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Silver salts Stock Photos and Images
Silver salts, mustard pots, Unknown, engraving, Eight designs for silver salts and mustard pots. Numbered 333, 334, and 336. Prices for each pieces (in ink)., England, ca. 1800, ornament, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-salts-mustard-pots-unknown-engraving-eight-designs-for-silver-salts-and-mustard-pots-numbered-333-334-and-336-prices-for-each-pieces-in-ink-england-ca-1800-ornament-print-image391702461.htmlRM2DN7GDH–Silver salts, mustard pots, Unknown, engraving, Eight designs for silver salts and mustard pots. Numbered 333, 334, and 336. Prices for each pieces (in ink)., England, ca. 1800, ornament, Print
Schulze, Johann Heinrich, 12.5 1687 - 10.10.1744, German polymath, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schulze-johann-heinrich-125-1687-10101744-german-polymath-additional-rights-clearance-info-not-available-image603889305.htmlRM2X2DEY5–Schulze, Johann Heinrich, 12.5 1687 - 10.10.1744, German polymath, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
![[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 15/16 × 8 3/4 in. (17.7 × 22.3 cm), irregularly trimmed. Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in Stock Photo](https://c8.alamy.com/comp/PAKNY7/street-with-lamp-post-and-wine-shop-artist-unknown-british-dimensions-image-6-1516-8-34-in-177-223-cm-irregularly-trimmed-date-1850s-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-PAKNY7.jpg "[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 15/16 × 8 3/4 in. (17.7 × 22.3 cm), irregularly trimmed. Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in Stock Photo")
[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 15/16 × 8 3/4 in. (17.7 × 22.3 cm), irregularly trimmed. Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-with-lamp-post-and-wine-shop-artist-unknown-british-dimensions-image-6-1516-8-34-in-177-223-cm-irregularly-trimmed-date-1850s-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-image213105291.htmlRMPAKNY7–[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 15/16 × 8 3/4 in. (17.7 × 22.3 cm), irregularly trimmed. Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in
. English: Photograph, George Horne Russell, painter, about 1910, Anonymous, Silver salts on paper - Gelatin silver process - 12 x 10 cm Français : Photographie, George Horne Russell, peintre, vers 1910, Anonyme, Gélatine argentique, 12 x 10 cm . circa 1910 704 George Horne Russell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-george-horne-russell-painter-about-1910-anonymous-silver-salts-on-paper-gelatin-silver-process-12-x-10-cm-franais-photographie-george-horne-russell-peintre-vers-1910-anonyme-glatine-argentique-12-x-10-cm-circa-1910-704-george-horne-russell-image212727420.htmlRMPA2FYT–. English: Photograph, George Horne Russell, painter, about 1910, Anonymous, Silver salts on paper - Gelatin silver process - 12 x 10 cm Français : Photographie, George Horne Russell, peintre, vers 1910, Anonyme, Gélatine argentique, 12 x 10 cm . circa 1910 704 George Horne Russell
Silver salts mustard pots. Eight designs for silver salts and mustard pots. Numbered 333, 334, and 336. Prices for each pieces (in ink). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-salts-mustard-pots-eight-designs-for-silver-salts-and-mustard-pots-numbered-333-334-and-336-prices-for-each-pieces-in-ink-image353544802.htmlRM2BF5A02–Silver salts mustard pots. Eight designs for silver salts and mustard pots. Numbered 333, 334, and 336. Prices for each pieces (in ink).
Pair of triple salts, British, ca. 1745, British, Silver, Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-triple-salts-british-ca-1745-british-silver-metalwork-silver-image344589849.htmlRM2B0HBT9–Pair of triple salts, British, ca. 1745, British, Silver, Metalwork-Silver
Two salts, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-salts-part-of-the-silver-collection-at-ickworth-suffolk-national-92372034.htmlRMFA7WD6–Two salts, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086
2009.0067.1.. Silver Salt Cellar (one of two), 1777-78. Makers: Matthew Boulton & John Fothergill... One of a pair of oval silver salts with gilt interior. Double loop handles rise from heavy leaf casting. Ribbon-tied reeded rim above husk swags and rosettes. The base gadrooned with a central floral button. Engraved with a crest - a unicorn's head issuan from a crown, possilby for Robert Jocelyn, Earl of Roden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/200900671-silver-salt-cellar-one-of-two-1777-78-makers-matthew-boulton-john-fothergill-one-of-a-pair-of-oval-silver-salts-with-gilt-interior-double-loop-handles-rise-from-heavy-leaf-casting-ribbon-tied-reeded-rim-above-husk-swags-and-rosettes-the-base-gadrooned-with-a-central-floral-button-engraved-with-a-crest-a-unicorns-head-issuan-from-a-crown-possilby-for-robert-jocelyn-earl-of-roden-image551002280.htmlRM2R0C90T–2009.0067.1.. Silver Salt Cellar (one of two), 1777-78. Makers: Matthew Boulton & John Fothergill... One of a pair of oval silver salts with gilt interior. Double loop handles rise from heavy leaf casting. Ribbon-tied reeded rim above husk swags and rosettes. The base gadrooned with a central floral button. Engraved with a crest - a unicorn's head issuan from a crown, possilby for Robert Jocelyn, Earl of Roden.
Bath salts and silver spoon in glass container in bathroom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bath-salts-and-silver-spoon-in-glass-container-in-bathroom-75231824.htmlRFEAB2XT–Bath salts and silver spoon in glass container in bathroom.
Silver Salts with Blue Glass Liners, c. 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-salts-with-blue-glass-liners-c-1780-image537204560.htmlRM2P5YNW4–Silver Salts with Blue Glass Liners, c. 1780
Arris and Commscope offices in Salts Mill Saltaire Village of Saltaire Bradford West Yorkshire England UK GB Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arris-and-commscope-offices-in-salts-mill-saltaire-village-of-saltaire-bradford-west-yorkshire-england-uk-gb-europe-image620046047.htmlRM2Y0NF1K–Arris and Commscope offices in Salts Mill Saltaire Village of Saltaire Bradford West Yorkshire England UK GB Europe
Salts Mill, art gallery, shopping centre, and restaurant complex, Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-art-gallery-shopping-centre-and-restaurant-complex-saltaire-bradford-west-yorkshire-england-uk-bd17-7ea-image479764439.htmlRM2JTF4C7–Salts Mill, art gallery, shopping centre, and restaurant complex, Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA
The Prince of Wales listens to Jonathan Silver as he explains the works of art on view in the 1853 Gallery at Salts Mill, in Bradford today (Thursday). See PA Story ROYAL Charles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prince-of-wales-listens-to-jonathan-silver-as-he-explains-the-works-of-art-on-view-in-the-1853-gallery-at-salts-mill-in-bradford-today-thursday-see-pa-story-royal-charles-image380437485.htmlRM2D2XBW1–The Prince of Wales listens to Jonathan Silver as he explains the works of art on view in the 1853 Gallery at Salts Mill, in Bradford today (Thursday). See PA Story ROYAL Charles.
