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Spensers Stock Photos and Images
SPENSERS GAS LIGHTING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spensers-gas-lighting-105264401.htmlRMG375PW–SPENSERS GAS LIGHTING
Illustration January for Edmund Spenser's poem 'The Shepherd's Calendar', 1597. Woodcut. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-january-for-edmund-spensers-poem-the-shepherds-calendar-57296021.htmlRMD961JD–Illustration January for Edmund Spenser's poem 'The Shepherd's Calendar', 1597. Woodcut.
Illustration for November for Edmund Spenser's poem 'The Shepheard's Calendar', 1597. Two shepherds holding their shpherd's crooks guard their flocks, one of them playing a wiond instrument. Woodcut. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-for-november-for-edmund-spensers-poem-the-shepheards-135676353.htmlRMHTMGG1–Illustration for November for Edmund Spenser's poem 'The Shepheard's Calendar', 1597. Two shepherds holding their shpherd's crooks guard their flocks, one of them playing a wiond instrument. Woodcut.
The British Valhalla -- Spenser's Faerie Queene Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-british-valhalla-spensers-faerie-queene-image341385990.htmlRM2ARBD8P–The British Valhalla -- Spenser's Faerie Queene
Florimel and the Witch. Painting by Pickersgill. Illustration to Spenser's 'Fairy Queene' 1852. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florimel-and-the-witch-painting-by-pickersgill-illustration-to-spensers-fairy-queene-1852-image179153128.htmlRMMBD3J0–Florimel and the Witch. Painting by Pickersgill. Illustration to Spenser's 'Fairy Queene' 1852.
Dec. 12, 1973 - Marks And Spenser's Chief Is Shot by Gunman At his London Home: Mr. Joesph Edward Sieff, president of Marks and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dec-12-1973-marks-and-spensers-chief-is-shot-by-gunman-at-his-london-image69474269.htmlRME10R3W–Dec. 12, 1973 - Marks And Spenser's Chief Is Shot by Gunman At his London Home: Mr. Joesph Edward Sieff, president of Marks and
![Ilustration to Spenser's 'The Fairie Queene' [1852], engraved by G.A. Periam, after a painting by Pickersgill, 'Flormel and the Witch'. Stock Photo](https://c8.alamy.com/comp/MC6PAF/ilustration-to-spensers-the-fairie-queene-1852-engraved-by-ga-periam-after-a-painting-by-pickersgill-flormel-and-the-witch-MC6PAF.jpg "Ilustration to Spenser's 'The Fairie Queene' [1852], engraved by G.A. Periam, after a painting by Pickersgill, 'Flormel and the Witch'. Stock Photo")
Ilustration to Spenser's 'The Fairie Queene' [1852], engraved by G.A. Periam, after a painting by Pickersgill, 'Flormel and the Witch'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ilustration-to-spensers-the-fairie-queene-1852-engraved-by-ga-periam-after-a-painting-by-pickersgill-flormel-and-the-witch-image179628807.htmlRMMC6PAF–Ilustration to Spenser's 'The Fairie Queene' [1852], engraved by G.A. Periam, after a painting by Pickersgill, 'Flormel and the Witch'.
Spensers Gas Lighting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spensers-gas-lighting-image8264204.htmlRMAHFWMD–Spensers Gas Lighting
Alliteration in Spenser's poetry discussed and compared with the alliteration as employed by Drayton and Daniel .. : Spencer, Virginia Eviline, 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alliteration-in-spensers-poetry-discussed-and-compared-with-the-alliteration-as-employed-by-drayton-and-daniel-spencer-virginia-eviline-1864-image261413890.htmlRMW58C2A–Alliteration in Spenser's poetry discussed and compared with the alliteration as employed by Drayton and Daniel .. : Spencer, Virginia Eviline, 1864
Inspired by Heliangelus Spencei: Spenser's Sun Angel, John Gould, British, 1804-1881, Lithograph in color on wove paper, 21 1/2 x 14 3/8 in., 54.6 x 36.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-heliangelus-spencei-spensers-sun-angel-john-gould-british-1804-1881-lithograph-in-color-on-wove-paper-21-12-x-14-38-in-546-x-365-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257585.htmlRF2HK4YMH–Inspired by Heliangelus Spencei: Spenser's Sun Angel, John Gould, British, 1804-1881, Lithograph in color on wove paper, 21 1/2 x 14 3/8 in., 54.6 x 36.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Thomas Hodgetts, (artist), British, active 1801/1846, Joseph Mallord William Turner, (artist), British, 1775 - 1851, From Spenser's Fairy Queen, Liber Studiorum: no.36, (series), published 1811, etching and mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-hodgetts-artist-british-active-18011846-joseph-mallord-william-turner-artist-british-1775-1851-from-spensers-fairy-queen-liber-studiorum-no36-series-published-1811-etching-and-mezzotint-image386344670.htmlRM2DCFEFX–Thomas Hodgetts, (artist), British, active 1801/1846, Joseph Mallord William Turner, (artist), British, 1775 - 1851, From Spenser's Fairy Queen, Liber Studiorum: no.36, (series), published 1811, etching and mezzotint
Isabella Saltonstall as Una in Spenser's Faerie Queene, by George Stubbs, 1782, Fitzwilliam Museum, Cambridge, England, UK, GB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-isabella-saltonstall-as-una-in-spensers-faerie-queene-by-george-stubbs-109478262.htmlRMGA34HX–Isabella Saltonstall as Una in Spenser's Faerie Queene, by George Stubbs, 1782, Fitzwilliam Museum, Cambridge, England, UK, GB
From Spenser’s Fairy Queene, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts (English), England, Etching and engraving in brown on ivory laid paper, 182 × 264 mm (image), 210 × 290 mm (plate), 262 × 382 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queene-published-june-1811-joseph-mallord-william-turner-english-1775-1851-engraved-by-t-hodgetts-english-england-etching-and-engraving-in-brown-on-ivory-laid-paper-182-264-mm-image-210-290-mm-plate-262-382-mm-sheet-image328634717.htmlRM2A2JGX5–From Spenser’s Fairy Queene, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts (English), England, Etching and engraving in brown on ivory laid paper, 182 × 264 mm (image), 210 × 290 mm (plate), 262 × 382 mm (sheet
John Hamilton Mortimer, Sir Arthegal the Knight of Justice with Talus the Iron Man (from Spenser's `Faerie Queene'), painting in oil on canvas, 1778 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-hamilton-mortimer-sir-arthegal-the-knight-of-justice-with-talus-the-iron-man-from-spensers-`faerie-queene-painting-in-oil-on-canvas-1778-image594096813.htmlRM2WEFCF9–John Hamilton Mortimer, Sir Arthegal the Knight of Justice with Talus the Iron Man (from Spenser's `Faerie Queene'), painting in oil on canvas, 1778
From Spenser's Fairy Queen. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Hodgetts. Designed and etched by Joseph Mallord William Turner. TURNER, JOSEPH MALLORD WILLIAM. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-dated-published-1811-medium-etching-and-mezzotint-museum-national-gallery-of-art-washington-dc-author-joseph-mallord-william-turner-and-thomas-hodgetts-designed-and-etched-by-joseph-mallord-william-turner-turner-joseph-mallord-william-image233234673.htmlRMRFCN5N–From Spenser's Fairy Queen. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Hodgetts. Designed and etched by Joseph Mallord William Turner. TURNER, JOSEPH MALLORD WILLIAM.
