Silk warp faced weft ribbed plain weave Stock Photos and Images
(102)See silk warp faced weft ribbed plain weave stock video clipsQuick filters:
Page 1 of 2
Silk warp faced weft ribbed plain weave Stock Photos and Images
RM2A2HNE9–Fragment, 1625/75, Italy, Silk, warp-faced weft-ribbed plain weave self-patterned by complementary ground weft floats, 24.2 x 16.5 cm (9 1/2 x 6 1/2 in
RMRXHYY8–Panel. England. Date: 1715-1735. Dimensions: 86.4 × 54.4 cm (34 × 21 3/8 in.) Point repeat: 75 cm (29 3/8 in.). Silk, warp-faced, weft-ribbed plain weave with weft-float faced twill interlacings of secondary binding warps and supplementary brocading wefts à la disposition. Origin: England. Museum: The Chicago Art Institute.
RM2AHW892–Fragment. 1625–1675. Italy. Silk, warp-faced weft-ribbed plain weave self-patterned by complementary ground weft floats
RF2B900RM–Panel, c. 1725, England, Silk, warp-faced, weft-ribbed plain weave with weft-float faced twill interlacings of secondary binding warps and supplementary brocading wefts à la disposition, 86.4 × 54.4 cm (34 × 21 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2KFNN–Panel, c. 1725, England, Silk, warp-faced, weft-ribbed plain weave with weft-float faced twill interlacings of secondary binding warps and supplementary brocading wefts à la disposition, 86.4 × 54.4 cm (34 × 21 3/8 in
RMRXH9Y5–Fragment. Italy. Date: 1625-1675. Dimensions: 24.2 x 16.5 cm (9 1/2 x 6 1/2 in.) Repeat: 4.1 x 3.5 cm (1 5/8 x 1 3/8 in.). Silk, warp-faced weft-ribbed plain weave self-patterned by complementary ground weft floats. Origin: Italy. Museum: The Chicago Art Institute.
RM2AHWF1F–Fragment. 1695–1705. Italy. Silk, gilt-metal strip, gilt-metal-strip-wrapped silk, warp-faced, weft-ribbed plain weave with supplementary patterning, brocading and facing wefts
RF2B909EX–Fukusa (Gift Cover), early Meiji period (1868–1912), 1868/83, Japan, Mon side: silk, warp-faced, weft-ribbed plain weave (shioze), appliquéd with paper covered wood forms, embroidered with silk, laid threads couched along form edges, lined with silk, plain weave (heiken), sewn with front and lining matched in size (Tachikiri awase), 73 x 66 cm (28 3/4 x 26 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed an
RM2A2KM96–Fukusa (Gift Cover), early Meiji period (1868–1912), 1868/83, Japan, Mon side: silk, warp-faced, weft-ribbed plain weave (shioze), appliquéd with paper covered wood forms, embroidered with silk, laid threads couched along form edges, lined with silk, plain weave (heiken), sewn with front and lining matched in size (Tachikiri awase), 73 x 66 cm (28 3/4 x 26 in
RMRXJ06T–Fragment. Italy. Date: 1695-1705. Dimensions: 26.3 x 20.6 cm (10 3/8 x 8 1/8 in.) repeat: 10.45 x 9.5 cm (4 1/8 x 3 3/4 in.). Silk, gilt-metal strip, gilt-metal-strip-wrapped silk, warp-faced, weft-ribbed plain weave with supplementary patterning, brocading and facing wefts. Origin: Italy. Museum: The Chicago Art Institute.
RM2AHP41B–Panel. 1715–1735. England. Silk, warp-faced, weft-ribbed plain weave with weft-float faced twill interlacings of secondary binding warps and supplementary brocading wefts à la disposition
RF2B901KH–Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 1875/1900, Japan, Mon side: silk, warp-faced, weft-ribbed plain weave (shioze), resist-dyed, stenciled, 69.8 x 66.5 cm (27 1/2 x 26 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2KGA7–Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 1875/1900, Japan, Mon side: silk, warp-faced, weft-ribbed plain weave (shioze), resist-dyed, stenciled, 69.8 x 66.5 cm (27 1/2 x 26 1/8 in
RMRXMBK4–Fukusa (Gift Cover). Painted by Saeki Ganryô (Japanese, active c. 1901/25); Japan. Date: 1801-1825. Dimensions: 61 x 54.8 cm (24 x 21 5/8 in.). Patterned side: silk, warp-faced, weft-ribbed plain weave (shioze); painted with India ink (sumi) and gold paint; lining: silk, wrap-faced, weft-ribbed plain weave (shioze); sewn with front and lining matched in size (Tachikire awrase); silk, running 'controlling' stitches along all edges; corners: silk, knotted and re-piled fringe tassels. Origin: Japan. Museum: The Chicago Art Institute.