Laura Hockney I10 December 1900 - 11 May 1999) (front) Mother of Artist David Hockney and Johnathan Silver (Right) Gallery Owner. Fax Art event. 1853 Gallery, Salts Mill, Saltaire, Bradford, United Kingdom, 10 November, 1989. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laura-hockney-i10-december-1900-11-may-1999-front-mother-of-artist-david-hockney-and-johnathan-silver-right-gallery-owner-fax-art-event-1853-gallery-salts-mill-saltaire-bradford-united-kingdom-10-november-1989-image339363479.htmlRM2AM39G7–Laura Hockney I10 December 1900 - 11 May 1999) (front) Mother of Artist David Hockney and Johnathan Silver (Right) Gallery Owner. Fax Art event. 1853 Gallery, Salts Mill, Saltaire, Bradford, United Kingdom, 10 November, 1989.
Art inspired by Street with Lamp Post and Wine Shop, 1850s, Albumen silver print, Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm), Photographs, Unknown (British), In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-street-with-lamp-post-and-wine-shop-1850s-albumen-silver-print-image-6-78-7-1316-in-175-198-cm-photographs-unknown-british-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463041554.htmlRF2HW9A6A–Art inspired by Street with Lamp Post and Wine Shop, 1850s, Albumen silver print, Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm), Photographs, Unknown (British), In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Selection of Victorian sterling silver household items; coffe and tea service with tea kettle, afternoon tea set, fruit dishes, biscuit box, salts bottles, claret jug, scent bottle, cigar case, soda stand, nut dish, barometer clock all available at Elking Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-selection-of-victorian-sterling-silver-household-items-coffe-and-tea-131023036.htmlRMHH4H64–Selection of Victorian sterling silver household items; coffe and tea service with tea kettle, afternoon tea set, fruit dishes, biscuit box, salts bottles, claret jug, scent bottle, cigar case, soda stand, nut dish, barometer clock all available at Elking
Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-studded-blue-butterflies-plebejus-argus-in-search-for-salts-and-minerals-on-a-carcass-of-a-dead-mole-image188635309.htmlRFMXW279–Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole.
silver crystals cut out onto a white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-crystals-cut-out-onto-a-white-background-56811441.htmlRFD8BYG1–silver crystals cut out onto a white background
Common Silver Spot Butterfly (Aphnaeus orcas : Lycaenidae) male puddling in rainforest, Ghana. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-common-silver-spot-butterfly-aphnaeus-orcas-lycaenidae-male-puddling-43308580.htmlRMCECTF0–Common Silver Spot Butterfly (Aphnaeus orcas : Lycaenidae) male puddling in rainforest, Ghana.
Pottery, 1853 Gallery, Salts Mill, Saltaire, Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-1853-gallery-salts-mill-saltaire-yorkshire-image332876231.htmlRF2A9FR0R–Pottery, 1853 Gallery, Salts Mill, Saltaire, Yorkshire
Vase of white lilies at Salts Mill in Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vase-of-white-lilies-at-salts-mill-in-yorkshire-88715392.htmlRMF499AT–Vase of white lilies at Salts Mill in Yorkshire
![[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm). Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the n Stock Photo](https://c8.alamy.com/comp/PAA8E6/street-with-lamp-post-and-wine-shop-artist-unknown-british-dimensions-image-6-78-7-1316-in-175-198-cm-date-1850s-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-n-PAA8E6.jpg "[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm). Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the n Stock Photo")
[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm). Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the n Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-with-lamp-post-and-wine-shop-artist-unknown-british-dimensions-image-6-78-7-1316-in-175-198-cm-date-1850s-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-n-image212897166.htmlRMPAA8E6–[Street with Lamp Post and Wine Shop]. Artist: Unknown (British). Dimensions: Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm). Date: 1850s. In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the n
N/A. English: Allan Line 1,764 GRT sail-steamer Canadian. 1904 lithograph of an 1855 painting by William Clarke. Silver salts on glass, gelatin dry plate process, 20 × 25 cm. 1855, copied for Mr. Allan, 1904. Wm. Notman & Son 266 SS Canadian of the Allan Line, 1855 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-allan-line-1764-grt-sail-steamer-canadian-1904-lithograph-of-an-1855-painting-by-william-clarke-silver-salts-on-glass-gelatin-dry-plate-process-20-25-cm-1855-copied-for-mr-allan-1904-wm-notman-son-266-ss-canadian-of-the-allan-line-1855-image210031125.htmlRMP5KMRH–N/A. English: Allan Line 1,764 GRT sail-steamer Canadian. 1904 lithograph of an 1855 painting by William Clarke. Silver salts on glass, gelatin dry plate process, 20 × 25 cm. 1855, copied for Mr. Allan, 1904. Wm. Notman & Son 266 SS Canadian of the Allan Line, 1855
Pretty heather flowers in a bowl of Epsom salts on a bath tub edge ready to bathe. Epsom salts with purple heather flowers in a wood bowl near a tub Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pretty-heather-flowers-in-a-bowl-of-epsom-salts-on-a-bath-tub-edge-35678056.htmlRFC217M8–Pretty heather flowers in a bowl of Epsom salts on a bath tub edge ready to bathe. Epsom salts with purple heather flowers in a wood bowl near a tub
