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Stipple etching Stock Photos and Images

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Stipple etching Stock Photos and Images

after A. Poiteau, Amandier pistache, color stipple etching, hand-touched Stock Photo
RMH4M57P–after A. Poiteau, Amandier pistache, color stipple etching, hand-touched
Ornamented Vase. Medium: stipple etching. Museum: National Gallery of Art, Washington DC. Author: Paul Flindt II. Stock Photo
RMR347BY–Ornamented Vase. Medium: stipple etching. Museum: National Gallery of Art, Washington DC. Author: Paul Flindt II.
Margaret Cavendish. Portrait of Margaret Lucas Cavendish, Duchess of Newcastle-upon-Tyne (1623-1673), the 17th century English aristocrat, philosopher, poet, scientist, fiction-writer, and playwright. Stipple etching by John Alais from artwork by Abraham van Diepenbeeck, 1819 Stock Photo
RM2D5GPT2–Margaret Cavendish. Portrait of Margaret Lucas Cavendish, Duchess of Newcastle-upon-Tyne (1623-1673), the 17th century English aristocrat, philosopher, poet, scientist, fiction-writer, and playwright. Stipple etching by John Alais from artwork by Abraham van Diepenbeeck, 1819
Art inspired by Miranda (Shakespeare, The Tempest, Act 1, Scene 1), April 14, 1809, Stipple with etching; printed in sepia ink, Image: 8 1/16 × 6 11/16 in. (20.5 × 17 cm), Prints, after George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8F0N–Art inspired by Miranda (Shakespeare, The Tempest, Act 1, Scene 1), April 14, 1809, Stipple with etching; printed in sepia ink, Image: 8 1/16 × 6 11/16 in. (20.5 × 17 cm), Prints, after George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Etching and engraving with stipple titled 'Bataille d'Austerlitz' by François Gérard (1770-1837) French painter. Dated 1813 Stock Photo
RMF7P574–Etching and engraving with stipple titled 'Bataille d'Austerlitz' by François Gérard (1770-1837) French painter. Dated 1813
Augusta, princess of Saxe-Weimar Eisenach, stipple engraving and etching by August way based on a photographic art, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTTG83P–Augusta, princess of Saxe-Weimar Eisenach, stipple engraving and etching by August way based on a photographic art, Additional-Rights-Clearance-Info-Not-Available
An amputated nerve and artery, with a blood clot above the ligature. Colored stipple etching after John Bell, c. 1810. Stock Photo
RM2HJCMGE–An amputated nerve and artery, with a blood clot above the ligature. Colored stipple etching after John Bell, c. 1810.
. English: print / book-illustration / paper stipple etching engraving Print made by William Blake (designed and engraved the plate except the central portrait) Print made by Robert Cooper (probably engraved the stipple portrait) After Richard Morton Paye (central stipple portrait is after a miniature by Paye (Robert Paye or his daughter, forename unknown)) Published in London 1806 Proof of the frontispiece to Benjamin Heath Malkin's 'A Father's Memoirs of His Child' (London, 1806); oval stipple portrait of a male child, head and shoulders; surrounds decorated with clouds, rays of light and th Stock Photo
RMMNYBG8–. English: print / book-illustration / paper stipple etching engraving Print made by William Blake (designed and engraved the plate except the central portrait) Print made by Robert Cooper (probably engraved the stipple portrait) After Richard Morton Paye (central stipple portrait is after a miniature by Paye (Robert Paye or his daughter, forename unknown)) Published in London 1806 Proof of the frontispiece to Benjamin Heath Malkin's 'A Father's Memoirs of His Child' (London, 1806); oval stipple portrait of a male child, head and shoulders; surrounds decorated with clouds, rays of light and th
BISHOP'S CASTLE Author Baker, James 36.11. Place of publication: [London or Worcester] Publisher: [various possible publishers] Date of publication: [between 1791 and 1795] Item type: 1 print Medium: stipple etching Dimensions: platemark 12.6 x 19.0 cm, on sheet 15.2 x 21.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9HNCW–BISHOP'S CASTLE Author Baker, James 36.11. Place of publication: [London or Worcester] Publisher: [various possible publishers] Date of publication: [between 1791 and 1795] Item type: 1 print Medium: stipple etching Dimensions: platemark 12.6 x 19.0 cm, on sheet 15.2 x 21.0 cm Former owner: George III, King of Great Britain, 1738-1820
Richard Earlom. Lear Casting out his Daughter Cordelia. 1792. England. Stipple etching and engraving on ivory laid paper King Lear tells the tragic tale of a king driven to madness. Flattered and manipulated by his disingenuous older daughters into giving them his lands, Lear banishes his youngest daughter, the devoted Cordelia, in the scene depicted here. This print is based upon Henry Fuseli’s painting of the same subject, created for the Boydell Shakespeare Gallery in London, which the publisher had reproduced for the wider commercial audience of Shakespeare enthusiasts throughout Britain. Stock Photo
RM2AHP42T–Richard Earlom. Lear Casting out his Daughter Cordelia. 1792. England. Stipple etching and engraving on ivory laid paper King Lear tells the tragic tale of a king driven to madness. Flattered and manipulated by his disingenuous older daughters into giving them his lands, Lear banishes his youngest daughter, the devoted Cordelia, in the scene depicted here. This print is based upon Henry Fuseli’s painting of the same subject, created for the Boydell Shakespeare Gallery in London, which the publisher had reproduced for the wider commercial audience of Shakespeare enthusiasts throughout Britain.