RM2AHWE1C–Panel. 1711–1713. France. Silk and silvered-and-gilt-metal-strip-wrapped silk, warp-faced, weft-ribbed plain weave with secondary binding warps tying some supplementary brocading wefts in a 3 1 twill interlacing
RF2B901J3–Tapis (Ceremonial or Wedding Skirt), 19th century, Indonesia, Sumatra, Lampung, Indonesia, Cotton, silk and gilt or silvered-paper-strip-wrapped silk, warp-faced, weft-ribbed plain weave with supplementary patterning wefts, embroidered with back, surface satin, stem and trammed loop stitches, mica and mirrors, 126.6 x 143.5 cm (49 7/8 x 56 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioni
RM2A2KG97–Tapis (Ceremonial or Wedding Skirt), 19th century, Indonesia, Sumatra, Lampung, Indonesia, Cotton, silk and gilt or silvered-paper-strip-wrapped silk, warp-faced, weft-ribbed plain weave with supplementary patterning wefts, embroidered with back, surface satin, stem and trammed loop stitches, mica and mirrors, 126.6 x 143.5 cm (49 7/8 x 56 1/2 in
RMRXJG7A–Chasuble. Italy, probably Turin. Date: 1710-1730. Dimensions: 100.4 x 68.6 cm (41 x 27 in.). Silk, warp-faced weft-ribbed plain weave; underlaid with linen, plain weave; appliquéd with gilt- and silvered-metal strips and metal-strip-wrapped silk, bobbin part lace; embroidered with silk, gilt- and silvered-metal strips and wire coils, and metal-strip-wrapped silk in laid work, couching, and padded couching; edged with silvered-metal-strip-wrapped silk, warp-faced weft-ribbed plain weave with extended weft uncut fringe, and bobbin straight lace; lined with silk, plain weave. Origin: Italy. Museu
RM2AHPJG8–Dalmatic. 1695–1705. Italy. Hemp, plain weave; embroidered with silk in satin and split stitches; laid work and couching; edged with silk, warp-faced weft-ribbed plain weave extended weft cut woven fringe; lined with cotton, plain weave; glazed
RF2B90BM5–Woman’s Ceremonial Skirt (Tapis), 19th century, Abung, Indonesia, South Sumatra, Lampung, Indonesia, Two panels joined: cotton and silk, warp-faced, weft ribbed plain weave, embroidered with silk, gold-leaf-over-lacquered-paper strip wrapped cotton, cotton, gilt-metal coils, gilt-metal wire wrapped cotton, gilt-metal-strip wrapped cotton and gilt-metal spangles in running stitches, laidwork, couching, and padded couching, 114.5 x 122 cm (45 x 48 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photogra
RM2A2KN5Y–Woman’s Ceremonial Skirt (Tapis), 19th century, Abung, Indonesia, South Sumatra, Lampung, Indonesia, Two panels joined: cotton and silk, warp-faced, weft ribbed plain weave, embroidered with silk, gold-leaf-over-lacquered-paper strip wrapped cotton, cotton, gilt-metal coils, gilt-metal wire wrapped cotton, gilt-metal-strip wrapped cotton and gilt-metal spangles in running stitches, laidwork, couching, and padded couching, 114.5 x 122 cm (45 x 48 in
RMRX9XDE–Chasuble, Stole, and Maniple. France or Italy. Date: 1675-1725. Dimensions: a: 112 × 75 cm (44 1/8 × 29 1/2 in.) b: 209 × 23.2 cm (82 1/4 × 9 1/8 in.) c: 50.7 × 22.2 cm (20 × 8 3/4 in.). Silk, warp-faced, weft-ribbed plain weave; watered (moiré); underlaid with linen, plain weave; embroidered with gilt-metal strips, spangles, pieces, and wire, and gilt-metal-strip-wrapped silk (file and frisé), in laid work, couching, padded couching, and French knots; edged with gilt-metal-strips and gilt-metal-strip-wrapped silk, bobbin-made tapes. Origin: France. Museum: The Chicago Art Institute.
