painting may be a rare depiction of Akbar as a youth at the lower left, with the black feather in his white turban. The fal
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di. Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 1/2 in. (19 cm) W. 5 in. (12.7 cm) Page: H. 11 in. (27.9 cm) W. 7 1/4 in. (18.4 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1525-35. The heavenly journey of the Prophet forms a centerpiece of Muslim piety. Persian poets from the thirteenth century onward prefaced their epics with a colorful description of the mi'raj, the heavenly journey that brought the Prophet into the immediate pres Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-3v-from-a-bustan-of-sa`di-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-dimensions-painting-h-7-12-in-19-cm-w-5-in-127-cm-page-h-11-in-279-cm-w-7-14-in-184-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ca-1525-35-the-heavenly-journey-of-the-prophet-forms-a-centerpiece-of-muslim-piety-persian-poets-from-the-thirteenth-century-onward-prefaced-their-epics-with-a-colorful-description-of-the-miraj-the-heavenly-journey-that-brought-the-prophet-into-the-immediate-pres-image213327657.html
RMPB1WGW–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di. Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 1/2 in. (19 cm) W. 5 in. (12.7 cm) Page: H. 11 in. (27.9 cm) W. 7 1/4 in. (18.4 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1525-35. The heavenly journey of the Prophet forms a centerpiece of Muslim piety. Persian poets from the thirteenth century onward prefaced their epics with a colorful description of the mi'raj, the heavenly journey that brought the Prophet into the immediate pres
Illuminated Frontispiece of a Bustan of Sa`di dated A.H. 920/ A.D. 1514 Sultan Muhammad Nur This manuscript of the Bustan of Sa’di is composed of fifty-one folios including the frontispiece and a leather binding. It was likely copied in Herat, but it was illustrated for an Uzbek patron several years later, probably in Bukhara in the 1530s. The calligrapher, Sultan Muhammad Nur, also worked on the 1524–25 manuscript of the Khamsa of Nizami, several folios of which are in the Museum’s collection.. Illuminated Frontispiece of a Bustan of Sa`di 452669 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-frontispiece-of-a-bustan-of-sa`di-dated-ah-920-ad-1514-sultan-muhammad-nur-this-manuscript-of-the-bustan-of-sadi-is-composed-of-fifty-one-folios-including-the-frontispiece-and-a-leather-binding-it-was-likely-copied-in-herat-but-it-was-illustrated-for-an-uzbek-patron-several-years-later-probably-in-bukhara-in-the-1530s-the-calligrapher-sultan-muhammad-nur-also-worked-on-the-152425-manuscript-of-the-khamsa-of-nizami-several-folios-of-which-are-in-the-museums-collection-illuminated-frontispiece-of-a-bustan-of-sa`di-452669-image458564891.html
RM2HJ1C5F–Illuminated Frontispiece of a Bustan of Sa`di dated A.H. 920/ A.D. 1514 Sultan Muhammad Nur This manuscript of the Bustan of Sa’di is composed of fifty-one folios including the frontispiece and a leather binding. It was likely copied in Herat, but it was illustrated for an Uzbek patron several years later, probably in Bukhara in the 1530s. The calligrapher, Sultan Muhammad Nur, also worked on the 1524–25 manuscript of the Khamsa of Nizami, several folios of which are in the Museum’s collection.. Illuminated Frontispiece of a Bustan of Sa`di 452669
India: Portrait of Emperor Jahangir (20 September 1569 - 8 November 1627) with his Empress Nur Jahan (1577 - 18 December 1645). Miniature painting, c. 19th century Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-portrait-of-emperor-jahangir-20-september-1569-8-november-1627-with-his-empress-nur-jahan-1577-18-december-1645-miniature-painting-c-19th-century-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-mogul-emperor-akbar-image344241187.html
RM2B01F43–India: Portrait of Emperor Jahangir (20 September 1569 - 8 November 1627) with his Empress Nur Jahan (1577 - 18 December 1645). Miniature painting, c. 19th century Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar.