. English: Photograph, Carleton, Baie des Chaleurs, Gaspé, QC, about 1897, Anonymous, Silver salts on paper - Gelatin silver process - 11 x 19 cm Français : Photographie, Carleton, baie des Chaleurs, Gaspésie, QC, vers 1897, Anonyme, Gélatine argentique, 11 x 19 cm . circa 1897 281 Carleton Gaspesie 1897 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-carleton-baie-des-chaleurs-gasp-qc-about-1897-anonymous-silver-salts-on-paper-gelatin-silver-process-11-x-19-cm-franais-photographie-carleton-baie-des-chaleurs-gaspsie-qc-vers-1897-anonyme-glatine-argentique-11-x-19-cm-circa-1897-281-carleton-gaspesie-1897-image212580099.htmlRMP9RT2B–. English: Photograph, Carleton, Baie des Chaleurs, Gaspé, QC, about 1897, Anonymous, Silver salts on paper - Gelatin silver process - 11 x 19 cm Français : Photographie, Carleton, baie des Chaleurs, Gaspésie, QC, vers 1897, Anonyme, Gélatine argentique, 11 x 19 cm . circa 1897 281 Carleton Gaspesie 1897
Anne Tanqueray, British, 1691–1733, Set of Four Salts, 1729/30, Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anne-tanqueray-british-16911733-set-of-four-salts-172930-silver-image344571193.htmlRM2B0GG21–Anne Tanqueray, British, 1691–1733, Set of Four Salts, 1729/30, Silver
Two salts with spoons, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-salts-with-spoons-part-of-the-silver-collection-at-ickworth-suffolk-92372033.htmlRMFA7WD5–Two salts with spoons, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086
Salts Mill, Saltaire, Bradford, West Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-salts-mill-saltaire-bradford-west-yorkshire-18043206.htmlRMB19X86–Salts Mill, Saltaire, Bradford, West Yorkshire
The photographic copy processes with silver salts (positive process) and the photographic raw and baryt papers, Josef Maria Eder, 1928 Hall on the Saale paper. cardboard. baryta paper. textile materials printing / albumen print Hall on the Saale paper. cardboard. baryta paper. textile materials printing / albumen print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-photographic-copy-processes-with-silver-salts-positive-process-and-the-photographic-raw-and-baryt-papers-josef-maria-eder-1928-hall-on-the-saale-paper-cardboard-baryta-paper-textile-materials-printing-albumen-print-hall-on-the-saale-paper-cardboard-baryta-paper-textile-materials-printing-albumen-print-image576501293.htmlRM2TDWW7W–The photographic copy processes with silver salts (positive process) and the photographic raw and baryt papers, Josef Maria Eder, 1928 Hall on the Saale paper. cardboard. baryta paper. textile materials printing / albumen print Hall on the Saale paper. cardboard. baryta paper. textile materials printing / albumen print
Saltaire Bradford - Salts Mill New Mill and the River Aire weir Saltaire Village Bradford West Yorkshire England UK GB Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saltaire-bradford-salts-mill-new-mill-and-the-river-aire-weir-saltaire-village-bradford-west-yorkshire-england-uk-gb-europe-image620046620.htmlRM2Y0NFP4–Saltaire Bradford - Salts Mill New Mill and the River Aire weir Saltaire Village Bradford West Yorkshire England UK GB Europe
![[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photo](https://c8.alamy.com/comp/2HHX6Y8/street-with-lamp-post-and-wine-shop-1850s-unknown-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-negatives-missing-corner-was-eliminated-by-cropping-a-modern-gas-lamppost-anchors-th-2HHX6Y8.jpg "[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photo")
[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-with-lamp-post-and-wine-shop-1850s-unknown-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-negatives-missing-corner-was-eliminated-by-cropping-a-modern-gas-lamppost-anchors-th-image458494940.htmlRM2HHX6Y8–[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th
Salts Mill, Saltaire, Bradford, West Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-saltaire-bradford-west-yorkshire-image255316206.htmlRMTRAJBX–Salts Mill, Saltaire, Bradford, West Yorkshire
Salts Mill Saltaire near Bradford panoramic view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-saltaire-near-bradford-panoramic-view-image1861248.htmlRMA0P681–Salts Mill Saltaire near Bradford panoramic view
Salts Mill, Saltaire, Bradford, West Yorkshire. UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-saltaire-bradford-west-yorkshire-uk-image69826641.htmlRME1GTGH–Salts Mill, Saltaire, Bradford, West Yorkshire. UK
Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-image381538390.htmlRM2D4MG32–Silver
Artist unknown. Pair of Salts. 1886. United States. Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-unknown-pair-of-salts-1886-united-states-silver-image337987472.htmlRM2AHTJD4–Artist unknown. Pair of Salts. 1886. United States. Silver
Salts (England); Designed by James Rood(e) (active 1710–18); silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-england-designed-by-james-roode-active-171018-silver-image546082632.htmlRM2PMC5Y4–Salts (England); Designed by James Rood(e) (active 1710–18); silver
Salts Mill in Saltaire, West Yorkshire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-in-saltaire-west-yorkshire-image226529038.htmlRFR4F82P–Salts Mill in Saltaire, West Yorkshire.
Different types of salt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-different-types-of-salt-30086576.htmlRMBMXFMG–Different types of salt
David Hockney's 'Sunflowers for Jonathan' painting on display at Salts Mill, Saltaire, Yorkshire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-hockneys-sunflowers-for-jonathan-painting-on-display-at-salts-mill-saltaire-yorkshire-image391069646.htmlRF2DM6N92–David Hockney's 'Sunflowers for Jonathan' painting on display at Salts Mill, Saltaire, Yorkshire.
Pair of Salts. American; Possibly Baltimore, Maryland. Date: 1886. Dimensions: 4 × 5.8 cm (1 1/2 × 2 1/4 in.). Silver. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-american-possibly-baltimore-maryland-date-1886-dimensions-4-58-cm-1-12-2-14-in-silver-origin-united-states-museum-the-chicago-art-institute-chicago-usa-image240753203.htmlRMRYK74K–Pair of Salts. American; Possibly Baltimore, Maryland. Date: 1886. Dimensions: 4 × 5.8 cm (1 1/2 × 2 1/4 in.). Silver. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
A Photo Exhibition in Salts Mill, Yorkshire, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-photo-exhibition-in-salts-mill-yorkshire-england-image391755434.htmlRF2DNA01E–A Photo Exhibition in Salts Mill, Yorkshire, England.