RED CROSS KNIGHT, 1598. /nThe Red Cross Knight: woodcut from the 3rd edition, 1598, of Edmund Spenser's 'The Faerie Queene.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-red-cross-knight-1598-nthe-red-cross-knight-woodcut-from-the-3rd-edition-95491237.htmlRMFFA019–RED CROSS KNIGHT, 1598. /nThe Red Cross Knight: woodcut from the 3rd edition, 1598, of Edmund Spenser's 'The Faerie Queene.'
Morgan Evelyn De - Port After Stormy Seas - Spenser's Faerie Queene Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morgan-evelyn-de-port-after-stormy-seas-spensers-faerie-queene-image211102103.htmlRFP7CETR–Morgan Evelyn De - Port After Stormy Seas - Spenser's Faerie Queene
DANCE -FARANDOLE - 16th century England. Woodcut showing peasants dancing a farandole. Renaissance Month of May / Maye - from Edmund Spenser's Shepherd's Calendar, 1579. The Shepheardes Calender. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dance-farandole-16th-century-england-woodcut-showing-peasants-dancing-image156725201.htmlRMK2YCGH–DANCE -FARANDOLE - 16th century England. Woodcut showing peasants dancing a farandole. Renaissance Month of May / Maye - from Edmund Spenser's Shepherd's Calendar, 1579. The Shepheardes Calender.
Morgan Evelyn De - Port After Stormy Seas - Spenser's Faerie Queene - British School - 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morgan-evelyn-de-port-after-stormy-seas-spensers-faerie-queene-british-school-19th-century-image371609927.htmlRM2CGG873–Morgan Evelyn De - Port After Stormy Seas - Spenser's Faerie Queene - British School - 19th Century
James Clarke Hook - Colin thou ken'st the Southern Shepherd boy - Spenser's Shepherd's Calender April (The Etching Club 1857). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-clarke-hook-colin-thou-kenst-the-southern-shepherd-boy-spensers-shepherds-calender-april-the-etching-club-1857-image367360965.htmlRM2C9JMJD–James Clarke Hook - Colin thou ken'st the Southern Shepherd boy - Spenser's Shepherd's Calender April (The Etching Club 1857).
Illustration for February for Edmund Spenser's poem 'The Shepherd's Calendar', 1597. Woodcut. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-for-february-for-edmund-spensers-poem-the-shepherds-calendar-57296025.htmlRMD961JH–Illustration for February for Edmund Spenser's poem 'The Shepherd's Calendar', 1597. Woodcut.
307 James Clarke Hook - Colin thou ken'st the Southern Shepherd boy - Spenser's Shepherd's Calender, April (The Etching Club, 1857) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/307-james-clarke-hook-colin-thou-kenst-the-southern-shepherd-boy-spensers-shepherds-calender-april-the-etching-club-1857-image213915264.htmlRMPC0K2T–307 James Clarke Hook - Colin thou ken'st the Southern Shepherd boy - Spenser's Shepherd's Calender, April (The Etching Club, 1857)
James Clarke Hook Colin thou ken'st the Southern Shepherd boy Spenser's Shepherd's Calender, April (The Etching Club, 1857) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-james-clarke-hook-colin-thou-kenst-the-southern-shepherd-boy-spensers-132506955.htmlRMHKG5Y7–James Clarke Hook Colin thou ken'st the Southern Shepherd boy Spenser's Shepherd's Calender, April (The Etching Club, 1857)
Illustration to Spenser’s Faerie Queen by painter, illustrator and etcher Louis Fairfax Muckley from 1894 Studio Magazine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-illustration-to-spensers-faerie-queen-by-painter-illustrator-and-etcher-169038747.htmlRFKR0AJ3–Illustration to Spenser’s Faerie Queen by painter, illustrator and etcher Louis Fairfax Muckley from 1894 Studio Magazine
Edmund Spenser's handwriting. English poet and Poet Laureate best known for 'The Faerie Queene', c 1552 – 13 January 1599. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-edmund-spensers-handwriting-english-poet-and-poet-laureate-best-known-83350714.htmlRMERGXK6–Edmund Spenser's handwriting. English poet and Poet Laureate best known for 'The Faerie Queene', c 1552 – 13 January 1599.
FAIRY STORIES - Illustration to 'Una' from Spenser's 'Faerie Queene'. Painting by W E Frost, engraved by P Lightfoot. From the 'Art Journal', 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fairy-stories-illustration-to-una-from-spensers-faerie-queene-painting-by-w-e-frost-engraved-by-p-lightfoot-from-the-art-journal-1860-image179625624.htmlRMMC6J8T–FAIRY STORIES - Illustration to 'Una' from Spenser's 'Faerie Queene'. Painting by W E Frost, engraved by P Lightfoot. From the 'Art Journal', 1860
Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edmund-spensers-home-at-kilcoman-castle-ireland-where-the-faerie-queene-was-created-it-was-burnt-down-during-tyrones-rebellion-1597-image560861597.htmlRM2RGDCK9–Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597.
illustration by English artist and illustrator Walter Crane from Edmund Spenser’s Faerie Queen, George Allen, London 1894 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-illustration-by-english-artist-and-illustrator-walter-crane-from-edmund-169539048.htmlRFKRR4P0–illustration by English artist and illustrator Walter Crane from Edmund Spenser’s Faerie Queen, George Allen, London 1894
Art inspired by Heliangelus Spencei: Spenser's Sun Angel, John Gould, British, 1804-1881, Lithograph in color on wove paper, 21 1/2 x 14 3/8 in., 54.6 x 36.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-heliangelus-spencei-spensers-sun-angel-john-gould-british-1804-1881-lithograph-in-color-on-wove-paper-21-12-x-14-38-in-546-x-365-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570202.htmlRF2HKK6DE–Art inspired by Heliangelus Spencei: Spenser's Sun Angel, John Gould, British, 1804-1881, Lithograph in color on wove paper, 21 1/2 x 14 3/8 in., 54.6 x 36.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Illustration to Spenser's Faerie Queene. Canto II. Verse 30', c1895. Artist: Louis Fairfax Muckley. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-to-spensers-faerie-queene-canto-ii-verse-30-c1895-artist-louis-fairfax-muckley-image262782021.htmlRMW7EN45–'Illustration to Spenser's Faerie Queene. Canto II. Verse 30', c1895. Artist: Louis Fairfax Muckley.
Vintage advert for The Book on Silverlite by Spensers (London) Ltd - In the Country House - Ridding the Kitchen of the Coal Nuisance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-advert-for-the-book-on-silverlite-by-spensers-london-ltd-in-the-country-house-ridding-the-kitchen-of-the-coal-nuisance-image415791269.htmlRF2F4CX05–Vintage advert for The Book on Silverlite by Spensers (London) Ltd - In the Country House - Ridding the Kitchen of the Coal Nuisance.