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di ca. 1525–35 Sultan Muhammad Nur The heavenly journey of the Prophet forms a centerpiece of Muslim piety. Persian poets from the thirteenth century onward prefaced their epics with a colorful description of the mi'raj, the heavenly journey that brought the Prophet into the immediate presence of God. This miniature is particularly interesting as the Prophet is shown with his face unveiled, riding on the mysterious mount Buraq. Later pictures of Muhammad generally show him with a veil covering his fac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-3v-from-a-bustan-of-sa`di-ca-152535-sultan-muhammad-nur-the-heavenly-journey-of-the-prophet-forms-a-centerpiece-of-muslim-piety-persian-poets-from-the-thirteenth-century-onward-prefaced-their-epics-with-a-colorful-description-of-the-miraj-the-heavenly-journey-that-brought-the-prophet-into-the-immediate-presence-of-god-this-miniature-is-particularly-interesting-as-the-prophet-is-shown-with-his-face-unveiled-riding-on-the-mysterious-mount-buraq-later-pictures-of-muhammad-generally-show-him-with-a-veil-covering-his-fac-image458098463.html
RM2HH857B–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di ca. 1525–35 Sultan Muhammad Nur The heavenly journey of the Prophet forms a centerpiece of Muslim piety. Persian poets from the thirteenth century onward prefaced their epics with a colorful description of the mi'raj, the heavenly journey that brought the Prophet into the immediate presence of God. This miniature is particularly interesting as the Prophet is shown with his face unveiled, riding on the mysterious mount Buraq. Later pictures of Muhammad generally show him with a veil covering his fac
India: Jahangir (20 September 1569 - 8 November 1627) relaxing with Nur Jahan and Prince Khurram. Miniature painting, c. 1640-1650. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-jahangir-20-september-1569-8-november-1627-relaxing-with-nur-jahan-and-prince-khurram-miniature-painting-c-1640-1650-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-emperor-akbar-image344241183.html
RM2B01F3Y–India: Jahangir (20 September 1569 - 8 November 1627) relaxing with Nur Jahan and Prince Khurram. Miniature painting, c. 1640-1650. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar.
Page of Calligraphy early 16th century Sultan Muhammad Nur Poetry, calligraphic exercises, and headings have been pasted onto both sides of this folio. The text, which was written in several different hands, includes nasta’liq, ta’liq shikasta, muhaqqaq, and thuluth scripts. A poem written diagonally by the calligrapher Sultan Muhammad Nur uses religious imagery to describe the beauty of the beloved, and the large writing to the left of the poem is a calligraphic exercise in which the letter shin is repeated several times.. Page of Calligraphy. early 16th century. Ink, opaque watercolor, and g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-early-16th-century-sultan-muhammad-nur-poetry-calligraphic-exercises-and-headings-have-been-pasted-onto-both-sides-of-this-folio-the-text-which-was-written-in-several-different-hands-includes-nastaliq-taliq-shikasta-muhaqqaq-and-thuluth-scripts-a-poem-written-diagonally-by-the-calligrapher-sultan-muhammad-nur-uses-religious-imagery-to-describe-the-beauty-of-the-beloved-and-the-large-writing-to-the-left-of-the-poem-is-a-calligraphic-exercise-in-which-the-letter-shin-is-repeated-several-times-page-of-calligraphy-early-16th-century-ink-opaque-watercolor-and-g-image457892562.html
RM2HGXPHP–Page of Calligraphy early 16th century Sultan Muhammad Nur Poetry, calligraphic exercises, and headings have been pasted onto both sides of this folio. The text, which was written in several different hands, includes nasta’liq, ta’liq shikasta, muhaqqaq, and thuluth scripts. A poem written diagonally by the calligrapher Sultan Muhammad Nur uses religious imagery to describe the beauty of the beloved, and the large writing to the left of the poem is a calligraphic exercise in which the letter shin is repeated several times.. Page of Calligraphy. early 16th century. Ink, opaque watercolor, and g
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249715.html
RMKNMC6B–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
Anthology of Persian Poetry in Oblong Format (Safina) dated A.H. 905/A.D. 1499–1500 Sultan Muhammad Nur Images of angel-like, winged creatures known in Persian as pari enliven the small, delicately stenciled pages of this oblong-format Persian poetry anthology. With its stenciled folios, pseudo-marbleized pages, and multicolored papers and inks, this manuscript displays many of the innovative decorative techniques that developed within the Persian book arts during the fifteenth century. The engaging 'patchwork' conceit of its colorful pages echoes the collected nature of its text—a gathering o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anthology-of-persian-poetry-in-oblong-format-safina-dated-ah-905ad-14991500-sultan-muhammad-nur-images-of-angel-like-winged-creatures-known-in-persian-as-pari-enliven-the-small-delicately-stenciled-pages-of-this-oblong-format-persian-poetry-anthology-with-its-stenciled-folios-pseudo-marbleized-pages-and-multicolored-papers-and-inks-this-manuscript-displays-many-of-the-innovative-decorative-techniques-that-developed-within-the-persian-book-arts-during-the-fifteenth-century-the-engaging-patchwork-conceit-of-its-colorful-pages-echoes-the-collected-nature-of-its-texta-gathering-o-image458241964.html
RM2HHEM8C–Anthology of Persian Poetry in Oblong Format (Safina) dated A.H. 905/A.D. 1499–1500 Sultan Muhammad Nur Images of angel-like, winged creatures known in Persian as pari enliven the small, delicately stenciled pages of this oblong-format Persian poetry anthology. With its stenciled folios, pseudo-marbleized pages, and multicolored papers and inks, this manuscript displays many of the innovative decorative techniques that developed within the Persian book arts during the fifteenth century. The engaging 'patchwork' conceit of its colorful pages echoes the collected nature of its text—a gathering o
India: Emperor Jahangir (20 September 1569 - 8 November 1627) talking with Gosain Jadrup. Miniature painting from the Jahangirnama, c. 1620. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar, his twin brothers having died in infancy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-emperor-jahangir-20-september-1569-8-november-1627-talking-with-gosain-jadrup-miniature-painting-from-the-jahangirnama-c-1620-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-emperor-akbar-his-twin-brothers-having-died-in-infancy-image344241184.html
RM2B01F40–India: Emperor Jahangir (20 September 1569 - 8 November 1627) talking with Gosain Jadrup. Miniature painting from the Jahangirnama, c. 1620. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar, his twin brothers having died in infancy.