![Prepare snakehead [cut up][cut into pieces] slice flavour flavor enhancers black red peppers bakes or grills paprika garlic Stock Photo](https://c8.alamy.com/comp/E1501W/prepare-snakehead-cut-up-cut-into-pieces-slice-flavour-flavor-enhancers-E1501W.jpg "Prepare snakehead [cut up][cut into pieces] slice flavour flavor enhancers black red peppers bakes or grills paprika garlic Stock Photo")
Prepare snakehead [cut up][cut into pieces] slice flavour flavor enhancers black red peppers bakes or grills paprika garlic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prepare-snakehead-cut-up-cut-into-pieces-slice-flavour-flavor-enhancers-image69565941.htmlRME1501W–Prepare snakehead [cut up][cut into pieces] slice flavour flavor enhancers black red peppers bakes or grills paprika garlic
. English: Photograph, C. N. R. station, Neuville, QC, about 1910, Anonymous, Silver salts on paper mounted on card - Collotype - 8 x 13 cm Français : Photographie, Gare du CN, Neuville, QC, vers 1910, Anonyme, Sels d'argent, 8 x 13 cm . circa 1910 688 Gare Neuville 1910 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-c-n-r-station-neuville-qc-about-1910-anonymous-silver-salts-on-paper-mounted-on-card-collotype-8-x-13-cm-franais-photographie-gare-du-cn-neuville-qc-vers-1910-anonyme-sels-dargent-8-x-13-cm-circa-1910-688-gare-neuville-1910-image212682924.htmlRMPA0F6M–. English: Photograph, C. N. R. station, Neuville, QC, about 1910, Anonymous, Silver salts on paper mounted on card - Collotype - 8 x 13 cm Français : Photographie, Gare du CN, Neuville, QC, vers 1910, Anonyme, Sels d'argent, 8 x 13 cm . circa 1910 688 Gare Neuville 1910
Maker's Mark WA, mullet above and below, English, Pair of Salts, 1718/19, Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/makers-mark-wa-mullet-above-and-below-english-pair-of-salts-171819-silver-image344571219.htmlRM2B0GG2Y–Maker's Mark WA, mullet above and below, English, Pair of Salts, 1718/19, Silver
Hallmarks on two salts, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hallmarks-on-two-salts-part-of-the-silver-collection-at-ickworth-suffolk-92372036.htmlRMFA7WD8–Hallmarks on two salts, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086
An interior view of Salts Mill in Saltaire. David Hockney prints are on show, along with art materials and ceramics. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-interior-view-of-salts-mill-in-saltaire-david-hockney-prints-are-136359433.htmlRFHWRKRN–An interior view of Salts Mill in Saltaire. David Hockney prints are on show, along with art materials and ceramics.
Salts Mill, textile factory, by Leeds and Liverpool Canal, with reflection,Saltaire,Shipley,Bradford,West Yorkshire,England,UK,BD18 3HU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-textile-factory-by-leeds-and-liverpool-canal-with-reflectionsaltaireshipleybradfordwest-yorkshireenglandukbd18-3hu-image479764432.htmlRM2JTF4C0–Salts Mill, textile factory, by Leeds and Liverpool Canal, with reflection,Saltaire,Shipley,Bradford,West Yorkshire,England,UK,BD18 3HU
Woman walking along the canal at Salts Mill on the Leeds and Liverpool Canal Saltaire Village Bradford, West Yorkshire England UK GB Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-walking-along-the-canal-at-salts-mill-on-the-leeds-and-liverpool-canal-saltaire-village-bradford-west-yorkshire-england-uk-gb-europe-image620046582.htmlRM2Y0NFMP–Woman walking along the canal at Salts Mill on the Leeds and Liverpool Canal Saltaire Village Bradford, West Yorkshire England UK GB Europe
![[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photo](https://c8.alamy.com/comp/2HHX6XY/street-with-lamp-post-and-wine-shop-1850s-unknown-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-negatives-missing-corner-was-eliminated-by-cropping-a-modern-gas-lamppost-anchors-th-2HHX6XY.jpg "[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photo")
[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-with-lamp-post-and-wine-shop-1850s-unknown-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-negatives-missing-corner-was-eliminated-by-cropping-a-modern-gas-lamppost-anchors-th-image458494931.htmlRM2HHX6XY–[Street with Lamp Post and Wine Shop] 1850s Unknown In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th
Salts Mill, Saltaire, Bradford, West Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-saltaire-bradford-west-yorkshire-image255316264.htmlRMTRAJE0–Salts Mill, Saltaire, Bradford, West Yorkshire
![[Street with Lamp Post and Wine Shop] Unknown 1850s In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photo](https://c8.alamy.com/comp/2T2F25J/street-with-lamp-post-and-wine-shop-unknown-1850s-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-negatives-missing-corner-was-eliminated-by-cropping-a-modern-gas-lamppost-anchors-th-2T2F25J.jpg "[Street with Lamp Post and Wine Shop] Unknown 1850s In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photo")
[Street with Lamp Post and Wine Shop] Unknown 1850s In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-with-lamp-post-and-wine-shop-unknown-1850s-in-1841-william-henry-fox-talbot-patented-the-first-negative-positive-photographic-process-which-formed-the-basis-of-photography-until-the-digital-age-the-photographer-placed-a-piece-of-paper-coated-in-a-solution-of-light-sensitive-silver-salts-in-the-camera-exposed-it-to-sunlight-and-developed-the-latent-image-to-produce-a-negative-that-could-then-be-printed-as-multiple-positives-any-imperfections-in-the-negative-were-reproduced-in-the-print-here-the-negatives-missing-corner-was-eliminated-by-cropping-a-modern-gas-lamppost-anchors-th-image569502462.htmlRM2T2F25J–[Street with Lamp Post and Wine Shop] Unknown 1850s In 1841 William Henry Fox Talbot patented the first negative-positive photographic process, which formed the basis of photography until the digital age. The photographer placed a piece of paper coated in a solution of light-sensitive silver salts in the camera, exposed it to sunlight, and developed the latent image to produce a negative that could then be printed as multiple positives. Any imperfections in the negative were reproduced in the print. Here the negative’s missing corner was eliminated by cropping. A modern gas lamppost anchors th
himalayan salt, himalayan salts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/himalayan-salt-himalayan-salts-image455805200.htmlRF2HDFM54–himalayan salt, himalayan salts
Skiopticon image from the Department of Photography at the Royal Institute of Technology. Use by Professor Helmer Bäckström as teaching material. Bäckström was Sweden's first professor in photography at the Royal Institute of Technology 1948-1958. Girl with doll. The image is written: chrome and iron salts. For more info: see the photographic manual of Helmer Bäckström. Nature and Culture. Other revised edition 1958-59. Cape. 75-79 toning procedures for silver images (page 585 and following). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skiopticon-image-from-the-department-of-photography-at-the-royal-institute-of-technology-use-by-professor-helmer-bckstrm-as-teaching-material-bckstrm-was-swedens-first-professor-in-photography-at-the-royal-institute-of-technology-1948-1958-girl-with-doll-the-image-is-written-chrome-and-iron-salts-for-more-info-see-the-photographic-manual-of-helmer-bckstrm-nature-and-culture-other-revised-edition-1958-59-cape-75-79-toning-procedures-for-silver-images-page-585-and-following-image417517429.htmlRM2F77FMN–Skiopticon image from the Department of Photography at the Royal Institute of Technology. Use by Professor Helmer Bäckström as teaching material. Bäckström was Sweden's first professor in photography at the Royal Institute of Technology 1948-1958. Girl with doll. The image is written: chrome and iron salts. For more info: see the photographic manual of Helmer Bäckström. Nature and Culture. Other revised edition 1958-59. Cape. 75-79 toning procedures for silver images (page 585 and following).
