RM2CTBM9K–Cathedral of St. Michael, still image, 1845
RMEE0E2X–Mao of the Island of St. Michael, Azores or Western Islands
RMD30KDC–VIEW OF THE BAY OF MOUNT ST. MICHAEL, FROM AVRANCHES, NORMANDY
RMRYM4WN–Buildings in Jena, Stadtkirche St. Michael (Jena), 1919, Thuringia, Jena
RMRYM4WK–Buildings in Jena, Stadtkirche St. Michael (Jena), 1919, Thuringia, Jena
RMRYM4WM–Buildings in Jena, Stadtkirche St. Michael (Jena), 1919, Thuringia, Jena
RMKCDJFN–St. Michael and Archangels (The Seven Archangels), Hieronymus, 1570–1619
RMD2T711–THE CHURCH OF ST. MICHAEL AD BLADUM A.D. 1585 LONDON
RMD2YNK3–CHURCH OF ST. MICHAEL AND ALL ANGELS BEDFORD PARK CHISWICK LONDON 1880
RMKC8805–'St. Michael, the Archangel', Folio from the Bellini Album, ca. 1600
RMRYAAAY–The Church of St. Michael Ad Bladum A.D. 1585 London
RMDDTDKK–ST. MICHAEL OVERTHROWING THE DRAGON, BY M. LE SEIGNEUR, 1851 engraving
RMRY8F4B–Church of St. Michael and All Angels Bedford Park Chiswick London 1880
RMRY4213–The Apocalypse: St. Michael and the Dragon, 1546-1556. Jean Duvet (French, 1485-1561). Engraving
RMKCBB9G–St. Michael (?) with a Censer, Ernest Geldart, late 19th–early 20th century
RMRYM4TW–Buildings in Jena, Stadtkirche St. Michael (Jena), Shops in Thuringia, 1919, Thuringia, Jena, Johannisstraße
RMRYM4W0–Buildings in Jena, Stadtkirche St. Michael (Jena), Shops in Thuringia, 1919, Thuringia, Jena, Johannisstraße
RMKC8G2C–Proposed Statue of St. Michael for St. Patrick's Church, Dumbarton, Eric Gill, ca. 1917
RMEDNR40–THE CHURCH OF ST. MICHAEL AD BLADUM, A.D. 1585. London, UK, 19th century engraving
RMRY2WNR–Old Italian Masters: St. Michael, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving
RMEE0FNK–The History and Antiquities of the Parish and Church of St. Michael, Crooked Lane, London, etc. , 19th century engraving
RMRY8G44–Review at Windsor: The Queen Presenting the Cross of St. Michael and St. George to Sir Garnet Wolseley 1874
RMKC9X86–St. Michael, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach
RMW52DD1–Labrador. Cape St. Michael, and Iceberg., H.N. Robinson (American, active 1870s), 1880s, Albumen silver print
RMW52DEE–Labrador. Cape St. Michael, and Iceberg., H.N. Robinson (American, active 1870s), 1880s, Albumen silver print
RMEDNMX9–GEORGE MACDONALD, AUTHOR OF 'ST. GEORGE AND ST. MICHAEL,' AND 'DAVID ELGINBROD', 1875
RM2B0C7HB–Unknown Artist, St. Michael and Lucifer Plaquette, 1700-1800, silver, 1 3/8 in. (3.5 cm.)