Calligraphy of Chaghatai Turkish Poems in Praise of Wine (verso), c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in.). This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-verso-c-150020-mirza-muhammad-probably-persian-active-c-1520s-and-sultan-muhammad-nur-persian-c-14721536-ink-on-paper-verso-page-362-x-243-cm-14-14-x-9-916-in-this-page-of-delicately-illuminated-calligraphy-from-the-pre-mughal-period-was-mounted-into-a-mughal-album-the-poems-are-written-in-the-native-language-of-the-mughals-a-form-of-turkish-called-chaghatai-using-a-flowing-form-of-arabic-script-called-nastaliq-the-mughals-self-consciously-adopted-persian-as-their-official-court-language-so-few-chaghat-image448072415.html
RM2H0YCX7–Calligraphy of Chaghatai Turkish Poems in Praise of Wine (verso), c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in.). This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghat
India: Jahangir (20 September 1569 - 8 November 1627) testing the strength of penance of Gosain Nirmalji and Bhagvanji. Rajput painting, c. 1750. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar, his twin brothers having died in infancy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-jahangir-20-september-1569-8-november-1627-testing-the-strength-of-penance-of-gosain-nirmalji-and-bhagvanji-rajput-painting-c-1750-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-emperor-akbar-his-twin-brothers-having-died-in-infancy-image344241181.html
RM2B01F3W–India: Jahangir (20 September 1569 - 8 November 1627) testing the strength of penance of Gosain Nirmalji and Bhagvanji. Rajput painting, c. 1750. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar, his twin brothers having died in infancy.
Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in.). The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-with-falcons-in-a-landscape-verso-calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-sultan-muhammad-nur-persian-c-14721536-and-mirza-muhammad-probably-persian-active-c-1520s-c-155860-borders-added-probably-1700s-attributed-to-abd-al-samad-persian-c-15101600-opaque-watercolor-on-paper-recto-ink-on-paper-verso-page-357-x-243-cm-14-116-x-9-916-in-painting-215-x-13-cm-8-716-x-5-18-in-the-mughals-hunted-on-horseback-with-falcons-the-hunting-party-would-ride-out-into-the-wild-and-flush-the-prey-then-its-hood-removed-the-falcon-would-c-image448064972.html
RM2H0Y3CC–Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in.). The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would c
Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jahangir-hindi-urdu-persian-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-20-september-1569-8-november-1627-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-mogul-emperor-akbar-image344256889.html
RM2B0274W–Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar.
Cityscape of Astana, the capital of Kazakhstan, with modern skyscrapers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cityscape-of-astana-the-capital-of-kazakhstan-with-modern-skyscrapers-image465473113.html
RF2J183KN–Cityscape of Astana, the capital of Kazakhstan, with modern skyscrapers.
Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jahangir-hindi-urdu-persian-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-20-september-1569-8-november-1627-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-mogul-emperor-akbar-image344256040.html
RM2B0262G–Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar.