'Louis-Marin Bonnet after Jean-Baptiste Hüet, I, Le Déjeuné, color stipple etching, Widener Collection, 1942.9.2203' Stock Photo
RM2REK7E0–'Louis-Marin Bonnet after Jean-Baptiste Hüet, I, Le Déjeuné, color stipple etching, Widener Collection, 1942.9.2203'
Colonel Becley, Royalist? soldier in the era of King Charles I (English Civil War). Stipple engraved head on line engraved body. From a drawing by John Bullfinch in the Royal collection. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photo
RM2JJ4AYC–Colonel Becley, Royalist? soldier in the era of King Charles I (English Civil War). Stipple engraved head on line engraved body. From a drawing by John Bullfinch in the Royal collection. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
The Blue Passion-flower, 1799-1807. In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolour and ink wash. Stock Photo
RM2A52DXE–The Blue Passion-flower, 1799-1807. In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolour and ink wash.
Creator: James Gillray Physical Description: 1 print : stipple engraving and etching, b&w ; 27 x 37 cm. Image Descri Stock Photo
RME8R3TN–Creator: James Gillray Physical Description: 1 print : stipple engraving and etching, b&w ; 27 x 37 cm. Image Descri
Moreton House etched in a window of St Nicholas Church, Moreton, Dorset Stock Photo
RMBRMEAC–Moreton House etched in a window of St Nicholas Church, Moreton, Dorset
Etching and engraving with some stipple, of Sarah Siddons, a Welsh-born actress, the best known tragedienne of the 18th century, as Lady Macbeth in Shakespeare's play, whole length, standing, walking away from her bed, holding a candle in front of her, looking upwards to the right, in oval, 1784. From the New York Public Library. Stock Photo
RMKK922D–Etching and engraving with some stipple, of Sarah Siddons, a Welsh-born actress, the best known tragedienne of the 18th century, as Lady Macbeth in Shakespeare's play, whole length, standing, walking away from her bed, holding a candle in front of her, looking upwards to the right, in oval, 1784. From the New York Public Library.
A Wreath of Roses (1799) by Mary Lawrence England, late 18th Century Etching and stipple, hand colored Stock Photo
RM2BHJG13–A Wreath of Roses (1799) by Mary Lawrence England, late 18th Century Etching and stipple, hand colored
Medusa, vintage stipple engraving by J.K. Sherwin from 1789 Stock Photo
RM2PJBBJ6–Medusa, vintage stipple engraving by J.K. Sherwin from 1789
Augusta, princess of Saxe-Weimar Eisenach, stipple engraving and etching by August way based on a photographic art, - 18670101 PD1327 - Rechteinfo: Rights Managed (RM) Stock Photo
RM2X1BNYY–Augusta, princess of Saxe-Weimar Eisenach, stipple engraving and etching by August way based on a photographic art, - 18670101 PD1327 - Rechteinfo: Rights Managed (RM)
after A. Poiteau, Amandier pistache, color stipple etching, hand-touched Stock Photo
RMEDTA3R–after A. Poiteau, Amandier pistache, color stipple etching, hand-touched
Amandier - Pecher. Medium: color stipple etching, hand-touched. Museum: National Gallery of Art, Washington DC. Author: after A. Poiteau. Stock Photo
RMPKY3R3–Amandier - Pecher. Medium: color stipple etching, hand-touched. Museum: National Gallery of Art, Washington DC. Author: after A. Poiteau.
Margaret Cavendish. Portrait of Margaret Lucas Cavendish, Duchess of Newcastle-upon-Tyne (1623-1673), the 17th century English aristocrat, philosopher, poet, scientist, fiction-writer, and playwright. Stipple etching by William Greatbach from artwork by Abraham van Diepenbeeck, 1846 Stock Photo
RM2D5GPR6–Margaret Cavendish. Portrait of Margaret Lucas Cavendish, Duchess of Newcastle-upon-Tyne (1623-1673), the 17th century English aristocrat, philosopher, poet, scientist, fiction-writer, and playwright. Stipple etching by William Greatbach from artwork by Abraham van Diepenbeeck, 1846
Art inspired by Triumph of Patriotism, Washington Entering New York, 25 November 1783, 1853, Engraving, stipple and etching, sheet: 27 7/8 x 38 5/8 in. (70.8 x 98.1 cm), Prints, Alexander Hay Ritchie (American, Glasgow, Scotland 1822–1895 New Haven, Connecticut), After Felix Octavius, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW5KT3–Art inspired by Triumph of Patriotism, Washington Entering New York, 25 November 1783, 1853, Engraving, stipple and etching, sheet: 27 7/8 x 38 5/8 in. (70.8 x 98.1 cm), Prints, Alexander Hay Ritchie (American, Glasgow, Scotland 1822–1895 New Haven, Connecticut), After Felix Octavius, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A print depicting a stained glass window panel of Henry VI in King's College Chapel, Cambridge . HENRICUS VI FUNDATOR : To the Provost, Vice Provost, Fellows, & Scholars of King's College in the University of Cambridge this portrait of the Royal Founder engraved after a drawing taken from the original painting on glass in the magnificent Chapel of The College is humbly inscribed by their obedt humble servt J. Bretherton. [England] : [publisher not identified], [before 1799]. Stipple engraving and etching printed in red ink. Source: Maps K.Top.8.58.q. Language: English. Stock Photo
RMR5DP8R–A print depicting a stained glass window panel of Henry VI in King's College Chapel, Cambridge . HENRICUS VI FUNDATOR : To the Provost, Vice Provost, Fellows, & Scholars of King's College in the University of Cambridge this portrait of the Royal Founder engraved after a drawing taken from the original painting on glass in the magnificent Chapel of The College is humbly inscribed by their obedt humble servt J. Bretherton. [England] : [publisher not identified], [before 1799]. Stipple engraving and etching printed in red ink. Source: Maps K.Top.8.58.q. Language: English.