RM2AHPKAR–Tapis (Ceremonial or Wedding Skirt). 1801–1900. Indonesia. Cotton, silk and gilt or silvered-paper-strip-wrapped silk, warp-faced, weft-ribbed plain weave with supplementary patterning wefts; embroidered with back, surface satin, stem and trammed loop stitches; mica and mirrors
RF2B90D5A–Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Mon side: silk, warp-faced, weft ribbed plain weave (shioze), dye extracted through stenciled chemical dye stripper (bassen), patterned side: cotton, silk and gold-leaf-over-lacquered-paper strip wrapped silk, slit tapestry weave with wrapped outlining wefts (tsuzure), paper interlining, Sewn with front and lining matched in size (Tachikiri awase), corners: silk, gold-leaf-over-lacquered-paper strip wrapped silk, tubular 1:1 oblique interlacing over cotton core, knotted, silk-wrapped cotton ball an
RM2A2KF1H–Square Shawl, 1840, England, Norwich, or Scotland, Edinburgh, England, Wool, silk, and cotton, center of weft-float faced 1:3 'Z' twill weave, patterned areas of warp-float faced 3:1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'Z' twill interlacings, attached silk, warp-faced weft ribbed plain weave extended ground weft fringe, two selvages present, woven on loom with Jacquard attachment, 195.9 × 191.6 cm (77 1/8 × 75 3/8 in
RMRXACEJ–Dalmatic. Italy or Spain. Date: 1695-1705. Dimensions: 120.5 x 120.5 cm (47 1/4 x 47 1/2 in.). Hemp, plain weave; embroidered with silk in satin and split stitches; laid work and couching; edged with silk, warp-faced weft-ribbed plain weave extended weft cut woven fringe; lined with cotton, plain weave; glazed. Origin: Italy. Museum: The Chicago Art Institute.
RM2AHPK20–François Carquillat (Designer). Portrait of Joseph Marie Jacquard (1752–1834). 1801–1900. Lyon. Silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with Jacquard attachment
RF2B8YY85–Square Shawl, 1840, England, Norwich, or Scotland, Edinburgh, England, Wool, silk, and cotton, center of weft-float faced 1:3 'Z' twill weave, patterned areas of warp-float faced 3:1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'Z' twill interlacings, attached silk, warp-faced weft ribbed plain weave extended ground weft fringe, two selvages present, woven on loom with Jacquard attachment, 195.9 × 191.6 cm (77 1/8 × 75 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern t
RM2A2KNW1–Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Mon side: silk, warp-faced, weft ribbed plain weave (shioze), dye extracted through stenciled chemical dye stripper (bassen), patterned side: cotton, silk and gold-leaf-over-lacquered-paper strip wrapped silk, slit tapestry weave with wrapped outlining wefts (tsuzure), paper interlining, Sewn with front and lining matched in size (Tachikiri awase), corners: silk, gold-leaf-over-lacquered-paper strip wrapped silk, tubular 1:1 oblique interlacing over cotton core, knotted, silk-wrapped cotton ball
RMRXHPMB–Fragment. Spain. Date: 1775-1800. Dimensions: 14 x 10.6 cm (5 1/2 x 4 3/16 in.) Repeat: 2.9 x 2.6 cm (1 1/8 x 1 in.). Silk and silvered-metal strip, warp-faced weft-ribbed plain weave with supplementary patterning wefts. Origin: Spain. Museum: The Chicago Art Institute.