Thomas Shields. Pair of Salts. 1765–1785. Philadelphia. Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-shields-pair-of-salts-17651785-philadelphia-silver-image337988046.htmlRM2AHTK5J–Thomas Shields. Pair of Salts. 1765–1785. Philadelphia. Silver
Westminster Abbey, London,. This shot was taken using paper sensitized with silver salts. The result is a negative from which positive impressions can be made. But what purpose could this serve? Talbot discussed the applications of his new photographic process in his photo book The Pencil of Nature. Here we see precision, a wealth of details, and the Abbey that is so deeply bound up with English history: black and grimy from the soot of the metropolis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/westminster-abbey-london-this-shot-was-taken-using-paper-sensitized-with-silver-salts-the-result-is-a-negative-from-which-positive-impressions-can-be-made-but-what-purpose-could-this-serve-talbot-discussed-the-applications-of-his-new-photographic-process-in-his-photo-book-the-pencil-of-nature-here-we-see-precision-a-wealth-of-details-and-the-abbey-that-is-so-deeply-bound-up-with-english-history-black-and-grimy-from-the-soot-of-the-metropolis-image430928503.htmlRM2G12DKK–Westminster Abbey, London,. This shot was taken using paper sensitized with silver salts. The result is a negative from which positive impressions can be made. But what purpose could this serve? Talbot discussed the applications of his new photographic process in his photo book The Pencil of Nature. Here we see precision, a wealth of details, and the Abbey that is so deeply bound up with English history: black and grimy from the soot of the metropolis.
The American annual of photography . ed and the high lights not yet fully developed as shownby their whiteness as viewed from the back. If by inspection, or on making a print, it is found that thevalues need still more correction the process may be repeated.Before this is done it is, of course, necessary to see that thenegative is free from hypo. This process differs in its reducing action from other meth-ods in the fact that it is the deposit of silver salts nearest theglass which is removed, instead of that on the surface of thefilm. It is consequently of considerable value in mitigatinghala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-american-annual-of-photography-ed-and-the-high-lights-not-yet-fully-developed-as-shownby-their-whiteness-as-viewed-from-the-back-if-by-inspection-or-on-making-a-print-it-is-found-that-thevalues-need-still-more-correction-the-process-may-be-repeatedbefore-this-is-done-it-is-of-course-necessary-to-see-that-thenegative-is-free-from-hypo-this-process-differs-in-its-reducing-action-from-other-meth-ods-in-the-fact-that-it-is-the-deposit-of-silver-salts-nearest-theglass-which-is-removed-instead-of-that-on-the-surface-of-thefilm-it-is-consequently-of-considerable-value-in-mitigatinghala-image339154681.htmlRM2AKNR75–The American annual of photography . ed and the high lights not yet fully developed as shownby their whiteness as viewed from the back. If by inspection, or on making a print, it is found that thevalues need still more correction the process may be repeated.Before this is done it is, of course, necessary to see that thenegative is free from hypo. This process differs in its reducing action from other meth-ods in the fact that it is the deposit of silver salts nearest theglass which is removed, instead of that on the surface of thefilm. It is consequently of considerable value in mitigatinghala
Silver-washed Fritillary, Argynnis paphia - male drinking on damp soil by stream. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-washed-fritillary-argynnis-paphia-male-drinking-on-damp-soil-130755781.htmlRMHGMC99–Silver-washed Fritillary, Argynnis paphia - male drinking on damp soil by stream.
fresh colorful orchids Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fresh-colorful-orchids-image226388557.htmlRFR48TWH–fresh colorful orchids
Pair of Salts. Joseph Richardson Jr.; American, 1752-1831; Philadelphia, Pennsylvania. Date: 1790-1795. Dimensions: 4.5 × 7 cm (1 3/4 × 2 3/4 in.). Silver. Origin: Philadelphia. Museum: The Chicago Art Institute, Chicago, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-joseph-richardson-jr-american-1752-1831-philadelphia-pennsylvania-date-1790-1795-dimensions-45-7-cm-1-34-2-34-in-silver-origin-philadelphia-museum-the-chicago-art-institute-chicago-usa-image240757736.htmlRMRYKCXG–Pair of Salts. Joseph Richardson Jr.; American, 1752-1831; Philadelphia, Pennsylvania. Date: 1790-1795. Dimensions: 4.5 × 7 cm (1 3/4 × 2 3/4 in.). Silver. Origin: Philadelphia. Museum: The Chicago Art Institute, Chicago, USA.
Lewis Fueter, Pair of Salts, c. 1770, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lewis-fueter-pair-of-salts-c-1770-silver-image537597033.htmlRM2P6HJE1–Lewis Fueter, Pair of Salts, c. 1770, silver.
Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-silver-studded-blue-butterflies-plebejus-argus-in-search-for-salts-166710503.htmlRFKK68XF–Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole.