Josephine, empress of France, stipple engraving / etching by Domenico Cavalli based on a drawing by Jean Baptiste François Bosio. coat of arms, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTW9HEN–Josephine, empress of France, stipple engraving / etching by Domenico Cavalli based on a drawing by Jean Baptiste François Bosio. coat of arms, Additional-Rights-Clearance-Info-Not-Available
An amputated nerve and artery, with a blood clot above the ligature. Colored stipple etching after John Bell, c. 1810. Stock Photo
RM2HJCKTB–An amputated nerve and artery, with a blood clot above the ligature. Colored stipple etching after John Bell, c. 1810.
N/A. English: 'Buonaparte-phobia, or cursing made easy to the meanest capacity, Second Edition, Corrected,' broadside, etching and stipple engraving with letterpress text (in the style of a daily newspaper), published by William Hone (after Jacques David Louis). 117 mm x 96 mm. Courtesy of the British Museum, London. May 1815. William Hone 249 Buonaparte-phobia or cursing made easy to the meanest capacity Stock Photo
RMP5RK38–N/A. English: 'Buonaparte-phobia, or cursing made easy to the meanest capacity, Second Edition, Corrected,' broadside, etching and stipple engraving with letterpress text (in the style of a daily newspaper), published by William Hone (after Jacques David Louis). 117 mm x 96 mm. Courtesy of the British Museum, London. May 1815. William Hone 249 Buonaparte-phobia or cursing made easy to the meanest capacity
A View of Bridgenorth Author Ogborne, John 36.12.d. Place of publication: [London] Publisher: [Thomas Simpson, Darling , Thompson] Date of publication: [September 1 1797] Item type: 1 print Medium: stipple etching, sepia Dimensions: sheet 21.6 x 27.7 cm (trimmed below platemark, eliminating the publication information) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9HND8–A View of Bridgenorth Author Ogborne, John 36.12.d. Place of publication: [London] Publisher: [Thomas Simpson, Darling , Thompson] Date of publication: [September 1 1797] Item type: 1 print Medium: stipple etching, sepia Dimensions: sheet 21.6 x 27.7 cm (trimmed below platemark, eliminating the publication information) Former owner: George III, King of Great Britain, 1738-1820
Henry Fuseli. Study for Inquisition, Illustration to Columbiad. 1805–1809. England. Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper The Spanish Inquisition (symbolizing religious intolerance) is personified as a sinister-looking woman carrying a sword and holding a flaming vessel. She stands triumphantly atop the prone body of Truth. Peering out from behind her is a Dominican friar, an instrument of her authority.Fuseli’s painted sketch (a study for an unpublished engraving) illustrates lines from the ea Stock Photo
RM2AHTN4H–Henry Fuseli. Study for Inquisition, Illustration to Columbiad. 1805–1809. England. Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper The Spanish Inquisition (symbolizing religious intolerance) is personified as a sinister-looking woman carrying a sword and holding a flaming vessel. She stands triumphantly atop the prone body of Truth. Peering out from behind her is a Dominican friar, an instrument of her authority.Fuseli’s painted sketch (a study for an unpublished engraving) illustrates lines from the ea
'Isaac Cruikshank, The Sportsmen's Departure, stipple etching in brown ink on laid paper, sheet (cut within platemark): 18.9 x 16 cm (7 7/16 x 6 5/16 in.), Gift of A. Thompson Ellwanger III, 2000.175.4' Stock Photo
RM2RE61D1–'Isaac Cruikshank, The Sportsmen's Departure, stipple etching in brown ink on laid paper, sheet (cut within platemark): 18.9 x 16 cm (7 7/16 x 6 5/16 in.), Gift of A. Thompson Ellwanger III, 2000.175.4'
Portrait of Oliver Cromwell, 1599-1658, parliamentary leader in the English Civil War, Lord Protector. In suit of plate armour. Copperplate stipple engraving by G. Scott after a drawing by Edward Harding after a painting by Sir Peter Lely from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photo
RM2JJ4BA1–Portrait of Oliver Cromwell, 1599-1658, parliamentary leader in the English Civil War, Lord Protector. In suit of plate armour. Copperplate stipple engraving by G. Scott after a drawing by Edward Harding after a painting by Sir Peter Lely from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
The Temple of Flora, or Garden of Nature: The Pontic Rhododendron, 1799-1807. In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolour and ink wash. Stock Photo
RM2A52MYJ–The Temple of Flora, or Garden of Nature: The Pontic Rhododendron, 1799-1807. In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolour and ink wash.
Pleated Fan (France); paper leaf with hand-colored etching and stipple engraving; carved wood sticks inlaid with steel discs, guards inlaid with mother-of-pearl, steel discs, and stones; mother-of-pearl washer at the rivet Stock Photo
RM2PMCF13–Pleated Fan (France); paper leaf with hand-colored etching and stipple engraving; carved wood sticks inlaid with steel discs, guards inlaid with mother-of-pearl, steel discs, and stones; mother-of-pearl washer at the rivet
Charles Burney. Francesco Bartolozzi (Italian, Florence Lisbon) Charles Burney, April 1, 1784 British, Etching and stipple engraving; second state of Stock Photo
RF2TDTXYC–Charles Burney. Francesco Bartolozzi (Italian, Florence Lisbon) Charles Burney, April 1, 1784 British, Etching and stipple engraving; second state of
A Sketch from Nature MET DP871783 388738 Artist: William Paulet Carey, British, Dublin 1759?1839 Birmingham, Artist: After Thomas Rowlandson, British, London 1757?1827 London, Publisher: John Raphael Smith, British, baptized Derby 1751?1812 Doncaster , London, A Sketch from Nature, January 24, 1784, Etching and stipple, printed in brown ink, Sheet: 12 1/8 in. ? 16 in. (30.8 ? 40.6 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.36(a)) Stock Photo
RMKND8GC–A Sketch from Nature MET DP871783 388738 Artist: William Paulet Carey, British, Dublin 1759?1839 Birmingham, Artist: After Thomas Rowlandson, British, London 1757?1827 London, Publisher: John Raphael Smith, British, baptized Derby 1751?1812 Doncaster , London, A Sketch from Nature, January 24, 1784, Etching and stipple, printed in brown ink, Sheet: 12 1/8 in. ? 16 in. (30.8 ? 40.6 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.36(a))
Portrait of Pierre-Joseph Redouté (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. He was nicknamed 'the Raphael of flowers' and has been called the greatest botanical illustrator of all time. Stock Photo
RF2WFD0HE–Portrait of Pierre-Joseph Redouté (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. He was nicknamed 'the Raphael of flowers' and has been called the greatest botanical illustrator of all time.