RMKCCPJX–Order of St. Michael, Bavaria, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890
RMRYK79C–Stadtkirche St. Michael (Jena), Marktplatz (Jena), Monuments and memorials to people in Germany, Buildings in Jena, 1919, Thuringia, Jena, Markt
RMRYK79G–Monuments and memorials to people in Germany, Stadtkirche St. Michael (Jena), Marktplatz (Jena), Buildings in Jena, 1919, Thuringia, Jena, Markt
RMKCCPJT–St. Michael and St. George, Great Britain, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890
RM2CTB185–Interior of St. Michael Church., 1860, New York (State), New York (N.Y.), Manhattan (New York, N.Y.), New York
RM2DCFN08–Jacques Callot, (artist), French, 1592 - 1635, St. Wenceslas; St. Michael, Archangel; The Guardian Angel; St. Jerome, The Calendar of Saints, (series), etching
RM2DCEACY–Jacques Callot, (artist), French, 1592 - 1635, St. Stanislaus; The Apparition of St. Michael; The Translation of St. Nicholas; St. G, The Calendar of Saints, (series), etching
RM2DHW7XX–Mount St. Michael, Cornwall, S. Fisher, active 1831–1844, after Joseph Mallord William Turner, 1775–1851, British, 1827-1838, Open etching
RMW57HCT–Brussels. Interior of the l'Eglise des S.S. Michel et Gudule, Chaire de Verite, St Michael and St Gudule Cathedral, Adolphe Braun, Belgium, 1850 - 1880
RM2DHW7XJ–Mount St. Michael, Cornwall, S. Fisher, active 1831–1844, after Joseph Mallord William Turner, 1775–1851, British, 1827-1838, Line engraving, first published state
RM2DHW7XK–Mount St. Michael, Cornwall, S. Fisher, active 1831–1844, after Joseph Mallord William Turner, 1775–1851, British, 1827-1838, Line engraving, engraver's proof (touched
RMRY7AAM–Printed Book of Hours (Use of Rome): fol. 97v, St. Michael the Archangel, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound
RM2DN63RG–Spoon, Silver, Oval bowl with cast and partially twisted stem and terminal in the form of St. Michael holding scales and a sword., Frisia, Netherlands, ca. 1800, metalwork, Decorative Arts, Spoon
RM2A2WA6P–St. Michael and St. Amador, Pere Vall (Spanish, 1380-1480), about 1405, tempera and gold on wood, 35-1/2 x 26 in., European Painting and Sculpture Before 1800
RM2A2NX9A–Loving couple with a maid, oil on copper, 28 x 21.5 cm, unsigned, Johann Georg Platzer, St. Michael in Eppan 1704–1761 St. Michael in Eppan
RM2A2K564–Snuffbox with Scene of St. Michael Triumphing Over the Devil, early 18th century, Continental Europe, Europe, Silver-plated brass, 5.1 × 3.2 cm (2 × 1 1/4 in
RM2DHYDXE–The West Prospect of the Parish Church of St. Michael, Cornhill, Benjamin Cole, 1697–1783, British, after unknown artist, undated, Engraving, Sheet: 14 3/8 x 9 1/16in. (36.5 x 23cm
RM2DHYDH4–St. Michael Queen-Lithe, Joseph Skelton, active 1820–1850, after unknown artist, ( W. Coney ), 1812, Etching, Sheet: 13 5/8 x 10 1/2in. (34.6 x 26.7cm
RM2B0C34C–Albrecht Dürer, St. Michael Fighting the Dragon, 1496-1498, woodcut on antique laid paper, 15 1/2 in. x 11 3/16 in. (39.37 cm. x 28.42 cm.)
RM2DHW0CD–St. Michael Geesh, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm
RM2DHYDH3–St. Michael Paternoster Royal, Joseph Skelton, active 1820–1850, after John Coney, 1786–1833, British, 1812, Etching, Sheet: 11 3/4 x 7 1/4in. (29.8 x 18.4cm
RM2DHYDWP–St. Michael, Cornhill, William Wise, Active 1823–1876, British, after George Shepherd, active 1782–1830, 1811, Etching, Sheet: 11 3/4 x 7 3/8in. (29.8 x 18.7cm
RM2DJ6BJ4–The Grèves from the Summit of Mount St Michael, Print made by Thomas Higham, 1796–1844, British, after Clarkson Stanfield, 1793–1867, British, 1836, Etching and line engraving on medium, slightly textured, cream wove paper
RMKC7TNA–St. Michael, late 15th century, Spanish, Alabaster, 31 7/8 x 12 1/2 x 9 1/2 in., 130lb. (81 x 31.8 x 24.1 cm, 59kg), Sculpture
RM2B0BXM2–Domenico Antonio Vaccaro, St. Michael and Lucifer, 1600-1800, black chalk, touches of red chalk, and grey wash on paper, 10 7/8 in. x 7 in. (27.6 cm. x 17.8 cm.)