. English: Photograph 'Chalmers' Ambulance, Montreal, QC, about 1920, Anonymous, Silver salts on glass -, Gelatin dry plate process, 20 x 25 cm Français : Photographie, Ambulance « Chalmers », Montréal, QC, vers 1920, Anonyme, Plaque sèche à la gélatine, 20 x 25 cm . circa 1920 121 Ambulance Chalmers Montreal 1920 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-chalmers-ambulance-montreal-qc-about-1920-anonymous-silver-salts-on-glass-gelatin-dry-plate-process-20-x-25-cm-franais-photographie-ambulance-chalmers-montral-qc-vers-1920-anonyme-plaque-sche-la-glatine-20-x-25-cm-circa-1920-121-ambulance-chalmers-montreal-1920-image212535668.htmlRMP9NRBG–. English: Photograph 'Chalmers' Ambulance, Montreal, QC, about 1920, Anonymous, Silver salts on glass -, Gelatin dry plate process, 20 x 25 cm Français : Photographie, Ambulance « Chalmers », Montréal, QC, vers 1920, Anonyme, Plaque sèche à la gélatine, 20 x 25 cm . circa 1920 121 Ambulance Chalmers Montreal 1920
Paul de Lamerie, English, 1688–1751, Set of Four Salts and Spoons, 1739/40, Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-de-lamerie-english-16881751-set-of-four-salts-and-spoons-173940-silver-image344572922.htmlRM2B0GJ7P–Paul de Lamerie, English, 1688–1751, Set of Four Salts and Spoons, 1739/40, Silver
Scratch weights on the bases of two salts, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scratch-weights-on-the-bases-of-two-salts-part-of-the-silver-collection-92372035.htmlRMFA7WD7–Scratch weights on the bases of two salts, part of the silver collection at Ickworth, Suffolk. National Trust inventory number: 852086
An interior view of Salts Mill in Saltaire. David Hockney prints are on show, along with art materials and ceramics. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-interior-view-of-salts-mill-in-saltaire-david-hockney-prints-are-136359395.htmlRFHWRKPB–An interior view of Salts Mill in Saltaire. David Hockney prints are on show, along with art materials and ceramics.
Collection of salts, part of the silver collection at Ickworth, Suffolk. The 2 salts on the right are by Lewis Hamon, 1736, the 4 on the left are by David Hennel, 1758. National Trust inventory number: 852073 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-collection-of-salts-part-of-the-silver-collection-at-ickworth-suffolk-92371985.htmlRMFA7WBD–Collection of salts, part of the silver collection at Ickworth, Suffolk. The 2 salts on the right are by Lewis Hamon, 1736, the 4 on the left are by David Hennel, 1758. National Trust inventory number: 852073
Saltaire Bradford - Entrance to Salts Mill Saltaire Village of Saltaire Bradford West Yorkshire England UK GB Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saltaire-bradford-entrance-to-salts-mill-saltaire-village-of-saltaire-bradford-west-yorkshire-england-uk-gb-europe-image620046633.htmlRM2Y0NFPH–Saltaire Bradford - Entrance to Salts Mill Saltaire Village of Saltaire Bradford West Yorkshire England UK GB Europe
Pair of Salts, 1790/95, Joseph Richardson Jr., American, 1752–1831, Philadelphia, Philadelphia, Silver, 4.5 × 7 cm (1 3/4 × 2 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-179095-joseph-richardson-jr-american-17521831-philadelphia-philadelphia-silver-45-7-cm-1-34-2-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740191.htmlRF2B90153–Pair of Salts, 1790/95, Joseph Richardson Jr., American, 1752–1831, Philadelphia, Philadelphia, Silver, 4.5 × 7 cm (1 3/4 × 2 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Salts Mill, Saltaire, Bradford, West Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-saltaire-bradford-west-yorkshire-image255316133.htmlRMTRAJ99–Salts Mill, Saltaire, Bradford, West Yorkshire
Holly blue, celastrina argiolus. sipping morning dew or salts from lawn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holly-blue-celastrina-argiolus-sipping-morning-dew-or-salts-from-lawn-image247320426.htmlRFTAABMA–Holly blue, celastrina argiolus. sipping morning dew or salts from lawn
Measuring spoons and salts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-measuring-spoons-and-salts-37983814.htmlRMC5P8MP–Measuring spoons and salts
Three antique silver spoons filled with a variety of salts, Pink Himalayan, Sea Salt and table salt. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-three-antique-silver-spoons-filled-with-a-variety-of-salts-pink-himalayan-166178177.htmlRFKJA1XW–Three antique silver spoons filled with a variety of salts, Pink Himalayan, Sea Salt and table salt.
Joseph Richardson Jr.. Pair of Salts. 1790–1795. Philadelphia. Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-richardson-jr-pair-of-salts-17901795-philadelphia-silver-image337931885.htmlRM2AHP3FW–Joseph Richardson Jr.. Pair of Salts. 1790–1795. Philadelphia. Silver
Spotted Lake is a saline endorheic alkali lake near Osoyoos, BC, Canada. Water evaporates in summer leaving mineral deposits. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-spotted-lake-is-a-saline-endorheic-alkali-lake-near-osoyoos-bc-canada-104984394.htmlRMG2PCJJ–Spotted Lake is a saline endorheic alkali lake near Osoyoos, BC, Canada. Water evaporates in summer leaving mineral deposits.
. Dental materia medica and therapeutics; with special reference to the rational application of remedial measures to dental diseases ... dy withoutcausing poisonous effects. The soluble and insoluble salts ofgold, nickel, copper, or tin are not absorbed by the intestines,even if they are administered continuously for months; hencevessels that are made from such metals, or that are covered with 1 Miller: Die Mikroorganismen der Mundhohle, 1893. 80 PHARMACO-THERAPEUTICS. a continuous coating thereof, and that are used for culinary pur-poses are free from danger if kept clean. Silver salts, if ad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dental-materia-medica-and-therapeutics-with-special-reference-to-the-rational-application-of-remedial-measures-to-dental-diseases-dy-withoutcausing-poisonous-effects-the-soluble-and-insoluble-salts-ofgold-nickel-copper-or-tin-are-not-absorbed-by-the-intestineseven-if-they-are-administered-continuously-for-months-hencevessels-that-are-made-from-such-metals-or-that-are-covered-with-1-miller-die-mikroorganismen-der-mundhohle-1893-80-pharmaco-therapeutics-a-continuous-coating-thereof-and-that-are-used-for-culinary-pur-poses-are-free-from-danger-if-kept-clean-silver-salts-if-ad-image336967483.htmlRM2AG65CY–. Dental materia medica and therapeutics; with special reference to the rational application of remedial measures to dental diseases ... dy withoutcausing poisonous effects. The soluble and insoluble salts ofgold, nickel, copper, or tin are not absorbed by the intestines,even if they are administered continuously for months; hencevessels that are made from such metals, or that are covered with 1 Miller: Die Mikroorganismen der Mundhohle, 1893. 80 PHARMACO-THERAPEUTICS. a continuous coating thereof, and that are used for culinary pur-poses are free from danger if kept clean. Silver salts, if ad
collection from old vintage silver salt cellar with various salts isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collection-from-old-vintage-silver-salt-cellar-with-various-salts-isolated-on-white-background-image263539627.htmlRFW8N7DF–collection from old vintage silver salt cellar with various salts isolated on white background
Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/-image226388558.htmlRFR48TWJ–
Pair of Salts. Thomas Shields; American, 1742-1819; Philadelphia, Pennsylvania. Date: 1765-1785. Dimensions: Ea. 4.1 × 7.3 × 5.7 cm (1 5/8 × 2 7/8 × 2 1/4 in.); 1989.61.1: 99.1 grams; 1989.61.2: 95.1 grams. Silver. Origin: Philadelphia. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-thomas-shields-american-1742-1819-philadelphia-pennsylvania-date-1765-1785-dimensions-ea-41-73-57-cm-1-58-2-78-2-14-in-1989611-991-grams-1989612-951-grams-silver-origin-philadelphia-museum-the-chicago-art-institute-image240002112.htmlRMRXD140–Pair of Salts. Thomas Shields; American, 1742-1819; Philadelphia, Pennsylvania. Date: 1765-1785. Dimensions: Ea. 4.1 × 7.3 × 5.7 cm (1 5/8 × 2 7/8 × 2 1/4 in.); 1989.61.1: 99.1 grams; 1989.61.2: 95.1 grams. Silver. Origin: Philadelphia. Museum: The Chicago Art Institute.