Brain side view illustration with stipple dot drawing style isolated on white background Stock Photo
RF2D6NPFM–Brain side view illustration with stipple dot drawing style isolated on white background
Jacquin, Nikolaus Joseph Baron von, stipple engraving and etching by Jakob Adam based on a painting by Joseph Keutzinger, 1784, - 17840101 PD0021 - Rechteinfo: Rights Managed (RM) Stock Photo
RM2X1B2HW–Jacquin, Nikolaus Joseph Baron von, stipple engraving and etching by Jakob Adam based on a painting by Joseph Keutzinger, 1784, - 17840101 PD0021 - Rechteinfo: Rights Managed (RM)
Paul Flindt II, (artist), German, active 1601 - 1618, Ornamented Vase, stipple etching Stock Photo
RM2DCAXYT–Paul Flindt II, (artist), German, active 1601 - 1618, Ornamented Vase, stipple etching
Amandier d'Italie. Medium: color stipple etching, hand-touched. Museum: National Gallery of Art, Washington DC. Author: after A. Poiteau. Stock Photo
RMPM029W–Amandier d'Italie. Medium: color stipple etching, hand-touched. Museum: National Gallery of Art, Washington DC. Author: after A. Poiteau.
Pericles (c. 495-425 BC). Stipple etching of the Greek general and statesman, 1807 Stock Photo
RM2FM9RDW–Pericles (c. 495-425 BC). Stipple etching of the Greek general and statesman, 1807
Art inspired by The Ladies Bill of Fare, or, a Copious Collection of Beaux, 1795, Etching and stipple engraving, hand colored, Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW5RBT–Art inspired by The Ladies Bill of Fare, or, a Copious Collection of Beaux, 1795, Etching and stipple engraving, hand colored, Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A late gothic stained glass window showing the Passion sequence, working from left to right, and upwards on two levels, with the Crucifixion and Deposition on the upper level, and crests above. To the King's most excellent Majesty This Plate (from the East Window of KING'S COLLEGE CHAPEL, Cambridge) by his Gracious Permission Is most humbly Dedicated by his MAJESTY'S dutiful subject and servant Joshua Kirby Baldry. [Cambridge] : Drawn, Engraved & Published May 1 1809 by J.K. Baldrey, Cambridge, [May 1 1809]. Stipple engraving and etching with hand-colouring. Source: Maps K.Top.8.58.p.2. Langua Stock Photo
RMR5GBA7–A late gothic stained glass window showing the Passion sequence, working from left to right, and upwards on two levels, with the Crucifixion and Deposition on the upper level, and crests above. To the King's most excellent Majesty This Plate (from the East Window of KING'S COLLEGE CHAPEL, Cambridge) by his Gracious Permission Is most humbly Dedicated by his MAJESTY'S dutiful subject and servant Joshua Kirby Baldry. [Cambridge] : Drawn, Engraved & Published May 1 1809 by J.K. Baldrey, Cambridge, [May 1 1809]. Stipple engraving and etching with hand-colouring. Source: Maps K.Top.8.58.p.2. Langua
Archduke Karl of Austria in the battle of Wuerzburg, stipple engraving and etching by Franz Valentine Durmer based on an draft by Vinzenz Georg Kininger, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTTX6AE–Archduke Karl of Austria in the battle of Wuerzburg, stipple engraving and etching by Franz Valentine Durmer based on an draft by Vinzenz Georg Kininger, Additional-Rights-Clearance-Info-Not-Available
Joseph-Louis Lagrange (1736-1813), also known as Giuseppe Luigi Lagrangia, Italian-French mathematician and astronomer who made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Stipple etching and engraving by Luigi Rados after a drawing by Roberto Focosi, 1827. Stock Photo
RM2HJCJ92–Joseph-Louis Lagrange (1736-1813), also known as Giuseppe Luigi Lagrangia, Italian-French mathematician and astronomer who made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Stipple etching and engraving by Luigi Rados after a drawing by Roberto Focosi, 1827.
. English: The martyrdom of St Lucy, stabbed with a dagger; around her, people and soldiers, and a statue of Diana holding an oil-lamp; antique buildings, obelisk and fortified city in the background. 1613/6 Etching with stipple Inscriptions Inscription Content: Signed on plate. Dimensions Height: 447 millimetres (trimmed) Width: 347 millimetres (trimmed) . 1610s. Jacques Bellange  (1575–1616)   Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and Stock Photo
RMMMPF3N–. English: The martyrdom of St Lucy, stabbed with a dagger; around her, people and soldiers, and a statue of Diana holding an oil-lamp; antique buildings, obelisk and fortified city in the background. 1613/6 Etching with stipple Inscriptions Inscription Content: Signed on plate. Dimensions Height: 447 millimetres (trimmed) Width: 347 millimetres (trimmed) . 1610s. Jacques Bellange  (1575–1616)   Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and
The Statue of Sir Isaac Newton in Trinity College Chapel, Cambridge Author Whessell, John 8.63.g. Place of publication: [Cambridge] Publisher: Published 21.st May 1800 by R. Harraden, Great St. Marys Cambridge Delin.r , Pub.r of the Views of Cambridge and Oxford., Date of publication: [1800] Item type: 1 print Medium: stipple etching Dimensions: sheet 70.1 x 43.8 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9FM5K–The Statue of Sir Isaac Newton in Trinity College Chapel, Cambridge Author Whessell, John 8.63.g. Place of publication: [Cambridge] Publisher: Published 21.st May 1800 by R. Harraden, Great St. Marys Cambridge Delin.r , Pub.r of the Views of Cambridge and Oxford., Date of publication: [1800] Item type: 1 print Medium: stipple etching Dimensions: sheet 70.1 x 43.8 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Pleated fan. Pleated folding fan with hand-colored etching and stipple engraved paper leaf with wood sticks and guards inlaid with steel discs, mother-of-pearl, steel discs, and stone ornaments. Stock Photo
RM2BF243N–Pleated fan. Pleated folding fan with hand-colored etching and stipple engraved paper leaf with wood sticks and guards inlaid with steel discs, mother-of-pearl, steel discs, and stone ornaments.