RM2AHR53F–Marc-Laurent Bruyas (Designer). Portrait of Napoleon III (1808–1873), Emperor. 1801–1900. Lyon. Silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with Jacquard attachment
RF2B90BKG–Woman’s Ceremonial Skirt (tapis), 19th century, Paminggir, Indonesia, Sumatra, Lampung, Sumatra, Six panels joined: four panels of stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps and stripes of cotton and silk warp-faced, weft ribbed plain weave with supplementary brocading wefts and a stripe of cotton, plain weave, embroidered with silk in double running, stem and surface satin stitches and two panels of cotton, plain weave, embroidered with silk in chain, double running, split, and surface satin stitches, mirror pieces, gilt-metal pieces attached with silk, 67
RM2H2HWET–Fukusa (Gift Cover), Japan, late Edo period (1789-1868), early 19th century. Painted by Saeki Ganryô, 1901-1925.
RM2A2KM90–Fukusa (Gift Cover), late Edo period (1789–1868), early 19th century, Painted by Saeki Ganryô (Japanese, active c. 1901/25), Japan, Patterned side: silk, warp-faced, weft-ribbed plain weave (shioze), painted with India ink (sumi) and gold paint, lining: silk, wrap-faced, weft-ribbed plain weave (shioze), sewn with front and lining matched in size (Tachikire awrase), silk, running 'controlling' stitches along all edges, corners: silk, knotted and re-piled fringe tassels, 61 x 54.8 cm (24 x 21 5/8 in
RMRXMT6D–Ceremonial Skirt (tapis). Abung people; Indonesia, South Sumatra, northern Lampung area, Monggala. Date: 1801-1825. Dimensions: 110.5 x 113.7 cm (43 1/2 x 44 3/4 in.). Two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fib
RM2AHR501–François Carquillat (Weaver). Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888). 1801–1900. Lyon. Silk, warp faced weft ribbed plain weave with plain interlacing of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with Jacquard attachment
RF2B909EF–Fukusa (Gift Cover), late Edo period (1789–1868), early 19th century, Painted by Saeki Ganryô (Japanese, active c. 1901/25), Japan, Patterned side: silk, warp-faced, weft-ribbed plain weave (shioze), painted with India ink (sumi) and gold paint, lining: silk, wrap-faced, weft-ribbed plain weave (shioze), sewn with front and lining matched in size (Tachikire awrase), silk, running controlling stitches along all edges, corners: silk, knotted and re-piled fringe tassels, 61 x 54.8 cm (24 x 21 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Cla
RM2A2KN5B–Woman’s Ceremonial Skirt (tapis), 19th century, Paminggir, Indonesia, Sumatra, Lampung, Sumatra, Six panels joined: four panels of stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps and stripes of cotton and silk warp-faced, weft ribbed plain weave with supplementary brocading wefts and a stripe of cotton, plain weave, embroidered with silk in double running, stem and surface satin stitches and two panels of cotton, plain weave, embroidered with silk in chain, double running, split, and surface satin stitches, mirror pieces, gilt-metal pieces attached with silk, 67
RM2AHPPP7–Fukusa (Gift Cover). 1868–1883. Japan. Mon side silk, warp-faced, weft-ribbed plain weave (shioze); appliquéd with paper covered wood forms; embroidered with silk, laid threads couched along form edges; lined with silk, plain weave (heiken); sewn with front and lining matched in size (Tachikiri awase)
RF2B8YTMB–Panel (Dress Fabric), 1860s, France, Silk, bands of warp-faced weft ribbed plain weave, warp painted appearance (chiné), watered (moiré), warp-float faced satin weave, warp painted appearance (chiné) and warp-float faced satin weave self-patterned by areas of plain interlacing, 115.7 × 99.9 cm (45 9/16 × 39 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2HNWY–Fragment, 1775/1800, Spain, Silk and silvered-metal strip, warp-faced weft-ribbed plain weave with supplementary patterning wefts, 14 x 10.6 cm (5 1/2 x 4 3/16 in