From Spenser’s Fairy Queen, plate 36 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts (English), England, Etching and engraving in brown on ivory wove paper, 182 × 264 mm (image), 209 × 290.5 mm (plate), 308 × 443 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-plate-36-from-liber-studiorum-published-june-1811-joseph-mallord-william-turner-english-1775-1851-engraved-by-t-hodgetts-english-england-etching-and-engraving-in-brown-on-ivory-wove-paper-182-264-mm-image-209-2905-mm-plate-308-443-mm-sheet-image328618227.htmlRM2A2HRW7–From Spenser’s Fairy Queen, plate 36 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Hodgetts (English), England, Etching and engraving in brown on ivory wove paper, 182 × 264 mm (image), 209 × 290.5 mm (plate), 308 × 443 mm (sheet
Page from Edmund Spenser's Four Hymns on Earthly and Heavenly Love and Beauty, 1912, (1914). Artist: W. F. Northend. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/page-from-edmund-spensers-four-hymns-on-earthly-and-heavenly-love-and-beauty-1912-1914-artist-w-f-northend-image186131771.htmlRMMPR0Y7–Page from Edmund Spenser's Four Hymns on Earthly and Heavenly Love and Beauty, 1912, (1914). Artist: W. F. Northend.
Una and the Lion, from Spenser's 'Faerie Queen', Francesco Bartolozzi, Italian, active England, 1727–1815, Angelika Kaufmann, Swiss, 1741 - 1807, Stipple engraving in sanguine ink on paper, Full-length figure of a woman, seated, turned toward the left. She is binding her hair with a ribbon. A lion is beside her, left; a donkey behind her. Narrow enframing border., England, ca. 1780, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/una-and-the-lion-from-spensers-faerie-queen-francesco-bartolozzi-italian-active-england-17271815-angelika-kaufmann-swiss-1741-1807-stipple-engraving-in-sanguine-ink-on-paper-full-length-figure-of-a-woman-seated-turned-toward-the-left-she-is-binding-her-hair-with-a-ribbon-a-lion-is-beside-her-left-a-donkey-behind-her-narrow-enframing-border-england-ca-1780-print-image391218542.htmlRM2DMDF6P–Una and the Lion, from Spenser's 'Faerie Queen', Francesco Bartolozzi, Italian, active England, 1727–1815, Angelika Kaufmann, Swiss, 1741 - 1807, Stipple engraving in sanguine ink on paper, Full-length figure of a woman, seated, turned toward the left. She is binding her hair with a ribbon. A lion is beside her, left; a donkey behind her. Narrow enframing border., England, ca. 1780, Print
Sir William Waller, English soldier, c. 1597-1668. Commander of Parliamentarian armies during the First English Civil War. On horseback in plate armour, sash, collar and boots with spurs. Vignette of miltary camps and battles. The right valiant and expert commander. Published by William Riddiard, from the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-william-waller-english-soldier-c-1597-1668-commander-of-parliamentarian-armies-during-the-first-english-civil-war-on-horseback-in-plate-armour-sash-collar-and-boots-with-spurs-vignette-of-miltary-camps-and-battles-the-right-valiant-and-expert-commander-published-by-william-riddiard-from-the-unique-equestrian-print-in-earl-spensers-clarendon-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image571834345.htmlRM2T698F5–Sir William Waller, English soldier, c. 1597-1668. Commander of Parliamentarian armies during the First English Civil War. On horseback in plate armour, sash, collar and boots with spurs. Vignette of miltary camps and battles. The right valiant and expert commander. Published by William Riddiard, from the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
From Spenser's Fairy Queen, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Thomas Hodgetts, active 1801–1846, after Joseph Mallord William Turner, 1775–1851, British, 1811, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm), landscape, literary theme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-etched-by-joseph-mallord-william-turner-17751851-british-engraved-by-thomas-hodgetts-active-18011846-after-joseph-mallord-william-turner-17751851-british-1811-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-wove-paper-sheet-11-12-16-78-inches-292-429-cm-plate-8-14-11-12-inches-21-292-cm-and-image-7-14-10-38-inches-184-264-cm-landscape-literary-theme-image389748055.htmlRM2DJ2FHB–From Spenser's Fairy Queen, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Thomas Hodgetts, active 1801–1846, after Joseph Mallord William Turner, 1775–1851, British, 1811, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm), landscape, literary theme
April Pastoral scene showing women playing viol, lute, harp, flute, shawm, also shepherd with horn. Sheep, stream. Renaissance drawing entitled 'April'.(Aprill) from Edmund Spenser's Shepherd's Calendar, 1579. The Shepheardes Calender. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/april-pastoral-scene-showing-women-playing-viol-lute-harp-flute-shawm-image156725200.htmlRMK2YCGG–April Pastoral scene showing women playing viol, lute, harp, flute, shawm, also shepherd with horn. Sheep, stream. Renaissance drawing entitled 'April'.(Aprill) from Edmund Spenser's Shepherd's Calendar, 1579. The Shepheardes Calender.
'Illustration to Spenser's Faerie Queene. Canto II. Verse 30', c1895. Artist: Louis Fairfax Muckley. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-to-spensers-faerie-queene-canto-ii-verse-30-c1895-artist-135250584.htmlRMHT15E0–'Illustration to Spenser's Faerie Queene. Canto II. Verse 30', c1895. Artist: Louis Fairfax Muckley.
Knight, lance and dragon art from Spenser's ‘Faerie Queen‘ - The art of Walter Grane (page 193 crop). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knight-lance-and-dragon-art-from-spensers-faerie-queen-the-art-of-walter-grane-page-193-crop-image387152319.htmlRM2DDT8MF–Knight, lance and dragon art from Spenser's ‘Faerie Queen‘ - The art of Walter Grane (page 193 crop).
Illustration for November for Edmund Spenser's poem 'The Shepheard's Calendar', 1597. Two shepherds holding their shpherd's crooks guard their flocks, one of them playing a wiond instrument. Woodcut. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-for-november-for-edmund-spensers-poem-the-shepheards-57345620.htmlRMD988WT–Illustration for November for Edmund Spenser's poem 'The Shepheard's Calendar', 1597. Two shepherds holding their shpherd's crooks guard their flocks, one of them playing a wiond instrument. Woodcut.
. English: Fleuron from book: A letter concerning a new edition of Spenser's Faerie Queene. To Gilbert West, Esq; -Dulces ante omnia Musae. Virg. Georg. II. 118 A letter concerning a new edition of Spenser's Faerie Queene Fleuron T056646-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-a-letter-concerning-a-new-edition-of-spensers-faerie-queene-to-gilbert-west-esq-dulces-ante-omnia-musae-virg-georg-ii-118-a-letter-concerning-a-new-edition-of-spensers-faerie-queene-fleuron-t056646-1-image206734630.htmlRMP09G3J–. English: Fleuron from book: A letter concerning a new edition of Spenser's Faerie Queene. To Gilbert West, Esq; -Dulces ante omnia Musae. Virg. Georg. II. 118 A letter concerning a new edition of Spenser's Faerie Queene Fleuron T056646-1
James Clarke Hook Colin thou ken'st the Southern Shepherd boy Spenser's Shepherd's Calender, April (The Etching Club, 1857) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-james-clarke-hook-colin-thou-kenst-the-southern-shepherd-boy-spensers-136545402.htmlRMHX451E–James Clarke Hook Colin thou ken'st the Southern Shepherd boy Spenser's Shepherd's Calender, April (The Etching Club, 1857)
Una and the Lion from Spensers Faerie Queen. Full-length figure of a woman, seated, turned toward the left. She is binding her hair with a ribbon. A lion is beside her, left; a donkey behind her. Narrow enframing border. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/una-and-the-lion-from-spensers-faerie-queen-full-length-figure-of-a-woman-seated-turned-toward-the-left-she-is-binding-her-hair-with-a-ribbon-a-lion-is-beside-her-left-a-donkey-behind-her-narrow-enframing-border-image353557979.htmlRM2BF5XPK–Una and the Lion from Spensers Faerie Queen. Full-length figure of a woman, seated, turned toward the left. She is binding her hair with a ribbon. A lion is beside her, left; a donkey behind her. Narrow enframing border.