Sultan Muhammad Nur, Page of Calligraphy from the Bellini Album, Non-illustrated album leaf, ca. 1600, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 13 11/16 in. (34.8 cm), W. 8 11/16 in. (22 cm), Codices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sultan-muhammad-nur-page-of-calligraphy-from-the-bellini-album-non-illustrated-album-leaf-ca-1600-attributed-to-iran-ink-opaque-watercolor-and-gold-on-paper-h-13-1116-in-348-cm-w-8-1116-in-22-cm-codices-image344672856.html
RM2B0N5MT–Sultan Muhammad Nur, Page of Calligraphy from the Bellini Album, Non-illustrated album leaf, ca. 1600, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 13 11/16 in. (34.8 cm), W. 8 11/16 in. (22 cm), Codices
. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-date-ah-931ad-152425-geography-present-day-afghanistan-herat-classification-codices-this-artwork-is-not-on-display-ah-931ad-152425-sultan-muhammad-nur-ca-1472ca-1536-75-battle-between-alexander-and-darius-image187662935.html
RMMW8NYK–. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius
India: The 4th Mughal Emperor Jahangir (20 September 1569 - 8 November 1627). Watercolour painting by Abu al-Hasan (1589-1630), 1617. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is Persian for 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-the-4th-mughal-emperor-jahangir-20-september-1569-8-november-1627-watercolour-painting-by-abu-al-hasan-1589-1630-1617-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-persian-for-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-emperor-akbar-image344241025.html
RM2B01EX9–India: The 4th Mughal Emperor Jahangir (20 September 1569 - 8 November 1627). Watercolour painting by Abu al-Hasan (1589-1630), 1617. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is Persian for 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar.
Overflap and Inside Cover of a Khamsa (Quintet) of Nizami. Artist: Painted by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: 12 5/8 x 8 3/4 in. (32.1 x 22.2 cm). Date: dated A.H. 931/ A.D. 1524-25. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/overflap-and-inside-cover-of-a-khamsa-quintet-of-nizami-artist-painted-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-12-58-x-8-34-in-321-x-222-cm-date-dated-ah-931-ad-1524-25-museum-metropolitan-museum-of-art-new-york-usa-image213315950.html
RMPB1AJP–Overflap and Inside Cover of a Khamsa (Quintet) of Nizami. Artist: Painted by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: 12 5/8 x 8 3/4 in. (32.1 x 22.2 cm). Date: dated A.H. 931/ A.D. 1524-25. Museum: Metropolitan Museum of Art, New York, USA.
Overflap and Inside Cover of a Khamsa (Quintet) of Nizami, dated A.H. 931/ A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/overflap-and-inside-cover-of-a-khamsa-quintet-of-nizami-dated-ah-931-ad-1524-25-image365763151.html
RM2C71XHK–Overflap and Inside Cover of a Khamsa (Quintet) of Nizami, dated A.H. 931/ A.D. 1524-25.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249711.html
RMKNMC67–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
Sultan Muhammad Nur, Page of Calligraphy from the Bellini Album, Non-illustrated album leaf, ca. 1600, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 13 1/16 in. (33.1 cm), W. 8 3/8 in. (21.3 cm), Codices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sultan-muhammad-nur-page-of-calligraphy-from-the-bellini-album-non-illustrated-album-leaf-ca-1600-attributed-to-iran-ink-opaque-watercolor-and-gold-on-paper-h-13-116-in-331-cm-w-8-38-in-213-cm-codices-image344672853.html
RM2B0N5MN–Sultan Muhammad Nur, Page of Calligraphy from the Bellini Album, Non-illustrated album leaf, ca. 1600, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 13 1/16 in. (33.1 cm), W. 8 3/8 in. (21.3 cm), Codices
. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius (with frame) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-date-ah-931ad-152425-geography-present-day-afghanistan-herat-classification-codices-this-artwork-is-not-on-display-ah-931ad-152425-sultan-muhammad-nur-ca-1472ca-1536-75-battle-between-alexander-and-darius-with-frame-image187662932.html
RMMW8NYG–. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius (with frame)
Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-c-150020-mirza-muhammad-probably-persian-active-c-1520s-and-sultan-muhammad-nur-persian-c-14721536-ink-on-paper-verso-page-362-x-243-cm-14-14-x-9-916-in-image240505709.html
RMRY7YDH–Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in
'Khusrau Catches Sight of Shirin Bathing', Folio 50 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. One of the five stories related in Nizami's Khamsa (Five Tales) concerns the love affair between the Iranian king Khusrau and the Armenian princess Shirin. This beauti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khusrau-catches-sight-of-shirin-bathing-folio-50-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-dated-ah-931ad-1524-25-one-of-the-five-stories-related-in-nizamis-khamsa-five-tales-concerns-the-love-affair-between-the-iranian-king-khusrau-and-the-armenian-princess-shirin-this-beauti-image213248973.html
RMPAX96N–'Khusrau Catches Sight of Shirin Bathing', Folio 50 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. One of the five stories related in Nizami's Khamsa (Five Tales) concerns the love affair between the Iranian king Khusrau and the Armenian princess Shirin. This beauti
India: The 4th Mughal Emperor Jahangir (20 September 1569 - 8 November 1627). Leaf portrait, c. 1825-1875. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر, meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-the-4th-mughal-emperor-jahangir-20-september-1569-8-november-1627-leaf-portrait-c-1825-1875-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-mogul-emperor-akbar-image344241024.html
RM2B01EX8–India: The 4th Mughal Emperor Jahangir (20 September 1569 - 8 November 1627). Leaf portrait, c. 1825-1875. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر, meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar.