RM2AHPW69–Hood. 1775–1825. France. Silk, warp-faced, weft-ribbed plain weave; embroidered with silk floss and yarns, gilt- and silvered-metal-strip-wrapped silk, and silvered-metal strips in satin, split, and stem stitches; couching, padded couching, laid work and French knots; edged with silk and gilt-metal-strip-wrapped silk, woven tapes and fringe
RF2B90C83–Ôhi (Stole), late Edo period (1789–1868), 1800/68, Japan, Heri, jô: silk, warp-float faced 2:1 ‘Z’ twill weave with supplementary patterning wefts, shiten: Silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 ‘Z’ twill weave with weft-float faced 1:2 ‘Z’ twill interlacings of secondary binding warps and supplementary patterning wefts, lining: silk, predominant warp, weft ribbed, plain weave, 130.4 x 27.6 cm (51 1/4 x 10 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography ins
RM2A2KDC3–Panel (Dress Fabric), 1860s, France, Silk, bands of warp-faced weft ribbed plain weave, warp painted appearance (chiné), watered (moiré), warp-float faced satin weave, warp painted appearance (chiné) and warp-float faced satin weave self-patterned by areas of plain interlacing, 115.7 × 99.9 cm (45 9/16 × 39 1/4 in
RM2DN8M8W–Textile, Medium: silk Technique: warp-faced plain weave with supplementary warp floats (background) and supplementary weft, Nineteenth century machine-made copy of Louis XV-style fabric. Cream ribbed silk with wavy S-shaped ribbons and brocaded floral clusters in several color combinations: red, pink and green; yellow, cream and brown; and yellow and white. Scattered buds throughout in yellow and coral., early 19th century, woven textiles, Textile
RM2AHPWWF–Cope. 1775–1825. France. Silk, warp-faced, weft-ribbed plain weave; embroidered with silk floss and yarns, gilt- and silvered-metal-strip-wrapped silk, and silvered-metal strips in satin, split, and stem stitches; couching, padded couching, laid work and French knots; edged with silk and gilt-metal-strip-wrapped silk, woven tapes and fringe
RF2B90BK2–Ceremonial Waist Sash (ikak pinggang), 19th century, Minangkabau people, Indonesia, West Sumatra, Solok village, Sumatra, Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave, ends of wool, plain weave, fulled, edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip, plain weave with secondary binding warps and supplementary patterning wefts, underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe, 331.2
RM2DN9NT8–Fragment, Medium: silk, metallic thread (frisé and filé) Technique: warp-face of an eight-harness satin patterned by warp-faced ribbed plain weave which is in turn patterned by one extra-weft and extra-weft brocading, Fragment of brocaded silk in the 'bizarre' style. Two hooked spirals placed side by side formed by two motifs, one a left curve and the other a right curve, repeated alternately the length of fabric. The major element of one motif is two wing-like leaves elaborated by geometric spirals, floral appendages, etc. in silver.
RM2AHPKC8–Fukusa (Gift Cover). 1875–1900. Japan. Mon side silk, warp-faced, weft-ribbed plain weave (shioze); resist-dyed, stenciledPatterned side silk, plain weave (shioze); resist-dyed, stenciled and possibly painted (yûzenzôme); embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in knot, single satin and stem stitches; laidwork and couching; tasseled
RM2A2KNBY–Ôhi (Stole), late Edo period (1789–1868), 1800/68, Japan, Heri, jô: silk, warp-float faced 2:1 ‘Z’ twill weave with supplementary patterning wefts, shiten: Silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 ‘Z’ twill weave with weft-float faced 1:2 ‘Z’ twill interlacings of secondary binding warps and supplementary patterning wefts, lining: silk, predominant warp, weft ribbed, plain weave, 130.4 x 27.6 cm (51 1/4 x 10 7/8 in
RF2B90BK6–Ceremonial Waist Sashes (ikak pinggang), 19th century, Minangkabau people, Indonesia, West Sumatra, Solok village, Sumatra, Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave, ends of wool, plain weave, fulled, with hammered white metal fitting and fringe of chain and cut, hammered end pieces, 318.8 x 7 cm (125 1/2 x 2 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist.