Sir William Waller, English soldier, c. 1597-1668. Commander of Parliamentarian armies during the First English Civil War. On horseback in plate armour, sash, collar and boots with spurs. Vignette of miltary camps and battles. The right valiant and expert commander. Published by William Riddiard, from the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-william-waller-english-soldier-c-1597-1668-commander-of-parliamentarian-armies-during-the-first-english-civil-war-on-horseback-in-plate-armour-sash-collar-and-boots-with-spurs-vignette-of-miltary-camps-and-battles-the-right-valiant-and-expert-commander-published-by-william-riddiard-from-the-unique-equestrian-print-in-earl-spensers-clarendon-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image493395121.htmlRM2KJM2E9–Sir William Waller, English soldier, c. 1597-1668. Commander of Parliamentarian armies during the First English Civil War. On horseback in plate armour, sash, collar and boots with spurs. Vignette of miltary camps and battles. The right valiant and expert commander. Published by William Riddiard, from the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
The fishes of Pisces of the month of February. From the series of 'months' used as vignettes in Edmund Spenser's 'The Fairie Queene' derived from his 'Shepheard's Calendar' of 1579 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fishes-of-pisces-of-the-month-of-february-from-the-series-of-months-used-as-vignettes-in-edmund-spensers-the-fairie-queene-derived-from-his-shepheards-calendar-of-1579-image179661584.htmlRMMC8854–The fishes of Pisces of the month of February. From the series of 'months' used as vignettes in Edmund Spenser's 'The Fairie Queene' derived from his 'Shepheard's Calendar' of 1579
Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edmund-spensers-home-at-kilcoman-castle-ireland-where-the-faerie-queene-was-created-it-was-burnt-down-during-tyrones-rebellion-1597-image560861598.htmlRM2RGDCKA–Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597.
Fairies - The Fairie Queen - Title page of the First Book of Edmund Spenser's Faerie Queen, in the 1894 reprint - Containing the legend of the Knight of the Red Cross or of Hollinesse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fairies-the-fairie-queen-title-page-of-the-first-book-of-edmund-spensers-faerie-queen-in-the-1894-reprint-containing-the-legend-of-the-knight-of-the-red-cross-or-of-hollinesse-image179155926.htmlRMMBD75X–Fairies - The Fairie Queen - Title page of the First Book of Edmund Spenser's Faerie Queen, in the 1894 reprint - Containing the legend of the Knight of the Red Cross or of Hollinesse
Henry Grey, 1st Earl of Stamford, c. 1599-1673. English nobleman and military leader. Roundhead general defeated at the siege of Exeter. Vignette of Exeter Cathedral and the River Exe. On horseback, in lace collar, suit of plate armour, boots and spurs. Henry Gray, Earl of Standford, Lord of Groby, Bonvile and Harrington. From the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-grey-1st-earl-of-stamford-c-1599-1673-english-nobleman-and-military-leader-roundhead-general-defeated-at-the-siege-of-exeter-vignette-of-exeter-cathedral-and-the-river-exe-on-horseback-in-lace-collar-suit-of-plate-armour-boots-and-spurs-henry-gray-earl-of-standford-lord-of-groby-bonvile-and-harrington-from-the-unique-equestrian-print-in-earl-spensers-clarendon-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image493394676.htmlRM2KJM1XC–Henry Grey, 1st Earl of Stamford, c. 1599-1673. English nobleman and military leader. Roundhead general defeated at the siege of Exeter. Vignette of Exeter Cathedral and the River Exe. On horseback, in lace collar, suit of plate armour, boots and spurs. Henry Gray, Earl of Standford, Lord of Groby, Bonvile and Harrington. From the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) 1951 by Joseph Mallord William Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-1951-by-joseph-mallord-william-turner-image585794019.htmlRM2W1166Y–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) 1951 by Joseph Mallord William Turner
Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597. Date: 16TH CENTURY Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edmund-spensers-home-at-kilcoman-castle-ireland-where-the-faerie-queene-was-created-it-was-burnt-down-during-tyrones-rebellion-1597-date-16th-century-image557101341.htmlRM2RAA4CD–Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597. Date: 16TH CENTURY
A woman walks past Samuel Spenser's 'Trophy Wall', an installation of porcelain deer skulls, which will go on show as part of a major new exhibition 'Turning the Season' at The Wapping Project in east London, from tomorrow. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-woman-walks-past-samuel-spensers-trophy-wall-an-installation-of-110223205.htmlRMGB92R1–A woman walks past Samuel Spenser's 'Trophy Wall', an installation of porcelain deer skulls, which will go on show as part of a major new exhibition 'Turning the Season' at The Wapping Project in east London, from tomorrow.