'Isaac Cruikshank, The Sportsmen Resting, stipple etching in brown ink on laid paper, sheet (cut within platemark): 19.2 x 16.5 cm (7 9/16 x 6 1/2 in.), Gift of A. Thompson Ellwanger III, 2000.175.3' Stock Photo
RM2RE61CY–'Isaac Cruikshank, The Sportsmen Resting, stipple etching in brown ink on laid paper, sheet (cut within platemark): 19.2 x 16.5 cm (7 9/16 x 6 1/2 in.), Gift of A. Thompson Ellwanger III, 2000.175.3'
Calligraphic title page to Volume 1 with vignette of dramatic mask. Copperplate engraving by Brown from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793. Stock Photo
RM2M4KEXJ–Calligraphic title page to Volume 1 with vignette of dramatic mask. Copperplate engraving by Brown from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.
The Dragon Arum, Black Calla or Solomon's Lily, 1799-1807. In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolour and ink wash. Stock Photo
RM2A52F0N–The Dragon Arum, Black Calla or Solomon's Lily, 1799-1807. In the 18th century, new engraving and etching techniques offered a variety of tonal effects that enhanced botanical prints. While mezzotint (in which the plate is roughened and then the engraver works from dark to light creating different values) and stipple (dots create values) make it possible to create the rich tonal scale and velvety texture of oil paint, aquatint imitates the delicacy and transparency of watercolour and ink wash.
Print, A Monument for the Poet Christoph Fürchtegott Gellert (1715–1769) by Adolph Friedrich Oeser (1717–1799); etching, stipple and line engraving on paper; 18.5 × 12.7 cm (7 5/16 in. × 5 in.) Stock Photo
RM2PMCATB–Print, A Monument for the Poet Christoph Fürchtegott Gellert (1715–1769) by Adolph Friedrich Oeser (1717–1799); etching, stipple and line engraving on paper; 18.5 × 12.7 cm (7 5/16 in. × 5 in.)
Nicolaus Copernicus, 1473 – 1543, coloured stipple engraving by J. Chapman 1802 Stock Photo
RM2RXBDYD–Nicolaus Copernicus, 1473 – 1543, coloured stipple engraving by J. Chapman 1802
Guinea Pigs MET DP153087 378011 Artist: Thomas Gaugain, British, London 1756?ca. 1810 London, Artist: After George Morland, British, London 1763?1804 London, Printer: Peter Gaugain, British, active 1782?1799, Publisher: Thomas Gaugain, British, London 1756?ca. 1810 London, Guinea Pigs, 1789, Stipple engraving and etching, printed in color ? la poup?e, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm) sheet (trimmed to plate): 20 3/4 x 16 5/16 in. (52.7 x 41.4 cm). The Metropolitan Museum of Art, New York. Bequest of Frederick Townsend Martin, 1914 (14.1.21) Stock Photo
RMKP3GBD–Guinea Pigs MET DP153087 378011 Artist: Thomas Gaugain, British, London 1756?ca. 1810 London, Artist: After George Morland, British, London 1763?1804 London, Printer: Peter Gaugain, British, active 1782?1799, Publisher: Thomas Gaugain, British, London 1756?ca. 1810 London, Guinea Pigs, 1789, Stipple engraving and etching, printed in color ? la poup?e, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm) sheet (trimmed to plate): 20 3/4 x 16 5/16 in. (52.7 x 41.4 cm). The Metropolitan Museum of Art, New York. Bequest of Frederick Townsend Martin, 1914 (14.1.21)
Portrait of Pierre-Joseph Redouté (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. He was nicknamed 'the Raphael of flowers' and has been called the greatest botanical illustrator of all time. Stock Photo
RF2WFD0H9–Portrait of Pierre-Joseph Redouté (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. He was nicknamed 'the Raphael of flowers' and has been called the greatest botanical illustrator of all time.
Parsley herb hand-drawn in ink in stipple pointillism style. Stock Photo
RF2P4J3G4–Parsley herb hand-drawn in ink in stipple pointillism style.
Jacquin, Nikolaus Joseph Baron von, stipple engraving and etching by Jakob Adam based on a painting by Joseph Keutzinger, 1784, - 17840101 PD0022 - Rechteinfo: Rights Managed (RM) Stock Photo
RM2X1B2JA–Jacquin, Nikolaus Joseph Baron von, stipple engraving and etching by Jakob Adam based on a painting by Joseph Keutzinger, 1784, - 17840101 PD0022 - Rechteinfo: Rights Managed (RM)
after A. Poiteau, Amandier de la Georgie, color stipple etching, hand-touched Stock Photo
RMH4M57N–after A. Poiteau, Amandier de la Georgie, color stipple etching, hand-touched
Le Lever. Medium: color stipple etching and etching. Museum: National Gallery of Art, Washington DC. Author: Nicolas Francois Regnault. Stock Photo
RMR32E40–Le Lever. Medium: color stipple etching and etching. Museum: National Gallery of Art, Washington DC. Author: Nicolas Francois Regnault.