RM2A2RAM4–Édouard Baldus, French, 1813-1889, Fountain of St. Michael, Paris, between 1860 and 1870, albumen print from collodion on glass negative, Image: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm
RM2A2HW32–St. Michael Fighting the Dragon, from The Apocalypse, c. 1496–98, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on buff laid paper, 394 x 282 mm (image), 449 x 306 mm (sheet
RMRY1TA1–Historiated Initial (P) Excised from a Choral Book: St. Michael and the Dragon, early 1200s. North Italy, Lombardy, 13th century. Ink and tempera on parchment; sheet: 16 x 10 cm (6 5/16 x 3 15/16 in
RM2DDJA8D–Two Angels, 1862 Sir Edward Burne-Jones (d.1898), Design for St Michael and All Angels Church, Brighton, Sussex, England, Art Movement, Pre-Raphaelite, Tree, 19th Century, Ink, Angel, Frame, Mixed media, Wash drawing, Works on Paper
RM2A2JPYN–St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet
RM2DDJA5P–Angel Playing on Bells, 1862 Sir Edward Burne-Jones (d.1898), Design for St Michael and All Angels Church, Brighton, Sussex, England, Art Movement, Pre-Raphaelite, 19th Century, Ink, Music, Angel, Round, Wash drawing, Bell, Tondo, Works on Paper
RMW56GBY–Fire brick on which St. Michael, Fire brick on which St. Michael. Richly bordered edge. Made from fine baked earth., anonymous, Southern Netherlands, c. 1400 - c. 1950, earthenware, h 10 cm × w 14.5 cm × t 8 cm
RM2DDJA6F–Angel Playing a Horn, 1862-3 Sir Edward Burne-Jones (d.1898), Design for St Michael and All Angels Church, Lyndhurst, New Forest, Art Movement, Pre-Raphaelite, Ink, Musical instrument, Angel, Design, Mixed media, Trefoil, Wash drawing, Unfinished, Works on Paper
RM2DDJBRP–Christ Cleansing the Temple, 1876-78 Sir Edward Burne-Jones (d.1898), Design for St Michael and All Angels, Torquay, Devon, Art Movement, Pre-Raphaelite, 19th Century, Drawing, Pencil, Chalk, Paper, Religion, Frame, Religion, Jesus Christ, Crowd, Emotion, Despair, Works on Paper
RMRY5KRA–Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 167v, St. Michael, c. 1495-1500. And associates Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519). Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in
RM2DDJA6E–Angel Playing on Pipes, 1862-3 Sir Edward Burne-Jones (d.1898), Design for St Michael and All Angels Church, Lyndhurst, New Forest, Art Movement, Pre-Raphaelite, 19th Century, Ink, Paper, Musical instrument, Angel, Design, Trefoil, Wash drawing, Pipe, Works on Paper
RMRY60CB–Study for the Head of St. Michael, 1633. Pietro da Cortona (Italian, 1596-1669). Black chalk; sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.); secondary support: 31.9 x 27.6 cm (12 9/16 x 10 7/8 in
RM2DDJA57–Angel Playing on Bells, 1862 Sir Edward Burne-Jones (d.1898), Cartoon design of angel for St Michael and All Angels, Brighton, East Sussex, St Martin's, Scarborough, North Yorkshire, 19th Century, Ink, Pencil, England, Church of England, Angel, Cartoon, Mixed media, Bell, Works on Paper
RM2DDJA63–Angel Holding the Moon, 1862-3 Sir Edward Burne-Jones (d.1898), Design for St Michael and All Angels Church, Lyndhurst, New Forest, Art Movement, Pre-Raphaelite, 19th Century, Ink, Pencil, Angel, Design, Mixed media, Trefoil, Wash drawing, Nature, Astronomy, Moon, Unfinished, Works on Paper
RM2A2RP7B–Castle chapel in Glarus, Castle Chapel of St. Michael in Glarus, signed: J. Weber, Fig. 5, p. 23, Weber, Johannes (del.); Orell Füssli & Co. (exc.), 1884, Ernst Buss: Glarnerland und Walensee. Zürich: Verlag, Druck und Illustration von Orell Füssli & Co., [1885
RM2A2RW1P–Jos. of Montgolfier, Knight of the Order of St. Michael. Inventor of Aerostratic Art, Portrait of Joseph Michel Montgolfier, Fig. 7, p. 24, 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876