RM2AHTH1F–Chasuble, Stole, and Maniple. 1675–1725. France. Silk, warp-faced, weft-ribbed plain weave; watered (moiré); underlaid with linen, plain weave; embroidered with gilt-metal strips, spangles, pieces, and wire, and gilt-metal-strip-wrapped silk (file and frisé), in laid work, couching, padded couching, and French knots; edged with gilt-metal-strips and gilt-metal-strip-wrapped silk, bobbin-made tapes
RM2A2KN55–Ceremonial Waist Sashes (ikak pinggang), 19th century, Minangkabau people, Indonesia, West Sumatra, Solok village, Sumatra, Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave, ends of wool, plain weave, fulled, with hammered white metal fitting and fringe of chain and cut, hammered end pieces, 318.8 x 7 cm (125 1/2 x 2 3/4 in
RF2B90BKM–Ceremonial Skirt (tapis), Early 19th century, Abung people, Indonesia, South Sumatra, northern Lampung area, Monggala, Indonesia, Two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave, warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts, appliquéd with wool, plain weave, embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, dou
RM2AHPPNW–Saeki Ganryô. Fukusa (Gift Cover). 1801–1825. Japan. Patterned side silk, warp-faced, weft-ribbed plain weave (shioze); painted with India ink (sumi) and gold paint; lining silk, wrap-faced, weft-ribbed plain weave (shioze); sewn with front and lining matched in size (Tachikire awrase); silk, running controlling stitches along all edges; corners silk, knotted and re-piled fringe tassels
RM2A2KN52–Ceremonial Waist Sash (ikak pinggang), 19th century, Minangkabau people, Indonesia, West Sumatra, Solok village, Sumatra, Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave, ends of wool, plain weave, fulled, edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip, plain weave with secondary binding warps and supplementary patterning wefts, underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe, 331.2
RF2B90BKA–Woman’s Ceremonial Skirt (tapis), 18th century (?), Paminggir people, Indonesia, South Sumatra, Lampung area, Indonesia, Five panels joined: three panels of stripes of silk and cotton, warp resist dyed (warp ikat) plain weave (paired warps), stripes of warp-faced, weft ribbed plain weave with supplementary brocading wefts and one stripe of cotton, plain weave, embroidered with silk in back, double running, stem and surface satin stitches and two panels of cotton, plain weave, embroidered with silk in back, stem and surface satin stitches, 138.6 x 121.8 cm (54 1/2 x 47 7/8 in.), Reimagined by G
RM2AHPWCB–Abung. Woman's Ceremonial Skirt (Tapis). 1801–1900. Indonesia. Two panels joined cotton and silk, warp-faced, weft ribbed plain weave; embroidered with silk, gold-leaf-over-lacquered-paper strip wrapped cotton, cotton, gilt-metal coils, gilt-metal wire wrapped cotton ,gilt-metal-strip wrapped cotton and gilt-metal spangles in running stitches; laidwork, couching, and padded couching
RM2A2KN5F–Ceremonial Skirt (tapis), Early 19th century, Abung people, Indonesia, South Sumatra, northern Lampung area, Monggala, Indonesia, Two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave, warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts, appliquéd with wool, plain weave, embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole
RM2H2HT43–Fukusa (Gift Cover), Japan, late Edo period (1789-1868)/ Meiji period (1868-1912), 1875/1900.
RM2AHTM11–Square Shawl. 1840. England. Wool, silk, and cotton, center of weft-float faced 1 3 'Z' twill weave; patterned areas of warp-float faced 3 1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1 3 'Z' twill interlacings; attached silk, warp-faced weft ribbed plain weave extended ground weft fringe; two selvages present; woven on loom with Jacquard attachment
RM2A2KN57–Woman’s Ceremonial Skirt (tapis), 18th century (?), Paminggir people, Indonesia, South Sumatra, Lampung area, Indonesia, Five panels joined: three panels of stripes of silk and cotton, warp resist dyed (warp ikat) plain weave (paired warps), stripes of warp-faced, weft ribbed plain weave with supplementary brocading wefts and one stripe of cotton, plain weave, embroidered with silk in back, double running, stem and surface satin stitches and two panels of cotton, plain weave, embroidered with silk in back, stem and surface satin stitches, 138.6 x 121.8 cm (54 1/2 x 47 7/8 in
RM2H2HW65–Fukusa (Gift Cover), Japan, late Edo period (1789-1868)/ Meiji period (1868-1912), 19th century.