Pliny the Younger. Illustration entitled 'The Younger Pliny Reproved', showing Pliny (Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo, 61 - c.113), sitting next to his mother, being spoken to by an older man. Vesuvius is seen erupting in the background. Stipple and etching, 1794 Stock Photo
RM2D619G6–Pliny the Younger. Illustration entitled 'The Younger Pliny Reproved', showing Pliny (Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo, 61 - c.113), sitting next to his mother, being spoken to by an older man. Vesuvius is seen erupting in the background. Stipple and etching, 1794
Art inspired by A Bacchante, 1787, Etching and stipple, Plate: 9 13/16 x 6 15/16 in. (24.9 x 17.6 cm), Prints, After Francis Wheatley (British, London 1747–1801 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXTXJ–Art inspired by A Bacchante, 1787, Etching and stipple, Plate: 9 13/16 x 6 15/16 in. (24.9 x 17.6 cm), Prints, After Francis Wheatley (British, London 1747–1801 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Lake of Windermere, in Westmoreland. A view across Lake Windermere in Cumbria; figures by a boat in the foreground; grass, foliage, rocks and trees throughout the scene; hills in the distance. . The Lake of Windermere, in Westmoreland. [London] : Publish'd Sepr 1 1792 by T. Gowland Junr Gould Square, near Tower Hill London., [September 1 1792]. 1 print : etching and stipple with hand-colouring ; sheet 43 x 60.6 cm. Source: Maps. K.Top.43.16.d. Stock Photo
RMR528D4–The Lake of Windermere, in Westmoreland. A view across Lake Windermere in Cumbria; figures by a boat in the foreground; grass, foliage, rocks and trees throughout the scene; hills in the distance. . The Lake of Windermere, in Westmoreland. [London] : Publish'd Sepr 1 1792 by T. Gowland Junr Gould Square, near Tower Hill London., [September 1 1792]. 1 print : etching and stipple with hand-colouring ; sheet 43 x 60.6 cm. Source: Maps. K.Top.43.16.d.
Napoleon I Bonaparte, Emperor of the French in the garden of the Malmaison Castle, stipple engraving / etching by Charles Louis Lingee and Jean Godefroy based on a drawing by Jean Baptiste Isabey, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTTGFD9–Napoleon I Bonaparte, Emperor of the French in the garden of the Malmaison Castle, stipple engraving / etching by Charles Louis Lingee and Jean Godefroy based on a drawing by Jean Baptiste Isabey, Additional-Rights-Clearance-Info-Not-Available
Joseph-Louis Lagrange (1736-1813), also known as Giuseppe Luigi Lagrangia, Italian-French mathematician and astronomer who made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Stipple etching and engraving by Luigi Rados after a drawing by Roberto Focosi, circa 1827. Stock Photo
RM2HJCK3H–Joseph-Louis Lagrange (1736-1813), also known as Giuseppe Luigi Lagrangia, Italian-French mathematician and astronomer who made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Stipple etching and engraving by Luigi Rados after a drawing by Roberto Focosi, circa 1827.
. English: Hurdy-gurdy player attacking a pilgrim; the pilgrim, also attacked by a dog, is wearing the cockle-shell of St James. 1612/6, Etching with stipple, Inscription Content: Signed on plate Dimensions Height: 314 millimetres (trimmed) Width: 212 millimetres (trimmed) . 1610s. Jacques Bellange  (1575–1616)   Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and draughtsman Date of birth/death circa 1575 1616 Location of birth/death La Mothe, Stock Photo
RMMN06NW–. English: Hurdy-gurdy player attacking a pilgrim; the pilgrim, also attacked by a dog, is wearing the cockle-shell of St James. 1612/6, Etching with stipple, Inscription Content: Signed on plate Dimensions Height: 314 millimetres (trimmed) Width: 212 millimetres (trimmed) . 1610s. Jacques Bellange  (1575–1616)   Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and draughtsman Date of birth/death circa 1575 1616 Location of birth/death La Mothe,
An aneurism, numbered for key. Coloured stipple etching after J. Bell, c. 1810 (?). Stock Photo
RM2H4633N–An aneurism, numbered for key. Coloured stipple etching after J. Bell, c. 1810 (?).
Francesco Bartolozzi. Miss Farren. 1792. Italy. Color etching and stipple engraving on cream wove paper Stock Photo
RM2AHRDDW–Francesco Bartolozzi. Miss Farren. 1792. Italy. Color etching and stipple engraving on cream wove paper
'William Nelson Gardiner after Richard Cosway, Robert Undy, stipple engraving and etching, Rosenwald Collection, 1980.45.1746' Stock Photo
RM2REJYYH–'William Nelson Gardiner after Richard Cosway, Robert Undy, stipple engraving and etching, Rosenwald Collection, 1980.45.1746'
The Two Owls and the Sparrow. A sparrow on a tree branch berates two owls for their arrogance and pride. Copperplate engraving by William Skelton from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793. Stock Photo
RM2M4KERE–The Two Owls and the Sparrow. A sparrow on a tree branch berates two owls for their arrogance and pride. Copperplate engraving by William Skelton from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.
Study for Inquisition, Illustration to Columbiad, c. 1806. Stock Photo
RM2HFG2PE–Study for Inquisition, Illustration to Columbiad, c. 1806.
Print, Portrait of Captain Thomas Coram (1668-1751); After William Hogarth (English, 1697 - 1764); stipple engraving with etching on paper; 54.8 × 34.4 cm (21 9/16 × 13 9/16 in.); 1902-19-6 Stock Photo
RM2PMJ9X5–Print, Portrait of Captain Thomas Coram (1668-1751); After William Hogarth (English, 1697 - 1764); stipple engraving with etching on paper; 54.8 × 34.4 cm (21 9/16 × 13 9/16 in.); 1902-19-6
Edward Daniel Clarke portrait, 1769 – 1822, was an English clergyman, mineralogist and naturalist, vintage stipple engraving by E. Scriven 1825 after John Opie. Stock Photo
RM2RPG4N2–Edward Daniel Clarke portrait, 1769 – 1822, was an English clergyman, mineralogist and naturalist, vintage stipple engraving by E. Scriven 1825 after John Opie.