Anne Tanqueray, Set of Four Salts, 1729/30, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anne-tanqueray-set-of-four-salts-172930-silver-image537439491.htmlRM2P6ADFF–Anne Tanqueray, Set of Four Salts, 1729/30, silver.
Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-studded-blue-butterflies-plebejus-argus-in-search-for-salts-174150399.htmlRFM396H3–Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole.
. English: Photograph, Manoir Gobeil, Baie St Paul, QC, about 1920, Anonymous, Silver salts on paper - Gelatin silver process - 16 x 25 cm Français : Photographie, Manoir Gobeil, Baie-Saint-Paul, QC, vers 1920, Anonyme, Gélatine argentique, 16 x 25 cm . circa 1920 992 Manoir Gobeil Baie-Saint-Paul 1920 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-manoir-gobeil-baie-st-paul-qc-about-1920-anonymous-silver-salts-on-paper-gelatin-silver-process-16-x-25-cm-franais-photographie-manoir-gobeil-baie-saint-paul-qc-vers-1920-anonyme-glatine-argentique-16-x-25-cm-circa-1920-992-manoir-gobeil-baie-saint-paul-1920-image213749938.htmlRMPBN46A–. English: Photograph, Manoir Gobeil, Baie St Paul, QC, about 1920, Anonymous, Silver salts on paper - Gelatin silver process - 16 x 25 cm Français : Photographie, Manoir Gobeil, Baie-Saint-Paul, QC, vers 1920, Anonyme, Gélatine argentique, 16 x 25 cm . circa 1920 992 Manoir Gobeil Baie-Saint-Paul 1920
Henry Chawner, English, 1764–1851, John Emes, (English, 1762–1808), Set of Four Salts, 1794–1861, Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-chawner-english-17641851-john-emes-english-17621808-set-of-four-salts-17941861-silver-image344581048.htmlRM2B0H0J0–Henry Chawner, English, 1764–1851, John Emes, (English, 1762–1808), Set of Four Salts, 1794–1861, Silver
. English: Photograph, Dalhousie Station, Montreal, QC, about 1880, lithograph by unknown artist, Anonymous, Silver salts on paper - Gelatin silver process - 16 x 21 cm Français : Photographie, Gare Dalhousie, Montréal, QC, vers 1880, lithographie d'un artiste inconnu, Anonyme, Gélatine argentique, 16 x 21 cm . circa 1880. Anonymous 235 Gare Dalhousie Montreal 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-dalhousie-station-montreal-qc-about-1880-lithograph-by-unknown-artist-anonymous-silver-salts-on-paper-gelatin-silver-process-16-x-21-cm-franais-photographie-gare-dalhousie-montral-qc-vers-1880-lithographie-dun-artiste-inconnu-anonyme-glatine-argentique-16-x-21-cm-circa-1880-anonymous-235-gare-dalhousie-montreal-1880-image188250640.htmlRMMX7FH4–. English: Photograph, Dalhousie Station, Montreal, QC, about 1880, lithograph by unknown artist, Anonymous, Silver salts on paper - Gelatin silver process - 16 x 21 cm Français : Photographie, Gare Dalhousie, Montréal, QC, vers 1880, lithographie d'un artiste inconnu, Anonyme, Gélatine argentique, 16 x 21 cm . circa 1880. Anonymous 235 Gare Dalhousie Montreal 1880
Joseph Angell, British, free 1804; died c. 1851–53, Pair of Salts and Spoons, 1818/19, Parcel-gilt silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-angell-british-free-1804-died-c-185153-pair-of-salts-and-spoons-181819-parcel-gilt-silver-image344572229.htmlRM2B0GHB1–Joseph Angell, British, free 1804; died c. 1851–53, Pair of Salts and Spoons, 1818/19, Parcel-gilt silver
An interior view of Salts Mill in Saltaire. David Hockney prints are on show, along with art materials and ceramics. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-interior-view-of-salts-mill-in-saltaire-david-hockney-prints-are-136359370.htmlRFHWRKNE–An interior view of Salts Mill in Saltaire. David Hockney prints are on show, along with art materials and ceramics.
Lewis Fueter, American, 1746–1784, Pair of Salts, c. 1770, Silver, Overall: 2 1/2 x 2 in. (6.4 x 5.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lewis-fueter-american-17461784-pair-of-salts-c-1770-silver-overall-2-12-x-2-in-64-x-51-cm-image344580214.htmlRM2B0GYG6–Lewis Fueter, American, 1746–1784, Pair of Salts, c. 1770, Silver, Overall: 2 1/2 x 2 in. (6.4 x 5.1 cm
Salts mill and Saltaire Village allotments in the village of Saltaire Bradford West Yorkshire England UK GB Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-and-saltaire-village-allotments-in-the-village-of-saltaire-bradford-west-yorkshire-england-uk-gb-europe-image620046024.htmlRM2Y0NF0T–Salts mill and Saltaire Village allotments in the village of Saltaire Bradford West Yorkshire England UK GB Europe
Pair of Salts, 1790/95, Joseph Richardson Jr., American, 1752–1831, Philadelphia, Philadelphia, Silver, 4.5 × 7 cm (1 3/4 × 2 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-179095-joseph-richardson-jr-american-17521831-philadelphia-philadelphia-silver-45-7-cm-1-34-2-34-in-image328655954.htmlRM2A2KG0J–Pair of Salts, 1790/95, Joseph Richardson Jr., American, 1752–1831, Philadelphia, Philadelphia, Silver, 4.5 × 7 cm (1 3/4 × 2 3/4 in
New Mill, part of the Salts Mill complex in Saltaire, Bradford, east Yorkshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-mill-part-of-the-salts-mill-complex-in-saltaire-bradford-east-yorkshire-image255316495.htmlRMTRAJP7–New Mill, part of the Salts Mill complex in Saltaire, Bradford, east Yorkshire
'Sunflowers for Jonathan' - a David Hockney print on display at Salts Mill , Saltaire, West Yorkshire. The original painting dates back to 1995. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sunflowers-for-jonathan-a-david-hockney-print-on-display-at-salts-mill-saltaire-west-yorkshire-the-original-painting-dates-back-to-1995-image186087747.htmlRFMPN0PY–'Sunflowers for Jonathan' - a David Hockney print on display at Salts Mill , Saltaire, West Yorkshire. The original painting dates back to 1995.