RM2A2T3XD–The Abbey of S. Michel in Antwerp, St. Michael Abbey in Antwerp Belgium, signed: Harrewyn fecit, Taf. 14, p. 286, Harrewijn, Jacobus (fecit), [Jean-Baptiste Christyn]: Les délices des Pays-Bas ou description géographique et historique des XVII provinces belgiques. Bd. 1. Liège: chez J. F. Bassompierre, père, MDCCLXIX
RMW5753T–Royal Society of St. Michael in Ghent, medal awarded to D.F. Rees, master of the Academy in Amsterdam, Silver Medal. Front: inscription inside pearl rim. Reverse: inscription pearl bead, Ghent, Amsterdam, D.F. Rees, Royal Society of St. Michael, anonymous, Belgium, 1820, silver (metal), engraving, d 5.4 cm × w 36.41
RM2DJ3647–View of Pont St. Michael taken from Pont Neuf, Thomas Girtin, 1775–1802, British, And Richard Banks Harraden, 1778–1862, British, after Thomas Girtin, 1775–1802, British, 1803, Aquatint, Cathédrale Notre-Dame de Paris, Europe, France, Paris, Pont Neuf, Pont Saint Michel, Seine, Ville de Paris, Départment de, Île-de-France
RM2A2T3X6–The collegiate church of Sainte Gudule in Brusselle, Cathedral of St. Michael and St. Gudula in Brussels, signed: Harrewyn fecit, Taf. 5, p. 200, Harrewijn, Jacobus (fecit), [Jean-Baptiste Christyn]: Les délices des Pays-Bas ou description géographique et historique des XVII provinces belgiques. Bd. 1. Liège: chez J. F. Bassompierre, père, MDCCLXIX
RM2DHTWRB–St. Michael and Lucifer, Benjamin West, 1738–1820, American, active in Britain (from 1763), undated, Brown wash and graphite with pen and brown ink on medium, moderately textured, blued white laid paper, Sheet: 9 11/16 x 6 1/4 inches (24.6 x 15.9 cm), fighting, religious and mythological subject, saint, shield, sword, wings
RM2DJ38BM–Chateaux de St. Michael, Bonneville, Savoy, Joseph Mallord William Turner, 1775–1851, British, 1802 to 1803, Oil on canvas, Support (PTG): 36 x 48 inches (91.4 x 121.9 cm), baskets, bridge (built work), castle, château, clouds, costume, farmers, gesture, landscape, mountains, road, sheep, village, wall, women, Bonneville, Europe, France, Rhône-Alpes
RM2A2T22M–Cathedral of St. Michael and St. Gudula in Brussels, Fig. 1: Church of St. Gudula to Brussels, exterior view, Fig. 2: Church of St. Gudula to Brussels, inside view, pl. 97, after p. 200, fol. 97r, Carl August Menzel: Die Kunstwerke von dem Alterthum bis in die Gegenwart [...] oder Wegweiser durch das ganze Gebiet der bildenden Kunst [...]. Bd. 2. Leipzig: J. A. Romberg's Verlag, [18
RM2A2TMBE–Lateral portal of the church of S. Gudule in Brussels, Cathedral of St. Michael and St. Gudula in Brussels, Signed: F. Stroobant del. Et lith, Muquart éditeur; Imp. Simonau & Toovey, Fig. 1, Stroobant, F. (del. et lith.); Simonau et Toovey (imp.); Muquart (éd.), François Stroobant, F. Stappaerts: Le Brabant et les Flandres: monuments d'architecture et de sculpture. Paris: Delaroche, Pilon et Comp., [1857
RM2A2TMBH–Chair to preach in the S. Gudule Church in Brussels, Pulpit in the Cathedral of St. Michael and St. Gudula in Brussels, Signed: F. Stroobant del. Et lith, Muquart éditeur; Imp. Simonau & Toovey, Fig. 4, Stroobant, F. (del. et lith.); Simonau et Toovey (imp.); Muquart (éd.), François Stroobant, F. Stappaerts: Le Brabant et les Flandres: monuments d'architecture et de sculpture. Paris: Delaroche, Pilon et Comp., [1857
RM2A2TMBG–Tabernacle in S. Gudule Church in Brussels, Tabernacle in the Cathedral of St. Michael and St. Gudula in Brussels, Signed: F. Stroobant del. Et lith, Muquart éditeur; Imp. Simonau & Toovey, Fig. 3, Stroobant, F. (del. et lith.); Simonau et Toovey (imp.); Muquart (éd.), François Stroobant, F. Stappaerts: Le Brabant et les Flandres: monuments d'architecture et de sculpture. Paris: Delaroche, Pilon et Comp., [1857