The Red Cross Knight; Illustration from Edmund Spenser's Poem 'The Faerie Queen', 1598; Black and White Illustration; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-red-cross-knight-illustration-from-edmund-spensers-poem-the-faerie-33628193.htmlRMBXKW2W–The Red Cross Knight; Illustration from Edmund Spenser's Poem 'The Faerie Queen', 1598; Black and White Illustration;
Britamartis Releasing Amaret. Spenser's Faerie Queene. sculpture. William England (British, 1816 - 1896) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/britamartis-releasing-amaret-spensers-faerie-queene-sculpture-william-england-british-1816-1896-image416519691.htmlRM2F5J337–Britamartis Releasing Amaret. Spenser's Faerie Queene. sculpture. William England (British, 1816 - 1896)
Henry Grey, 1st Earl of Stamford, c. 1599-1673. English nobleman and military leader. Roundhead general defeated at the siege of Exeter. Vignette of Exeter Cathedral and the River Exe. On horseback, in lace collar, suit of plate armour, boots and spurs. Henry Gray, Earl of Standford, Lord of Groby, Bonvile and Harrington. From the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-grey-1st-earl-of-stamford-c-1599-1673-english-nobleman-and-military-leader-roundhead-general-defeated-at-the-siege-of-exeter-vignette-of-exeter-cathedral-and-the-river-exe-on-horseback-in-lace-collar-suit-of-plate-armour-boots-and-spurs-henry-gray-earl-of-standford-lord-of-groby-bonvile-and-harrington-from-the-unique-equestrian-print-in-earl-spensers-clarendon-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image571821960.htmlRM2T68MMT–Henry Grey, 1st Earl of Stamford, c. 1599-1673. English nobleman and military leader. Roundhead general defeated at the siege of Exeter. Vignette of Exeter Cathedral and the River Exe. On horseback, in lace collar, suit of plate armour, boots and spurs. Henry Gray, Earl of Standford, Lord of Groby, Bonvile and Harrington. From the unique equestrian print in Earl Spenser's Clarendon. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
From Spenser's Fairy Queen, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Thomas Hodgetts, active 1801–1846, after Joseph Mallord William Turner, 1775–1851, British, 1811, Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper, Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-etched-by-joseph-mallord-william-turner-17751851-british-engraved-by-thomas-hodgetts-active-18011846-after-joseph-mallord-william-turner-17751851-british-1811-etching-and-mezzotint-printed-in-brown-ink-second-published-state-on-medium-slightly-textured-cream-wove-paper-sheet-11-15-58-inches-279-397-cm-plate-8-14-11-38-inches-21-289-cm-and-image-7-18-10-38-inches-181-264-cm-image389659041.htmlRM2DHXE29–From Spenser's Fairy Queen, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Thomas Hodgetts, active 1801–1846, after Joseph Mallord William Turner, 1775–1851, British, 1811, Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper, Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm
![Goodwood Races: The Chesterfield Cup, 1864. 'The Chesterfield Cup is a group in oxydised silver, representing a knight rescuing a lady from a dragon. The subject is taken from Spenser's "Faerie Queen," and the horse and the figure of the woman clinging to her preserver have been admirably managed by Mr. H. Armstead, to whom the work of modelling was intrusted by Mr. Harry Emanuel, of Bond-street. It was won very easily by Mr. Whittaker's King of Utopia, against whom 16 to 1 was obtainable in a field of twenty-five'. From "Illustrated London News", 1864. Stock Photo](https://c8.alamy.com/comp/2WRGTW9/goodwood-races-the-chesterfield-cup-1864-the-chesterfield-cup-is-a-group-in-oxydised-silver-representing-a-knight-rescuing-a-lady-from-a-dragon-the-subject-is-taken-from-spensers-quotfaerie-queenquot-and-the-horse-and-the-figure-of-the-woman-clinging-to-her-preserver-have-been-admirably-managed-by-mr-h-armstead-to-whom-the-work-of-modelling-was-intrusted-by-mr-harry-emanuel-of-bond-street-it-was-won-very-easily-by-mr-whittakers-king-of-utopia-against-whom-16-to-1-was-obtainable-in-a-field-of-twenty-five-from-quotillustrated-london-newsquot-1864-2WRGTW9.jpg "Goodwood Races: The Chesterfield Cup, 1864. 'The Chesterfield Cup is a group in oxydised silver, representing a knight rescuing a lady from a dragon. The subject is taken from Spenser's "Faerie Queen," and the horse and the figure of the woman clinging to her preserver have been admirably managed by Mr. H. Armstead, to whom the work of modelling was intrusted by Mr. Harry Emanuel, of Bond-street. It was won very easily by Mr. Whittaker's King of Utopia, against whom 16 to 1 was obtainable in a field of twenty-five'. From "Illustrated London News", 1864. Stock Photo")
Goodwood Races: The Chesterfield Cup, 1864. 'The Chesterfield Cup is a group in oxydised silver, representing a knight rescuing a lady from a dragon. The subject is taken from Spenser's "Faerie Queen," and the horse and the figure of the woman clinging to her preserver have been admirably managed by Mr. H. Armstead, to whom the work of modelling was intrusted by Mr. Harry Emanuel, of Bond-street. It was won very easily by Mr. Whittaker's King of Utopia, against whom 16 to 1 was obtainable in a field of twenty-five'. From "Illustrated London News", 1864. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goodwood-races-the-chesterfield-cup-1864-the-chesterfield-cup-is-a-group-in-oxydised-silver-representing-a-knight-rescuing-a-lady-from-a-dragon-the-subject-is-taken-from-spensers-quotfaerie-queenquot-and-the-horse-and-the-figure-of-the-woman-clinging-to-her-preserver-have-been-admirably-managed-by-mr-h-armstead-to-whom-the-work-of-modelling-was-intrusted-by-mr-harry-emanuel-of-bond-street-it-was-won-very-easily-by-mr-whittakers-king-of-utopia-against-whom-16-to-1-was-obtainable-in-a-field-of-twenty-five-from-quotillustrated-london-newsquot-1864-image599660357.htmlRM2WRGTW9–Goodwood Races: The Chesterfield Cup, 1864. 'The Chesterfield Cup is a group in oxydised silver, representing a knight rescuing a lady from a dragon. The subject is taken from Spenser's "Faerie Queen," and the horse and the figure of the woman clinging to her preserver have been admirably managed by Mr. H. Armstead, to whom the work of modelling was intrusted by Mr. Harry Emanuel, of Bond-street. It was won very easily by Mr. Whittaker's King of Utopia, against whom 16 to 1 was obtainable in a field of twenty-five'. From "Illustrated London News", 1864.
Heliangelus Spencei: Spenser's Sun Angel, John Gould, British, 1804-1881, Lithograph in color on wove paper, 21 1/2 x 14 3/8 in., 54.6 x 36.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heliangelus-spencei-spensers-sun-angel-john-gould-british-1804-1881-lithograph-in-color-on-wove-paper-21-12-x-14-38-in-546-x-365-cm-image454278694.htmlRM2HB2532–Heliangelus Spencei: Spenser's Sun Angel, John Gould, British, 1804-1881, Lithograph in color on wove paper, 21 1/2 x 14 3/8 in., 54.6 x 36.5 cm
Scene from Spenser’s ''Fairie Queene''-Una and the Dwarf. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-spensers-fairie-queene-una-and-the-dwarf-image456890587.htmlRM2HF94GY–Scene from Spenser’s ''Fairie Queene''-Una and the Dwarf.