Guinea Pigs MET DP153087 378011 Artist: Thomas Gaugain, British, London 1756?ca. 1810 London, Artist: After George Morland, British, London 1763?1804 London, Printer: Peter Gaugain, British, active 1782?1799, Publisher: Thomas Gaugain, British, London 1756?ca. 1810 London, Guinea Pigs, 1789, Stipple engraving and etching, printed in color ? la poup?e, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm) sheet (trimmed to plate): 20 3/4 x 16 5/16 in. (52.7 x 41.4 cm). The Metropolitan Museum of Art, New York. Bequest of Frederick Townsend Martin, 1914 (14.1.21) Stock Photo
RMKNW0H6–Guinea Pigs MET DP153087 378011 Artist: Thomas Gaugain, British, London 1756?ca. 1810 London, Artist: After George Morland, British, London 1763?1804 London, Printer: Peter Gaugain, British, active 1782?1799, Publisher: Thomas Gaugain, British, London 1756?ca. 1810 London, Guinea Pigs, 1789, Stipple engraving and etching, printed in color ? la poup?e, image: 20 3/8 x 15 15/16 in. (51.8 x 40.5 cm) sheet (trimmed to plate): 20 3/4 x 16 5/16 in. (52.7 x 41.4 cm). The Metropolitan Museum of Art, New York. Bequest of Frederick Townsend Martin, 1914 (14.1.21)
colorized Portrait of Pierre-Joseph Redouté (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. He was nicknamed 'the Raphael of flowers' and has been called the greatest botanical illustrator of all time. Stock Photo
RF2WFD0HK–colorized Portrait of Pierre-Joseph Redouté (10 July 1759 – 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. He was nicknamed 'the Raphael of flowers' and has been called the greatest botanical illustrator of all time.
Ophelia (Shakespeare: Hamlet, Act 4 Scene 7, the death of Ophelia), mezzotint print by John Stephenson after Sir John Everett Millais, 1866 Stock Photo
RM2HKBX0H–Ophelia (Shakespeare: Hamlet, Act 4 Scene 7, the death of Ophelia), mezzotint print by John Stephenson after Sir John Everett Millais, 1866
Battle of Arcole, etching and stipple engraving by Fiayn (who?) and Alexandre Chaponnier based on a drawing by Lembert (who?), 1930 - 19300101 PD20288 - Rechteinfo: Rights Managed (RM) Stock Photo
RM2X1AP25–Battle of Arcole, etching and stipple engraving by Fiayn (who?) and Alexandre Chaponnier based on a drawing by Lembert (who?), 1930 - 19300101 PD20288 - Rechteinfo: Rights Managed (RM)
after A. Poiteau, Amandier de la Georgie, color stipple etching, hand-touched Stock Photo
RMEDTA3T–after A. Poiteau, Amandier de la Georgie, color stipple etching, hand-touched
Amandier pistache. Medium: color stipple etching, hand-touched. Museum: National Gallery of Art, Washington DC. Author: after A. Poiteau. Stock Photo
RMPM6252–Amandier pistache. Medium: color stipple etching, hand-touched. Museum: National Gallery of Art, Washington DC. Author: after A. Poiteau.
Pliny the Younger. Illustration entitled 'The Younger Pliny Reproved', showing Pliny (Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo, 61 - c.113), sitting next to his mother, being spoken to by an older man. Vesuvius is seen erupting in the background. Stipple and etching, 1794 Stock Photo
RM2D619MW–Pliny the Younger. Illustration entitled 'The Younger Pliny Reproved', showing Pliny (Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo, 61 - c.113), sitting next to his mother, being spoken to by an older man. Vesuvius is seen erupting in the background. Stipple and etching, 1794
Art inspired by The Politician, October 31, 1775, Etching and stipple engraving, sheet: 14 9/16 x 11 7/16 in. (37 x 29 cm), Prints, After William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW7JD4–Art inspired by The Politician, October 31, 1775, Etching and stipple engraving, sheet: 14 9/16 x 11 7/16 in. (37 x 29 cm), Prints, After William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photo
RMR577CN–Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b.
Katharina, princess of France, is by her mother Isabella, born princess of Bavaria and Philipp III, Duke of Burgundy, on matter of the agreement of Troy 1419 recte 1420, the King Henry V. of England, as bride present, stipple engraving / etching by Antoine Cardon based on a painting by James? Stothard, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMTW9EYA–Katharina, princess of France, is by her mother Isabella, born princess of Bavaria and Philipp III, Duke of Burgundy, on matter of the agreement of Troy 1419 recte 1420, the King Henry V. of England, as bride present, stipple engraving / etching by Antoine Cardon based on a painting by James? Stothard, Additional-Rights-Clearance-Info-Not-Available
Joseph-Louis Lagrange (1736-1813), also known as Giuseppe Luigi Lagrangia, Italian-French mathematician and astronomer who made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Stipple etching and engraving by Luigi Rados (1773-1840) after a drawing by Roberto Focosi, circa 1827. Stock Photo
RM2HJCJXC–Joseph-Louis Lagrange (1736-1813), also known as Giuseppe Luigi Lagrangia, Italian-French mathematician and astronomer who made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Stipple etching and engraving by Luigi Rados (1773-1840) after a drawing by Roberto Focosi, circa 1827.