Battle between Alexander and Darius, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763137.html
RM2C71XH5–Battle between Alexander and Darius, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jahangir-hindi-urdu-persian-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-20-september-1569-8-november-1627-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-mogul-emperor-akbar-image344257070.html
RM2B027BA–Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249708.html
RMKNMC64–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius (with frame) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-date-ah-931ad-152425-geography-present-day-afghanistan-herat-classification-codices-this-artwork-is-not-on-display-ah-931ad-152425-sultan-muhammad-nur-ca-1472ca-1536-75-battle-between-alexander-and-darius-with-frame-image188239576.html
RMMX71E0–. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius (with frame)
Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-with-falcons-in-a-landscape-verso-calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-sultan-muhammad-nur-persian-c-14721536-and-mirza-muhammad-probably-persian-active-c-1520s-c-155860-borders-added-probably-1700s-attributed-to-abd-al-samad-persian-c-15101600-opaque-watercolor-on-paper-recto-ink-on-paper-verso-page-357-x-243-cm-14-116-x-9-916-in-painting-215-x-13-cm-8-716-x-5-18-in-image240505710.html
RMRY7YDJ–Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in
'Laila and Majnun in School', Folio 129 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 7 1/2 in. (19.1 cm) W. 4 1/2 in. (11.4 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. One of the best-known stories of Nizami's Khamsa (Quintet) is that of Laila and Majnun, a tale akin to that of the star-crossed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laila-and-majnun-in-school-folio-129-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-painting-h-7-12-in-191-cm-w-4-12-in-114-cm-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-one-of-the-best-known-stories-of-nizamis-khamsa-quintet-is-that-of-laila-and-majnun-a-tale-akin-to-that-of-the-star-crossed-image213144549.html
RMPANG19–'Laila and Majnun in School', Folio 129 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 7 1/2 in. (19.1 cm) W. 4 1/2 in. (11.4 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. One of the best-known stories of Nizami's Khamsa (Quintet) is that of Laila and Majnun, a tale akin to that of the star-crossed
Laila and Majnun in School, Folio 129 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laila-and-majnun-in-school-folio-129-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763138.html
RM2C71XH6–Laila and Majnun in School, Folio 129 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jahangir-hindi-urdu-persian-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-20-september-1569-8-november-1627-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-mogul-emperor-akbar-image344257067.html
RM2B027B7–Jahangir (Hindi: नूरुद्दीन सलीम जहांगीर Urdu: سلیم جهانگیر نورالدینPersian: نورالدین سلیم جهانگیر) (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) (20 September 1569 – 8 November 1627) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Mogul Emperor Akbar.
India: Jahangir (20 September 1569 - 8 November 1627) looking at a globe. Miniature painting by Bichitr (fl. 1610-1660), c. 1620. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-jahangir-20-september-1569-8-november-1627-looking-at-a-globe-miniature-painting-by-bichitr-fl-1610-1660-c-1620-jahangir-full-title-al-sultan-al-azam-wal-khaqan-al-mukarram-khushru-i-giti-panah-abul-fath-nur-ud-din-muhammad-jahangir-padshah-ghazi-jannat-makaani-was-the-ruler-of-the-mughal-empire-from-1605-until-his-death-in-1627-the-name-jahangir-is-from-persian-meaning-world-conqueror-nur-ud-din-or-nur-al-din-is-an-arabic-name-which-means-light-of-the-faith-born-as-prince-muhammad-salim-he-was-the-third-and-eldest-surviving-son-of-emperor-akbar-image344241182.html
RM2B01F3X–India: Jahangir (20 September 1569 - 8 November 1627) looking at a globe. Miniature painting by Bichitr (fl. 1610-1660), c. 1620. Jahangir (full title: Al-Sultan al-'Azam wal Khaqan al-Mukarram, Khushru-i-Giti Panah, Abu'l-Fath Nur-ud-din Muhammad Jahangir Padshah Ghazi [Jannat-Makaani]) was the ruler of the Mughal Empire from 1605 until his death in 1627. The name Jahangir is from Persian جهانگیر,meaning 'World Conqueror'. Nur-ud-din or Nur al-Din is an Arabic name which means 'Light of the Faith'. Born as Prince Muhammad Salim, he was the third and eldest surviving son of Emperor Akbar.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249707.html
RMKNMC63–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-date-ah-931ad-152425-geography-present-day-afghanistan-herat-classification-codices-this-artwork-is-not-on-display-ah-931ad-152425-sultan-muhammad-nur-ca-1472ca-1536-75-battle-between-alexander-and-darius-image184858964.html
RMMMN1DT–. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius
'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. Seated on his throne under a colorful canopy, the king Khusrau Parviz holds court. Toward the middle of the composition, a pair of figures captures our attention. A bearded man holds an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khusrau-seated-on-his-throne-folio-64-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-seated-on-his-throne-under-a-colorful-canopy-the-king-khusrau-parviz-holds-court-toward-the-middle-of-the-composition-a-pair-of-figures-captures-our-attention-a-bearded-man-holds-an-image213176823.html
RMPAR15Y–'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. Seated on his throne under a colorful canopy, the king Khusrau Parviz holds court. Toward the middle of the composition, a pair of figures captures our attention. A bearded man holds an
Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-khusrau-and-shirin-folio-104-from-a-khamsa-quintet-of-nizami-dated-ah-931ad-1524-25-image365763143.html
RM2C71XHB–Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249712.html
RMKNMC68–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius (with frame) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-date-ah-931ad-152425-geography-present-day-afghanistan-herat-classification-codices-this-artwork-is-not-on-display-ah-931ad-152425-sultan-muhammad-nur-ca-1472ca-1536-75-battle-between-alexander-and-darius-with-frame-image184858969.html
RMMMN1E1–. English: 'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami Date: A.H. 931/A.D. 1524–25 Geography: present-day Afghanistan, Herat Classification: Codices This artwork is not on display . A.H. 931/A.D. 1524–25. Sultan Muhammad Nur (ca. 1472–ca. 1536) 75 Battle between Alexander and Darius (with frame)
'Marriage of Khusrau and Shirin', Folio 104 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 7 in. (17.8 cm) W. 4 3/4 in. (12.1 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The second poem of Nizami's Khamsa (Quintet) is a romantic epic tale concerning the last great Sasanian ruler, Khusrau I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-khusrau-and-shirin-folio-104-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-painting-h-7-in-178-cm-w-4-34-in-121-cm-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-dated-ah-931ad-1524-25-the-second-poem-of-nizamis-khamsa-quintet-is-a-romantic-epic-tale-concerning-the-last-great-sasanian-ruler-khusrau-i-image213147487.html
RMPANKP7–'Marriage of Khusrau and Shirin', Folio 104 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 7 in. (17.8 cm) W. 4 3/4 in. (12.1 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The second poem of Nizami's Khamsa (Quintet) is a romantic epic tale concerning the last great Sasanian ruler, Khusrau I
Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500-20. This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghatai books or works of calligraphy were made for them. The quatrain in the center reads: The wine has made an attempt on my life, Since it is the wine that can wear down t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-c-1500-20-this-page-of-delicately-illuminated-calligraphy-from-the-pre-mughal-period-was-mounted-into-a-mughal-album-the-poems-are-written-in-the-native-language-of-the-mughals-a-form-of-turkish-called-chaghatai-using-a-flowing-form-of-arabic-script-called-nastax2018liq-the-mughals-self-consciously-adopted-persian-as-their-official-court-language-so-few-chaghatai-books-or-works-of-calligraphy-were-made-for-them-the-quatrain-in-the-center-reads-the-wine-has-made-an-attempt-on-my-life-since-it-is-the-wine-that-can-wear-down-t-image330081039.html
RM2A50DMF–Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500-20. This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghatai books or works of calligraphy were made for them. The quatrain in the center reads: The wine has made an attempt on my life, Since it is the wine that can wear down t
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249713.html
RMKNMC69–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
. The Night Journey of Muhammad on His Steed, Buraq; Leaf from a copy of the Bustan of Sa'di (Persian Poet), dated 1514 Painter: Unknown; Calligrapher: Sultan Muhammad Nur Bukhara, Uzbekistan Colors, ink, and gold on paper; 7.5 x 5 in. (19 x 12.7 cm) Purchase, Louis V. Bell Fund and The Vincent Astor Foundation Gift, 1974 (1974.294.2) . 1514. 909 Muhammad 1514 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-night-journey-of-muhammad-on-his-steed-buraq-leaf-from-a-copy-of-the-bustan-of-sadi-persian-poet-dated-1514-painter-unknown-calligrapher-sultan-muhammad-nur-bukhara-uzbekistan-colors-ink-and-gold-on-paper-75-x-5-in-19-x-127-cm-purchase-louis-v-bell-fund-and-the-vincent-astor-foundation-gift-1974-19742942-1514-909-muhammad-1514-image185867032.html
RMMPAY88–. The Night Journey of Muhammad on His Steed, Buraq; Leaf from a copy of the Bustan of Sa'di (Persian Poet), dated 1514 Painter: Unknown; Calligrapher: Sultan Muhammad Nur Bukhara, Uzbekistan Colors, ink, and gold on paper; 7.5 x 5 in. (19 x 12.7 cm) Purchase, Louis V. Bell Fund and The Vincent Astor Foundation Gift, 1974 (1974.294.2) . 1514. 909 Muhammad 1514