Pair of Salts, 1765/85, Thomas Shields, American, 1742–1819, Philadelphia, Philadelphia, Silver, Ea. 4.1 × 7.3 × 5.7 cm (1 5/8 × 2 7/8 × 2 1/4 in.), 1989.61.1: 99.1 g, 1989.61.2: 95.1 g, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-176585-thomas-shields-american-17421819-philadelphia-philadelphia-silver-ea-41-73-57-cm-1-58-2-78-2-14-in-1989611-991-g-1989612-951-g-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349738714.htmlRF2B8YY8A–Pair of Salts, 1765/85, Thomas Shields, American, 1742–1819, Philadelphia, Philadelphia, Silver, Ea. 4.1 × 7.3 × 5.7 cm (1 5/8 × 2 7/8 × 2 1/4 in.), 1989.61.1: 99.1 g, 1989.61.2: 95.1 g, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Martin-Guillaume Biennais. Pair of Double Salts. 1798–1809. Paris. Silver gilt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martin-guillaume-biennais-pair-of-double-salts-17981809-paris-silver-gilt-image337960447.htmlRM2AHRBYY–Martin-Guillaume Biennais. Pair of Double Salts. 1798–1809. Paris. Silver gilt
Salts Mill, Saltaire, Yorkshire, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salts-mill-saltaire-yorkshire-england-image232843803.htmlRFREPXJ3–Salts Mill, Saltaire, Yorkshire, England.
. A history of photography written as a practical guide and an introduction to its latest developments. production of positiveprints at a rapid rate ; while the clear and delicate film of albu- A HISTORY OF PHOTOGRAPHY. 3Y men furnished a capital medium for holding the molecules ofthe sensitive silver salts, and securing their adhesion to, andequal distribution over, the surface of the plate. It is a mis-take, however, to suppose that such substances as albumen, col-lodion, and gelatine, are nothing more than vehicles in whichthe sensitive molecules are contahied. They each exercise an in-flue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-history-of-photography-written-as-a-practical-guide-and-an-introduction-to-its-latest-developments-production-of-positiveprints-at-a-rapid-rate-while-the-clear-and-delicate-film-of-albu-a-history-of-photography-3y-men-furnished-a-capital-medium-for-holding-the-molecules-ofthe-sensitive-silver-salts-and-securing-their-adhesion-to-andequal-distribution-over-the-surface-of-the-plate-it-is-a-mis-take-however-to-suppose-that-such-substances-as-albumen-col-lodion-and-gelatine-are-nothing-more-than-vehicles-in-whichthe-sensitive-molecules-are-contahied-they-each-exercise-an-in-flue-image336981602.htmlRM2AG6RD6–. A history of photography written as a practical guide and an introduction to its latest developments. production of positiveprints at a rapid rate ; while the clear and delicate film of albu- A HISTORY OF PHOTOGRAPHY. 3Y men furnished a capital medium for holding the molecules ofthe sensitive silver salts, and securing their adhesion to, andequal distribution over, the surface of the plate. It is a mis-take, however, to suppose that such substances as albumen, col-lodion, and gelatine, are nothing more than vehicles in whichthe sensitive molecules are contahied. They each exercise an in-flue
The interior of Salts Mill, Saltaire, West Yorkshire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-of-salts-mill-saltaire-west-yorkshire-image186087681.htmlRFMPN0MH–The interior of Salts Mill, Saltaire, West Yorkshire.
Measuring spoons and salts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-measuring-spoons-and-salts-37983809.htmlRMC5P8MH–Measuring spoons and salts
Pair of Salts. Charters, Cann, & Dunn; American, 1848-c. 1855; Thomas or James Charters; John Cann, David Dunn; for Ball, Black & Company; American, 1851-1876; New York, New York. Date: 1851-1855. Dimensions: 5.7 × 8.3 cm (2 1/4 × 3 1/4 in.); 1977.45a: 136.8 grams; 1977.45b: 141.9 grams. Silver. Origin: New York City. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-salts-charters-cann-amp-dunn-american-1848-c-1855-thomas-or-james-charters-john-cann-david-dunn-for-ball-black-amp-company-american-1851-1876-new-york-new-york-date-1851-1855-dimensions-57-83-cm-2-14-3-14-in-197745a-1368-grams-197745b-1419-grams-silver-origin-new-york-city-museum-the-chicago-art-institute-image240032326.htmlRMRXEBK2–Pair of Salts. Charters, Cann, & Dunn; American, 1848-c. 1855; Thomas or James Charters; John Cann, David Dunn; for Ball, Black & Company; American, 1851-1876; New York, New York. Date: 1851-1855. Dimensions: 5.7 × 8.3 cm (2 1/4 × 3 1/4 in.); 1977.45a: 136.8 grams; 1977.45b: 141.9 grams. Silver. Origin: New York City. Museum: The Chicago Art Institute.
Henry Chawner, Set of Four Salts, 1794–1861, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-chawner-set-of-four-salts-17941861-silver-image537407045.htmlRM2P6904N–Henry Chawner, Set of Four Salts, 1794–1861, silver.
Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-silver-studded-blue-butterflies-plebejus-argus-in-search-for-salts-166710480.htmlRFKK68WM–Silver-studded blue butterflies, Plebejus argus, in search for salts and minerals on a carcass of a dead mole.
Search Results for Silver salts Stock Photos and Images (512)
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