Joseph Mallord William Turner and Thomas Hodgetts, British (active 1801-1846), From Spenser's Fairy Queen, published 1811 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-and-thomas-hodgetts-british-active-1801-77442068.htmlRMEDYP44–Joseph Mallord William Turner and Thomas Hodgetts, British (active 1801-1846), From Spenser's Fairy Queen, published 1811
. English: Fleuron from book: A letter concerning a new edition of Spenser's Faerie Queene. To Gilbert West, Esq; -Dulces ante omnia Musae. Virg. Georg. II. 118 A letter concerning a new edition of Spenser's Faerie Queene Fleuron T056646-3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-a-letter-concerning-a-new-edition-of-spensers-faerie-queene-to-gilbert-west-esq-dulces-ante-omnia-musae-virg-georg-ii-118-a-letter-concerning-a-new-edition-of-spensers-faerie-queene-fleuron-t056646-3-image206734631.htmlRMP09G3K–. English: Fleuron from book: A letter concerning a new edition of Spenser's Faerie Queene. To Gilbert West, Esq; -Dulces ante omnia Musae. Virg. Georg. II. 118 A letter concerning a new edition of Spenser's Faerie Queene Fleuron T056646-3
Una and the red cross knight, and other tales from Spenser's Faery Queene; (1905) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-una-and-the-red-cross-knight-and-other-tales-from-spensers-faery-queene-96476349.htmlRMFGXTFW–Una and the red cross knight, and other tales from Spenser's Faery Queene; (1905)
Joseph Mallord William Turner and Thomas Hodgetts, From Spenser's Fairy Queen, published 1811 From Spenser's Fairy Queen; published 1811 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-and-thomas-hodgetts-from-spensers-fairy-queen-published-1811-from-spensers-fairy-queen-published-1811-image335985042.htmlRM2AEHC9P–Joseph Mallord William Turner and Thomas Hodgetts, From Spenser's Fairy Queen, published 1811 From Spenser's Fairy Queen; published 1811
'Una and the red cross knight, and other tales from Spenser's Faery Queene;' (1905) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/una-and-the-red-cross-knight-and-other-tales-from-spensers-faery-queene-1905-image247236281.htmlRMTA6GB5–'Una and the red cross knight, and other tales from Spenser's Faery Queene;' (1905)
Britomart, 1877-78. George Frederic Watts. The subject is taken from Edmund Spenser's epic poem, 'Faerie Queen' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/britomart-1877-78-george-frederic-watts-the-subject-is-taken-from-edmund-spensers-epic-poem-faerie-queen-image551012030.htmlRM2R0CND2–Britomart, 1877-78. George Frederic Watts. The subject is taken from Edmund Spenser's epic poem, 'Faerie Queen'
Print, Una and the Lion, from Spenser's 'Faerie Queen', ca. 1780; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Angelika Kaufmann (Swiss, 1741 - 1807); Italy; stipple engraving in sanguine ink on paper; 33 × 26.6 cm (13 in. × 10 1/2 in.); Bequest of George Campbell Cooper; 1896-3-327 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-una-and-the-lion-from-spensers-faerie-queen-ca-1780-print-maker-francesco-bartolozzi-italian-17271815-after-angelika-kaufmann-swiss-1741-1807-italy-stipple-engraving-in-sanguine-ink-on-paper-33-266-cm-13-in-10-12-in-bequest-of-george-campbell-cooper-1896-3-327-image546218519.htmlRM2PMJB87–Print, Una and the Lion, from Spenser's 'Faerie Queen', ca. 1780; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Angelika Kaufmann (Swiss, 1741 - 1807); Italy; stipple engraving in sanguine ink on paper; 33 × 26.6 cm (13 in. × 10 1/2 in.); Bequest of George Campbell Cooper; 1896-3-327
The virgin of Virgo, of the month of August. From the series of months used as vignettes in Edmund Spenser's The Fairie Queene, derived from his Shepheard's Calendar of 1579 - © /Charles Walker Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-of-virgo-of-the-month-of-august-from-the-series-of-months-used-as-vignettes-in-edmund-spensers-the-fairie-queene-derived-from-his-shepheards-calendar-of-1579-charles-walker-image179153833.htmlRMMBD4F5–The virgin of Virgo, of the month of August. From the series of months used as vignettes in Edmund Spenser's The Fairie Queene, derived from his Shepheard's Calendar of 1579 - © /Charles Walker
Joseph Mallord William Turner, From Spenser's Fairy Queen, June 1811, Etching and mezzotint printed in brown inks. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-from-spensers-fairy-queen-june-1811-etching-and-mezzotint-printed-in-brown-inks-image537618788.htmlRM2P6JJ70–Joseph Mallord William Turner, From Spenser's Fairy Queen, June 1811, Etching and mezzotint printed in brown inks.
Sir Arthegal, the Knight of Justice, with Talus, the Iron Man (from Spenser's `Faerie Queene') 1778 by John Hamilton Mortimer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-arthegal-the-knight-of-justice-with-talus-the-iron-man-from-spensers-`faerie-queene-1778-by-john-hamilton-mortimer-image543908336.htmlRM2PGW4HM–Sir Arthegal, the Knight of Justice, with Talus, the Iron Man (from Spenser's `Faerie Queene') 1778 by John Hamilton Mortimer
Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597. Date: 16TH CENTURY Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edmund-spensers-home-at-kilcoman-castle-ireland-where-the-faerie-queene-was-created-it-was-burnt-down-during-tyrones-rebellion-1597-date-16th-century-image557101368.htmlRM2RAA4DC–Edmund Spenser's home at Kilcoman Castle, Ireland where the Faerie Queene was created. It was burnt down during Tyrone's rebellion, 1597. Date: 16TH CENTURY
Etched by Joseph Mallord William Turner, 1775–1851, British, From Spenser's Fairy Queen, 1811. Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-from-spensers-fairy-queen-1811-etching-and-mezzotint-printed-in-brown-ink-second-published-state-on-medium-slightly-textured-cream-wove-paper-image398389773.htmlRM2E44665–Etched by Joseph Mallord William Turner, 1775–1851, British, From Spenser's Fairy Queen, 1811. Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper.
Art inspired by From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-etching-and-mezzotint-fourth-state-of-four-plate-7-316-x-10-716-in-183-x-265-cm-prints-designed-and-etched-by-joseph-mallord-william-turner-british-london-17751851-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462978051.htmlRF2HW6D6B–Art inspired by From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Etched by Joseph Mallord William Turner, 1775–1851, British, From Spenser's Fairy Queen, 1811. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper. landscape , literary theme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-from-spensers-fairy-queen-1811-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-wove-paper-landscape-literary-theme-image398359364.htmlRM2E42RC4–Etched by Joseph Mallord William Turner, 1775–1851, British, From Spenser's Fairy Queen, 1811. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper. landscape , literary theme
UK, Oxford, ornate Marks & Spensers clock signage outside shop. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-uk-oxford-ornate-marks-spensers-clock-signage-outside-shop-72668961.htmlRME66A01–UK, Oxford, ornate Marks & Spensers clock signage outside shop.
Heliangelus Spencei: Spenser's Sun Angel John Gould (British, 1804-1881).. Lithograph in color on wove paper, 21 1/2 x 14 3/8 in. (54.6 x 36.5 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heliangelus-spencei-spensers-sun-angel-john-gould-british-1804-1881-lithograph-in-color-on-wove-paper-21-12-x-14-38-in-546-x-365-cm-european-art-image504728009.htmlRM2M949M9–Heliangelus Spencei: Spenser's Sun Angel John Gould (British, 1804-1881).. Lithograph in color on wove paper, 21 1/2 x 14 3/8 in. (54.6 x 36.5 cm). European Art
From Spenser's Fairy Queen, published 1811. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-published-1811-image426159808.htmlRM2FN9754–From Spenser's Fairy Queen, published 1811.