'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 6 11/16 in. (17 cm) W. 4 1/2 in. (11.5 cm)Page: H. 12 1/2 (31.7 cm) W. 8 3/4 in. (22.2 cm)Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The Khamsa of Nizami, written between 1298 and 1302, is a canonical work of Persian literature. One of the five poems within it tells the story of Alexander the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-at-a-banquet-folio-from-a-khamsa-quintet-of-nizami-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-dimensions-painting-h-6-1116-in-17-cm-w-4-12-in-115-cmpage-h-12-12-317-cm-w-8-34-in-222-cmmat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-dated-ah-931ad-1524-25-the-khamsa-of-nizami-written-between-1298-and-1302-is-a-canonical-work-of-persian-literature-one-of-the-five-poems-within-it-tells-the-story-of-alexander-the-image212855735.html
RMPA8BJF–'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 6 11/16 in. (17 cm) W. 4 1/2 in. (11.5 cm)Page: H. 12 1/2 (31.7 cm) W. 8 3/4 in. (22.2 cm)Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The Khamsa of Nizami, written between 1298 and 1302, is a canonical work of Persian literature. One of the five poems within it tells the story of Alexander the
Page of Calligraphy, early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-early-16th-century-image365762726.html
RM2C71X2E–Page of Calligraphy, early 16th century.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249710.html
RMKNMC66–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
'Bahram Gur in the Sandal Palace on Thursday', Folio 230 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 13/16 in. (19.8 cm) W. 4 5/8 in. (11.7 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-sandal-palace-on-thursday-folio-230-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-dimensions-painting-h-7-1316-in-198-cm-w-4-58-in-117-cm-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-the-haft-paikar-seven-portraits-is-one-of-the-five-poems-of-the-khamsa-of-nizami-the-poetry-is-mystical-illustrating-the-image213319380.html
RMPB1F18–'Bahram Gur in the Sandal Palace on Thursday', Folio 230 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 13/16 in. (19.8 cm) W. 4 5/8 in. (11.7 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the
Anthology of Persian Poetry in Oblong Format (Safina), dated A.H. 905/A.D. 1499-1500. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anthology-of-persian-poetry-in-oblong-format-safina-dated-ah-905ad-1499-1500-image365762633.html
RM2C71WY5–Anthology of Persian Poetry in Oblong Format (Safina), dated A.H. 905/A.D. 1499-1500.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249714.html
RMKNMC6A–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 3/8 in. (18.7 cm) W. 4 13/16 in. (12.2 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. This razm (battle) scene is set against a hilly background, with groups of figures engaged in combat. Three figures in the foreground attack their mounted enemies. A seve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-alexander-and-darius-folio-from-a-khamsa-quintet-of-nizami-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-dimensions-painting-h-7-38-in-187-cm-w-4-1316-in-122-cm-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-this-razm-battle-scene-is-set-against-a-hilly-background-with-groups-of-figures-engaged-in-combat-three-figures-in-the-foreground-attack-their-mounted-enemies-a-seve-image213150434.html
RMPANRFE–'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 3/8 in. (18.7 cm) W. 4 13/16 in. (12.2 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. This razm (battle) scene is set against a hilly background, with groups of figures engaged in combat. Three figures in the foreground attack their mounted enemies. A seve
Illuminated Frontispiece of a Bustan of Sa'di, dated A.H. 920/ A.D. 1514. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-frontispiece-of-a-bustan-of-sadi-dated-ah-920-ad-1514-image365762732.html
RM2C71X2M–Illuminated Frontispiece of a Bustan of Sa'di, dated A.H. 920/ A.D. 1514.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249705.html
RMKNMC61–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
'Bahram Gur in the Turquoise Palace on Wednesday', Folio 216 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 7 7/8 in. (20 cm) W.4 7/8 in. (12.4 cm) Page: H. 12 11/16 in. (32.2 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The fourth of the late twelfth-century Persian poet Nizami's five epic poems, later combined to form t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-turquoise-palace-on-wednesday-folio-216-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-painting-h-7-78-in-20-cm-w4-78-in-124-cm-page-h-12-1116-in-322-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-dated-ah-931ad-1524-25-the-fourth-of-the-late-twelfth-century-persian-poet-nizamis-five-epic-poems-later-combined-to-form-t-image213132907.html
RMPAN15F–'Bahram Gur in the Turquoise Palace on Wednesday', Folio 216 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 7 7/8 in. (20 cm) W.4 7/8 in. (12.4 cm) Page: H. 12 11/16 in. (32.2 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: dated A.H. 931/A.D. 1524-25. The fourth of the late twelfth-century Persian poet Nizami's five epic poems, later combined to form t
Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farhad-carves-a-milk-channel-for-shirin-folio-74-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763145.html