RM2AHPJTK–Chasuble. 1710–1730. Italy. Silk, warp-faced weft-ribbed plain weave; underlaid with linen, plain weave; appliquéd with gilt- and silvered-metal strips and metal-strip-wrapped silk, bobbin part lace; embroidered with silk, gilt- and silvered-metal strips and wire coils, and metal-strip-wrapped silk in laid work, couching, and padded couching; edged with silvered-metal-strip-wrapped silk, warp-faced weft-ribbed plain weave with extended weft uncut fringe, and bobbin straight lace; lined with silk, plain weave
RM2AHPWAX–Paminggir. Woman's Ceremonial Skirt (tapis). 1801–1900. Sumatra. Six panels joined four panels of stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps and stripes of cotton and silk warp-faced, weft ribbed plain weave with supplementary brocading wefts and a stripe of cotton, plain weave; embroidered with silk in double running, stem and surface satin stitches and two panels of cotton, plain weave; embroidered with silk in chain, double running, split, and surface satin stitches; mirror pieces; gilt-metal pieces attached with silk
RM2AHPXBA–Fukusa (Gift Cover). 1801–1900. Japan. Mon side silk, warp-faced, weft ribbed plain weave (shioze); dye extracted through stenciled chemical dye stripper (bassen); patterned side cotton, silk and gold-leaf-over-lacquered-paper strip wrapped silk, slit tapestry weave with wrapped outlining wefts (tsuzure); paper interlining; Sewn with front and lining matched in size (Tachikiri awase); corners silk, gold-leaf-over-lacquered-paper strip wrapped silk, tubular 1 1 oblique interlacing over cotton core, knotted; silk-wrapped cotton ball and re-plied silk, gold-leaf-over-lacquered-paper strip wrapped
RM2H6AYDD–Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797-1888), Lyon, 19th century.
RM2AHTB34–Fragment. 1775–1800. Spain. Silk and silvered-metal strip, warp-faced weft-ribbed plain weave with supplementary patterning wefts
RM2AHRGP0–Carpet. 1676–1725. Morocco. Wool and silk, plain weave with supplementary wrapping wefts forming cut pile through a technique known as Persian ( Sehna ) knots; edged with cotton, and wool weft-faced warp-ribbed plain weave
RM2AHTH24–Panel (Dress Fabric). 1860–1869. France. Silk, bands of warp-faced weft ribbed plain weave; warp painted appearance (chiné); watered (moiré); warp-float faced satin weave; warp painted appearance (chiné) and warp-float faced satin weave self-patterned by areas of plain interlacing
RM2AHPM1B–Joseph Maria Olbrich. Panel (Dress or Furnishing Fabric). 1901. Vienna. Silk and cotton, warp-faced weft-ribbed plain weave; watered (moiré); appliquée with silk and cotton, warp-faced weft-ribbed plain weave and warp-float faced satin weave; embroidered with silk and cotton, in chain and overcast stitches
RM2AHPWAJ–Minangkabau. Ceremonial Waist Sashes (ikak pinggang). 1801–1900. Sumatra. Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave; ends of wool, plain weave; fulled; with hammered white metal fitting and fringe of chain and cut, hammered end pieces
RM2AHPX77–Ôhi (Stole). 1800–1868. Japan. Heri, jô silk, warp-float faced 2 1 ‘Z’ twill weave with supplementary patterning wefts; shiten Silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2 1 ‘Z’ twill weave with weft-float faced 1 2 ‘Z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining silk, predominant warp, weft ribbed, plain weave
RM2AHPWB5–Paminggir. Woman's Ceremonial Skirt (tapis). 1701–1800. Indonesia. Five panels joined three panels of stripes of silk and cotton, warp resist dyed (warp ikat) plain weave (paired warps), stripes of warp-faced, weft ribbed plain weave with supplementary brocading wefts and one stripe of cotton, plain weave; embroidered with silk in back, double running, stem and surface satin stitches and two panels of cotton, plain weave; embroidered with silk in back, stem and surface satin stitches
RM2AHPW9Y–Minangkabau. Ceremonial Waist Sash (ikak pinggang). 1801–1900. Sumatra. Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe
RM2AHPWB4–Abung. Ceremonial Skirt (tapis). 1801–1825. Indonesia. Two panels joined cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, double running, split, stem, straight and surface satin; laidwork and couching;
Search Results for Silk warp faced weft ribbed plain weave Stock Photos and Images (102)
Page 1 of 2