. English: The Holy Women at the Sepulchre, with the angel sitting on the open grave; the three women are also represented in the background. 1613/6 Etching with stipple Height: 447 millimetres Width: 297 millimetres . 1610s. Jacques Bellange  (1575–1616)   Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and draughtsman Date of birth/death circa 1575 1616 Location of birth/death La Mothe, Bassigny region, France Nancy Authority control : Q8746 Stock Photo
RMMNXNRX–. English: The Holy Women at the Sepulchre, with the angel sitting on the open grave; the three women are also represented in the background. 1613/6 Etching with stipple Height: 447 millimetres Width: 297 millimetres . 1610s. Jacques Bellange  (1575–1616)   Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and draughtsman Date of birth/death circa 1575 1616 Location of birth/death La Mothe, Bassigny region, France Nancy Authority control : Q8746
A diseased artery. Coloured stipple etching after J. Bell, c. 1810 (?). Stock Photo
RM2H455Y7–A diseased artery. Coloured stipple etching after J. Bell, c. 1810 (?).
Thomas Rowlandson. The Rivals. 1812. England. Hand-colored etching and stipple engraving on ivory wove paper Stock Photo
RM2AHTD5M–Thomas Rowlandson. The Rivals. 1812. England. Hand-colored etching and stipple engraving on ivory wove paper
'Anthony Cardon after Joseph Slater, John Augustus Tulk, 1808, stipple engraving and etching, Rosenwald Collection, 1980.45.1741' Stock Photo
RM2REHKMB–'Anthony Cardon after Joseph Slater, John Augustus Tulk, 1808, stipple engraving and etching, Rosenwald Collection, 1980.45.1741'
Calligraphic title page to Volume 2 with bust of the poet John Gay with garlands, dramatic masks, panpipes, torch. Copperplate engraving by John Hall from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793. Stock Photo
RM2M4KEY8–Calligraphic title page to Volume 2 with bust of the poet John Gay with garlands, dramatic masks, panpipes, torch. Copperplate engraving by John Hall from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.
Swiss Cottages, published 1782. Stock Photo
RM2MBF6AE–Swiss Cottages, published 1782.
Print, Portrait of Daniele Chodoiecki, Frontispiece for 'Neue Bibliotheh der scönen Wissenschaften,' Leipzig, Germany, 1780, 1779–1780; Germany; stipple and line engraving with etching on paper; 20.8 × 15.6 cm (8 3/16 × 6 1/8 in.) Stock Photo
RM2PMD0HT–Print, Portrait of Daniele Chodoiecki, Frontispiece for 'Neue Bibliotheh der scönen Wissenschaften,' Leipzig, Germany, 1780, 1779–1780; Germany; stipple and line engraving with etching on paper; 20.8 × 15.6 cm (8 3/16 × 6 1/8 in.)
Isaac Barrow statue, 1630 – 1677, was an English Christian theologian and mathematician known for his early role in infinitesimal calculus, he was also the first holder of the Lucasian Professorship of Mathematics at Cambridge University, stipple engraving by W. Holl after Matthew Noble. Stock Photo
RM2RPG4M0–Isaac Barrow statue, 1630 – 1677, was an English Christian theologian and mathematician known for his early role in infinitesimal calculus, he was also the first holder of the Lucasian Professorship of Mathematics at Cambridge University, stipple engraving by W. Holl after Matthew Noble.
Vector Dotted Isometric Cube Shape Stippling Halftone Shading Stock Photo
RFR703Y2–Vector Dotted Isometric Cube Shape Stippling Halftone Shading
Vector Black and White Dotted Isometric Cube Shape Stippling Halftone Shading Design Element Stock Vector
RFH7MRR9–Vector Black and White Dotted Isometric Cube Shape Stippling Halftone Shading Design Element
Queen Charlotte of Mecklenburg-Strelitz (1744-1818), Queen Consort of the United Kingdom, portrait engraving by Thomas Ryder after William Beechey, 1804 Stock Photo
RM2CKGX3P–Queen Charlotte of Mecklenburg-Strelitz (1744-1818), Queen Consort of the United Kingdom, portrait engraving by Thomas Ryder after William Beechey, 1804
Josephine, empress of France, stipple engraving / etching by Domenico Cavalli based on a drawing by Jean Baptiste François Bosio. coat of arms, - 18090101 PD0045 - Rechteinfo: Rights Managed (RM) Stock Photo
RM2X1BN8B–Josephine, empress of France, stipple engraving / etching by Domenico Cavalli based on a drawing by Jean Baptiste François Bosio. coat of arms, - 18090101 PD0045 - Rechteinfo: Rights Managed (RM)
after A. Poiteau, Amandier de la Georgie, color stipple etching, hand-touched Stock Photo
RMH4M57R–after A. Poiteau, Amandier de la Georgie, color stipple etching, hand-touched
L'invocation a l'amour. Medium: stipple etching. Museum: National Gallery of Art, Washington DC. Author: Carl Guttenberg after Etienne Theaulon. Stock Photo
RMR2X5TP–L'invocation a l'amour. Medium: stipple etching. Museum: National Gallery of Art, Washington DC. Author: Carl Guttenberg after Etienne Theaulon.
Vector Black and White Dotted Isometric Cube Shape Stippling Halftone Shading Stock Vector
RFGN168W–Vector Black and White Dotted Isometric Cube Shape Stippling Halftone Shading
Art inspired by The Syrens, April 10, 1787, Etching aquatint and stipple, Sheet: 10 11/16 × 14 5/8 in. (27.2 × 37.1 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXM89–Art inspired by The Syrens, April 10, 1787, Etching aquatint and stipple, Sheet: 10 11/16 × 14 5/8 in. (27.2 × 37.1 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'A loom, with the process of winding off the thread'. London, c.1800. Coloured stipple engraving. Source: P805. Author: Tomkins, P. W. Stock Photo
RMR5HT5A–'A loom, with the process of winding off the thread'. London, c.1800. Coloured stipple engraving. Source: P805. Author: Tomkins, P. W.
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