RM2C71XHD–Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-anthology-of-persian-poetry-in-oblong-format-safina-calligrapher-168249706.html
RMKNMC62–Title: Anthology of Persian Poetry in Oblong Format (Safina), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), dated 905 AH/1499–1500 CE, Attributed to present-day Afghanistan, Herat, Medium: Ink, watercolor, and gold on paper.Binding: leather
'Farhad Carves a Milk Channel for Shirin', Folio 74 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 8 3/8 in. (21.3 cm) W. 5 1/16 in. (12.9 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. In Nizami's tale of Khusrau and Shirin, the princess Shirin has an ardent admirer in the talented sculptor and sto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farhad-carves-a-milk-channel-for-shirin-folio-74-from-a-khamsa-quintet-of-nizami-artist-painting-by-shaikh-zada-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-calligrapher-sultan-muhammad-nur-ca-1472-ca-1536-mahmud-muzahhib-dimensions-painting-h-8-38-in-213-cm-w-5-116-in-129-cm-page-h-12-58-in-321-cm-w-8-34-in-222-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ah-931ad-1524-25-in-nizamis-tale-of-khusrau-and-shirin-the-princess-shirin-has-an-ardent-admirer-in-the-talented-sculptor-and-sto-image213208104.html
RMPATD34–'Farhad Carves a Milk Channel for Shirin', Folio 74 from a Khamsa (Quintet) of Nizami. Artist: Painting by Shaikh Zada. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536); Mahmud Muzahhib. Dimensions: Painting: H. 8 3/8 in. (21.3 cm) W. 5 1/16 in. (12.9 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. In Nizami's tale of Khusrau and Shirin, the princess Shirin has an ardent admirer in the talented sculptor and sto
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-sandal-palace-on-thursday-folio-230-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763161.html
RM2C71XJ1–Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-168224380.html
RMKNK7WG–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper
Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khusrau-seated-on-his-throne-folio-64-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763160.html
RM2C71XJ0–Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-168224371.html
RMKNK7W7–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper
Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-at-a-banquet-folio-from-a-khamsa-quintet-of-nizami-dated-ah-931ad-1524-25-image365763131.html
RM2C71XGY–Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25.
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-168224375.html
RMKNK7WB–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper
Khusrau Catches Sight of Shirin Bathing, Folio 50 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khusrau-catches-sight-of-shirin-bathing-folio-50-from-a-khamsa-quintet-of-nizami-dated-ah-931ad-1524-25-image365763125.html
RM2C71XGN–Khusrau Catches Sight of Shirin Bathing, Folio 50 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25.
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-168224368.html
RMKNK7W4–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-yellow-palace-on-sunday-folio-213-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763146.html
RM2C71XHE–Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-miraj-or-the-night-flight-of-muhammad-on-his-steed-buraq-folio-168224374.html
RMKNK7WA–'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Date: ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Medium: Ink, gold, and colors on paper
Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-turquoise-palace-on-wednesday-folio-216-from-a-khamsa-quintet-of-nizami-dated-ah-931ad-1524-25-image365763158.html
RM2C71XHX–Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25.
Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-khusrau-seated-on-his-throne-folio-64-from-a-khamsa-quintet-168251160.html
RMKNME20–Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper
Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-dark-palace-on-saturday-folio-207-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763149.html
RM2C71XHH–Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-khusrau-seated-on-his-throne-folio-64-from-a-khamsa-quintet-168251161.html
RMKNME21–Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bahram-gur-in-the-white-palace-on-friday-folio-235-from-a-khamsa-quintet-of-nizami-ah-931ad-1524-25-image365763157.html
RM2C71XHW–Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25.
Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-khusrau-seated-on-his-throne-folio-64-from-a-khamsa-quintet-168251165.html
RMKNME25–Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper
Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-khusrau-seated-on-his-throne-folio-64-from-a-khamsa-quintet-168251167.html
RMKNME27–Title: 'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Author: Nizami (present-day Azerbaijan, Ganja 1141–1209 Ganja), Calligrapher: Sultan Muhammad Nur (Iranian, ca. 1472–ca. 1536), Calligrapher: Mahmud Muzahib (Iranian, ca. 1500–1560), Artist: Painting by Shaikh Zada (Iranian, active 1510–1550), dated 931 AH/1524–25 CE, Geography: Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper
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