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British. From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36). Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London). June 1811. Etching and mezzotint; fourth state of four (Finberg). Joseph Mallord William Turner (British, London 1775–1851 London). Thomas Hodgetts (British, active 1801–46). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-designed-and-etched-by-joseph-mallord-william-turner-british-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-designed-and-etched-by-joseph-mallord-william-turner-british-london-17751851-london-june-1811-etching-and-mezzotint-fourth-state-of-four-finberg-joseph-mallord-william-turner-british-london-17751851-london-thomas-hodgetts-british-active-180146-prints-image458237176.htmlRM2HHEE5C–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British. From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36). Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London). June 1811. Etching and mezzotint; fourth state of four (Finberg). Joseph Mallord William Turner (British, London 1775–1851 London). Thomas Hodgetts (British, active 1801–46). Prints
Image from page 195 of 'The Legend of the Knight of the Red Crosse or of Holinesse. The first book of Spenser's Faerie Queene illustrated with twelve drawings by C. M. B. Morrell' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-195-of-the-legend-of-the-knight-of-the-red-crosse-or-of-holinesse-the-first-book-of-spensers-faerie-queene-illustrated-with-twelve-drawings-by-c-m-b-morrell-image216756742.htmlRMPGJ3C6–Image from page 195 of 'The Legend of the Knight of the Red Crosse or of Holinesse. The first book of Spenser's Faerie Queene illustrated with twelve drawings by C. M. B. Morrell' .
Joseph Mallord William Turner and Thomas Hodgetts, British (active 1801-1846), From Spenser's Fairy Queen, published 1811 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-and-thomas-hodgetts-british-active-1801-123368291.htmlRMH4KWEB–Joseph Mallord William Turner and Thomas Hodgetts, British (active 1801-1846), From Spenser's Fairy Queen, published 1811
N/A. A German map depicting the action at the Battle of Spencer's Ordinary. The caption reads 'Plan von dem Gefecht bei Spensers Haus Sieben Meilen von Williamsburg', or 'Plan of the battle at Spencer's House Seven Miles from Williamsburg'. American positions are in blue, British positions in yellow. 1781. Johann Ewald (1744-1813) 537 Ewald SpencersOrdinary 1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-a-german-map-depicting-the-action-at-the-battle-of-spencers-ordinary-the-caption-reads-plan-von-dem-gefecht-bei-spensers-haus-sieben-meilen-von-williamsburg-or-plan-of-the-battle-at-spencers-house-seven-miles-from-williamsburg-american-positions-are-in-blue-british-positions-in-yellow-1781-johann-ewald-1744-1813-537-ewald-spencersordinary-1781-image210219681.htmlRMP6099N–N/A. A German map depicting the action at the Battle of Spencer's Ordinary. The caption reads 'Plan von dem Gefecht bei Spensers Haus Sieben Meilen von Williamsburg', or 'Plan of the battle at Spencer's House Seven Miles from Williamsburg'. American positions are in blue, British positions in yellow. 1781. Johann Ewald (1744-1813) 537 Ewald SpencersOrdinary 1781
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), Designed and etched by Joseph Mallord William Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-designed-162494078.htmlRMKCA6RX–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), Designed and etched by Joseph Mallord William Turner
Joseph Mallord William Turner. From Spenser's Fairy Queene. 1811. England. Etching and engraving in brown on ivory laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-from-spensers-fairy-queene-1811-england-etching-and-engraving-in-brown-on-ivory-laid-paper-image337975466.htmlRM2AHT34A–Joseph Mallord William Turner. From Spenser's Fairy Queene. 1811. England. Etching and engraving in brown on ivory laid paper
Spenser's Faerie queene. A poem in six books; with the fragment Mutabilite (1895) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spensers-faerie-queene-a-poem-in-six-books-with-the-fragment-mutabilite-101175719.htmlRMFTGXJF–Spenser's Faerie queene. A poem in six books; with the fragment Mutabilite (1895)
'Una and the red cross knight, and other tales from Spenser's Faery Queene;' (1905) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/una-and-the-red-cross-knight-and-other-tales-from-spensers-faery-queene-1905-image247236574.htmlRMTA6GNJ–'Una and the red cross knight, and other tales from Spenser's Faery Queene;' (1905)
Armor of Sir James Scudamore (1558–1619) ca. 1595–96; restored and completed, 1915 Made under the direction of Jacob Halder British Sir James Scudamore (1558–1619) was a prominent Elizabethan soldier and courtier. Also an enthusiastic jouster, he was praised in Edmund Spenser’s Faerie Queene (published 1596) as an example of chivalry personified.This armor was part of a large garniture, which probably had exchange pieces to adapt it for cavalry, infantry, and possibly also tournament use. It was made in the royal workshops at Greenwich about 1595–96, perhaps in anticipation of Scudamore’s part Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armor-of-sir-james-scudamore-15581619-ca-159596-restored-and-completed-1915-made-under-the-direction-of-jacob-halder-british-sir-james-scudamore-15581619-was-a-prominent-elizabethan-soldier-and-courtier-also-an-enthusiastic-jouster-he-was-praised-in-edmund-spensers-faerie-queene-published-1596-as-an-example-of-chivalry-personifiedthis-armor-was-part-of-a-large-garniture-which-probably-had-exchange-pieces-to-adapt-it-for-cavalry-infantry-and-possibly-also-tournament-use-it-was-made-in-the-royal-workshops-at-greenwich-about-159596-perhaps-in-anticipation-of-scudamores-part-image458113658.htmlRM2HH8TJ2–Armor of Sir James Scudamore (1558–1619) ca. 1595–96; restored and completed, 1915 Made under the direction of Jacob Halder British Sir James Scudamore (1558–1619) was a prominent Elizabethan soldier and courtier. Also an enthusiastic jouster, he was praised in Edmund Spenser’s Faerie Queene (published 1596) as an example of chivalry personified.This armor was part of a large garniture, which probably had exchange pieces to adapt it for cavalry, infantry, and possibly also tournament use. It was made in the royal workshops at Greenwich about 1595–96, perhaps in anticipation of Scudamore’s part
he horseman of Sagittarius, of the month of November. From the series of months used as vignettes in Edmund Spenser's The Fairie Queene, derived from his Shepheard's Calendar of 1579 - ©© /Charles Walker Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/he-horseman-of-sagittarius-of-the-month-of-november-from-the-series-of-months-used-as-vignettes-in-edmund-spensers-the-fairie-queene-derived-from-his-shepheards-calendar-of-1579-charles-walker-image179153836.htmlRMMBD4F8–he horseman of Sagittarius, of the month of November. From the series of months used as vignettes in Edmund Spenser's The Fairie Queene, derived from his Shepheard's Calendar of 1579 - ©© /Charles Walker
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819.To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to detail a subject inspired by Spenser's epic poem 'The Faerie Queene' (15 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-designed-and-etched-by-joseph-mallord-william-turner-british-turner-distilled-his-ideas-about-landscape-in-liber-studiorum-latin-for-book-of-studies-a-series-of-seventy-prints-plus-a-frontispiece-published-between-1807-and-1819to-establish-the-compositions-he-made-brown-watercolor-drawings-then-etched-outlines-onto-copper-plates-professional-engravers-usually-developed-the-tone-under-turners-direction-and-hodgetts-here-added-mezzotint-to-detail-a-subject-inspired-by-spensers-epic-poem-the-faerie-queene-15-image458153117.htmlRM2HHAJY9–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819.To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to detail a subject inspired by Spenser's epic poem 'The Faerie Queene' (15