RM2A2TCJW–Stewkley Church, N. W. Buckinghamshire, Parish Church of St Michael and All Angels in Stewkley, signed: Engraved by B. Howlett from a Drawing by W. Alexander, Fig. 1, according to S. II, Alexander, Willisam (Drawing); Howlett, Bartholomew (engr.), 1812, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 2. London: J. Taylor, 1807-1826
RMW56BXF–Case made of wood with pressed and gilt leather covered, Case or guitar case made of wood with pressed and gilt leather covered. On top of a crowned weapon with three lilies around the St. Michael order band. Background covered with lilies and a crowned L (?). Gold-plated frame., anonymous, France, c. 1610 - c. 1643, wood (plant material), leather, gilding (material), gilding, d 17.0 cm × w 32.0 cm × h 100.0 cm
RM2A2TCJT–Stewkley Church, Parish Church of St Michael and All Angels at Stewkley and Ground Plan of the Church, signed Etch'd by J. Roffe, from a Sketch by J. Britton, Fig. 2, Pl. II, according to p. 2, Britton, John (sketch); Roffe, John (Etching), 1807, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 2. London: J. Taylor, 1807-1826
RMW56PK9–British knightly order (The Most Distinguished Order of St. Michael and St. George), received by Willem Drees, Black-leather box, with the letters 'GCMG' on the outside of the lid, in which the decorations of the Grand Cross (Knight Grand Cross) of The Most Distinguished Order of St. Michael and St. George, United Kingdom, granted to Prime Minister W. Drees, the order was established in 1818, has the reigning monarch as its head and is only granted to foreigners in exceptional cases. The decorations consist of an order mark with shoulder strap and an order star. The order mark is a seven-armed
RM2DHWFTW–View of the Pont St. Michael, taken from the Pont Neuf, 1803, Richard Banks Harraden, 1778–1862, British, after Thomas Girtin, 1775–1802, British, 1803, Aquatint and etching, Image: 10 x 17 7/8in. (25.4 x 45.4cm) and Sheet: 15 3/4 x 24 1/2in. (40 x 62.2cm), Cathédrale Notre-Dame de Paris, Europe, France, Paris, Pont Neuf, Pont Saint Michel, Seine, Ville de Paris, Départment de, Île-de-France
RM2DME57J–Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to..., Felice Giani, Italian, 1758–1823, Pen and dark brown ink on cream laid paper., Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael
RM2DJ1J75–Mount St. Michael, Cornwall, S. Fisher, active 1831–1844, after Joseph Mallord William Turner, 1775–1851, British, 1838, Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm), Plate: 9 9/16 × 12 5/8 inches (24.3 × 32.1 cm), and Image: 6 9/16 × 9 1/2 inches (16.7 × 24.1 cm
RM2DME9PX–Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to..., Felice Giani, Italian, 1758–1823, Pen and dark brown ink over traces of graphite on cream laid paper, Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael
RM2A2TN98–Supposed to be Sir Robert Grushill and his Lady in Hoveringham Church, Notts, Tomb in the St Michael Church in Hoveringham, signed: Drawn by C. A. Stothard; Etched by C.J. Smith; Published by Mrs. Bray, Fig. 122, 110, after p. 84, Stothard, Charles Alfred (drawn); Smith, C. J. (etched); Bray, E. (publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of
RM2A2TGCJ–Ichnographia National Baptist Temple St. Michael in Rome, Florence, Angelo ..., Church of San Giovanni dei Fiorentini in Rome, Fig. 103, 47, after p. 94, Offizin Endter Nürnberg (imp.), 1775, Joachim von Sandrart:Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben, nicht weniger zu mehrerer Erläuterung die besten Exempel der alten und neuen Künstler in Kupfer beygefüget worden, wie solche in Rom auf das genaueste abgezeichnet sind: nebst den Lebensbeschreibungen der besten griechischen, römischen und neuen Künstler, ingleichen der
RMRY1RB8–Revelation of St. John: St. Michael fighting the Dragon, 1511. Albrecht Dürer (German, 1471-1528). Woodcut; sheet: 39.2 x 28.2 cm (15 7/16 x 11 1/8 in.); mat size: 48.9 x 36.3 cm (19 1/4 x 14 5/16 in