The Duchess of Devonshire as Cynthia from Spenser's 'The Faerie Queene' between circa 1781 and circa 1782 by Maria Louisa Catherine Cecilia Cosway Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-duchess-of-devonshire-as-cynthia-from-spensers-the-faerie-queene-between-circa-1781-and-circa-1782-by-maria-louisa-catherine-cecilia-cosway-image564397186.htmlRM2RP6EAA–The Duchess of Devonshire as Cynthia from Spenser's 'The Faerie Queene' between circa 1781 and circa 1782 by Maria Louisa Catherine Cecilia Cosway
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to detail a subject inspired by Spenser's epic poem 'The Faerie Queene' (1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-designed-and-etched-by-joseph-mallord-william-turner-british-turner-distilled-his-ideas-about-landscape-in-liber-studiorum-latin-for-book-of-studies-a-series-of-seventy-prints-plus-a-frontispiece-published-between-1807-and-1819-to-establish-the-compositions-he-made-brown-watercolor-drawings-then-etched-outlines-onto-copper-plates-professional-engravers-usually-developed-the-tone-under-turners-direction-and-hodgetts-here-added-mezzotint-to-detail-a-subject-inspired-by-spensers-epic-poem-the-faerie-queene-1-image458078846.htmlRM2HH786P–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to detail a subject inspired by Spenser's epic poem 'The Faerie Queene' (1
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821502 383012 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Author: Illustrates Edmund Spenser, British, London 1552??1599 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm) sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm). The Metro Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-met-dp821502-168497217.htmlRMKP3KWN–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821502 383012 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Author: Illustrates Edmund Spenser, British, London 1552??1599 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm) sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm). The Metro
Art inspired by From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; first state of four, plate: 7 3/16 x 10 3/8 in. (18.3 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Turner, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-etching-and-mezzotint-first-state-of-four-plate-7-316-x-10-38-in-183-x-264-cm-prints-designed-and-etched-by-joseph-mallord-william-turner-british-london-17751851-london-turner-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977961.htmlRF2HW6D35–Art inspired by From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; first state of four, plate: 7 3/16 x 10 3/8 in. (18.3 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Turner, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Thompson River canyon and freight train, near Spenser's Bridge, BC British Columbia, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-thompson-river-canyon-and-freight-train-near-spensers-bridge-bc-british-27007325.htmlRMBFX839–Thompson River canyon and freight train, near Spenser's Bridge, BC British Columbia, Canada
UK, Oxford, ornate Marks & Spensers clock signage outside shop. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-uk-oxford-ornate-marks-spensers-clock-signage-outside-shop-72668960.htmlRME66A00–UK, Oxford, ornate Marks & Spensers clock signage outside shop.
Isabella Saltonstall in the Character of Una Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isabella-saltonstall-in-the-character-of-una-image184276390.htmlRMMKPEBJ–Isabella Saltonstall in the Character of Una
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-image349006442.htmlRM2B7PH7P–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811.
SPENSER IRISH HOME Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spenser-irish-home-image65738176.htmlRMDPXHM0–SPENSER IRISH HOME
Image from page 13 of 'The Legend of the Knight of the Red Crosse or of Holinesse. The first book of Spenser's Faerie Queene illustrated with twelve drawings by C. M. B. Morrell' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-13-of-the-legend-of-the-knight-of-the-red-crosse-or-of-holinesse-the-first-book-of-spensers-faerie-queene-illustrated-with-twelve-drawings-by-c-m-b-morrell-image216924520.htmlRMPGWNC8–Image from page 13 of 'The Legend of the Knight of the Red Crosse or of Holinesse. The first book of Spenser's Faerie Queene illustrated with twelve drawings by C. M. B. Morrell' .
Una and the red cross knight, and other tales from Spenser's Faery Queene; . cked artshad transformed. And the Palmer struck themwith his staff and as he touched each beast it wasstraightway turned again to the likeness of a man. But Guyon, having fulfilled his vow, went onhis way. ,,«, t « <, , , r , . KN^UM. AKDSPBARG, 1 RINrftRS, EDINBURGH- C C , I C t I < * ( t I , , « I I < X. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/una-and-the-red-cross-knight-and-other-tales-from-spensers-faery-queene-cked-artshad-transformed-and-the-palmer-struck-themwith-his-staff-and-as-he-touched-each-beast-it-wasstraightway-turned-again-to-the-likeness-of-a-man-but-guyon-having-fulfilled-his-vow-went-onhis-way-t-lt-r-knum-akdspbarg-1-rinrftrs-edinburgh-c-c-i-c-t-i-lt-t-i-i-i-lt-x-image338288644.htmlRM2AJAAH8–Una and the red cross knight, and other tales from Spenser's Faery Queene; . cked artshad transformed. And the Palmer struck themwith his staff and as he touched each beast it wasstraightway turned again to the likeness of a man. But Guyon, having fulfilled his vow, went onhis way. ,,«, t « <, , , r , . KN^UM. AKDSPBARG, 1 RINrftRS, EDINBURGH- C C , I C t I < * ( t I , , « I I < X.
. English: Fleuron from book: A protestant memorial: or, the shepherd's tale of the Pouder-Plott. A poem in Spenser's style. Written by the Right Reverend Dr. William Bedell, Lord Bishop of Kilmore in Ireland. Published from an original manuscript, found among the papers of the late Dr. Dillingham, Master of Emmanuel College in Cambridge. To which is prefixed an extract of the author's life, written by Gilbert Lord Bishop of Sarum. 180 A protestant memorial- or, the shepherd's tale of the Pouder-Plott Fleuron T144358-3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-a-protestant-memorial-or-the-shepherds-tale-of-the-pouder-plott-a-poem-in-spensers-style-written-by-the-right-reverend-dr-william-bedell-lord-bishop-of-kilmore-in-ireland-published-from-an-original-manuscript-found-among-the-papers-of-the-late-dr-dillingham-master-of-emmanuel-college-in-cambridge-to-which-is-prefixed-an-extract-of-the-authors-life-written-by-gilbert-lord-bishop-of-sarum-180-a-protestant-memorial-or-the-shepherds-tale-of-the-pouder-plott-fleuron-t144358-3-image206773756.htmlRMP0BA10–. English: Fleuron from book: A protestant memorial: or, the shepherd's tale of the Pouder-Plott. A poem in Spenser's style. Written by the Right Reverend Dr. William Bedell, Lord Bishop of Kilmore in Ireland. Published from an original manuscript, found among the papers of the late Dr. Dillingham, Master of Emmanuel College in Cambridge. To which is prefixed an extract of the author's life, written by Gilbert Lord Bishop of Sarum. 180 A protestant memorial- or, the shepherd's tale of the Pouder-Plott Fleuron T144358-3
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), Designed and etched by Joseph Mallord William Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-designed-162494137.htmlRMKCA6X1–From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), Designed and etched by Joseph Mallord William Turner
Joseph Mallord William Turner. From Spenser's Fairy Queen, plate 36 from Liber Studiorum. 1811. England. Etching and engraving in brown on ivory wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-from-spensers-fairy-queen-plate-36-from-liber-studiorum-1811-england-etching-and-engraving-in-brown-on-ivory-wove-paper-image337986985.htmlRM2AHTHRN–Joseph Mallord William Turner. From Spenser's Fairy Queen, plate 36 from Liber Studiorum. 1811. England. Etching and engraving in brown on ivory wove paper
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